Modern Figurative Prints

Eduardo Arroyo - Can You Play Piano ? - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

"Carte De Voeux (New Year Greeting Card)" is an original color lithograph by Marc Chagall. It is edition 11/450, and the number is written in pencil in the lower right. This piece de...

Eduardo Arroyo - Awaken Heart - Original Lithograph 1984 Conditions: excellent Edition: 495 Dimensions: 37,3 x 58 cm Editions: Trinckvel

Jean HELION Three American Gangsters Original lithograph Handsigned in pencil Numbered / 100 copies On Arches vellum 65 x 50cm (c.26 x 20"...

Yves SAINT-LAURENT La Vilaine Lulu with Butterflies II, 1985 Lithograph On heavy paper 50 x 65 cm (c. 20 x 26 inch) Limited to 300 copies INFORMATION : Edited in 1985 and limited t...

Artist: Wayne Ensrud, American (1934 - ) Title: Homage to Degas II Year: 1980 Medium: Lithograph, signed and numbered in pencil Edition: AP 45 Image Size: 30 x 24 inches Size: ...

Graphic designer, co-founder of Les Ateliers du Nord, Lausanne. Member of the Alliance Graphique Internationale (AGI). Regular collaboration with an important number of cultural, social and commercial institutions, the Swiss Foundation for Photography in Zurich, the Collection de l’Art Brut, the Musée de l’Elysée, the Museum of fine arts Lausanne, le Museum of Ethnography Geneva (MEG), Geneva (OCG), the Photo gallery FNAC in Paris, Magnum Photos in Paris and Phaidon Press in London for whom he creates posters, the domain in which he achieved celebrity, He was the artistic director of communication for Weimar'99, Cultural Capital of Europe in 1999. Numerous national and international awards, amongst which the Award for exceptional Use of Photography in Graphic Design awarded by the International Center of Photography, New York, 1988; the First Prize for a new series of Swiss Bank...

John DePol, 'Roadside, Collonges-La Rouge', chiaroscuro wood engraving, 1980, edition 160 in 1983. Signed, dated, and titled in pencil. Signed in the block, lower right. A superb imp...

Albert Einstein portrait, "A L E", a color collotype print, watercolor by Lilya Vorobey (American, 20th C). Unsigned. From a collection of her works. On mat board. Image, 9.75"H x 7....

Albert Einstein portrait, "A E", a black and white collotype print by Lilya Vorobey (American, 21st C). Unsigned. From a collection of her works. On mat board. Image, 9.75"H x 7.75"W...

Etching and aquatint on Fabriano Rosaspina paper. Hand signed and dated lower right: “George Segal 87”. Edition of 60 prints. Published by 2RC Edizioni d’Arte – Roma and by Sidney Ja...

Artist: Sylvia Roth Title: The Emperor Year: circa 1980 Medium: Etching with Aquatint, signed in pencil Edition: AP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches

Albert Einstein portrait, "A E", a color collotype print, watercolor by Lilya Vorobey (American, 20th C). Titled "AE" lower left. Signed "L. Vorobey" and dated "89" lower right. On m...

Richard DAVIES (1945-1991) Persephone Original etching and mezzotint Handsigned in pencil Numbered / 60 On vellum 46 x 38 cm (c. 18.5 x 15 inch) REFERENCES : Catalog Raisonne Plum...

Salvador DALI Méditation orogénique Original etching and aquatint Handsigned in pencil Limited to 80 copies On mandeure vellum 44,5 x 44 cm This etching is part of seri...

Richard DAVIES (1945-1991) Young Girl at the Funfair, 1983 Original etching and mezzotint Handsigned in pencil Numbered / 30 On vellum 28 x 38 cm (c. 11 x 15 inch) REFERENCES : Cat...

Richard DAVIES (1945-1991) Barrel Organ and Ballerina Original etching and mezzotint Handsigned in pencil Numbered / 25 On vellum 28 x 19 cm (c. 11 x 8 i...

Albert Einstein portrait, "E", a collotype print, watercolor by Lilya Vorobey (American, 21st C). Unsigned. From a collection of her works. On mat board. Image, 9.75"H x 7.75"W. Full...

Richard DAVIES (1945-1991) Man with Accordion Original etching and mezzotint Handsigned in pencil Numbered / 60 On vellum 28 x 38 cm (c. 11 x 15 inch) REFERENCES : Catalog Raisonne...

Artist: Robert Kushner, American (1949 - ) Title: Paris Review Year: 1982 Medium: Lithograph, signed and numbered in pencil Edition: 200 Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Artist: Will Barnet, American (1911 - 2012) Title: The Skaters Year: 1988 Medium: Etching and Aquatint, signed and dedicated in pencil Edition: Trial Proof...

Artist: Sylvia Roth Title: The Empress Year: circa 1980 Medium: Etching with Aquatint, signed and numbered in pencil Edition: PP Image Size: 23.5 x 22 inches Size: 34 x 28.5 inches

Artist: LeRoy Neiman (American, 1921-2012) Title: Paris Bourse Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: PP Image Size: 29.5 x 37 inches Frame Size:...

Shepard Fairey Terry Hall Tribute - Musack Edition (The Specials, Operation Ivy, Fishbone, Chalkie Davies) Screenprint on heavy True White Speckletone paper Year: 2023 Size: 24x18in ...

Created in 1988, this lithograph on BFK Rives wove paper is hand-signed in pencil by Jim Dine (Cincinnati, Ohio, 1935 –) in the lower right margin and numbered from the edition of 30...

Created in 1983, this color lithograph on Arches paper is hand-signed by Marc Chagall (Vitebsk, 1887- Saint-Paul, 1985) in pencil in the lower right margin. This work is inscribed as...

Created in 1980, this lithograph on paper is hand signed by Marc Chagall (Vitebsk, 1887- Saint-Paul, 1985) in pencil in the lower right margin and is numbered from the edition of 50 in pencil in the lower left margin. About the Framing: Framed to museum-grade, conservation standards, Marc Chagall Jeremiah...

Created in 1989, this aquatint and drypoint on paper is hand-signed by Wayne Thiebaud (Mesa, 1920 - Sacramento, 2021) in pencil in the lower right margin. Numbered from the edition o...

Created in 1989-1990, this aquatint with lithographic crayon on Somerset paper is hand-signed by Alex Katz (Brooklyn, 1927 - ) in pencil in the lower left margin and is annotated as an artist proof in pencil in the lower left margin, aside from the numbered edition of 60. About the Framing: Framed to museum-grade, conservation standards, Alex Katz Red...

Edward Ruscha Coyote, 1986 is a color lithograph on Arches paper that is hand-signed by Edward Ruscha (1937, Nebraska - ) on verso and is numbered from the edition of 30 in pencil on...

Fashion serigraph featuring the work of Patrick Nagel that was produced as a part of a commemoration series from 1984-1988 after the artist's untimely death in 1984. This image was number 8 out of 15. Currently hung in a navy frame with multiple light blue mattings. Signed within the print. Dimensions Without Frame: H 35.5 in. x W 23.5 in. From the Catalogue: Rendered with an economy of line and flat, cool planes of color, Patrick Nagel’s Kristen presents a piercing portrait that distills the artist’s iconic aesthetic with which he garnered widespread popularity in the 1980s. Nagel, who studied art at Chouinard Art Institute in the 1960s, emerged in the Pop era alongside contemporaries such as Tom Wesselmann and Andy Warhol. While similarly working with a Pop aesthetic, Nagel infused elements from Deco and Japanese Woodblock prints into his graphic works – echoing such artistic forebears as Henri de Toulouse-Lautrec. A skilled illustrator, Nagel first photographed models before using ink and acrylic to boldly emphasize features. In the present work, ghostly pale skin is set against jet black hair – her features evocative of Nagel’s portrait that featured on Duran Duran’s Rio album in 1982 and catapulted him to widespread acclaim. Kristen presents us with the “Nagel Women” par excellence, perfectly encapsulating his reductive aesthetic. As actress Joan Collins recalled, "I remember when he (Patrick Nagel) first photographed me he remarked that my lips were my most outstanding facial feature. He said they seemed to have an anatomy of their own. Never have lips felt so naked. He had a way of seeing every detail and revealing them all on canvas" (Joan Collins, quoted in Elena G. Millie, Nagel: The Art of Patrick Nagel, New York, 1985, p. 16). Though Nagel passed away prematurely in 1984, his works continue to resonate – with important examples held in the permanent collections of the Library of Congress, The Smithsonian Institution and the Musée des Arts Décoratifs in Paris. —Courtesy of Phillips Artist Biography: The Pop Art of Patrick Nagel needs little introduction. His minimalist style defined an era with cool, seductive women that became the most iconic of any single generation. His elegant graphic work and his portrayal of the contemporary woman made figurative design before him look instantly old. Today his unique sensibility and style continue to resonate with generations of young designers, illustrators and artists who have found inspiration from his trend-setting style. Nagel was in the forefront of a new wave of illustration in Los Angeles in the late 1970’s and early 80’s, re-imagining the graphic arts and in the process defining Los Angeles as the epicenter of award-winning visual arts. It was a reciprocal relationship; Los Angeles influenced his evolving style and in return he left his indelible mark on the city and far beyond. Through cultural cross-pollination, his work absorbed the moment – from the fashion photography of Guy Bourdin and Helmut Newton to influencing the look of music videos by David Bowie, Robert Palmer and George Michael, to creating the album cover art of Duran Duran. Patrick Nagel was born in Dayton, Ohio in 1945 and was raised in Orange County, California. After returning from his tour in Viet Nam, he studied fine art at Chouinard Art Institute and California State University, Fullerton where he received his BA in 1969 in painting and graphic design. He then taught at Art Center College of Design while simultaneously establishing himself as a free-lance designer and illustrator with memorable ads for Ballantine Scotch, IBM and covers for Harper’s magazine. In the mid-70’s he began illustrating stories for Playboy magazine, bringing instant exposure and a large appreciative audience to his work. His years working with Playboy established him as the heir apparent to 50’s pin-up artist Alberto Vargas and gave Nagel the subject matter that he would continue to use to illustrate the newly liberated woman. Over the last one hundred years, poster art has been one of the most humble, influential and pervasive of all the arts. But in the U.S in the 70’s, where poster art had not been used to its best effect, an opportunity arose to change the status quo. Nagel, in partnership with Mirage Editions and fine art printer Jeff Wasserman, sought to recapture the beauty and power that posters once held in popular culture by returning to a model created at the turn of the century with artists such as Toulouse Lautrec and A. M. Cassandre. They sought to produce the highest quality hand screened art prints that would also serve as collectible advertising...

Etching and aquatint on Fabriano paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the...

Etching and aquatint on Fabriano paper. Signed in pencil and numbered from the edition of 50 recto. Printed by 2 RC Editrice, Rome and published by Raymond Spencer Company for the...

Artist: Romare Bearden Title: Out Chorus Year: 1979-80 Medium: Photoetching on Arches, signed and numbered in pencil Edition: 200 Image Size: 12 x 16 inches Paper Size: 22 x 30 inche...

René GRUAU Moulin Rouge : Femmes, femmes, femmes Original lithograph Printed signature in the plate On paper 60 x 40 cm (c. 24 x 16 inch) Information : Original exhibition poster f...

Signed and numbered in pencil