Etching Landscape Prints

Scilla is a beautiful etching on cardboard, realized in 1971 by the Italian artist Giovanni Omiccioli (Rome, 1901-1975). Hand-signed in pencil on the lower right and dated. Numbere...

High Provence is an original etching artwork realized in 1930 ca. by Henri De Waroquier. Signed on the plate at the top of the image, titled in pen...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Medium: original etching. This impression on laid paper was printed by A. Salmon and published in Paris by L'Art ca. 1880. Size: 11 x 8 3/8 inches (image) -- 280 x 212 mm. Signed in ...

Campo dei fiori is an original artwork realized Giuseppe Malandrino. Hand-signed by the artist in pencil on the lower right corner. Numbered, Edition...

Landscape is a beautiful Hand-colored etching on cardboard, realized by the Italian artist Giovanni Omiccioli (Rome, 1901-1975). Signed on the lower right and numbered on the lower...

View of the Cave known as Bergantino is an etching realized by the italian artist Giovanni Battista Piranesi in 1762. Very precious and rare lifetime impression. Roman edition. C...

The Bridge is an original artwork realized by the French artist Paul Adrien Bouroux in the first half of the XX century, original etching on paper, signed. Image dimension: 23 x 17 ...

Zweytes Konigliches Lust Haufs is a splendid engraving realized in the early XVIII century by the German engraver Georg Schmidt (1712-1775) after an original artwork by the architect Paul Decker. The state of preservation is good. On the left margin of the paper, there are three tears of which a deeper one in the center. Other damages were restored. On the higher right, there is a small hole and brown edge owing to a burn. On the lower center, there is the title and the inscription “P. Decker inv. et fec. / Cum Priv. S. C. Maj”. On the lower right, “Inch. Georg Schmidt Sculps. 31 / Ieremias Wolff excud. Aug. Vind”. The architect Paul Decker, author of the original artwork, was also an important painter, whose artworks embellished many important palaces in Berlin. He wrote an interesting treatise on architecture, published in 1711, and the book Architectura theoricopractica, published in 1720. The engraver Georg Friedrich Schmidt was one of the main representatives of German burin engraving of the XVIII century. He was well-known for making portraits and for illustrating literary works by Federico II...

"Quiloa", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed...

Image dimensions: 33x23 cm. One of artworks in the "Luoghi della Poesia" by Paolo Volponi and Ercole Bellucci. Edition of 30 prints numbered in roman numbers. Hand signed in penci...

"Sala", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed a...

Dimensions: 10 x 24 cm. Interesting etching, representing a gallery of fantastic characters. Artist's Proof titled and hand-signed with pencil on lower margin. In excellent condit...

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Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Landscape with Figures is a beautiful engraving, realized by the French painter and engraver Maurice Asselin, datable to the first half of the 20th century. The plate was engraved as...

Image dimensions: 14.7 x 19.8 cm. La Cava is an original black and white etching on paper, printed in 1843 as a plate of the print suite "90 Views of the citi...

Hand Signed. Edition of 42 prints.Original Prints. Catalogue Prouté 1975 n.265. Image Dimensions : 19.5x27 cm This artwork is shipped from Italy. Under existing legislation, any art...

Beth Ganz, 'Humphrey's Peak, Arizona', copperplate photogravure etching, edition 10, 2021. Signed, titled, and numbered 6/10 in pencil. A superb, richly-inked impression in warm black ink, on cream, wove, cotton rag paper; the full sheet in excellent condition. Archivally sleeved, unmatted. Image size 10 1/2 x 10 1/2 inches; sheet size 16 x 15 1/2 inches. From the artist's series of 64 photogravure etchings, 'Axis Mundi'. Additional works from the series are available; please inquire. Exhibited: 'Photography in Ink, A Look at Contemporary Copper-Plate Photogravure,' Curated by Leandro Villaro, Penumbra Exhibition Space Gallery, Nov 30, 2022 - March 15, 2023. ABOUT THE IMAGE Humphreys Peak (Hopi: Aaloosaktukwi, Navajo: Dookʼoʼoosłííd) is the highest natural point and the second most prominent peak after Mount Graham in the U.S. state of Arizona, with an elevation of 12,637 feet (3,852 m) and is located within the Kachina Peaks Wilderness in the Coconino National Forest, about 11 miles (17.7 km) north of Flagstaff, Arizona. Humphreys Peak is the highest of a group of dormant volcanic peaks known as the San Francisco Peaks. Humphreys Peak was named in about 1870 for General Andrew A. Humphreys, a U.S. Army officer who was a Union general during the American Civil War and who later became Chief of Engineers of the United States Army Corps of Engineers. The San Francisco Peaks are a sacred place for Hopi, Navajo, Havasupai, Zuni, Apache, and other Native American tribes. A place of sacred shrines and ancestral dwellings, The Peaks are associated with emergence, deities, ancestors, life-giving moisture, and spiritual ceremony and are still actively utilized today. Numerous medicinal herbs and other plants used in traditional ceremonies and to treat ailments are found at several levels of the Peaks. The plants are said to have place-specific energies—that is, they must come from these sacred sites to fulfill their proper function. To the Hopi, the Peaks are Nuvatukaovi, “The Place of Snow on the Very Top,” home for half the year to the ancestral kachina spirits who live among the clouds around the summit. When properly honored through song and ceremony, it is believed that the kachinas will bring gentle rains to thirsty crops. ABOUT THE SERIES 'AXIS MUNDI' "This body of work focuses on satellite images of sacred mountains around the world—places where heaven and earth are thought to meet. The phenomenon of revering mountains as holy sites is an archetype found in many cultures. "This shared experience finds a visual echo in the ubiquity of images of the earth that are now available to any person with a computer and an Internet connection. What does the specificity of place mean when we can move across the surface of the earth in seconds and reduce everything to a series of pixels? To me, this process recalls abstract painting, which transforms the specific into gesture and form. Rather than treat digital technology as necessarily destructive to human meaning and experience, my work offers new ways of seeing that are reconcilable with the old. To this end, I combine 19th Century Photogravure technique with 21st Century surveillance captures. "Axis Mundi consists of 64 copperplate photogravures. The work is laid out in a grid, which is an arbitrary conversion of the visual world into a flat space that happens both on the picture plane and in the data processing. The title refers to the belief in a 'world center,' often conceived of as a mountain: a place where communication between higher and lower realms is possible. This project is a search for such a center in a world of decentralization and fragmentation." —Beth Ganz ABOUT THE ARTIST Beth Ganz is a contemporary American multidisciplinary visual artist, who lives and works in New York City. She graduated from Pratt Institute with a BFA (honors) in Painting, Sculpture, and Printmaking. The focus of her work is the intersection of landscape, digital technology, and abstraction. Ganz works in paint, brush, and ink drawing, both independently and alongside digital and analog printing techniques, including photogravure and intaglio printing. Ganz’s work has been the subject of many solo exhibitions, including 'Atlas Project' at Cynthia-Reeves Gallery, 'Up Close and Far Away, Grids and Toiles: Beth Ganz at Wave Hill House,' Wave Hill, and 'Geothermal Topographies' at Reeves Contemporary. She has been shown in numerous group exhibitions, and her work is represented in many public and private collections, including the 9-11 Memorial Museum, the Library of Congress, the New York Historical Society, and the New York Public Library Prints Collection. Ganz teaches workshops in photogravure and intaglio at Manhattan Graphics Center and has been a long-time grantee of the Elizabeth Foundation for the Arts. AWARDS AND RESIDENCIES 2018 – Signal: Tri-State Juried Exhibition (2nd Place), Katonah Museum of Art, Katonah, New York (Juror: Lumi Tan) 2001-2014 – Studio Program, Elizabeth Foundation for the Arts, New York, NY 2005 – Johnson & Johnson Purchase Prize, 48th Annual National Print Exhibition, Hunterdon Museum of Art, Clinton, NJ 1999 – Prints USA Juror’s Award, Springfield Art Museum, Springfield, MO 1993 – 37th Annual National Print Exhibition (Honorable Mention), Hunterdon Art Center, Clinton, NJ 1992 – Small Impressions 1992 (Juror’s Award), Printmaking Council of New Jersey, NJ BIBLIOGRAPHY: MAGAZINES, JOURNALS, NEWSPAPERS, AND ONLINE MEDIA 2018 – Mary Legrand, “A Signal of Invention,” Bedford Record, July 2018 2017 – Sara Mintz, “Profile of an Artist: Beth Ganz,” Journal of the Print World, Vol. 40, #4, October 2017 2017 – Cate McQuaid, “Critics’ Picks, The Ticket: Music, Theater, Dance, Art and more,” Boston Globe, May 2017 4, 2017 2017 – Beth Ganz, “New Prints: Beth Ganz and the Atlas Project Landscape,” Journal of the Print World, I Vol. 40, #3, July 2017 Collections: Duke Energy, Charlotte, NC; Evelyn Lauder Breast Center at SKMCC, New York, NY; Frost Bank, Houston, Texas; Hofstra Museum, Hofstra University; Johnson and Johnson...

"Septa", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest printed ...

Image dimensions: 17.7 x 14.6 cm. Landscape is a beautiful black and white etching on paper, realized at the middle of the XX century by the Italian artist Renzo Biasion (Treviso, 1914 - Florence, 1996). Hand-signed in pencil on the lower right margin. This artist proof represents a natural landscape with some houses in the distance and a railway running along a pathway with a strong and sure sign and an excellent inking. In very good conditions. Renzo Biasion (Treviso, 1914 - Florence, 1996) Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second-lieutenant in the infantry and began writing a war diary...

Image dimensions: 21 x 27 cm. Liber Veritatis - Plate 95 is a beautiful black and white etching and aquatint on paper realized by the Italian artist Ludovico Caracciolo, after Claud...

Chuckanut Mountains, Bellingham, Washington. . Scene of forest path shrouded in mist. Signed and numbered etching and aquatint. Born in Berkeley, California, on December 21, 1949, h...

A charming depiction of a cafe in Pitigliano Tuscany. The artist captures. The winding staircases and narrow continental streets in bold, organic for...

Thames Bridges – Looking West John Duffin Limited Edition Etching Printed on White 300g Somerset Paper Edition of 150 Signed – John Duffin Image Size: H 38cm x W 25cm Sheet Size: H 56cm x W 38cm x D 0.1cm This work is sold unframed Free Shipping Please Note that in situ images are purely an indication of how a piece may look Thames Bridge – Looking West is a limited edition cityscape print on London by artist, John Duffin. Duffin’s acute attention to detail gives the work a bold aesthetic. John Duffin is a painter and printmaker whose work is based on the modern environments of cities and towns, creating dynamic, cinematic images of contemporary urban life. His unique images of architecture, lighting and figures have been greatly praised and awarded, recently receiving The Most Outstanding Print Award from Sir peter Blake, he has a distinctive artistic voice and has much to say in his work about contemporary life in all of it’s manifestations. His work is in the tradition of LS Lowry...

Emile Benard (French, 1844-1929), Beaux Arts Interior, Architectural Rendering, Etching, signed in ink "Emile Benard / Architect" lower right, wood frame. Image: 33" H x 24" W; frame...

Tighe O'Donoghue's dynamic depiction of a fortified citadel features the artist's signature use of perspective and detail. From the grid-like background and textured earth to the dim...

Image dimensions: 12.5x17.5 cm. Die Festung Coburg is a beautiful black and white lithograph on paper, realized at the end of XIX century by the German landscapist artist, Georg Mic...

Modon, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Good conditions. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second...

Venice is an Etching realized by Gian Paolo Berto in 1974. Hand signed, dated, and numbered by the artist with pencil on the lower right corner. Edition of 50. Good condition. Gia...

Ronnie Scott’s [2020] limited_edition Etching on paper Edition number 110/150 Image size: H:38 cm x W:25 cm Complete Size of Unframed Work: H:56 cm x W:...

The Tourney is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue des jeux Tournois dans le Sup be Manege de son ASM le Duc ...

"Luneburg", from the collection "Civitates Orbis Terrarum", Cologne, T. Graminaeus, 1575. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the second oldest print...

Landscape is an original artwork realized by the French artist Léopold Lévy (1882-1966) in the first half of the XX century. Etching and drypoint on paper. Hand-signed by the artist on the lower right corner; signed on plate on the lower left margin. Very good conditions, except for some small spots on the surface of the sheet. Very beautiful artwork representing a natural landscape with some human figures. The composition is characterized by great softness; the strokes are refined and very rapid and smart. The whole composition is very well-balanced and is characterized by a soft chiaroscuro. Léopold Lévy (Paris, 1882 - Paris, 1966) a French painter and engraver. The edition of De la nature (De Rerum Natura) illustrated with 41 original etchings is considered one of the most beautiful artist books of the XX Century. He was one of the friends of Charles Edmond Kayser...

Cyrilla Scarlet-flowered, Cyrilla pulchella Plate 374 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Marvel of Peru Common, Mirabilis jalapa Plate 371 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Rotomagus, from the collection Civitates Orbis Terrarum, Cologne, T. Graminaeus, 1572-1617. Good conditions. The “Civitates Orbis Terrarum” (Atlas of Cities of the World) was the se...

Pianta Di Roma e Dell'Esposizione is an original print realized in 1911 on a drawing by Ludovico Beranger. Black and white etching. The artwork was realized ...

Image dimensions: 25x20 cm. Edition of 100 prints, numbered and hand signed. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Ita...

Veduta degli Avanzi della Villa di Domiziano da altri chiamata le Terme di Pompeo Magno Image dimensions: 46x60 cm. From the collection “Le antichità de’ contorni di Roma (...)” an a...

Interno della Basilica della Fortuna Prenestina Image dimensions: 40x53 cm. From the collection “Le antichità de’ contorni di Roma (...)”, published in Rome, 1826 an artist's proof w...

Signed, titled and numbered in pencil by the artist. Edition size: 50. Christian Bozon was born in Lons-le-Saunier, France in 1969. He was trained at the Art School of Besancon and ...

I rare Edition, by Edizioni ERI-RAI, published in 80 pieces numbered and hand signed by the Artist. Very good conditions. This artwork is shipped from Italy. Under existing legislat...

Limited Edition of 25 prints plus some artist's proof.

Etching in brownish black ink on cream laid paper, 5 3/8 x 3 1/2 inches (135 x 87 mm), partially trimmed lower sheet edge. With the artist's moniker in ...

Artist: Richard Haas, American (1936 - ) Title: Dallas Skyline Year: 1989 Medium: Etching with Aquatint, signed and numbered in pencil Edition: SPI 2 Im...

Julian Trevelyan (1910-1988) Father Thames (1969) Etching and aquatint, signed, numbered 53/75 35x48cm Nephew of the historian G M Trevelyan he was educated at Bedales and Trinity C...

Schrag, Karl. STORMDANCE - FISH AND LEAVES. Syracuse 183. Etching and engraving, 1973. Edition of 50. The version in "reddish black," numbered 26/50, titled, signed and dated, all in...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Reeds by Phil Greenwood [2021] limited_edition Aquatint Etching Edition number 150 Image size: H:48 cm x W:59.5 cm Complete Size of Unframed Work: H...

Like G.B.Piranesi, Rossini, well know as the “Piranesi’s heir”, trained as an architect and his etchings have the same tendency to emphasize the massive structure of the Ancient Rome...

Original drypoint and etching. Hand signed. From the suite: "Visage de Maisons". Image Dimensions : 17 x 11 cm This artwork is shipped from Italy. Under existing legislation, any a...

Etching on antique cream laid paper, 10 x 14 13/16 inches (254 x 377 mm), full margins. Signed in pencil and inscribed "Ed. 100" (from a total edition of 128). Third state (of three...

Horter, Earl. UNTITLED (STREET MARKET, NEW ORLEANS). Etching. Signed in pencil. 7 3/8 x 11 1/4 inches. In excellent condition.

"The Fisherman's Catch" is a signed (in pencil lower right and in plate lower left) etching by James Fagan. It depicts a fisherman walking on a beach in black and white. It is signed...

Etching of Synagogue, Jewish temple. From very rare small edition. Most are signed in Hebrew and /or English. some are marked AP some are numbered. please see photos. Dora Szampanier...

Meryon, Charles. LE PONT AU CHANGE. S.40(v), DW.34. Etching with drypoint, 1854. Fifth State of twelve, with the inscriptions in cursive, "C. Meryon del. sculp. mdcccliiii," lower l...

Philadelphia born American painter, illustrator, and etcher Margaret M. Taylor Fox ( 1857 - c.1941 ) attended the Philadelphia Academy of Fine Arts which house a collection of her ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...