Expressionist Figurative Prints

Artist: Francisco Zuniga, Mexican (1912 - 1998) Title: El Sueno Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: 25, 5 AP Size: 22 in. x...

Artist: Francisco Zuniga, Mexican (1912 - 1998) Title: Yucatecas en la Parque Year: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 150 Size: 21 in. x 30 in. (5...

Luis Camnitzer and Martin Buber (1878-1965), New York: JMB Publishers Ltd, 1970. Printed at The New York Graphic Workshop. Hand signed on Arches paper. (Edition 24/100, numbered on Justification page) Woodblock prints based on folktales from the Hasidic Jewish tradition in Eastern Europe, selected by Camnitzer from the early masters section of Buber’s Die chassidischen Bücher as translated by Olga Marx. German Expressionist style Jewish woodcuts...

An original monoprint by American female artist Jackie Felix. This work is currently featured in an exhibition Over the Fence on view at Benjaman Gallery. This work comes in an ar...

"Helen Goes Ahead- Crow" is an original lithograph proof signed by the artist Leonard Baskin. It depicts a Crow woman named Helen Goes Ahead in front of a red background. 19" x 12 ...

Man in bowler hat, ladies in hats out shopping. Vojtěch Tittelbach ( 1900, Mutějovice - 1971, Prague) was a Czech painter and graphic artist, gradua...

Artist: Corneille, Belgian (1922 - ) Title: Dans l'infinie verticalite de l'herbe la femme Year: 1977 Medium: Lithograph, signed and numbered in pencil Edition: HC 4/15 Size: 26...

An original mixed media, Photo Etching, Aquatint, Drypoint on paper by the collaboration of two artists, Robert Flemming and Mizin Shin. This piece entitled Judgment Hour measure ...

"Eve Incurs God's Displeasure" is an original double sided lithograph by Marc Chagall. On recto the print features the biblical story of Eve being scolded by God for her sin in the G...

Artist: Juan Garcia Ripolles, Spanish (1932 - ) Title: Un Dia de Marzo... Year: 1981 Medium: Lithograph, signed and numbered in pencil Edition: 16 Image Size: 14 x 16.5 inches Size: ...

Joan Snyder has been called an autobiographical, even confessional artist, who draws from her experiences and surroundings to create her paintings. While her subjects vary widely, Sn...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet...

Born in 1897, Ben-Zion Weinman celebrated his European Jewish heritage in his visual works as a sculptor, painter, and printmaker. Influenced by Spinoza, Knut Hamsun, and Wladyslaw Reymont, as well as Hebrew literature, Ben-Zion wrote poetry and essays that, like his visual work, attempt to reveal the deep “connection between man and the divine, and between man and earth.” An emigrant from the Ukraine, he came to the US in 1920. He wrote fairy tales and poems in Hebrew under the name Benzion Weinman, but when he began painting he dropped his last name and hyphenated his first, saying an artist needed only one name. Ben-Zion was a founding member of “The Ten: An Independent Group” The Ten” a 1930’s avant-garde group, Painted on anything handy. Ben-Zion often used cabinet doors (panels) in his work. Other members of group included Ilya Bolotowsky, Lee Gatch, Adolf Gottlieb...

after Carl Otto Czeschka, (1878-1960), Austrian A leading member of the Vienna Secession and later the Wiener Werkstätte (Viennese Workshop), Carl Otto Czeschka was a vital figu...

An original lithograph created by Lester F. Johnson. This work was donated to Hallwalls Contemporary Art Center by the David K. Anderson Charitable Trust. All proceeds from the sal...

35" x 38.5" Unframed Limited Edition Giclee 29/125 Hand Signed by Todd White

Bengt Lindström (1925-2008) Fauvist Portrait in Red Original Lithograph Printed signature in the plate Numbered / 500 ex On vellum 31 x 22.5 cm (c. ...

"Untitled - LJ#53" is an original color lithograph by Lester Johnson. The artist signed the piece in the lower center and also wrote the edition number,...

"Artiesten Winterfest" is an original color lithograph poster designed by Jan Sluijters. It depicts a brightly colored woman with long orange hair and su...

An oil-based ink monotype of an expressive figure turned from the viewer against a patterned green-grey background.

This artwork titled "Le Bal Masque" Giuseppe Verdi Opera, (Variant) 1967 is an original color lithograph on Japan paper by renown Austrian expressionist artist Oskar Kokoschka, 1886-...

29" x 16.5" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

ABOUT THE PAINTING 40" X 28" Monoprint In this enchanting morning scene, the essence of love and connection amidst the beauty of nature is captured skillfully. The backdrop reveals a...

33.75" x 17.5" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “Definitely a painting about the ones you know are a total mistake from the ...

"Three Seated Figures- Women (Frauen)" is an original lithograph from the "South Sea (Sudsee)" series by Max Pechstein. This lithograph depicts th...

Campendonk, Heinrich. SITZENDER HARLEKIN. Engels/Sohn 59. Woodcut, 1922. 15 x 11 3/8 inches; 380 x 290 mm. Signed in pencil. In Excellent condition. Framed.

Auguste Georges Rouault, French (1871–1958) Offset Lithograph, signed in the plate Image Size: 12.5 x 8.5 inches Size: 17 x 14 in. (43.18 x 35.56 cm) Frame Size: 23 x 19.5 inches

20" x 30" Unframed Limited Edition Giclee with Hand Embellishment of 195 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors...

Femme au Collier from The Reincarnations du Pere Ubu Georges Rouault, French (1871–1958) Date: 1928 Etching with Aquatint, signed in the plate Image Size: 12 x 8 inches Size: 17 x 13...

Le Clown Georges Rouault (After), French (1871–1958) Date: circa 1970 Screenprint Poster Image Size: 17.5 x 12 inches Size: 26 x 20 in. (66.04 x 50.8 cm)

This is an artist proof aquatint of a woman peeking around a cactus with ducks mysteriously hovering in the upper right corner and a giant beautiful cactus overgrowing. The mood is ...

Siccard-Redl, Josef. Fruhling, Ca 1910. Color wood engraving, Signed and titled in pencil by the artist. Little is known of this artist other than he worked in Vienna during the ...

Carborundum etching. Figura de Hombre en Azul con Fondo Gris / Figure of a Man in Blue with Gray Background (Pereda 251). Printed and published by Ediciones Poligrafa in Barcelona. I...

Serigraph on paper. Hand signed and numbered by the artist. Artwork size 27.5 x 19.5 inches. Frame size approx 32 x 24 inches. Artwork is in excellent condition. Edition of 125. C...

Armand Nakache Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions ...

Lester Johnson Girls Walking State 3 etching 1986. Designated edition number 8 of 21 in pencil lower left recto. Signed in pencil "Lester Johnson" lower right recto.

stamped on back: Le Vent d'Arles and SPADEM 1975 - Printed in France Edition sticker on back reads: No. 1815

23" x 22.75" Unframed Hand Embellished Giclée on Paper of 14 Hand Signed by Todd White COA Included Todd white captures restaurant, night and Hollywood scenes with contrasting color...

21” x 11” Unframed Original Acrylic on Canvas Board Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’...

"You Feel Like Home" is an original etching and aquatint signed by the artist Molly McKee. It is edition 3/10 and depicts a figure holding two babies and another tall figure to the l...

Drypoint printed in dark brown on heavy cream wove paper with wide margins. This is the third state (of four) from a small edition of only several. Signed and inscribed "II Zustand" ...

BELA KADAR 1877-1956 Budapest 1877-1956 (Hungarian) Title: The Family, circa 1930's Technique: Original Signed Tempera on paper Image size: 90 x 71.5 cm / 35.4 x 28.2 in Additional Information: The work is hand signed "Kadar Bela...

Bordellszene is an original lithograph, realized by Otto Gleichmann in 1924, hand- signed and dated. In very good conditions. Here the artwork represents two men in Expressionistic...

Large and very scarce etching, aquatint and drypoint. This richly-inked impression is the second state (of 2) from a limited edition of approximately 17. Signed and titled in pencil ...

Emil Orlik (1870-1932), Market in Grodek, etching and aquatint, 1898, signed in pencil lower right, in very good condition, trimmed just outside of the platemark and so with a small ...

Emil Orlik (1870-1932), Am Gänsehäufel in Wien, 1911, soft-ground etching, signed and dated in pencil lower right. In very good condition, on firm laid paper with margins, 5 1/2 x 8...

This is a vintage museum exhibition poster from the Max Beckmann Retrospective at the Saint Louis Art Museum, 1984. Max Beckmann was...

A very good impression of this scarce, early lithograph on Japan paper. Signed in pencil by Pechstein.

"Bal AAAA Bullier" is an original color lithograph poster by Achille-Emile Othon Friesz, signed by the artist in the plate in the lower left. This p...

Original hand-colored woodcut from a portfolio of Secessionist fashion illustrations. Signed in the lower right margin by the artist, Reni Schaschl (1895-1979), a talented member of...

22.5" x 14.5" Framed Limited Edition Giclee on Canvas with Hand-Embellishment Numbered of 50 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes wi...

18" x 10" Unframed Limited Edition Giclée with Hand Embellishment of 135 Hand Signed by Todd White “Being an observational artist of 53 years, I truly understand, only now, life is...

Otto Neumann (1895-1975) was an expressionist painter and printmaker born in Heidelberg, Germany. He was one of the most versatile and original artists of the twentieth century. Neum...

20" x 30" Unframed Limited Edition Giclee with Hand Embellishment of 135 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors serving the viewer’s eyes as those in his stolen scenes serve or are served-wine, coffee, cigarettes, cigars, and martinis. He creates timeless scenes of diverse attraction, of known intimacy. Within the exaggerated features and textured skin of his characters lies truth, yours and theirs. Distinctive bodies and details to lips, eyes, hair, skin, hands and what is held in each, separate and blend his characters’ lives. The smoke that rises from their lips, the drinks that linger at their fingertips, the clothing that adorns their bodies and the crowd created among lovers, friends, patrons and co-workers all speak a certain poetry. Each character depicts the subtleties of what one shows and what one hides. An asymmetrical face tells of an asymmetrical life, of how life wears and how we wear life — what we choose to carry in our hands and on our faces — how we wear ourselves, what smoke and color we stand in. Todd’s paintings are captivating, demanding a second look, often invoking humor or thoughts of familiar feelings — I’ve been there, I know them. Above all, the work is infectious and has caught the attention of the public (galleries cannot keep enough of Todd’s work in stock) as well as celebrities (Vin Diesel, Hugh Hefner, Macaulay Culkin, Eric McCormack, Ryan Stiles and Joe Rogan are collectors of Todd’s oil paintings). But who is the artist behind the art and where did his unique style come from? Todd began in at Warner Bros. Studios while working on the popular series, tiny toons. Through character clean-up and development, Todd began to forge his own artistic style. Shortly thereafter, Todd became part of the lead animation team for the internationally renowned cartoon, sponge bob square pants. Over the next three years, Todd sharpened his eye in storyboarding, illustration and character design. Throughout this period, Todd privately experimented with style and concept, eventually arriving at a process which guides him through every piece. The impact is apparent in his paintings; Todd’s rat-pack-meets-Picasso style results, in part, from his desire to reveal his characters’ innermost thoughts and emotions on their faces. Todd likens his portraits to his favorite episode of the Twilight Zone in which people wore masks that later became their faces and revealed who they truly were. Fast forward ten years later, and until Todd can conceptually see the story in his head, he refuses to paint a single signature knuckle curled around one of his famous martinis. "I actually name my pieces first and then i visualise each face and its personality. Then I develop each person’s story." The stark, unblemished delivery of his subjects is very much intended: whatever isn’t necessary to the story isn’t on my canvas. "I don’t waste a lot of time with backgrounds because they don’t interest me. They aren’t necessary. Instead i focus on what is essential. For example, the hands." Hands are a focal point for Todd, reflecting the subject’s state of mind as much as any body language or facial expression. Everyone’s hands are full of personality he surmises. Take Al Pacino; without his hands, he’s not nearly as interesting to watch. In addition to more obvious influences, such as Austrian expressionist Egon...

24" x 14" Unframed Limited Edition Giclee with Hand Embellishment of 100 Hand Signed by Todd White 2021 Todd white captures restaurant, night and Hollywood scenes with contrasting c...

Artist: Francisco Zuniga, Mexican (1912 - 1998) Title: El Rebozo Blanco Year: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 135 Size: 30 in. x 21 in. (76.2 cm x 53...

Serigraph on paper. Hand signed and numbered by the artist. Artwork appears to be in excellent condition. Artwork has not been examined outside the matting. Matted size: approx. 37 x...

21" x 26" Unframed Limited Edition Giclee with Hand Embellishment Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors servi...

25" x 33" Unframed Limited Edition Giclee with Hand Embellishment of 75 Hand Signed by Todd White Todd white captures restaurant, night and Hollywood scenes with contrasting colors ...

An original drypoint monotype by American female artist Kathleen Sherin.