People Interior Prints

Cinematic interior scene from the iconic Parry Lodge on an American road trip photographed in Kanab. The area was often used as Western movie locations due to its scenic backdrop...

From, The Progress of a Midshipman, Exemplified in the Career of Master Blockhead 1860 (plate 3) London: Thomas McLean, 1835. Etching with handcoloring in watercolor on cream wove pa...

PORTRAIT OF MONET is an original limited edition lithograph printed using traditional hand drawn lithographic plates, one color at a time, on archival Arches printmaking paper, 100% acid free, not a photo reproduction or digital print. PORTRAIT OF MONET is a humorous portrayal of the famous French impressionist painter, Claude Monet, posed in front of his masterpiece Water Lilies with paint laden wood palette...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NY...

GERTRUDE by the African American woman artist Samella Lewis, is an original hand drawn lithograph printed using hand lithography techniqu...

This exact subject is in the permanent collection of the Portland Art Museum (OR). Root also has works in the McNay Art Museum, San Antonio, and the Smithsonian Museum American Art M...

Signed and numbered from the edition of 20. Completed to accompany the exhibition of his work 'Squaring the Circle', at the Latvian National Museum of Art, Riga in 2017. The illusi...

Original UK Lobby Card of Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour Keywords: James Bond, 007, action, Thriller, Great ...

Hand signed. Signed and titled on plate. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 50 years ago by an a...

In Anne Dykmans' "Fructidore", a well endowed woman uses her plaid apron to carry a bunch of fruit. Parts of her body clothed in plaid seem to suggest the same fruit she is carrying...

Chester Cathedral - Drypoint Etching in Ink on Paper Dramatic drypoint etching by J. Alphege Brewer (British, 1881-1946). This composition shows the interior of Chester Cathedral in Brewer's characteristic style - highly detailed and with strong contrast. The scene encompasses the cathedral from floor to ceiling, capturing the immense size of the building. There are several people in the scene which contribute to the sense of scale. Signed by hand "J. Alphege Brewer" in the lower right corner. Titled "Chester Cathedral" in plate, lower left corner. Includes original card with artist's name. Presented in a new black mat with foamcore backing. Mat size: 16"H x 12"W Paper size: 10.75"H x 7.75"W James Alphege Brewer was well known in the early 20th century as a producer of color etchings of European cathedrals and other scenes of church, college, and community. He was born July 24, 1881, in the Kensington section of London, England, the son of Henry W. Brewer, noted artist of historical architecture and prominent convert to the Catholic Church, and the grandson of John Sherren Brewer, Jr., “the brilliant editor of the Calendar of Letters of Henry VIII.” His great uncle was E. Cobham Brewer, the polymath who compiled Brewer’s Dictionary of Phrase and Fable. Among his older siblings were the artist Henry C. Brewer and the organist and writer John Francis Brewer. Brewer attended the Westminster School of Art in London, where his brother Henry also trained. In 1910, he married Florence Emma Lucas, an accomplished painter in oil and watercolor, whose father was the noted landscape artist George Lucas and whose great uncle was David Lucas, the famous engraver for John Constable. Florence's brothers Edwin and George assisted Brewer in the printing of Brewer's etchings. Brewer exhibited at the Royal Academy (RA) and the Royal Institute of Painters in Watercolour (RI), at the Paris Salon of the Académie des Beaux-Arts, and in the shows of the Royal Cambrian Academy (RCA). He became an associate of the Royal Cambrian Academy in 1929 and a full member in the last two years of his life. He was also a member of the Hampstead Society of Artists, the Society of Graphic Art, and the Ealing Arts Club, where he was first Honorary Art Secretary and then Honorary Art Chairman. Most of Brewer's larger etchings were published by Alfred Bell...

Original UK Lobby Card of Terence Young´s movie "James Bond 007 - You only life twice", UK 1967. Actors: Sean Connery, Tetsuro Tanba and Akiko Wakabayashi Keywords: James Bond, 007,...

Alfred Defossez Interior scene, 1973 Original lithograph (Mourlot workshop) Handsigned in pencil Justified HC On Japan paper 76 x 54 cm (c. 29,9 x 21,2 inch) Very good condition, s...

Original UK Lobby Card of Terence Young´s movie "James Bond 007 - From Russia with love", UK 1963. Actors: Sean Connery Keywords: James Bond, 007, action, Thriller, Great Britain, a...

Clifford Isaac Addams (May 25, 1876 – November 7, 1942) was an American painter and etcher, and a protégé of James McNeill Whistler.

No matter the seriousness of the subject, everything is always beautifully drawn on the lithographic stone by Bendiner, but in this instance the negative space is exploited amazingly. This courtroom...

Signed and numbered, verso “Artist Studios New York” is an editorial project by Marco Anelli that explores the New York studios of the major protagonists in the contemporary art scene. Artists include: Alex Katz, Alfredo Jaar, Anne Collier, Anthony McCall, Banks Violette, Cecily Brown, Dan Colen, Dana Schutz, Elizabeth Peyton, Francesco Clemente, Glenn Ligon, Jack Pierson, Joan Jonas...

Over 350 year old exquisite antique copper engraving of the architectural floor plans to Massimi Palace in Italy by Giovanni Giacomo de' Ross...

This artwork titled "Doctor's Office" 1976 is a color lithograph by American artist Lee Dubin, b.1933. It is hand signed and numbered 106/200 in pencil by the artist. The image size ...

This is a 17th century engraving entitled "Messire Nicolas Lambert Seigneur de Thorigny, Conseiller du Roy" by Pierre Drevet after a painting by Noicolas de Largillière, published in Paris in 1698. This portrait depicts a three-quarter length view of Nicolas Lambert de Thorigny, who is dressed in elaborate robes and collar of a wealthy Parisian nobleman of the time. He is seated directed to the left and looking directly at the viewer. He is holding an inscribed note in his right hand. A magnificent billowing curtain is in the background. Lambert's coat of arms is shown in the center of the lower inscription area. In the inscription area is lettered with title, production detail: "Nic. Largilliere pinxit" and "Petr. Drevet sculpsit", and publication detail: "Se vend a Paris chez Drevet rüe du Foin au coin du College de Maître Gervais". Nicolas Lambert, Seigneur de Thorigny (1600-1664), was a French nobleman and military commander who lived in the 17th century. He served in the French army during the Thirty Years' War, a conflict that took place from 1618 to 1648 and involved many European powers. Lambert fought in several battles during the war and rose to the rank of colonel. After the war, Lambert returned to France and became involved in politics. He served as a member of the Estates General, a legislative body that advised the king, and as a governor of several provinces. He was a counsellor and confidant of King Louis XIV. He had the title of Président de la Chambre des Comptes. He also became a member of the French Academy of Sciences, a prestigious institution that promotes scientific research and scholarship. Lambert was known for his military expertise, his intelligence, and his commitment to public service. He iInherited the Hôtel Lambert in Paris from his brother Jean Baptiste in 1644 and hired some of the most prominent artists of the time, including Charles Le Brun to decorate and furnish the building. This beautiful old master engraving was created with impressive detailed technique. It is printed on laid, chain-linked paper. The sheet measures 18.5" high and 13.38" wide. The sheet is adhered to an archival backing paper at the top. There is a faint horizontal center fold and mild discoloration in the inscription area and in the upper margin on the right, with mild wrinkling here. The print is otherwise in very good condition, considering its age. This engraving is so rare, that no comparable prints could be identified for sale online. It is currently only listed in museum collections, including: The Metropolitan Museum of Art, The British Museum, The Louvre, The Riksmuseum, The Victoria & Albert Museum, The Fitzwilliam Museum at the U. of Cambridge, The Boston Museum of Fine Arts, Harvard Art Museums, The Finnish National Museum, The Philadelphia Museum. It is shown in the Metropolitan Museum's Cataloque of French paintings entitled: "French Paintings in The Metropolitan Museum of Art, published in 2018, page 36. The page is included in the photos. Nicolas de Largillière (1656-1746) was a French portrait painter who achieved great success and acclaim during the late Baroque and Rococo periods. He was born in Paris and trained under the painter Antoine Goubeau. He studied in Antwerp and London before returning to France. While in England he was a favorite painter of King Charles II and King James II of England...

Clearly Sanders (1906-1967) was a master at these minimalist figurative prints. It's all about atmosphere and tension. Perhaps reflecting the print here, (Lovers), he, in fact, w...

This impression is signed and numbered in an edition of 50 Paolo Ciampini was born in Montopoli in Val d'Arno in 1941. After graduating from the Art Institute of Cascina (Pisa) in ...

Dennis Oppenheim Color applications for Chandra (hand signed limited edition), 1977 Color lithograph and photo lithograph on wove paper Signed and dated 1977 in graphite pencil on th...

Bernard Sanders (1906-1967) was a master at suggesting layers of meaning. Here, at first glance, this is study of sisters, posed to show subtle differences in height and profile. But...

details of an almost monochromatic and timeless urban vignette in Rome, Italy captured with a large format camera to allow epic scale print sizes with incredible image details SPQR ...

Fine art print from "The Collection Alphabet" - Letter "N" as Nelson.

SEATED WOMAN NEAR A BED is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter...

Colour aquatint by JC Stadler after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine c...

No. 45, View of Akasaka from "Comical Views of Famous Places in Edo" Woodblock Whimsical woodblock print by Utagawa Hirokage (Japanese, active 1855–1865). Four people are sitting on...

Walter Rudolph His photographs are reminiscent of the jet-set photographer Slim Aarons. Walter Rudolph discovered the world as a photographer on the idea, travel was his passion, hi...

Original American Lobby Card of Walt Disney’s Movie „Pinocchio“, USA 1940. Title Page Lobby Card of Walt Disney’s All-Cartoon Classic „Pinocchio“. Pure Enjoyment … with no strings at...

Chromolithograph, 1868. From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...

Large scale original photograph from Erik Pawassar's body of works 'Persephone', a series of environmental still-life photographs of timeless palimpsest impressions 62 x 48 inches (157 x 122cm) signed edition of 7 40 x 31 inches (102 x 79cm) signed edition of 25 24 x 19 inches (61 x 48cm) signed edition of 25 archival fine art pigment print signed & numbered by artist on certificate label ____________________________ Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado, Raghubir Singh...

Current Affairs by Laura Jordan is a limited edition print of London, printed on archival paper with a hand finished overlay of pencil watercolour and collage. This scene depicting ...

Classic vintage Vegas Casino at the Flamingo Las Vegas. This art deco interior has the South Beach Miami vibe, opened in 1946 it is the oldest in ...

FIVE GEISHA WITH FANS is an original hand drawn lithograph printed on archival Somerset printmaking paper, 100% acid free, by the renowned Chinese born artist Walasse Ting (DING XION...

DRESS REHEARSAL by the woman artist Robin Morris, is an original hand drawn limited edition lithograph(not a photo reproduction or digital print) printed in 13 colors using hand lithography techniques on archival Arches paper, 100% acid free. DRESS REHEARSAL depicts a group of blonde female dancers rehearsing in the dance studio wearing bold black striped color leotards. Dramatic purple arched windows against a pink wall and bold black and white checkered floor...

This artwork "Mujere II" c.1960 is an original color silkscreen by noted Argentinian artist Raul Soldi, 1905-1994. It is hand signed and numbered 93/150 in pencil by the artist. The image size is 13.5 x 20.5 inches, sheet size is 19.75 x 22.75 inches. The colors are fresh and bright, it have a 0.85 inches restored tear at the lower margin (see picture #6 for detail) some paper rubs on the verso, not visible from the front. otherwise in good condition. About the artist: Raúl Soldi was born in Buenos Aire in 1905. He was an argentine plastic artist of recognized international experience. In 1920 he began drawing and painting. He makes reproductions of Quinquela Martín...

An American painter, printmaker, and illustrator. His work was featured in "The Masses" and at the Metropolitan Museum of Art and Pennsylvania Academy of the Fine Arts. This wood en...

Martini Corner, interior photography by Richard Heeps, photographed in Arizona as part of his Dream in Color series. The artwork has rich orange colours and an elegant mid-century fe...

Lovis Corinth (1858 Tapiau - 1925 Zandvoort), In bed, 1909. Drypoint on laid paper with watermark, 14.3 cm x 19 cm (image), 29 cm x 39.3 cm (sheet size), signed “Lovis Corinth” in pe...

Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

This artwork titled "Peaches" 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 548/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 17.5 x 21 inches, sheet size is 23.5 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

Original American Lobby Card of the Movie „TARZAN AND THE MERMAIDS“ USA/MEXICO 1948 Director: Robert Florey, Actors/Stars: Johnny Weissmuller (Tarza...

Artist: Will Barnet, American (1911 - 2012) Title: The Bannister Year: 1981 Medium: Lithograph on Arches, signed and numbered in pencil Edition: 300 (Art...

This large 18th century etching by Giovanni Battista Piranesi is entitled "Vaso antico di Marmo adornato di eccellenti Sculture si nella parte anteriere che nell' opposta, le quail r...

Hospitalities Long Past Clarence Holbrook Carter American (1904–2000) Date: 1979 Screenprint, signed and numbered in pencil Edition of 200, AP 30 Image Size: 27.75 x 20 inches Size...

This artwork titled "Strawberies" c.1985, published 1996 is a color off set lithograph by British/American artist Pati Bannister, 1929-2013. It is hand signed, titled and numbered 656/950 in pencil by the artist. Published by Masters Publishing INC, New York. The image size is 16.5 x 21 inches, sheet size is 22.25 x 26 inches. It is in excellent condition. About the artist: Pati Bannister was born in Highgate, England, overlooking London in 1929. Growing up, both of her parents were artists. Her mother painted watercolor landscapes, while her father painted portraits. To help further her natural talents, she took art lessons as a young girl and ultimately went to work for J. Arthur Rank, the movie maker, as an animator.​ At 22 years old, she came to the United States as a governess for a family in Connecticut. Later she became a flight attendant in Florida where she met her future husband, Glynn. Little did she know, he would become the strongest influence in her life as he inspired her to pursue and share her artistic abilities with the public. ​In 1958, Pati and Glynn moved to New Orleans and she started painting portraits in Jackson Square. Eventually, she opened two art galleries located in the French Quarter. In the late 1960's, they moved to the Mississippi Gulf Coast...

Colour aquatint by Bluck after Thomas Rowlandson and Auguste Pugin. From the series 'Microcosm of London', published by Rudolf Ackermann, the great Regency publisher of fine colour...

"Candle Light" is a lithograph signed, dated, titled and editioned in pencil. It is #2 from an edition of 65 and was an exclusive publication of Stone and Press. Shadow and light are...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

A nice rare woodcut by the noted American Artist Will Barnet. This woodcut is from 1939 and is titled and pencil signed on the base "Early Morning", Will...

Daumier was a master of French satire and caricatures. In this lithograph entitled "TYPES PARISIENS NO. 1, Eh bien malin! comment le trouvez vous celui-là! - Oui, oui, mais enfin - O...

Original British Railways vintage poster: York (England). Professionally linen-backed in excellent condition, ready to frame. Printer: Jordison & CO. LTD, London. Printed in Great Britain. Published by British Railways. Size is 25" x 40". Shown is the Grand Hallway in the Treasurer’s House. This vintage York - Treasurer's House British Railways poster...

Le Forgeron is a black and White etching realized by Georges  Gassies in the Late 19th Century.  Titled in the lower Image Size: 32x24 Very good impress...

Guy Hamilton´s movie "James Bond 007 - Live and let die", UK 1973. Actors: Roger Moore and Jane Saymour Keywords: James Bond, 007, action, Thriller, Great Britain, adventure, live ...

Soup. 1920. Drypoint. Appleby 65. 9 x 8 1/8 (sheet 15 x 11 9/16). Edition 100. Illlustrated: Print Collector's Quarterly 13 (1926): 85. Signed in pencil. Edmund Blampied was a painter, etcher, lithographer and sculptor. Born in 1886 to a family of three boys in St. Martin, Jersey, Blampied became interested in drawing at an early age. After visiting the studio of John Helier Lander in 1899, Blampied decided to make a career as an artist. In 1903 he went to London to attend Lambeth Art School, where he studied etching under Walter Seymour. In 1905, he joined the Daily Chronicle as an artist. In that year he was awarded a scholarship to Bolt Court Scool of Photo-engraving and Lithography. In 1912 he left the Chronicle and established his own studio. He earned a living by illustrating novels and short stories. In 1913, he had his first exhibition at the Leicester Gallery in London. The following year he married Marianne Van Abbé. During the 1920's, he became a member of the Royal Society of Painter-Etchers and Engravers. During the 1920s Blampied became a member of the Royal Society of Painters-Etchers and Engravers and exhibited in London to critical acclaim. He produced a folio of comic drawings in the 1930s which was published in New York in 1934 and another that was published in London in 1936. The Keeper of Prints and Drawings at the British Museum published a mongraph on his work. His London exhibitions were highly successful. In 1938, he moved to Bulwarks, St.Aubin in Jersey, but at the onset of the Occupation, had to relocate to Route Orange, St. Brelade. remained there throughout World War II during the German Occupation, despite the fact that his wife was Jewish. During the Occupation he designed bank...

Architextures is a suite of 8 mezzotints in an edition of 50 created in 1984: Mosque and Mosque Interior (5.1 cm x 5.1 cm) Dome and Dome Interior (5.7cm x 3.8 cm) Castle and Castle ...

Original UK Lobby Card of Terence Young´s movie "James Bond 007 - From Russia with love", UK 1963. Actors: Sean Connery and Daniela Bianchi Keywords: James Bond, 007, action, Thrill...