Framed Landscape Prints

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

"Venise en Fleurs" is an original color lithograph by Andre Masson. This piece is from the "Je Reve" (I Dream) portfolio of 1975. The edition number, written lower left, is H.C. XXV/...

Nubian Fisherman Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 64/200 Image Size: 16 x 18 inches Frame Size: 30 x 31 inches

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting "Jeux de Plage". The original painting was completed in 1955. In the 1970's after Picasso's death, Marina Picasso, his granddaughter, authorized the creation of this lithograph by Laurent Marcel Salinas, who worked closely with Picasso during his lifetime. The limited edition print run was completed and published by Marina Picasso in conjunction with Jackie Fine Arts in 1982. The lithograph is printed on French Arches paper, ink-stamped by the Estate verso, and hand-signed and numbered edition of 500 by Marina Picasso on the recto. The embossed seal of the Estate is lower right and the printer's chop, lower left. The work is presented in an excellent gold wood frame with silk linen matting and a gold bevel using all acid-free conservation materials. Jeux de Plage Pablo Picasso (After), Spanish (1881–1973) Portfolio: Marina Picasso Estate Lithograph...

The Round Trip by Edward Bawden Additional information: Medium: etching, from a plate 1927-29 27.9 x 33 cm 11 x 13 in signed, titled and numbered in pencil English printmaker, grap...

Twentieth century etching by artist Paul Sollmann depicting a hut in a forest (maybe Germany). Signed "Paul Sollmann-Coburg" in the bottom right corner. ...

Two European Maritime Engravings, comprising: E.W. Cooke (English, 1811-1880), "The (Circular) Stern of His Majesty's Ship Asia, 84 Guns", marked lower right and titled lower center ...

Edition: 21/50 Image Size: 26.5 x 18.5 inches Frame Size: 34 x 26 inches Signed, numbered, dated, and titled in pencil Hans Behrens created this etchin...

Emile Benard (French, 1844-1929), Beaux Arts Interior, Architectural Rendering, Etching, signed in ink "Emile Benard / Architect" lower right, wood frame. Image: 33" H x 24" W; frame...

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

G.C. Haverkamp ( 1872-1926) View of Antwerp, Veemarkt with Saint Pauls Church , original signed etching circa 1914. Fine detail etching in good condition . Antique giltwood frame.

In All Privacy is a digital pigment print on paper, image size 20 x 20 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and annotated lower lef...

Duane Bryers, American (1911 - 2012) - A Time To Remember, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: Edition of 300, AP, Image Size: 18 x 22.5 inches, S...

"La Plage de la Panne" is an original etching by James Ensor. The artist signed the piece in plate in the lower right and signed, titled, and dated it below t...

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

St. George Hotel Searchlight Lithograph, 1930 Signed in pencil lower right (see photo) Titled lower left (see photo) Edition: 30 Printed by Meister Schulz, Berlin The image depicts t...

Rare early 19th Century lithograph laid on india paper, hand colored aquatint print, titled "Beech Trees in the Grounds of St. Leonards Hill, Berks, Seat o...

Duane Bryers, American (1911 - 2012) - Five Feet Of Backbone, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: Edition of 300, AP, Image Size: 23 x 16 inches, ...

Artist: Mori Shizume Title: New York Skyline 5 and 6 Year: 1979 Medium: Two Silkscreens, each signed and numbered in pencil Edition: 210, AP 25 Paper Size: 30 x 18 inches (each) Fr...

"L'Entree en scene (The Emergence)" is a color lithograph after a 1961 original piece by Rene Magritte. A transparent bird flies over the ocean. The body of this bird shows through it a clean light sky with fluffy clouds. The view around the bird is instead the dark night, stars shine at the top of the scene. Clouds blow by and the waves are turbulent. Art: 20.25 x 14.25 in Frame: 31.38 x 25.38 in René-François-Ghislain Magritte was born November 21, 1898, in Lessines, Belgium and died on August 15, 1967 in Brussels. He is one of the most important surrealist artists. Through his art, Magritte creates humor and mystery with juxtapositions and shocking irregularities. Some of his hallmark motifs include the bourgeois “little man,” bowler hats, apples, hidden faces, and contradictory texts. René Magritte’s father was a tailor and his mother was a miller. Tragedy struck Magritte’s life when his mother committed suicide when he was only fourteen. Magritte and his two brothers were thereafter raised by their grandmother. Magritte studied at the Brussels Academy of Fine Arts from 1916 to 1918. After graduating he worked as a wallpaper designer and in advertisement. It was during this period that he married Georgette Berger, whom he had known since they were teenagers. In 1926, René Magritte signed a contract with the Brussels Art Gallery, which allowed him to quit his other jobs and focus completely on creating art. A year later he had his first solo show at the Galerie la Centaurie in Brussels. At this show Magritte exhibited what is today thought of as his first surrealist piece, The Lost Jockey, painted in 1926. In this work a jockey and his steed run across a theater stage, curtains parted on either side. Throughout the scene, there are trees with trunks shaped somewhat like chess pawns with musical scores running vertically up their sides and branches sticking out from all angles. Critics did not enjoy this style of art; it was new, different, and took critical thought to understand, but The Lost Jockey was only the first of many surrealist artworks Magritte would paint. Because of the bad press in Brussels, René and Georgette moved to Paris in 1927, with the hope that this center of avant-garde art would bring him success and recognition. In Paris, he was able to become friends with many other surrealists, including André Breton and Paul Éluard. They were able to learn from and inspire one another, pushing the Surrealist movement further forward. It was also in Paris that Magritte decided to add text to some of his pieces, which was one of the elements that made his artwork stand out. In 1929, he painted one of his most famous oil works: The Treachery of Images. This is the eye-catching piece centered on a pipe. Below the pipe is written “Ceci n’est pas un pipe,” which translates to “This is not a pipe.” This simple sentence upset many critics of the time, for of course it was a pipe. Magritte replied that it was not a pipe, but a representation of a pipe. One could not use this oil on canvas as a pipe, to fill it with tobacco and smoke it. Thus, it was not a pipe. In 1930, Magritte and Georgette moved back to Brussels. Though they would travel to his exhibitions elsewhere, their home going forward would always be in Brussels. Magritte had his first American exhibition at the Julien Levy Gallery in New York City in 1936 and his first show in England two years later in 1938 at The London Gallery...

Malcolm Morley creates paintings that demonstrate deft technique, careful color choices, and gestural brushstrokes. Best known for his photorealism (although he prefers the term "su...

Artist: Red Grooms, American (1937 - ) Title: Discount Store Year: 1971 Medium: Silkscreen with Marker Drawing, signed and dated Size: 11.5 x 29 in. (29.21 x 73.66 cm) Frame Size: 1...

View of San Giorgio in Venice Date: circa 1970 Lithograph, signed and numbered in pencil Edition of 36/50 Image Size: 21 x 16 inches Frame Size: 28 x 23.5 inches

Blue, orange, and yellow abstract impressionist landscape by Houston, TX artist Henri Gadbois. The painting depicts a sunset with blue and orange skies in a mountainous landscape. Si...

Artist: Allan D'Arcangelo, American (1930 - 1998) Title: June Year: 1969 Medium: Silkscreen, signed and numbered in pencil Edition: 6/100 Size: 14 x 12 in. (35.56 x 30.48 cm) Frame: ...

Ancient Landscape II (Ancient City) Etching and drypoint, 1953-55 Signed and titled in pencil by the artist (see photos) Annotated: "E130 A/1" in pencil lower right Estate stamp vers...

Limited edition aquatint etching of the New York City skyline by Katherine E. Gallagher. This piece features the famous Chrysler Building prominently in the background along with a M...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Mixed Media Paper Composite Fused on and behind BFK Rives Printmaking Paper Acrylic, Oil Paint with Sumi Ink Painting and Drawing on Glassine Sheet, Overlaid with Mylar, Ink Lines a...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

This captivating 1950 lithograph by renowned New Mexico artist Kenneth Miller Adams beautifully captures the iconic Ranchos de Taos Church bathed in serene moonlight. A celebrated su...

Karl Eugene Fortess (1907-1993) Original color lithographs on BFK Rives paper, 1966, Hand signed and numbered 29/36 in pencil, Sheet size 20.5 x 15 inches. Karl E. Fortess (1907-1993) was a painter, printmaker and teacher, of Boston, Massachusetts and Woodstock, N.Y. Fortess was born in Antwerp, Belgium on October 13, 1907, and became an American citizen in 1923. He studied at the Art Institute of Chicago, the Art Students League in New York, and the Woodstock School of Painting with Yasuo Kuniyoshi. In 1937 the Works Progress Administration sent him and several other artists to Alaska to document the towns, villages, and remote wilderness landscapes (Pemberton, “Alaska art museum collects WPA’s Depression works from the territory,” Columbia Daily Tribune, November 9, 2003). Trains, trucks, and industrial buildings were what Karl Fortess envisioned when the Public Works of Art Project suggested that he depict “the American Scene.” His work bears the influence of Surrealism, Russsian Constructivist art and Cubism. He was part of a circle of left leaning artists loosley involved with the WPA which included Sol Wilson, Isaac Soyer, Louis Lozowick, Abraham Harriton, Ben Shahn, William Gropper, Nahum Tschacbasov, Morris Shulman, Yasuo Kuniyoshi, Louis Slobodkin, Adolf Dehn, Le Corbusier and Louis Schanker. Karl Fortress taught at the Art Students League, Brooklyn Museum Art School, Louisiana State University, Fort Wright College, and Boston University School of Fine and Applied Arts. He was a member of the Artists Equity Association, Society of American Graphic Artists, American Association of University Professors, and the British Film Institute. He was awarded the Guggenheim Fellowship in 1946, was named an Associate of the National Academy of Design in 1960 and elected to full Academician in 1971. Fortess taught at many different schools, including Boston University School of Fine Art, where he also created an archive of interviews with more than two hundred and fifty contemporary American painters, sculptors, and graphic artists including many with with artists associated with the Woodstock, N.Y. art community. Among the interviewees are Kenneth Armitage, Will Barnet, Romare Bearden, George Biddle, James Brooks, Adolph Dehn, Jane Freilicher, Julian Levi, Alice Neel, Larry Rivers, Moses Soyer, Dorothy Varian...

Paul Kleinschmidt, (1883–1949) "The Forest" Lithograph on Cream Paper 1920 Frame: 21" X 17" Image: 10.75" X 8.5" An expressionist forest scene with pine trees Provenance: bears label...

"Big Cloud, Arizona #4/20" (2017) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally known ...

We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below i...

An original aquatint in colours by the listed British artist Joseph Kirkpatrick (1872-1936). Elegantly housed in a gilt-effect frame with original a...

"Black Tulip II #3/20" (2017) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally known for ...

A wonderful mid-century poster illustration of the London Albert Docks against the setting sun by the renowned British artist Leonard Rosoman. Part of the Guinness Posters collection...

Claus D. Hentschel (1937-2012), limited edition etching. Rocky landscape with mechanical and geometric elements, sheet embossed with corresponding motif. Signed and dated (1984) lowe...

"Coast of Sardinia" (2009) by Kate Breakey is a limited edition print on museum glass and gilded with 24K gold leaf. About the artist: Kate Breakey is internationally known for her...

Barbuda from the Caribbean Daydreams portfolio is a serigraph on paper measuring 16 x 18 inches, signed 'McKnight' lower right and annotated lower left. Framed in a contemporary, bla...

Artist: Alexander Calder Medium: Lithograph Title: Cover Portfolio: Derriere le Miroir #201 Year: 1973 Edition: Unnumbered Framed Size: 21 1/2" x 17 1/2" Sheet Size: 15" x 11" Signe...

Futuristic Seashore Dream House is a digital pigment print on paper, image size 30 x 30 inches and framed in a contemporary light wood frame. Signed 'RENÉ LALONDE' lower right and an...

Mountainscape Lithograph Sight: 25 1/2 x 19 1/4 in. Framed: 30 1/2 x 23 1/4 x 1 1/2 in. Inscribed upper left: 21/Zou [illegible] XLIII Signed upper right

This beautiful intricate, Rotring pen and markers on paper, on 350gsm Colorset white paper. This piece is framed on a white wood frame, uv glass and all archival materials. GUILLAUM...

Graham Sutherland was a painter of imaginative landscapes, still life, figure pieces and portraits. He was born on 24 August 1903 in London. He abandoned a railway engineering apprenticeship after a year and studied at Goldsmiths' College School of Art, where he specialized in engraving and etching. Sutherland's formative influences on his early work were Blake, Samuel Palmer, the late Turner, Paul Nash and Henry Moore. He held his first and second exhibitions of drawings and engravings at the XXI Gallery, London, in 1925 and 1928. and was a member of the Royal Society of Painter-Etchers and Engravers from 1926-33. Sutherland taught engraving at the Chelsea School of Art from December 1926 and composition and book illustration 1935 to July 1940. He exhibited at the N.E.A.C. 1929-33 and with the London Group from 1932 (member 1936-7), experimenting with painting in oils from 1930 until, in 1935, the year after his first visit to Pembrokeshire, he decided to become a painter. He participated in the International Surrealist Exhibition in London 1936 and had his first one-man exhibition of oil paintings, mainly Welsh landscapes, at the Paul Rosenberg and Helft Gallery 1938. As an Official War Artist 1941-4 he painted scenes of bomb devastation and of work in mines and foundries. Sutherland's first New York exhibition was at the Buchholz Gallery 1946, and in the same year he completed the 'Crucifixion' for St Matthew's Church, Northampton. He taught painting at Goldsmiths' College as a visiting instructor and since 1947 worked for several months each year on the French Riviera. He was a trustee of the Tate Gallery 1948-54. Painted the portrait of Somerset Maugham 1949, the first of a series which includes Lord Beaverbrook, Sir Winston Churchill and others. He completed the designs for the Coventry Cathedral tapestry, 'Christ in Glory in the Tetramorph', between 1954 and 1957 (installed 1962). Has also designed posters, ceramics, book illustrations, and ballet costumes and décor for The Wanderer 1940. Important retrospective exhibitions have been held at the I.C.A. 1951, the Venice Biennale and the Musée National d'Art Moderne, Paris, 1952, the Tate Gallery 1953, and at the São Paulo Bienal, Brazil, 1955. Awarded the O.M. 1960. Collections include the Courtauld, London, and that of David Bow

Limited Edition Soft desert landscape triptych (Set of 3 cactus canvas prints) Printed on high quality canvas & enhanced with touches of paint texture. Shipped rolled in mailing tube...

Mystery monogrammed early San Francisco etching. Great little piece of San Francisco history showing a lighthouse in Golden Gate. Etching measure...

Earth-toned pastoral scene lithograph by Paul Narkiewicz. This work features abstract geometrical shapes that form a pastoral landscape scene. This print is an Artist's Proof. Signed and editioned by the artist at the right. Framed and matted in a thin gold frame. Dimensions Without Frame: H 14 in. x W 19 in. Artist Biography: Paul Narkiewicz was born in 1937 in Easton, PA, and studied painting at the Philadelphia College of Art in the early 1960's. After moving to New York City in 1966, in addition to painting and sculpture, he also pursued printmaking and worked with many notable artists including Alex Katz, Red Grooms, Yvonne Jackette, and Romare Bearden. In 1987, along with Vito Acconci...

Henry Winzenreid (American, 1892-1981) Untitled (Steamboats and Factories), 20th century Lithograph Sight size: 10 x 14 in. Framed: 17 1/8 x 21 1/4 in. Signed lower right: AP/60 Wi...

Spring Fever VI (2018) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Robert Morden (British, circa 1650 – 1703) A map of Cumberland with hand colouring An engraving 14.1/4 x 16.5/8 in. (36.5 x 42.5 cm.)

To see our other original maps, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want....

"Spectacle Reef Lighthouse" is set in Lake Huron, Michigan. It is a limited edition lithograph 38/500 signed by artist Leo Kuschel who has also remarqued ...

"Road Landscape" is an original etching and aquatint by Felix Bracquemond. This piece depicts a shadowy path through the foliage. The artist signed the piece in the lower right and i...

Spring Fever X1 (2016) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

Spring Fever I1 (2016) Oil and watercolor monoprint 12 x 12 Inches Paper Size: 20 x 18 Inches Printed by Sue Oehme at Oehme Graphics

"L'Apparition (The Vision)" is an original etching by Claude Lorrain (Claude Gellee). This print depicts a religious vision near the edge of a river. The publisher is Mannocci #5 and...