1960s Landscape Prints

The Sea is an original contemporary artwork realized by Denise Bonvallet-Philippon in the half of the XX Century by the French artist Denise Bonvallet-Philippon (1906-1994). Origina...

Colored Litograph hand-signed and hand-dated with pencil on lower margin by the Italian artist, Duilio Rossini. With dedication to Mauro Ferri hand-written with pencil on lower margi...

KARL SCHMIDT-ROTTLUFF 1884-1976 Rottluff, Germany 1884 - 1976 Berlin (German) Title: Animated Autumn Landscape Bewegte Herbstlandschaft, 1967 Technique: Signed and Dated Brush, I...

John Urbain, Belgian/American (1920 - 2009) - Island Houses, Year: circa 1967, Medium: Etching, signed and numbered in pencil, Edition: 19/25, Image Size: 6.75 x 4.75 inches, Size:...

Peter Kalen - West Hill, Year: 1968, Medium: Screenprint on thin wove paper, signed, titled and numbered in pencil, Edition: 2/15, Image Size: 15 x 11 inches, Size: 16.75 x 12 in. (...

Image dimensions: 10.2 x 10.8 cm. Landscape is a black and white etching on paper, realized after 1960 by the Italian artist Renzo Biasion (Treviso, 1914 - Florence, 1996). Hand-signed in pencil on the lower right margin and monogrammed on the reverse and on plate (lower-right corner) This original print represents a natural landscape with a little and peaceful town in the distance (maybe it is Urbino) with a sober language and a delicate sign. With an excellent inking on a straw-yellow background, this contemporary artwork is in excellent conditions, including a cream-colored passepartout, cm 39.8 x 30.2 Renzo Biasion (Treviso, 1914 - Florence, 1996) Born in Treviso in 1914, he moved to Venice where he graduated from the local art school and taught drawing in secondary schools. In 1940, when Italy entered World War II, he fought on the Greek-Albanian front as a second lieutenant in the infantry and began writing a war diary that would then be lost. After the Greek campaign, he was transferred, with the German troops, to Crete. With the announcement of the armistice of 8 September 1943 and the disbanding of the Italian army, he was taken prisoner by the Germans and sent to concentration camps first in the Netherlands, then in Poland and Germany. During his imprisonment, he made drawings of the lager and portraits from life of Italian and German soldiers, he also began writing a prison diary. In 1944, he managed to escape and returned to Italy. After the war, Biasion resumed teaching and exhibited some works in a Venetian art gallery, arousing the appreciation of the poet and essayist Sergio Solmi. The tragic experiences of war and imprisonment are transfused in writings, drawings, paintings and engravings. He also began composing a series of stories, equally inspired by the memories of war, which would give life to Sagapò, a novel that Elio Vittorini had printed in Einaudi's I Gettoni collection in 1953. And it is in Sagapò (in Greek I love you), his most famous literary work, that the Mediterranean film inspired to, directed in 1991 by Gabriele Salvatores, winner of the Oscar for best foreign language film in 1992. There are numerous collaborations as an art and literary critic in periodicals such as Il Verri, Le Vie d'Italia, newspapers: Gazzetta del popolo, Il Resto del Carlino, Corriere d'Informazione. On the weekly paper Oggi, he edited an art column for thirty-five years. Renzo Biasion and the etching: Renzo Biasion's etchings have been made since the 1960s and the dominant features of all his art are visible in them. With a sober language, he represents interiors and landscapes immersed in the silence that is stillness is not solitude. The artist himself writes about the magic art...

To see our other views of the Colleges of the Univeristy of Oxford and the Unviersity of Cambridge, or Modern British Art, scroll down to "More from this Seller" and below it click o...

Pol Bury (Belgian, 1922-2005) Screen print of Brooklyn Bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) Rugby School Linocut 62 x 46 cm Signed, titled, and inscribed A/P in pencil. Possibly unique. Hoyle's view of Rugby School. The school's architecture is depicted in shades of blue and grey, with an orange patch of sun in the cloudy sky above. A green lawn peeks out from between the buildings, which lean gently away from one another. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from 1951-60, the Central School of Arts and Crafts from 1960-64, and the Cambridge School of Art from 1964...

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Signed lower right, 'Georges Lambert' (French, 1919-1998) and inscribed lower left, number and limitation, '26/225'. Georges Lambert first studied in Paris at the Academie de la Gra...

.This is from his New York series consisting of 10 original lithographs signed & numbered. Limited edition of 150 numbered and 30 AP.. It is number 60/150 2 in the catalogue of lith...

Mihail Mikhailovich Chemiakin or Shemyakin (Russian: Михаил Михайлович Шемякин; born 4 May 1943) is a Russian-American painter, stage designer, sculptor and publisher, and a controve...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Jeux de la Passion Oberammergau 1960 Original vintage poster 100 x 63 cm Printed in Germany. This magnificent poster advertises the Passion Play (an outdoor play...

Signed lower right Edition: Undetermined, plus an artist's edition of 10 Edition: Undetermined, plus an artist's edition of 10 Published by the Associated American Artist ...

Julian Trevelyan (1910-1988) Richmond (1969) Etching and aquatint, signed, numbered 48/75 48x35cm Nephew of the historian G M Trevelyan he was educated at Bedales and Trinity Colleg...

To see our other original vintage posters, scroll down to "More from this Seller" and below click on "See all from this Seller." Davos, Parsenne, Switzerland Vintage Ski Poster 1968 67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado 1960s poster for Davos ski resort in Parsenn, Switzerland, featuring a photograph of a skiier jumping off the slope into powder snow...

This is a lithographically printed reproduction of a sensationally fun Lichtenstein triptych he painted in 1964, produced by the Stedelijk Museum...

Christo and Jeanne-Claude LIMITED EDITION - CHRISTO ET JEANNE-CLAUDE EXHIBITION CATALOGUE From July 1st to October 19th, the Centre Pompidou is hosting Christo and Jeanne-Claude, P...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. We also have a series of prints and original oil paintings by Trevelyan. Julian Otto Trevelyan, RA (1910 -1988) Peterhouse, Cambridge College (1959/1962) Proof print aside from the edition of 70. Signed by the artist and numbered in pencil. 38 x 44 cm (15×17 in.) This comes from Julian Trevelyan’s Cambridge Suite which consisted of 10 lithographs: Caius College, Caius College II, Christ’s College, Corpus Christi College, Downing College, Emmanuel College, Jesus College, Peterhouse, St Catharine’s College and Sidney Sussex...

Artist: Brian Rice (1936) Title: Colossal Year: 1967 Edition: 25/75, plus proofs Medium: Lithograph on Arches paper Size: 25.25 x 22.75 inches Condition: Good Inscription: Signed and...

Porter's first color lithograph. A very good impression on Arches with strong colors. Signed and numbered 25/100 in pencil. Printed by Mourlot, New York. Published by Brooke Alexande...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Margaret Souttar...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Margaret Souttar...

"Pine Tree" is an offset lithograph by Ruth Grotenrath, created for the Riveredge Nature Center, Inc. for their Artists for Conservation series. It depicts an elaborate drawing of a pine tree with branches growing in multiple directions and overlapping one another. 5" x 6 5/8" art 13 5/8" x 15 1/4" frame "The paintings of Ruth...

Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...

Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...

Lithograph and stencil on vélin Chiffon de Mandeure paper. Unsigned, as issued. Good condition. Notes: From the folio, Visages, 1969. Published by Éditions L'étoile Pilante, Paris, a...

Duomo (Florence) Etching & aquatint , 1965-66 Signed, titled and annotated "artist's proof" (see photos) Edition: 100, this impression an artist's proof Reference: Silvie Turner. Julian Trevelyan Catalogue Raisonne of Prints.November 1, 2010. Reprint, Lund Humphries, 2010., No. 174 Provenance: Elizabeth Carrol Shearer, former President of the Print Club of Cleveland He moved to Paris to become an artist, enrolling at Atelier Dix-Sept, Stanley William Hayter's engraving school, where he learned etching. He worked alongside artists including Max Ernst, Oskar Kokoschka, Joan Miró and Pablo Picasso. In 1935, Trevelyan bought Durham Wharf, beside the River Thames in Hammersmith, London. This became his home and studio for the rest of his life and was a source of artistic inspiration to him. He became a confirmed Surrealist and exhibited at the International Surrealist Exhibition, held at the New Burlington Galleries in London. From 1950 to 1955, Trevelyan taught history of art and etching at the Chelsea School of Art. From 1955-63, Trevelyan worked at the Royal College of Art and became Head of the Etching Department. Because of his enthusiasm in his work and the desire to share it with others, Trevelyan became a highly influential teacher, with students including David Hockney, Ron Kitaj...

Julian Trevelyan (1910-1988) Kensington Gardens (1969) Etching and aquatint, signed, numbered 55/75 35x48cm Nephew of the historian G M Trevelyan h...

Artist: Harvey Daniels (1936-2013) Title: Same Shoes Year: 1968 Edition: 12/18, plus proofs Medium: Silkscreen on wove paper Size: 28.5 x 22.5 inches Condition: Excellent Inscription...

Artist: Harvey Daniels (1936-2013) Title: Bathing Suits Year: 1964 Edition: A.P./20, plus proofs Medium: Silkscreen on Arches paper Size: 19.75 x 26.75 inches Condition: Good Inscrip...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

Lithograph on vélin de Rives paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Poêmes insoumis, 1963. Published by Marc Barbezat, Paris; ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Taureaux, Lithograp...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Lithograph on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Taureaux, Lithographies de Jean Cocteau, 1965. ...

Lithograph and stencil with gouache and pastel inks on vélin de Rives paper, archivally hinged on vélin de Rives backing sheet, as issued. Inscription: signed in the plate and unnumb...

Lawrence Heyman, American (1932) Date: circa 1965 Etching with Aquatint, signed and numbered in pencil Edition of 5/100 Image Size: 15.5 x 19.5 inches ...

Woodcut on vélin d'Arches paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Vingt fables de La fontaine, 1961. Published by Éd...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: from the folio, Regards sur Paris, 1963. Publi...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1962. Published by André Sauret, Paris;...

Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Peintres mes amis, 1965. Published by Éditions d'art Les Heures Cla...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Suites nº8, Rencontres, 1964. Published...

We are together. 1965, paper, lithography, 25x27 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1947, she began her stu...

This poster, titled 'La Côte Basque' in the image, was intended to draw people to travel to the Basque coast of Spain. The image is dominated by the serene blues, greens and yellows of the golf course and sandy beach. Throughout the vista, figures can be seen at leisure golfing, riding horseback, eating at restaurants, and sunbathing. 34 x 23.75 inches, poster 43.5 x 33.25 inches, image Signed in the stone, lower right Framed to conservation standards using archival materials including 100 percent rag mounting, UV5 Plexiglas to inhibit fading, and housed in a gold finished wood moulding with a 3-inch Belgian linen liner. Bernard Villemot (1911 – 1989) was a French graphic artist known primarily for his iconic advertising images for Orangina, Bally Shoe, Perrier, and Air France. He was known for a sharp artistic vision that was influenced by photography, and for his ability to distill an advertising message to a memorable image with simple, elegant lines and bold colors. From 1932 to1934, he studied in Paris with artist Paul Colin, who was considered a master of Art Deco. From 1945 to 1946, Villemot prepared posters for the Red Cross. In the late 1940s, he also began a famous series of travel posters for Air France that would continue for decades. In 1949, Villemot's works were exhibited with those of his contemporary poster artist Raymond Savignac at the Gallery of Beaux Arts in Paris. In 1953, Villemot began designing logos and posters for the new soft drink Orangina, and over time these works would become some of his best known. In 1963, the Museum of Decorative Arts in Paris held an exhibition of his works. By the end of his life in 1989, he was known as one of the last great poster artists, and many collectors and critics consider him to be the "painter-laureate of modern commercial art." Since his death in 1989, his memorable images have been increasingly sought after by collectors. At least three books have been published that survey his art: "Les affiches de Villemot," by Jean-Francois Bazin...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Cocteau, 1965....

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...

Lithograph on vélin de Rives paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Taureaux, Lithographies de Jean Coc...