American Impressionist Figurative Prints
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Style: American Impressionist
Ranchos Winter Robert Daughters serigraph
Located in Paonia, CO
Ranchos Winter by American impressionist Robert Daughter shows two women approaching the pueblo with the sun reflecting off the sides of the buildin...
Category
20th Century American Impressionist Figurative Prints
Materials
Screen
November 1981 III (Jardin du Luxembourg, Paris)
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: November 1981 III (Jardin du Luxembourg, Paris)
Year: 1981
Medium: Original color lithograph
Edition: Inscribed "Artist Proof" in pencil
Paper: Arches
Image size: 7.75 x 11.70 inches
Framed size: 18.65 x 22.5 inches
Signature: Hand signed and titled in pencil by the artist
Condition: Excellent
Frame: Custom framed in a wooden silver frame frame, with light light grey matting and brownish green fillet.
About the artist.
Print...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Lithograph
Original Impressionistic Monotype of Dancers
Located in Soquel, CA
Original Impressionistic Monotype of Dancers
This dynamic print by Linda O'Hagan captures the movement of a dancer with out arm outstretched and the other lifting her skirt. The fo...
Category
1980s American Impressionist Figurative Prints
Materials
Monotype
Sea Maidens (or, Sunshine; Girls on the Beach)
Located in New York, NY
Arthur B. Davies (1862-1928), Sea Maidens (or, Sunshine; Girls on the Beach), soft ground etching and aquatint, 1919, signed in pencil lower right. Reference: Czestochoski 79, second...
Category
1910s American Impressionist Figurative Prints
Materials
Etching, Aquatint
Original American Airlines San Francisco vintage travel poster Golden Gate
By Dong Kingman
Located in Spokane, WA
Original American Airlines San Francisco vintage travel poster. Artist: Dong Kingman, 1970s linen-backed authentic travel poster, ready to frame. Grade A- condition. Size 20...
Category
1970s American Impressionist Figurative Prints
Materials
Lithograph
Round of Summer (aka Four Figures), First State Proof
Located in New York, NY
Arthur B. Davies (1862-1928), Round of Summer (aka Four Figures), soft ground etching, 1919, signed in pencil lower right. Reference: Czestochowski 91, first state (of 3), trial proo...
Category
1910s American Impressionist Figurative Prints
Materials
Etching
Resurrection (aka Flying Figures; Border of the Lake)
Located in New York, NY
Arthur B. Davies (1862-1928), Resurrection (aka Flying Figures; Border of the Lake), drypoint and aquatint on zinc, 1916, signed with the estate stamp lower right. Reference: Price 2...
Category
1910s American Impressionist Figurative Prints
Materials
Drypoint, Aquatint
The Bronc by Lon Megargee
Located in Phoenix, AZ
Lon Megargee 1883-1960
"The Bronc"
Wood block print
Signed in plate, lower right
Image size: 9 x 10 inches
Frame size 21 x 21.5 inches
Creator of Stetson's hat logo "Last Drop from his Hat"
Lon Megargee
1883 - 1960
At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy.
Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit.
Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch.
Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953.
In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career.
Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s.
In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals.
In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art.
Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...
Category
Early 20th Century American Impressionist Figurative Prints
Materials
Woodcut
SMOKING (SEPIA)
Located in Aventura, FL
Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 30 x 26 inches. From the editi...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Lithograph
Hopi by Lon Megargee, Original Signed Block Print ca. 1920s
Located in Phoenix, AZ
Title: Hopi ca. 1920s
Artist: Lon Megargee
Medium: Block Print
Size: 11 x 11 inches (Sight Measurement)
Creator of Stetson's hat logo "Last Drop from his Hat"
Image of Lon Megargee not included in purchase.
Lon Megargee
1883 - 1960
At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy.
Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit.
Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch.
Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953.
In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career.
Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s.
In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals.
In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art.
Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...
Category
1920s American Impressionist Figurative Prints
Materials
Woodcut
THE GOLDEN AGE
Located in Aventura, FL
From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Lithograph
On the Streets of New Orleans
By G. Harvey
Located in Wimberley, TX
G. Harvey’s "On the Streets of New Orleans", released in 1981, is a moody, rain-washed tribute to the romance and rhythm of one of America’s most storied cities. Set in the early 20t...
Category
1980s American Impressionist Figurative Prints
Materials
Color, Lithograph
New York : Break in Central Park - Original handsigned lithograph
Located in Paris, IDF
Harold ALTMAN
New York : Break in Central Park
MEDIUM : Stone lithograph
SIGNATURE : Handsigned
LIMITED : Artist Proof
PAPER : Arches vellum
SIZE : 56 x 76 cm (c. 22 x 30 in)
INFORMATION : Bears the blind stamp of the printer "Atelier Desjobert...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Lithograph
When Bankers Wore Boots
By G. Harvey
Located in Wimberley, TX
G. Harvey’s “When Bankers Wore Boots” transports viewers to a bygone era where the heartbeat of a snow-covered town pulses beneath the golden glow of gas lamps. A horse-drawn streetc...
Category
1970s American Impressionist Figurative Prints
Materials
Color, Lithograph
Evening Light
Located in San Francisco, CA
This artwork titled "Evening Light" 1993 is a large original color lithograph on Arches paper by noted California artist Clark Mitchell, b.1951. It is hand signed, dated, titled and numbered 6/20 SI in pencil by the artist.The image size is 23.25 x 35 inches, sheet size is 29.25 x 40 inches. It is in excellent condition, has never been framed.
About the artist.
Born In Denver, Colorado - January 19, 1951
Growing up in the shadow of the Rockies, Clark Mitchell very early discovered a love of the natural world. Given a set of fine old German pastels by his father when quite young, he quickly embraced the medium for its ease of handling, brilliance of color and portability.
He received a bachelor’s degree in art from Colorado College in the seventies and moved to San Francisco to continue his studies at the Academy of Art College. Through personal exploration as well as study with artists Albert Handell, Skip Whitcomb, Michael Lynch...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Lithograph
'Grand Central Station' — New York City Landmark
By Otto Kuhler
Located in Myrtle Beach, SC
Otto Kuhler, 'Grand Central Station', etching and drypoint, 1927, edition c. 50, Kennedy 27. Signed and titled in pencil. A superb, richly-inked impression, in brown/black ink, with ...
Category
1920s American Impressionist Figurative Prints
Materials
Drypoint, Etching
Sisters, Itzchak Tarkay
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012)
Title: Sisters
Year: Circa 2000
Medium: Silkscreen on wove paper
Size: 11.25 x 11.75 inches
Edition: 219/750, plus 100 Remarques
Condition: Excelle...
Category
Early 2000s American Impressionist Figurative Prints
Materials
Screen
THE VILLAGE SMITHY
Located in Aventura, FL
From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Lithograph
The Rocket: Roger Clemens, Yankees Baseball Pitcher by LeRoy Neiman
By LeRoy Neiman
Located in Long Island City, NY
Artist: LeRoy Neiman, American (1921 - 2012)
Title: The Rocket: Roger Clemens
Year: 2003
Medium: Serigraph, signed and numbered in pencil
Edition: 192/325
Image Size: 27.5 x 36 inche...
Category
1970s American Impressionist Figurative Prints
Materials
Screen
The Little Wheelwright's
Located in Storrs, CT
The Little Wheelwright's. 1886. Etching. Kennedy 245; Glasgow 242. 2 1/2 x 3 3/4 (sheet 5 1/8 x 6 1/8). There was no lifetime edition. Glasgow lists only 13 other known impressions. A fine impression printed in black ink on white laid paper. Monogrammed with the butterfly in the plate. Housed in a 10 X 11 1/2 X 1-inch gold leaf period carved Celtic...
Category
Mid-19th Century American Impressionist Figurative Prints
Materials
Etching
CHEERING
Located in Aventura, FL
Hand signed and numbered by the artist. From School Days portfolio. Artwork size 26 x 20 inches. Frame size approx 30 x 26 inches. Edition of 200.
Artwork is in excellent condi...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Lithograph
"Eternal Problem" - 1924 Etching on Paper
Located in Soquel, CA
"Eternal Problem" - 1924 Etching on Paper
Etching on paper titled "Eternal Problem" by Elias M. Grossman (American, 1898-1947). A bearded rabbi is portrayed thinking with his hand p...
Category
1920s American Impressionist Figurative Prints
Materials
Paper, Ink, Etching
MEDICINE (SEPIA)
Located in Aventura, FL
Hand signed and numbered by the artist. From Tom Sawyer Portfolio. Sheet size 25.5 x 19.5 inches. Image size approx 17 x 13 inches. Frame size approx 28 x 24 inches. AP edition. ...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Lithograph
Landscape
By Carson Gladson
Located in San Francisco, CA
About the artist:
Bay Area artist, Carson Gladon's "transparent collages" combine the elements of nature with a mix of computer graphics and traditional painting using vivid and pastel colors. Seeming, "to infuse the techniques of the European impressionists with a hint of the delicacy of a Chinese or Japanese silk screen...
Category
21st Century and Contemporary American Impressionist Figurative Prints
Materials
Lithograph
Washington's Courtship - 1932 Etching on Paper
By William Auerbach-Levy
Located in Soquel, CA
Washington's Courtship - 1932 Etching on Paper
1932 black and white etching depicting George and Martha Washington by William Auerbach-Levy (Russian, 1889-1964). Titled "Washington'...
Category
1930s American Impressionist Figurative Prints
Materials
Laid Paper, Etching
MUGGELTON'S STAGECOACH
Located in Aventura, FL
Hand signed and numbered by the artist. Image size approx 20.5 x 16 inches. Frame size approx 32 x 27 inches. From the edition of 200.
Artwork is in excellent condition. Certific...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Lithograph
"Skating on Ladies' Pond Central Park": Winslow Homer 19th C. Woodcut Engraving
Located in Alamo, CA
This Winslow Homer woodcut engraving entitled "Skating on the Ladies' Skating-Pond in Central Park, New York", was published in Harper's Weekly in the January 28, 1860 edition. It depicts a large number of men, women and children skating on a recently opened pond in Central Park. At the time of publication of this engraving, Central Park was in the early stages of construction. This engraving documents the very early appearance of Frederick Law Olmstead and Calvert Vaux's masterpiece of landscape design. According to Olmsted, the park was "of great importance as the first real Park made in this century – a democratic development of the highest significance". The people of New York were very proud of the plans for their park. It was stated at the time: "Our Park, which is progressing very satisfactorily under the management of the Commissioners, will undoubtedly be, one of these days, one of the finest place of the kind in the world...Those who saw the Park before the engineers went to work on it are amazed at the beautiful sites which have been contrived with such unpromising materials; all fair persons believe that the enterprise is managed with honesty and good taste."
Skating was rapidly rising in national popularity in part due to the opening of Central Park’s lake to skaters on a Sunday in December 1858 with 300 participants. The following Sunday it attracted ten thousand skaters. By Christmas Day, a reported 50,000 people came to the park, most of them to skate. There were rules governing who could use the skating pond. “The Ladies’ Pond...
Category
1870s American Impressionist Figurative Prints
Materials
Engraving, Woodcut
FIDO'S HOUSE
Located in Aventura, FL
From the 'American Family' portfolio. Hand signed and numbered by the artist. Lithograph on arches paper. Printed by Atelier Mourlot, Paris. Published by Raymond & Raymond, Inc. in ...
Category
1970s American Impressionist Figurative Prints
Materials
Paper, Lithograph
Brothers
By Don Hatfield
Located in San Francisco, CA
This artwork titled "Brothers" 1991 is an original color serigraph on heavy Coventry paper by noted American artist Donald (Don) Hatfield, b.1947. It is hand signed and numbered 115/...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Screen
Quiet Afternoon, Itzchak Tarkay
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012)
Title: Quiet Afternoon
Year: Circa 2000
Medium: Silkscreen on wove paper
Size: 13.5 x 10.75 inches
Edition: 123/750, plus 100 Remarques
Condition: ...
Category
Early 2000s American Impressionist Figurative Prints
Materials
Screen
Parc Monceau, Paris
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Parc Monceau, Paris
Year: c.1985
Medium: Color lithograph
Edition: Inscribed H.C. (Hors Commerce) ...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Lithograph
Jewish Shtetl Couple Judaica Woodblock c.1930s WPA Woodcut Print Hand Signed
Located in Surfside, FL
Some of his prints were published by the WPA. it is a wood engraving signed in pencil. From a small edition.
Albert Abramovitz (1879-1963), born in Riga, Latvia, on January 24, 187...
Category
1930s American Impressionist Figurative Prints
Materials
Woodcut
"Gulls On The Rocks" - Original Lithograph On Paper
Located in Soquel, CA
"Gulls On The Rocks" - Original Lithograph On Paper
Original Lithograph on paper titled "Gulls On the Rocks" by artist Margaret Kilburn (American, 1891-1984). A group of seagulls ca...
Category
20th Century American Impressionist Figurative Prints
Materials
India Ink, Laid Paper, Screen
"The Retreat From Long Island" - 1932 Etching On Paper
By Levon West
Located in Soquel, CA
"The Retreat From Long Island" - 1932 Etching On Paper
Black and white etching titled "The Retreat from Long Island" (from the portfolio “The Bicentennial Pageant of George Washing...
Category
1930s American Impressionist Figurative Prints
Materials
Laid Paper, Etching
Badajoz Fiestas de SAn Juan 1954 original vintage Spanish travel poster
Located in Spokane, WA
Original vintage Badajoz Fiesta de San Juan linen backed poster. Very good condition, ready to frame.
Printed: Lit. Ortega, Valencia. Archival linen backed. No tears, no stain...
Category
1950s American Impressionist Figurative Prints
Materials
Lithograph
Leaves, Monceau
Located in San Francisco, CA
Artist: Harold Altman (American, 1924-2003)
Title: Four Walking Figures
Year: c.1980
Medium: Original color lithograph
Edition: Inscribed Artist Proof in pencil
Paper: Arches
Im...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Lithograph
4th of July, American Impressionist Offsett Lithograph by Marcia Marx
By Marcia Marx
Located in Long Island City, NY
Marcia Marx (1931 - 2005) - 4th of July, Year: 1976, Medium: Offsett Lithograph, signed and numbered, Edition: 54/100, Size: 23 x 29.5 in. (58.42 x 74.93 cm)
Category
1970s American Impressionist Figurative Prints
Materials
Lithograph
Dust Time, large lithograph
By John Maxon
Located in San Francisco, CA
Artist: John Maxon (American, born 1947)
Title: Dust Time
Year: 1993
Medium: Color lithograph
Edition: Numbered 146/210
Paper: Arches
Image size: 26.5 x 39.75 inches
Paper size: 31.5 x 44 inches
Signature: Hand signed in pencil by the artist
Condition: Excellent, has never been framed
About the artist.
Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature . Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings.
Education
San Francisco Art Institute
B.A., Painting, San Jose State University
M.F.A., Painting, University of California, Davis
Stanford University, Palo Alto, California
Cabrillo College, Aptos, California
Selected Solo Exhibitions
2018
Gallery Panza Verde – Antigua Guatemala, Guatemala
2015
Desert Art Collection - Palm Desert California
2015
Galeria Antigua – Antigua, Guatemala
2014
Galeria Panza Verde – Antigua, Guatemala
2008
Linda Durnell Gallery – Los Gatos, California
2006
Linda Durnell Gallery – Los Gatos, California
2005
Robert Allen Fine Art Gallery – Sausalito, California
2004
Ellis West Gallery – Durango, Colorado
2002
Ellis West Gallery – Durango, Colorado
2001
Robert Allen Fine Art Gallery – Sausalito, California
1997
Stanford University Faculty Club – Stanford, California
Selected Group Exhibitions
2018
Chemers Art Gallery – Los Angeles, California
2009, 2010, 2016, 2017 & 2018
Robert Allen Fine Art – Sausalito, California
2017 Christopher Hill Gallery - St Helena, California
2013 / 19
Gallery North - Carmel, California
2015
Desert Art Collection - Palm Desert, California
2014
Paul Scott Gallery - Bend, Oregon
2014
Christopher Hill Gallery Healdsberg, California
2013
Firehouse Art Center - Pleasanton, Ca. 2013
2011 - 2013
Robert Allen Fine Art – Sausalito, California
2010 - 2012
Susan Street Gallery – Solano Beach, California
2010 (Awarded 1st place) and 2012
“Contemporary Landscape Painters of California” – Awarded 1st Place
2011 - 2012
Salisbury Fine Art – Avila Beach, California
2010
Bryant Street Gallery – Palo Alto, California
2009
Museum Art and History – Santa Cruz, California
2008
Cabrillo College – Aptos, California
2006
Christopher Hill Gallery – St. Helena, California
2005
Fort Lewis College – Durango, Colorado
2001
St. Supery Winery & Fine Art Gallery, Napa California
2001
Napa Valley Wine Auction – St. Helena, California
1997
West Coast Painting and Sculpture – Ocean Side, California
1997
Wolk Gallery – St. Helena, California
Selected Museum Collections
Interior Museum, Department of the Interior, Washington D. C.
Santa Cruz County Art Museum – Santa Cruz, California
University of California – Berkeley, California
University of California – Davis, California
Napa Valley Art...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Lithograph
Red Hat, Itzchak Tarkay
Located in Fairfield, CT
Artist: Itzchak Tarkay (1935-2012)
Title: Red Hat
Year: Circa 2000
Medium: Silkscreen on wove paper
Size: 13.5 x 11.5 inches
Edition: 122/750, plus 100 Remarqu...
Category
Early 2000s American Impressionist Figurative Prints
Materials
Screen
The Oouh Baby Experience, Surrealist Screenprint by Paul Goodnight
Located in Long Island City, NY
Artist: Paul Goodnight
Title: The Oouh Baby Experience
Year: 2001
Medium: Sixty Screen Serigraph, signed and numbered in pencil
Edition: 256
Image Size: 34 x 26 inches
Paper Size: 38...
Category
Early 2000s American Impressionist Figurative Prints
Materials
Screen
Alexandria
Located in San Francisco, CA
This artwork titled "Alexandria" 1991 is an original color serigraph by noted American artist Susan Rios, b.1950. It is hand signed and numbered H.C 50/70 in pencil by the artist. With the blind stamp of the publisher Martin Lawrence Editions, Printed by American Serigraph, Los Angeles, CA. The image size is 27 x 22 inches, sheet size is 34 x 27.85 inches. It is in excellent condition.
About the artist:
Susan Rios was born in Terre Haute, Indiana, and spent her early years nurturing her natural artistic talent, eventually earning an art scholarship to California State University, Northridge in Los Angeles. Upon graduating, Rios began working for an advertising agency and later became a floral designer. This influence can be seen in her unique artwork, which does not ring true of any particular artistic style; instead, Rios blends realism and impressionism to her own personal techniques, creating something novel that appeals to all kinds of people. “No heart is so hard that it doesn’t respond to flowers,” Rios explained. Her warmth and gentle also touch countless people because her creations depict “the private times. They’re the details that people remember. Her beautiful, delicate creations are collected worldwide and her fans include Walter Matthau, Patty Duke Astin, and Priscilla Presley...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Screen
Old Houses, Milbank Grosvenor Road London 1906
Located in Soquel, CA
Old Houses, Milbank Grosvenor Road London 1906
This an etching of Grosvenor Road Old Houses, done in 1906 by American printmaker and Whistler biographer Joseph Pennell (American, 18...
Category
Early 1900s American Impressionist Figurative Prints
Materials
Handmade Paper, Etching
The Pretzel Man, American Impressionist Lithograph by Richard Shepard
Located in Long Island City, NY
Richard Shepard, American (1926 - 2000) - The Pretzel Man, Year: 1989, Medium: Lithograph, signed and numbered in pencil, Edition: 23/350, Size: 21 x 11.5 in. (53.34 x 29.21 cm),...
Category
1980s American Impressionist Figurative Prints
Materials
Lithograph
Interference, Football Color Etching by LeRoy Neiman 1972
By LeRoy Neiman
Located in Long Island City, NY
Artist: LeRoy Neiman, American (1921 - 2012)
Title: Interference
Year: 1972
Medium: Etching, signed and numbered in pencil
Edition: 54/150
Image Size: 7.5 x 8.4 inches
Size: 9 x 9.25...
Category
1970s American Impressionist Figurative Prints
Materials
Etching
"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed
By Gordon Cope
Located in Soquel, CA
"Fisherman's Wharf - San Francisco" Multi Layer Screen Print on Paper - Signed
Rare and bold Screen Print (Silk Screen) of Fisherman's Wharf 1957 by Gordon Cope (American, 1906-1999). Several boats are docked at Fisherman's Wharf, with buildings directly behind them. In the distance, the hills of San Francisco can be seen meeting a pale blue sky. Of particular note is the skillful representation of the reflections of the boats in the water, and the clever use of grey paper as negative space.
Numbered and titled in pencil in the lower left corner "22/100 Fisherman's Wharf - San Francisco"
Hand signed and dated in pencil in the lower right corner "Gordon Cope 1957"
Titled, signed, and dated "in plate"
Presented in a silver colored frame with a double mat.
Frame size: 22.5"H x 27"W
Image size: 15"H x 20"W
Gordon N. Cope (American, 1906-1999) was an educator and painter. Trained in Utah and France, he exhibited his landscape paintings and portraits in the United States and Europe, and he believed music was related to painting.
Cope was born on May 14, 1906, in Salt Lake City. He was trained by Utahn artists LeConte Stewart and Lawrence Squires, and at the Académie Julian in Paris, France in 1928. He also studied singing at the Opéra-Comique.
Cope taught art at Latter-day Saints University, and he served as the chair of its Department of Art in 1930–1931. He taught at the Mountain School of Art from 1932 to 1938, and he was the director of the Art Barn School in Salt Lake City in 1939–1941. Cope painted Utahn landscapes as well as a portrait of Henry H. Blood, who served as the seventh governor of Utah from 1933 to 1941. Cope exhibited his work in the United States and Europe. According to the Deseret News, Cope "felt that music and painting are closely interrelated, and that the study of one form may be used to complement the appreciation and understanding of the other."
Cope died on June 10, 1999, in San Francisco, California.
Gordon Nicholson Cope studied with well-known Utah artists A.B. Wright and LeConte Stewart, and became recognized as a major Utah artist of the Great Depression. Cope was born in Salt Lake City in 1906 and spent much of his life in Utah.
Cope gained much of his artistic training from diverse environments and influences. Following his training with the previously mentioned artists, Cope spent the next year, 1924, working with Lawrence Squires in Arizona. To expand his knowledge and training, Cope traveled to Europe, where he studied the "old masters" such as Da Vinci, Michelangelo, and Raphael. From 1924 to 1928, Cope studied in England, France, Italy, Switzerland, Belgium, Holland, and worked for a year at the Acadamie Julian, where many early Utah artists...
Category
1950s American Impressionist Figurative Prints
Materials
Paper, Ink, Screen
The Flower Cart
By G. Harvey
Located in Wimberley, TX
G. Harvey’s "The Flower Cart" is a luminous celebration of urban charm and human tenderness, set in a time when the pace of life moved slower and beauty bloomed on every corner. In this atmospheric piece, Harvey channels his signature warmth and glowing light to turn an everyday moment—a street-side flower vendor’s cart...
Category
1980s American Impressionist Figurative Prints
Materials
Color, Lithograph
Original "The American Red Cross is spending Ten Million" vintage poster
Located in Spokane, WA
Original American Red Cross vintage poster. Linen backed and ready to frame.
The Red Cross nurse warming thousands, feeding thousands, hea...
Category
1910s American Impressionist Figurative Prints
Materials
Lithograph
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching
Located in Soquel, CA
"Conquering The Wilderness" - Lewis and Clark Expedition Original Etching
Original 1932 black and white etching titled "Conquering The Wilderness" by Robert Hogg Nisbet (American, ...
Category
1930s American Impressionist Figurative Prints
Materials
Laid Paper, Etching
Original "This Way Out!" Mather & Company work incentive vintage 1923 poster
Located in Spokane, WA
Original vintage poster: Very rare original 1923 vintage archival linen backed poster: This Way Out! Pick your Exit - Now. Which way out will you take should a fire occur here today? Don't wait for the emergency and then start to run. Decide how and where to get out now. The poster is in B condition and has had restoration on the lower left border. Wear consistant with its age in the lower left as well. See images for more detail.. Original work motivaton or incentive poster. Mather Work...
Category
1920s American Impressionist Figurative Prints
Materials
Lithograph
Dallas Remembered
By G. Harvey
Located in Wimberley, TX
G. Harvey's "Dallas Remembered" is a limited edition lithograph released in August 1985, capturing the nostalgic essence of early 20th-century Dallas. The artwork measures 18 x 21.5 ...
Category
1980s American Impressionist Figurative Prints
Materials
Color, Lithograph
THE TEXAN
Located in Aventura, FL
Collotype in colors on paper. Unsigned. Title and copyright info in typeset lower margin.
Artwork is in excellent condition. All reasonable offers will be considered.
Category
1970s American Impressionist Figurative Prints
Materials
Paper
Bayfront Park, Miami, Florida
Located in San Francisco, CA
Artist: David Rosenthal (American 1876-1949)
Title: Bayfront Park, Miami Florida
Year: c.1940
Medium: Color Etching with aquatint
Image (Plate mark) size: 9 x 11 inches
Sheet size: 10 x 12.25 inches
Signature: Hand signed, titled and numbered 6/150 in pencil by the artist
Condition: Very good, margin slightly toned by age
About the artist.
David Rosenthal (1876-1949) was a Cincinnati artist...
Category
Early 20th Century American Impressionist Figurative Prints
Materials
Etching, Aquatint
'Bridges of Florence' — Firenze Impressionism
Located in Myrtle Beach, SC
Alonzo C. Webb, 'Bridges of Florence', etching, 1929, edition 100. Signed and titled in pencil. Signed and dated in the plate, lower left. A superb, richly-inked impression, in warm ...
Category
1920s American Impressionist Figurative Prints
Materials
Etching
Dune line
By John Maxon
Located in San Francisco, CA
Artist: John Maxon (American, born 1947)
Title:: Dune line
Year: 1994
Medium: Color lithograph
Edition: Inscribed and numbered 15/20
Paper: Arches
Image size: 21 x 33.5 inches
Paper size: 29.25 x 41.5 inches
Signature: Hand signed in pencil by the artist
Condition: Excellent, has never been framed
About the artist.
Coming from a very western tradition in Wyoming, John Maxon developed an expansive view of nature. Moving eventually to the San Francisco Bay area, John's delight in the effects of light and color led him to the decision to become an artist at the young age of 15. His natural ability was encouraged, and at 16 he began figurative art classes with Howard Brodie, the artist well known for his WWII correspondence, drawings and the Watergate trial drawings.
Education
San Francisco Art Institute
B.A., Painting, San Jose State University
M.F.A., Painting, University of California, Davis
Stanford University, Palo Alto, California
Cabrillo College, Aptos, California
Selected Solo Exhibitions
2018
Gallery Panza Verde – Antigua...
Category
Late 20th Century American Impressionist Figurative Prints
Materials
Lithograph
"Snug Harbor" Etching of a Romantic Harbor Scene 1928
By Armin Hansen
Located in Soquel, CA
"Snug Harbor" Etching of a Romantic Harbor Scene 1928
Tall ships in a "Snug Harbor" by Armin Carl Hansen (American, 1886-1957. On wove paper.
Image, 6"H x 8"W
Sheet, 9.75"H x 12"W
...
Category
1920s American Impressionist Figurative Prints
Materials
Laid Paper, Etching
Original "American Export Lines" mid-century vintage cruise line poster
Located in Spokane, WA
Original American Export Lines vintage travel poster. Artist Aldo Sassi, printed in Italy by Pesce, Genova. Professional acid-free archival linen ...
Category
1950s American Impressionist Figurative Prints
Materials
Offset
Winter Wildfowling
By Frank Benson
Located in New York, NY
This 1927 etching by Frank W. Benson is entitled Winter Wildfowling. Printed in an edition of 150 this impression is signed in pencil, lower left. The image size 11 7/8 x 9 7/8" (30 x 24.8 cm) and sheet size 15 1/16 x 12 5/8" (38.3 x 32 cm).
FRANK W. BENSON (1862-1951)
Frank Weston Benson, well known for his American impressionist paintings, also produced an incredible body of prints - etchings, drypoints, and a few lithographs. Born and raised on the North Shore of Massachusetts, Benson, a natural outdoorsman, grew up sailing, fishing, and hunting. From a young age, he was fascinated with drawing and birding – this keen interest continued throughout his life.
His first art instruction was with Otto Grundman at the Museum of Fine Arts in Boston, and then in 1883 in Paris at the Academie Julian where he studied the rigorous ‘ecole des beaux arts’ approach to drawing and painting for two years.
During the early 1880’s Seymour Haden visited Boston giving a series of lectures on etching. This introduction to the European etching...
Category
1920s American Impressionist Figurative Prints
Materials
Etching
Lost Shadow, Impressionistic Screenprint Portrait by Chase Chen Chenoff
By Chase Chen
Located in Long Island City, NY
Lost Shadow by Chase Chen Chenoff, Chinese/American (1964)
Date: circa 1990
Screenprint, signed and numbered in pencil
Edition of EA 55
Size: 37.5 in. x 45 in. (95.25 cm x 114.3 cm)
Category
1990s American Impressionist Figurative Prints
Materials
Screen
American Impressionist figurative prints for sale on 1stDibs.
Find a wide variety of authentic American Impressionist figurative prints available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add figurative prints created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Norman Rockwell, Harold Altman, Itzchak Tarkay, and Arnold A. Grossman. Frequently made by artists working with Lithograph, and Etching and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large American Impressionist figurative prints, so small editions measuring 1 inches across are also available. Prices for figurative prints made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $100 and tops out at $75,000, while the average work sells for $1,100.