1940s Landscape Prints

Ex Libris Pokomskij is an original Contemporary Artwork realized in the 1940s Original woodcut print on ivory-colored paper. Sigled in pencil on the lower margin. The work is g...

Cristos is an original etching on paper realized by Lino Bianchi Barriviera in 1940. Hand-signed in pencil. Numbered, 54. In very good conditions except for some folding on the wh...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1939-1943. Hand-signed in pencil. Image Dimensions: 42 x 36 cm. ...

Landscape is an original etching on paper realized by Lino Bianchi Barriviera in 1948. Hand-signed in pencil on the lower margin. Title and date ha...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Hand signed. Edition of 75 prints. Includes passepartout: 49x34 cm. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy creat...

Pappe, Carl. CALLE EX CONVENTO, TASCO. Woodcut, c.1940s-60s. Edition unstated. This print is one of a series of 16 images, all of scenes in Taxco, distinguished by the strength of the carving and the richness of the blacks. 12 x 14 1/4 inches (image), 13 1/2 x 15 3/4 (sheet). Titled and signed in pencil. In excellent condition. Carl Pappe...

Dimensions: 10 x 24 cm. Interesting etching, representing a gallery of fantastic characters. Artist's Proof titled and hand-signed with pencil on lower margin. In excellent condit...

Roma La Camilluccia is an original artwork realized by Luigi Bartolini in 1943. Original watercolored etching on china paper applied. Hand-signed and dated in pencil on the lower ...

Image dimension 36.5 x 18 cm. Hand Signed. Edition of 100 pieces.

Hand signed. Original drawing. Image Dimensions : 15.5 x 16 cm

To see our other original vintage travel and propaganda posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you...

From the artists series of sketches in Mexico, showing a Cathedral and dramatic cloudscape in the background, and a destroyed plaza in the foreground. In 1944 he received a Guggenh...

City Park, Winter Lithograph, c. 1947 Signed in pencil lower right (see photo) Published by Associated American Artists Printed by George C. Miller, New York Edition: c. 250 In the Bohrod papers at Syracuse University, the artist states that it is a view of Pittsburgh. It depicts the George Washington Monument in Allegheny Commons Park, dedicated in 1891. The sculptor f the monument is Edward Ludwig Albert Pausch (1856-1931). Condition: Excellent Image size: 9 1/4 x 13 7/16 inches Frame size: 19 x 23 inches Provenance: Estate of Adolf Dehn Reference: AAA Index No. 848 Aaron Bohrod (21 November 1907 – 3 April 1992) was an American artist best known for his trompe-l'œil still-life paintings. Education Bohrod was born in Chicago in 1907, the son of an emigree Bessarabian-Jewish grocer. Bohrod studied at the School of the Art Institute of Chicago and the Art Students League of New York between 1926 and 1930. While at the Art Students League, Bohrod was influenced by John Sloan and chose themes that involved his own surroundings. Career He returned to Chicago in 1930 where he painted views of the city and its working class. He eventually earned Guggenheim Fellowships which permitted him to travel throughout the country, painting and recording the American scene. His early work won him widespread praise as an important social realist and regional painter and printmaker and his work was marketed through Associated American Artists in New York. Bohrod completed three commissioned murals for the Treasury Departments Section of Fine Arts in Illinois; Vandalia in 1935, Galesburg in 1938 and Clinton in 1939. During World War II, Bohrod worked as an artist; first in the Pacific for the United States Army Corps of Engineers' Army War Art Unit...

Artist: Gordon Grant, American (1875 - 1962) Title: Arching Elms Year: circa 1940 Medium: Lithograph, signed in pencil Image Size: 9 x 11 inches Size: 11 in. x 16 in. (27.94 cm x 40....

To see our other World War Two art, scroll down to "More from this Seller" and below it click on "See all from this Seller." Walter Ernest Spradbery (1889 - 1969) Temple Church and Library after Bombardment (1944) Lithograph 66 x 57 cm Walter Spradbery's poster for the London Underground depicting a bombed Temple Church; a rainbow strikes hopefully out of the church's remains, and the sun shines on the golden stone of the building. The full poster bears the legend 'The Proud City...

Boulder Dam Lithograph, 1946 Signed and dated in pencil lower right (see photo) Titled in pencil lower left (see photo) Printed by Lawrence Barrett, Colorado Springs Edition of 40 or...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Albert Victor Eugene Brenet was born June 25, 1903 in Harfleur, France, near Le Havre. He died at the age of 102 on July 4, 2005 in Paris. He painted primarily in gouache. Brenet is ...

"Peaceful Cove - New England" is an original lithograph by Adolf Dehn. The artist signed the piece lower right. It depicts an aerial view of New England. 9 1/2" x 13" image 11" x 15" paper 17" x 20 5/8" frame Adolf Dehn was born in Minnesota, November 22, 1895 and he died in New York City, May 19 1968. He was one of the most notable lithographers of the 20th century. Throughout his artistic career, Dehn participated in and helped define some important movements in American art, including Regionalism, Social Realism, and caricature. He was known for both his technical skills and his high-spirited, droll depictions of human foibles. Biography Dehn was born in 1895 in Waterville, Minnesota. Dehn began creating artwork at the age of six and by the time of his death had created nearly 650 images. After high school he went to the Minneapolis School of Art, known today as the (Minneapolis College of Art and Design) where he met Wanda Gág...

Central Park Night Lithograph, 1946 Signed and dated lower right (see photo) Titled, lower center Number lower left (see photo) Edition: 40, plus trial proofs (23/40) This image depi...

Original Holiday Magazine "The Beaches and Alaska" Newsstand Vintage Poster Features:- - This is an original 1948 Holiday poster created for the magazine The Beaches and Alaska edition. - The image features a billowing beach umbrella, a couple running with their air mattress into the ocean, beach ball blankets, music, and more. - The poster is in excellent condition, archivally linen-backed and ready to frame. - This would make a great addition to any collection or as a gift for someone who loves the beach. Description:- This is a beautiful and rare original 1948 Holiday poster created for the magazine's The Beaches and Alaska edition. The image features a billowing beach umbrella, a couple running with their air mattress into the ocean, beach ball blankets, music, and more. The poster is in excellent condition, archivally linen-backed and ready to frame. This would make a great addition to any collection or as a gift for someone who loves the beach. Holiday was a US travel magazine from 1928 - 1977, first published by the AAA (American Automobile Association) until the mid 40's when it was sold to Curtis Publishing Company who ran the magazine until 1977, when it was sold to Travel Magazine who merged it with their publication to form Travel Holiday. A fun beach scene poster...

Alongside, 1941 Tod Lindenmuth (American, 1885-1976) Color Woodblock Print 9 x 7 inches 19.75 x 14.5 inches with frame Signed Lower Right Titled and Dated Lower Left A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association's 'First Modernistic Exhibition". He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

Dufza - Paris - Moulin Rouge - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Original French poster: Ribet-Desjardins Télévision Unic Radio Ribet - Desjardins Television Unic Radio. Original 47 x 63 antique French lithograph...

Lithograph on vélin d’Arches paper, mounted on vélin d’Arches backing sheet, as issued. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Corres...

Jean FRELAUT Superlative Sunrise Original etching Printed signature in the plate On Arches vellum 30 x 25 cm (c. 12 x 10 inch) Printed in Haasen workshop in 1943 Excellent condition

Whitehead, Buell (American, 1919-1993) DEATH VALLEY SUNSET. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. I...

Mario Grenville made this print for the publishing program of Associated American Artists. It was issued in 1945 making it a calm antidote to the ending of World War II, although it ...

"Dauphine" is an offset lithograph of a pastoral landscape created by Paul Kelsch for the Societe Nationale des Chemis de fer Francais, the French National Railways. 24" x 39" paper 30 1/2" x 21 1/8" image 48" x 33" frame Small hole in each corner, crease in paper and image upper left, small holes lower left. The SNCF, the French National Rail system, commissioned multiple posters to advertise and celebrate the connected locations on their routes after the Second World War. "Dauphine", created by Paul Kelsch, showcases a small village at the foot of a mountain bathed in the light of a sunset. Kelsch's technique employed impasto brush strokes and bright colors to capture the beauty of the landscape. This scene is in stark contrast to the destruction that the war had wrought in this area during the 1944 invasion. Because of this, the set of posters...

Wengenroth, Stow. QUIET POND MONHEGAN, MAINE. BPL 154. Lithograph, 1946. Edition of 85. Inscribed "Ed/85" and signed in pencil. 10 3/16 x 15 7/16 inches (image). Handsomely framed by...

"Savoie (Societe National des Chemins de fer Francais)" is a signed offset lithograph of a pastoral landscape created for the Societe Nationale...

Black and white lithograph realized by Antonio Scordia, with a text by Mino Maccari. Good conditions except for some folds, foxings and yellowing of paper. The text is hand signed ...

Ira Moskowitz (1912-1985), [Mountain Scene], 1943, lithograph, signed in pencil lower right, numbered lower left (27/50) [also signed and dated 1943 in ...

Ex Libris Fery Sarolta is an original Contemporary Artwork realized in the mid-20th Century . Original Colored woodcut artwork on ivory-colored paper. The work is glued on card...

Ex Libris Alma Parna is an original Contemporary Artwork realized in the first half of the 20th Century. Original B/W woodcut print on ivory-colored paper. The work is glued on ...

Lalibela is an original etching on paper realized by Lino Bianchi Barriviera in 1948. Hand-signed in pencil. Image Dimensions: 46 x 35 cm. Number...

Whitehead, Buell (American, 1919-1993) SHASTA DAISIES. Newsom pg 32. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. In excellent conditi...

Country is an original etching on paper realized by Edmond Henri Zeiger de Baugy Valley (1895-1994). Hand-signed and dated on the lower right in pencil. Numbered, edition of 3/4 pri...

"Landscape" is an original drawing in watercolor on cardboard, realized in 1942 by Jean Delpech (1916-1988). The state of preservation of the artwork is good with some ripping on l...

Childhood Memory is an original Modern artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the half of the 20th Century. Original B/W woodcut on cardboard. Excellent conditions. Lojze Spacal...

Reims is an original lithograph on paper realized in 1940 ca. by an Anonymous artist of the 20th Century The State of preservation is very good. Titled on the lower right. Applie...

Landscape is an original lithograph realized in the 1946 by Raffaele De Grada. The State of preservation is very good with very small folding along the margi...

Image dimensions: 24 x 27 cm. Paris is an original artwork realized in 1947 by Armando Buratti. Original black and white etching. Hand-signed and dated in pencil on lower right. N...

Hand signed and dated. Signed on plate. Artist's proof. Very good conditions. Passepartout included : 49 x 34 cm Image Dimensions : 10 x 13 cm This artwork is shipped from Italy. Un...

Mauzey, Merritt. THE HOME PLACE. Lithograph with handcoloring, c. 1940. Edition size not known. 9 1/4 x 14 5/8 inches, 235 x 370mm. In excellent condition.

"Perigord" is an original lithograph of a landscape created for the Societe Nationale des Chemis de fer Francais, the French National Railways. Artist Eduoard Georges Mac'Avoy worked...

Dufza - Paris - Saint Michel - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Dufza - Paris - Conciergerie - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm

Flag Raising in Leroy Street. This masterfully designed work featuring a complex arrangement of figures with multiple light sources that depicts a celebra...

Dufza - Paris - Saint Michel - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Dufza - Paris - Le Pont Neuf - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Dufza - Paris - Champs Elysées - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm Unumbered as issued

Dufza - Paris - Montmartre - Original Handsigned Etching Circa 1940 Handsigned in pencil Dimensions: 20 x 25 cm

Jacques Villon - Landscape - Original Etching 1949 Signed in pencil and numbered Dimensions : 28 x 38 cm

Jacques Villon - Cubist Cavern - Original Etching 1949 Signed in pencil Dimensions : 12.5 x 16 cm

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope School Painters, Daniel Garber was born on April 11, 1880, in North Manchester, Indiana. At the age of seventeen, he studied at the Art Academy of Cincinnati with Vincent Nowottny. Moving to Philadelphia in 1899, he first attended classes at the "Darby School," near Fort Washington; a summer school run by Academy instructors Anshutz and Breckenridge. Later that year, he enrolled at the Pennsylvania Academy of the Fine Arts. His instructors at the Academy included Thomas Anshutz, William Merritt Chase and Cecilia Beaux. There Garber met fellow artist Mary Franklin while she was posing as a model for the portrait class of Hugh Breckenridge. After a two year courtship, Garber married Mary Franklin on June 21, 1901. In May 1905, Garber was awarded the William Emlen Cresson Scholarship from the Pennsylvania Academy, which enabled him to spend two years for independent studies in England, Italy and France. He painted frequently while in Europe, creating a powerful body of colorful impressionist landscapes depicting various rural villages and farms scenes; exhibiting several of these works in the Paris Salon. Upon his return, Garber began to teach Life and Antique Drawing classes at the Philadelphia School of Design for Women in 1907. In the summer of that same year, Garber and family settled in Lumbertville, Pennsylvania, a small town just north of New Hope. Their new home would come to be known as the "Cuttalossa," named after the creek which occupied part of the land. The family would divide the year, living six months in Philadelphia at the Green Street townhouse while he taught, and the rest of the time in Lambertville. Soon Garber’s career would take off as he began to receive a multitude of prestigious awards for his masterful Pennsylvania landscapes. During the fall of 1909, he was offered a position to teach at the Pennsylvania Academy as an assistant to Thomas Anshutz. Garber became an important instructor at the Academy, where he taught for forty-one years. Daniel Garber painted masterful landscapes depicting the Pennsylvania and New Jersey countryside surrounding New Hope. Unlike his contemporary, Edward Redfield, Garber painted with a delicate technique using a thin application of paint. His paintings are filled with color and light projecting a feeling of endless depth. Although Like Redfield, Garber painted large exhibition size canvases with the intent of winning medals, and was extremely successful doing so, he was also very adept at painting small gem like paintings. He was also a fine draftsman creating a relatively large body of works on paper, mostly in charcoal, and a rare few works in pastel. Another of Garber’s many talents was etching. He created a series of approximately fifty different scenes, most of which are run in editions of fifty or less etchings per plate. Throughout his distinguished career, Daniel Garber was awarded some of the highest honors bestowed upon an American artist. Some of his accolades include the First Hallgarten Prize from the National Academy in 1909, the Bronze Medal at the International Exposition in Buenos Aires in 1910, the Walter Lippincott Prize from the Pennsylvania Academy and the Potter Gold Medal at the Art Institute of Chicago in 1911, the Second Clark Prize and the Silver Medal from the Corcoran Gallery of Art for “Wilderness” in 1912, the Gold Medal from the Panama-Pacific Exposition in San Francisco of 1915, the Second Altman Prize in1915, the Shaw prize in 1916, the First Altman Prize in 1917, the Edward Stotesbury Prize in1918, the Temple Gold Medal, in 1919, the First William A...