Etching Landscape Prints
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Medium: Etching
Lakeside Trees IV, American Realist Etching with Aquatint by John McNulty
By John McNulty
Located in Long Island City, NY
John McNulty, Irish/American (1949 - ) - Lakeside Trees IV, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: 250, Size: 22 x 30 in. (55.88 x 76.2 cm)
Category
1980s American Realist Etching Landscape Prints
Materials
Etching, Aquatint
Une Mare - Etching by Appian - 1870s
Located in Roma, IT
Une Mare is an artwork realized by Appian in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfred Cadar...
Category
1870s Modern Etching Landscape Prints
Materials
Etching
La Vilaine, France
Located in San Francisco, CA
Artist: Roger Hebbelinck (Belgian, born 1912)
Title: La Vilaine
Year: Circa 1965
Medium: Color etching with aquatint
Edition: Numbered 30/350 in p...
Category
Mid-20th Century Realist Etching Landscape Prints
Materials
Aquatint
Les Belles et la Bête: Before the Hunt
By Peter Milton
Located in Middletown, NY
Resist ground etching and engraving on cream wove paper, 22 x 39 inches (558 x 990 mm), full margins. Signed, titled, dated, and numbered 27/160 in pencil, lower margin. With the blindstamp of the printer, Robert E. Townsend, in the lower left margin. A beautiful, richly inked impression of this highly detailed, large image. In very good condition with minor mat tone, extremely minor scattered light surface soiling, and one pin-point sized dot of brown discoloration on the lower left margin, recto, well outside of image area.
[Milton 99].
Milton states that there is a metaphorical evolution at the root of his body of graphic work, and with Les Belles et la Bête, Before the Hunt, he found himself at a crossroads that he viewed as a sort of artistic adolescence, which he felt demanded a natural examination of mysteries of sexual awakening. The image is brimming with fantastical images and metaphors for the confrontation of sexual exploration; a Freudian analyst appears in the left of the image, scattered tableaus of paired figures...
Category
1970s American Modern Etching Landscape Prints
Materials
Engraving, Archival Paper, Etching
Roman Forum - Etching by Giuseppe Malandrino - 1970s
Located in Roma, IT
Roman Forum is an artwork realized by Giuseppe Malandrino.
Print in etching technique and hand watercolored.
Hand-signed by the artist in pencil on the lower right corner.
Numbere...
Category
1970s Contemporary Etching Landscape Prints
Materials
Etching
Barcarolle.
By James McBey
Located in Storrs, CT
Barcarolle. 1926. Etching. Carter 233. 14 7/8 x 8 3/8 (sheet 17 1/4 x 10 1/4). Edition 80, #xxv. Print Collector's Quarterly 24 (1938): 428; Eric Denker, Reflections & Undercurrents: Ernest Roth...
Category
1920s Impressionist Etching Landscape Prints
Materials
Drypoint, Etching
$9,000 Sale Price
33% Off
Innenhof auf Schloss Schallaburg
Located in San Francisco, CA
This artwork titled "Innenhof auf Schloss Schallaburg" c.1930 is a color etching on wove paper by Austrian artist Luigi Kasimir, 1881-1962. It is hand signed by the artist's estat...
Category
Early 20th Century Realist Etching Landscape Prints
Materials
Etching
Paris : Louvre Museum with Orange Scratch (Fire) - Original etching
Located in Paris, IDF
Arnulf Rainer (1929)
Paris : Louvre Museum with Orange Scratch (Fire)
Original etching
On vellum 40 x 50 cm (c. 16 x 20 in)
Authenticated with the blind stamp of the editor Chalcogr...
Category
21st Century and Contemporary Expressionist Etching Landscape Prints
Materials
Etching
Rue Du Canal à Figeac - Etching by Étienne Mazas - 1870s
Located in Roma, IT
Rue Du Canal à Figeac is an artwork realized by E.Mazas in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the publis...
Category
1870s Modern Etching Landscape Prints
Materials
Etching
Dignimont, Jours de gloire, Histoire de la libération de Paris (after)
Located in Auburn Hills, MI
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category
1940s Modern Etching Landscape Prints
Materials
Etching
$716 Sale Price
20% Off
View of the Arch of Constantine - Etching by G.B.Piranesi - 19th Century
Located in Roma, IT
An early 19th century proof, in fair condition but with a very good inking, of the plate "View of the Arch of Constantine". It belongs to the first Paris Edition of 1800-1807.
The f...
Category
19th Century Modern Etching Landscape Prints
Materials
Etching
Saul Raskin, The Cry of Union Square, about 1935
By Saul Raskin
Located in New York, NY
Saul Raskin's Cry of Union Square, has all my favorite things: a view of Union Square with S. Klein's department store on the right and a Chop Suey restaurant on the left. There's a ...
Category
1930s Ashcan School Etching Landscape Prints
Materials
Etching
Process Landscape
By Tom Marioni
Located in San Francisco, CA
Artist: Tom Marioni – American (1937- )
Title: Process Landscape 1998
Year: 1998
Medium: Color spit bite aquatint
Image size: 15.75 x 10 inches.
Paper size: 20 x 16 inches
Framed size: 21.75 x 17.75 inches
Signature: Signed, dated lower right
Edition: 50. This one: 24/50.
Published by: Crown Point Press
Printed by: Paul Mullowney
Condition: Excellent
Frame: Framed in maple frame and plexiglas. Frame in fair to good condition with some small scratches.
Tom Marioni was born in 1937 in Cincinnati, Ohio, attended the Cincinnati Art Academy, and in 1959 moved to San Francisco, where he still lives. His first sound work, One Second Sculpture, 1969, was celebrated in the 2005 Lyon Biennial as presaging the work of many artists today who use sound and duration as subjects. His first museum show was in 1970 at the Oakland Museum of California. Titled “The Act of Drinking Beer with Friends is the Highest Form of Art,” it was an early example of social art as a sculpture action. Over the years, Marioni was invited to repeat the work in various contexts around the world.
In 1970 Marioni founded the Museum of Conceptual Art (MOCA), which he described at the time as “a large-scale social work of art.” Until the museum closed in 1984, he organized many groundbreaking shows, including “Sound Sculpture As” in 1970. MOCA has entered history as one of the first alternative art spaces. Marioni had one-person shows in several significant venues for early conceptual art, among them the Richard Demarco Gallery in Edinburgh in 1972 and Gallery Foksal in Warsaw in 1975. In 1977 he had a solo show, “The Sound of Flight,” at the de Young Museum in San Francisco.
He has done installation/performance works at the Whitechapel Gallery in London (1972), the Institute of Contemporary Art in London (1973), the Centre Georges Pompidou in Paris (1980), and the Folkwang Museum in Essen, Germany (1982), among other museums. He has produced sound works for radio stations KPFA in Berkeley and WDR in Cologne, Germany. In 1996 he organized The Art Orchestra and the group performed at the Legion of Honor Museum in San Francisco.
Marioni was included in “For Eyes and Ears” (1980) at the Academy of Fine Arts in Berlin, “Live to Air” (1982) at the Tate Gallery in London, and “From Sound to Image” (1985) at the Stuttgart Staatsgalerie in Germany. His work was shown in “Out of Actions: Between Performance and the Object” (1998) at the Museum of Contemporary Art in Los Angeles, and “The Third Mind: American Artists Contemplate Asia,” (2009) at the Guggenheim Museum in New York City.
Drawing is central to Marioni’s art, and in 1999 he had a drawing retrospective, with a catalog, at the Mills College Art Museum in Oakland. In 2006 the Contemporary Art Center in Cincinnati presented a survey of his work and published a catalog. Marioni is the author of Beer, Art and Philosophy, 2003, a memoir, also Writings on Art 1969-1999, and Fabliaux Tom Marioni Fairy Tales. He was editor/designer of VISION magazine published by Crown Point Press, 1975-1981. Issues were titled “California,” “Eastern Europe,” “New York City,” “Word Of Mouth,” (phonograph records) and “Artist’s Photographs,” and published prints, since 1974.
Tom Marioni received a Guggenheim Fellowship in 1981 and three grants from the National Endowment for the Arts during the 1970s. His work is in the collections of the San Francisco Museum of Modern Art, the Museum of Modern Art in New York, the Stadtische Kunsthalle in Mannheim, Germany, the Pompidou Center in Paris, and other museums. He is represented by the Anglim Gilbert Gallery...
Category
1990s Abstract Impressionist Etching Landscape Prints
Materials
Paper, Aquatint
Dusky Island -- Etching, Aquatint, Print, Art by Tom Hammick
By Tom Hammick
Located in London, GB
Dusky Island, 2019
Tom Hammick
Etching with aquatint in colours, on wove
Signed, titled, dated, numbered and inscribed 'E.V.' (edition variable)
From the edition of 30
Plate: 25 × 3...
Category
2010s Contemporary Etching Landscape Prints
Materials
Etching, Aquatint
Ancien Boulevard Extérieur de Paris - Etching by Adolphe Martial-Potémon - 1870s
Located in Roma, IT
Ancien Boulevard Extérieur de Paris is an artwork realized by Adolphe Martial-Potémon in the 1870s.
Etching.
Image size:20x28.
Good conditions.
Realized for the "Société des Aq...
Category
1870s Modern Etching Landscape Prints
Materials
Etching
Abbeville; St. Vulfran
Located in Middletown, NY
Etching on cream wove Japon paper, 7 3/8 x 7 3/4 inches (188 x 197 mm), full margins. Signed and dated in pencil, lower margin. In excellent condition with some minor surface soiling...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Composition, Everything That Rises Must Converge
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire.
BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...
Category
Early 2000s Expressionist Etching Landscape Prints
Materials
Etching
$5,596 Sale Price
20% Off
Puck Corner, SOHO, New York signed & numbered 10/100 by top architectural artist
By Richard Haas
Located in New York, NY
Richard Haas
Puck Corner, SOHO, New York, 1971
Etching and Aquatint (affixed to white matting)
Hand signed and numbered 10/100 by the artist on the lower front
19 3/5 × 16 1/2 inches...
Category
1970s Realist Etching Landscape Prints
Materials
Pencil, Etching, Aquatint
DOWNTOWN, NEW YORK
Located in Portland, ME
Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...
Category
1920s Etching Landscape Prints
Materials
Etching, Aquatint
Le Pont
Located in Middletown, NY
Etching, engraving, roulette and drypoint on watermarked BFK Rives wove paper, 5 x 8 3/4 inches (126 x 222 mm), full margins. Signed and numbered 4/32 in pencil, lower margin. Minor ...
Category
Early 20th Century French School Etching Landscape Prints
Materials
Drypoint, Etching, Engraving
Salisbury Cathedral from the Meadows - Etching by David Lucas - 1835
By David Lucas
Located in Roma, IT
Mezzotint with etching, stipple, and roulette work on woven paper.
Good conditions.
Category
1830s Contemporary Etching Landscape Prints
Materials
Etching
"Noonday Rest" original etching
By Peter Moran
Located in Henderson, NV
Medium: original etching. A nice impression on cream laid paper, published for the American Art Review in 1880; the American Art Review was a lavishly produced revue featuring origin...
Category
1880s Etching Landscape Prints
Materials
Etching
La Strada d'Ancona - Original Etching by Luigi Bartolini - 1931
Located in Roma, IT
Image dimensions: 24.5 x 31.7 cm.
La strada d’Ancona ("The Road to Ancona") is an original artwork realized by Luigi Bartolini in 1931.
Original etching applied. Plate dimensions:...
Category
1930s Etching Landscape Prints
Materials
Etching
Tree - Etching by Karolina Szewczyk - 2020s
Located in Roma, IT
Tree is an artwork realized by Karolina Szewczykin the 2020s.
Etching.
Hand-signed.
Numbered. Edition 1/10.
Category
2010s Modern Etching Landscape Prints
Materials
Etching
William Ridley - Etching by William Ridley - 1870s
Located in Roma, IT
Draham Harbour is an artwork realized by William Ridley in the 1870s.
Etching.
Good conditions.
Realized for the "Société des Aquafortistes. Born on the initiative of the publish...
Category
1870s Modern Etching Landscape Prints
Materials
Etching
Reflection
By Ivan Valtchev
Located in New Orleans, LA
"Reflection" is an etching created in an edition of 50. This is impression #15.
Ivan Valtchev, who was born in Germany, an internationally acclaimed scu...
Category
1990s Modern Etching Landscape Prints
Materials
Etching
$113 Sale Price
24% Off
Bonn, Bethovenhaus (Bonn, the House of Bethoven)
Located in San Francisco, CA
This artwork titled "Bonn, Bethovenhaus" c. 1970 is an color etching by noted Austrian artist Josef Eidenberger, 1899-1991. It is hand signed, titled, dedicated and resigned a second time in pencil by the artist. The plate mark (image) size is 12 x 9.10 inches, framed size is 21.65 x 17.65 inches. Custom framed in a dark wood frame, with green matting. It is in excellent condition.
About the artist.
Josef Eidenberger was born in 1899 in the little town of Goisern, Austria,he began his artistic career as a landscape painter. In 1923 he enrolled in the famed Graphic Academy of Art in Vienna and studied under Professor Alfred Cossman.
His recognized talent brought him many commissions from city officials and members of the business communities throughout Europe, especially in Austria and Germany. In 1973 after visiting the United States for the first time he created a series of California etchings...
Category
Mid-20th Century Realist Etching Landscape Prints
Materials
Etching
Composition, Everything That Rises Must Converge
Located in Auburn Hills, MI
Etching on vélin de Rives BFK paper. Paper Size: 22 x 17 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Everything That Rises Must Converge, 2005. Published by The Limited Editions Club, New York; printed by Wingate Studio, Hinsdale, under the direction of Peter Pettengill, Hinsdale, 2005. Excerpted from the folio, This edition of CCC examples of Everything That Rises Must Converge was printed on BFK Rives. Dan Carr and Julia Ferrari designed the typography, cast the Kis-Janson type in metal, set the type by hand and printed the text at Golgonooza Letter Foundry & Press, Ashuelot, New Hampshire. The six color etchings were printed by hand on BFK Rives by Peter Pettengill at Wingate Studio in Hinsdale, New Hampshire.
BENNY ANDREWS (1930-2006) was an African-American artist, activist and educator. He is known for his expressive, figurative paintings that often incorporated collaged fabric and other material. Andrews helped found the Black Emergency Cultural Coalition, which agitated for greater representation of African-American artists and curators in New York’s major art museums in the late 1960s and 70s. He also led the group in founding an arts education program in prisons and detention centers. Andrews taught art at Queens College for three decades, and from 1982 to 1984, served as the Director of the Visual Arts Program for the National Endowment for the Arts. He received many awards, including the John Hay Whitney...
Category
Early 2000s Expressionist Etching Landscape Prints
Materials
Etching
$5,596 Sale Price
20% Off
'Beach at Menton', Paris, Ecole des Beaux-Arts, New York, Woman Artist, Madrid
By Cuca Romley
Located in Santa Cruz, CA
Signed, lower right, in pencil, 'Cuca Romley' (Spanish, born 1933), titled 'Plage de Menton' lower center and inscribed, lower left, with number and limitation, '77/175'.
An elegant view of this famous resort town in the South of France with bathers and holiday makers seen on the beach and a view beyond to the famous 17th century, baroque Basilica of St. Michael.
Born in Madrid, Cuca Romley studied at the Ecole des Beaux-Arts in Paris. Over the course of a long career, she has exhibited internationally with success including at the Salon Nacional de Dibujos de Alta Costura...
Category
Late 20th Century Modern Etching Landscape Prints
Materials
Laid Paper, Etching
'Lomagnupur, South Iceland' — from the series 'Axis Mundi', Contemporary
Located in Myrtle Beach, SC
Beth Ganz, 'Lomagnupur, South Iceland', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted.
Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches.
From the artist's series of 64 photogravure etchings, 'Axis Mundi...
Category
21st Century and Contemporary Contemporary Etching Landscape Prints
Materials
Etching, Photogravure
Venice, by Stephen McMillan
Located in Palm Springs, CA
Traveling away from his normal area of the Pacific Northwest, McMillan shows his ability to capture the essence of landscapes far afield. This print of the gondolas of Venice and the...
Category
Early 2000s Etching Landscape Prints
Materials
Etching, Aquatint
Zodiaco-Acquario - Etching by Ossi Czinner - 1980
By Ossi Czinner
Located in Roma, IT
Burin engraving on Magnani-Pescia paper. Paper size 39cmx29,5cm, work size 22cmx17,5cm. Excellent condition, no defects.
OSSI CZINNER - Central European artist, graphic designer and...
Category
1980s Contemporary Etching Landscape Prints
Materials
Etching
Two Cavaliers (after Herman Swanevelt)
Located in Middletown, NY
Etching on cream laid paper with a large foolscap watermark, 5 5/8 x 7 7/8 (150 x 200 mm), thread margins. In excellent condition with a light pencil inscription and an inventory num...
Category
17th Century Old Masters Etching Landscape Prints
Materials
Laid Paper, Etching
L' étang neuf près de Creys - Etching by Adolphe Appian - 1870s
Located in Roma, IT
L' étang neuf près de Creys is a black and white etching realized by Adolphe Appian (1818 –1898) in 1870s.
Titled in the lower.
Image size: 26.5cmx14cm.
Very Good condition.
Sign...
Category
1870s Modern Etching Landscape Prints
Materials
Etching
Landscape - Etching - 17th Century
Located in Roma, IT
Landscape is an old master artwork realized by Artist of late 17th Century.
Etching on paper.
Includes frame 31.8 x 37 cm
Category
17th Century Old Masters Etching Landscape Prints
Materials
Etching
An early 19th C. satirical etching of John Bull kneeling before William Pitt
Located in Alamo, CA
This is an early 19th century hand-colored satirical caricature etching entitled "John Bull and his favourite statue of bronze!!", published and possibly engraved in London in 1802 by William Holland (1757-1815). It depicts John Bull (symbolizing the English people) kneeling in profile before William Pitt, who was prime minister of England at the time, and for whom the American city of Pittsburgh was named. Pitt is standing, pretending to be a statue. A rectangular pedestal beneath Pitt is inscribed: "Erected by Voluntary Subscription!" Pitt's body seems elongated, reminding that this a caricature. He is standing, looking to the left, his aristocratic nose held high in apparent arrogance and his hands are deep in his pockets, with his hat under his right arm. John Bull, is dressed simply for the time. He is on in his knees in a gesture of supplication, as if in prayer or begging for some action from a deity. He is holding his hat in both hands, looking up at Pitt. Trees and bushes are seen in the background.
A caption showing John Bull's words in the upper left ironically reads: "O Wonderful Man! - how I revere thy sublime resemblance. - what obligations I am under to thee! what happy times thou hast brought about! Bread for nothing! Beef 3d per pound! Porter 3d per pot! a Goose 2 shillings! and a fat Turkey 3s.6d!! - whit every thing else cheap in proportion! - besides the wonderful decrease of Taxes!! - O Dear - O Dear I hardly know how to express myself, I feel so enraptured. - O that fine brass countenance how it shines with conscious Integrity!"
The engraving is presented in a gold-colored wood frame and a tan-colored mat, with curved upper corners. The frame measures 18" high, 13.13" wide and 0.5" deep. The framing and mounting utilizes acid-free archival materials and it is glazed with UV conservation clear glass. There are a few faint areas of discoloration and spotting and an apparent short barely visible crease in the lower right corner of the inscription area. The print is otherwise in very good condition.
William Holland was printmaker as well as a prominent dealer of satirical prints in London in late 18th and early 19th century. He carried works by the best known satirists of the time: Gillray, Rowlandson, Newton and Woodward, as well as his own creations. Holland along with the other prominent print-sellers of the time, Hannah Humphrey and Samuel Fores, were responsible for promoting the golden age of British caricature...
Category
Early 19th Century Etching Landscape Prints
Materials
Etching
Waiting For My Train(track crossings that create Chicago EL / Merchandise Mart)
Located in New Orleans, LA
Waiting for my Train is #55 from edition of 100. "Waiting for my train" is the stop right before the tracks cross, and create Chicago's famous "Loop", on the above ground EL. The M...
Category
1980s American Modern Etching Landscape Prints
Materials
Etching, Aquatint
The Loop VI (the artist's memories of days at Chicago's Art Institute)
Located in New Orleans, LA
The Loop VI was created in a small edition of 15. The Loop is a vibrant area featuring eclectic eateries, shops, theaters and parks. Comprised mostly of high-rises, it’s also home to the 108-story Willis Tower. The iconic “Cloud Gate...
Category
1990s Modern Etching Landscape Prints
Materials
Etching
Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category
1830s English School Etching Landscape Prints
Materials
Oil, Handmade Paper, Aquatint
Guardians of the Spire (Amiens Cathedral Number 2)
Located in Storrs, CT
Guardians of the Spire (Amiens Cathedral Number 2). 1921. Etching. Fletcher 102. 6 3/4 x 9 7/8 (sheet 8 7/8 x 13 3/4). Gargoyle Series #4. Edition 75. Illustrated: Dorothy Noyes Arms...
Category
1920s American Modern Etching Landscape Prints
Materials
Drypoint, Etching
$2,000 Sale Price
20% Off
Picasso, Femme de Face (Bloch 372; Baer 700; Cramer 41) (after)
Located in Auburn Hills, MI
Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...
Category
1940s Modern Etching Landscape Prints
Materials
Etching
$1,436 Sale Price
20% Off
Les Taupes - Etching by Félix Bracquemond - 1860s
Located in Roma, IT
Les Taupes is a black and White etching realized by Félix Bracquemond in the 1860s.
Titled in the lower.
Image size: 27x19.
Very good impression with wide margins and a very fres...
Category
1860s Impressionist Etching Landscape Prints
Materials
Etching
Headland, by Stephen Lawlor
Located in Palm Springs, CA
Medium: Aquatint, Drypoint, Etching
Year: 2009
Image Size: 4.3 x 3.54
Edition size: 50
Brooding landscape a single red tree on a promontory overlooking the ocean.
Lawlor's early e...
Category
2010s Impressionist Etching Landscape Prints
Materials
Etching, Aquatint
Composition, Antarés, Marie Laurencin
Located in Auburn Hills, MI
Etching on vélin de Rives BFK à la forme paper. Paper Size: 9.8 x 7.9 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Antarés, eaux-fortes ...
Category
1940s Modern Etching Landscape Prints
Materials
Etching
$956 Sale Price
20% Off
Harbor - Etching by Stefano Della Bella - 17th Century
Located in Roma, IT
Harbour is an original etching on paper realized by Italian artist Stefano Della Bella (1610 –1664).
Plate signed on the lower left.
Included a Passepartout: 40 x 60 cm
Titled on...
Category
17th Century Modern Etching Landscape Prints
Materials
Paper, Etching
Une bourrasque
Located in Middletown, NY
Etching on chine collé mounted to white wove paper, 3 x 4 5/8 inches (75 x 112 mm), full margins. Scattered light areas of adhesive residue with associated discoloration along the to...
Category
Mid-19th Century French School Etching Landscape Prints
Materials
Handmade Paper, Etching
Fountains of Rome; Fontana e castello dell'Acqua
Located in Middletown, NY
Rome: Giovanni Giacomo De Rossi, 1625.
Etching and engraving on cream laid paper, 8 3/8 x 11 1/4 inches (222 x 286 mm), full margins. In good condition with some light yellow discol...
Category
Early 17th Century Old Masters Etching Landscape Prints
Materials
Laid Paper, Engraving, Etching
Irving Guyer, Sleepers
By Irving Guyer
Located in New York, NY
Classic American Depression-Era subject meets the French landscape? Clearly the Guyer was looking at both Jean-Francois Millet and Vincent Van Gogh, who together informed this image....
Category
1930s Ashcan School Etching Landscape Prints
Materials
Etching
North Side of the Great Court, Sommerset Palace
Located in Middletown, NY
Aquatint printed in brownish ink with extensive hand coloring in watercolor on buff paper, 10 1/4 x 12 1/2 inches (260 x 317 mm) (sheet), uneven narrow to full margins. Laid down to a contemporary wove paper support. Scattered condition issues on the sheet (excluding the mount) include surface soiling, creasing, a significant vertical repaired tear, and toning, despite these issues, the hand coloring remains good. Suitable for framing.
From A Picturesque Tour Through the Cities of London and Westminster, Illustrated With the most interesting Views, accurately delineated And executed in Aquatinta By Thomas Malton, published by Thomas Malton, London 1796. The work was published serially, in twenty-five numbers. The plates in Volume I carry the dates 1792, 1793, 1794, 1795, 1796 or 1797; those in Volume II, the dates 1797, 1798, 1799, 1800 or 1801. In most copies the title page of Volume I carries the publisher's later address, of 103 Long Acre...
Category
Late 18th Century English School Etching Landscape Prints
Materials
Watercolor, Handmade Paper, Aquatint
The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife.
This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
Category
Late 19th Century Etching Landscape Prints
Materials
Etching
Leaves, Twigs and Trees Triptych - Figurative Mixed Med Print, small edition 2/X
Located in Salzburg, AT
The graphic is already framed.
About Andrzej Juchniewicz - 1967–1972 Secondary School of Fine Arts in Gdynia-Orłowo. 1978–1983 studies at the Acad...
Category
1990s Contemporary Etching Landscape Prints
Materials
Paper, Mixed Media, Etching, Aquatint
Landscape - Etching by Paul Emile Colin - Mid-20th Century
Located in Roma, IT
Landscape is an etching realized by Paul Emile Colin in the Mid-20th Century.
hand-signed.
Numbered.Edition, 1/30.
Good conditions with slight foxing.
The artwork is realized thr...
Category
Mid-20th Century Modern Etching Landscape Prints
Materials
Etching
Repos - Etching by Auguste Mathieu - 1860s
Located in Roma, IT
Repos is a black and White etching realized by Auguste Mathieu in the 1860s.
Titled in the lower.
Image size: 24x32.
Very good impression with wide margins and a very fresh inkin...
Category
1860s Modern Etching Landscape Prints
Materials
Etching
Afterglow; Geddington, England.
Located in Middletown, NY
Etching on antique Emberlin 1846 cream laid paper with a parial watermark of Britannia, or Seated Victory, set in a cartouche, surmounted by the Crown of England, 3 1/4 x 5 1/2 inche...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Laid Paper, Etching
Composition (Reinz 208-222), Voyages Fantastiques, Bernard Buffet
Located in Auburn Hills, MI
Drypoint etching on papier de Rives B.F.K. pur fil paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Voyages fantastiques aux États et empires de la l...
Category
1950s Modern Etching Landscape Prints
Materials
Drypoint, Etching
$3,036 Sale Price
20% Off
Prise de la Ville Pamfili - Etching by Auguste Marie Raffet - 1852
Located in Roma, IT
Prise de la Ville Pamfili is an artwork realized by Auguste Marie Raffet in the 1852.
Etching on paper. Signed on plate on the left margin.
Belongs to the series "Souvenir d'Italie...
Category
1850s Modern Etching Landscape Prints
Materials
Etching
View of Piazza Campo dé Fiori - Original Etching by Giuseppe Malandrino - 1970
Located in Roma, IT
View of Piazza Campo dé Fiori is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 19...
Category
1970s Contemporary Etching Landscape Prints
Materials
Etching
Thirteenth Century Belfry; Hôtel De Ville, Abbeville
Located in Middletown, NY
Etching on Japon paper, 3 1/2 x 1 3/4 inches (89 x 44 mm), full margins. Signed in pencil and inscribed "III" in the lower margin. Likely an unrecorded trial proof impression from th...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Plage de Villerville
Located in Middletown, NY
Paris: Gazette des Beaux-Arts, 1856.
Drypoint etching on cream laid paper, 4 7/8 x 8 3/8 inches (124 x 245 mm), full margins. In good condition with light uniform age tone. Fourth s...
Category
Mid-19th Century Realist Etching Landscape Prints
Materials
Drypoint, Etching
Thirteenth Century Belfry; Hôtel De Ville, Abbeville
Located in Middletown, NY
Etching on buff wove J Whatman handmade paper with a partial watermark, 3 1/2 x 1 3/4 inches (89 x 44 mm), full margins. Signed in pencil and inscribed "III" in the lower margin. A p...
Category
Mid-20th Century American Modern Etching Landscape Prints
Materials
Handmade Paper, Etching
Etching landscape prints for sale on 1stDibs.
Find a wide variety of authentic Etching landscape prints available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape prints created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, yellow, orange, red and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Giuseppe Malandrino, Giuseppe Vasi, Frans Hogenberg, and John Taylor Arms. Frequently made by artists working in the Modern, Contemporary, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Etching landscape prints, so small editions measuring 0.01 inches across are also available