Aquatint Prints and Multiples
Color: Brown
Medium: Aquatint
Kimi Fuji
Located in San Francisco, CA
This artwork titled "Kimi Fuji" c.1975 in an original color aquatint by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed in pencil by the artist. The image (plat...
Category
Late 20th Century Abstract Aquatint Prints and Multiples
Materials
Aquatint
Never Leave Me - still life, hand signed, Roy Fairchild
Located in London, GB
This embellished serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a ...
Category
21st Century and Contemporary Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
For You - still life, hand signed, Roy Fairchild
Located in London, GB
This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...
Category
21st Century and Contemporary Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
Never Leave Me - still life, hand signed, Roy Fairchild
Located in London, GB
This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...
Category
21st Century and Contemporary Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
A Little Something - still life, hand signed, Roy Fairchild
Located in London, GB
This serigraph print is for sale from Roy Fairchild's Personal Collection. This print will come with a certificate of authenticity from London Contemporary Gallery and a unique signe...
Category
21st Century and Contemporary Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
Les Marguerites (Daisies)
Located in San Francisco, CA
Artist: George Braque – French (1882-1963)
Title: Les Marguerites (Daisies)
Year: circa 1952
Medium: Color etching and aquatint
Publisher: Maeght, Paris (bears Maeght blindstamp in ...
Category
1950s Cubist Aquatint Prints and Multiples
Materials
Etching, Paper, Aquatint
Models with Mirror, Ed. /60
Located in Washington Depot,, CT
Philip Martin Pearlstein (May 24, 1924 – December 17, 2022) was an American painter best known for Modernist Realist nudes. Cited by critics as the preeminent figure painter of the 1...
Category
1980s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
Composition
Located in Ljubljana, SI
Original color etching and aquatint, 2007. Edition of 10 signed and numbered impressions on Arches paper.
David Tremlett is an English contemporary scul...
Category
Early 2000s Abstract Geometric Aquatint Prints and Multiples
Materials
Etching, Aquatint
Fille au Pigeon, Etching & Aquatint by Georges Manzana Pissarro
Located in London, GB
Fille au Pigeon by Georges Manzana Pissarro (1871-1961)
Etching & aquatint
36 x 13.8 cm (14 ⅛ x 5 ⅛ inches)
Signed lower left
Provenance
Private Collection, London
Exhibition
Fort ...
Category
1910s Art Deco Aquatint Prints and Multiples
Materials
Etching, Aquatint
Crucifixion: 18th Century Etching by Conrad Metz after Daniele da Volterra
Located in Alamo, CA
"Crucifixion" is an etching and aquatint, printed in brown ink by Conrad M. Metz after a painting by Daniele da Volterra. It was published in London in 1789 in 'Imitations Of Ancient...
Category
Late 18th Century Old Masters Aquatint Prints and Multiples
Materials
Etching, Aquatint
The Universe Mender I by David Salle orange blue and red watercolor stye etching
By David Salle
Located in New York, NY
A delicate, translucent iteration of David Salle's kaleidescopic layers which are usually painted in large scale. Eyes etched in a liquid ocean of blue and orange aquatint form the ground for a nude woman...
Category
1990s Neo-Expressionist Aquatint Prints and Multiples
Materials
Etching, Aquatint
'Scheherazade', Académie Julian, Venice Biennale, Carnegie Prize, NYMOMA, AIC
Located in Santa Cruz, CA
Signed in pencil, lower right, 'Jacques Villon' (French, 1875-1963) and with number and limitation, '19/150', lower left. Additionally signed in plate, lower left, 'Jacques Villon', ...
Category
1930s Abstract Aquatint Prints and Multiples
Materials
Laid Paper, Aquatint
After the Storm, Limited Edition Print, Landscape Etching Print in Greens
Located in Deddington, GB
After the Storm is a contemporary landscape print by Phil Greenwood. The serene combination of earthy green, blue and white tones gives the work a calming feel and Greenwood’s attent...
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Archival Paper, Etching, Aquatint
Desolation, S.C. or Deserted Cabins, Beauford, S.C.
Located in Fairlawn, OH
Desolation, S.C. or Deserted Cabins, Beauford, S.C.
Etching & Aquatint, c. 1930
Signed by the artist in pencil lower right (see photo)
Annotated "Trial Proof" in pencil lower left co...
Category
1930s American Impressionist Aquatint Prints and Multiples
Materials
Aquatint
Tennis tree
Located in Ljubljana, SI
Tennis tree. Original color etching and aquatint, unknown year. Edition of 150 signed and numbered impressions on Arches paper.
Jean-Michel Folon was a Belgian contemporary artist, i...
Category
Late 20th Century Post-Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
La Grande Cascade de Saint Cloud
Located in Fairlawn, OH
La Grande Cascade de Saint Cloud
Color aquatint on watermarked Arches J Perrigot paper, 1905
Signed by the artist in pencil lower right. (see photo)
Edition: 100. Numbered "39" in pencil lower left.
Titled in pencil verso
Published by Edmund Sagot, Paris, his dry stamp lower right below signature.
Image: 23-1/8 x 17-3/8" (58.7 x 44 cm.)
From the British Museum:
"Colour etcher. Born in Livorno from a family of wealthy Swiss cotton merchants, studied with Giuseppe Ciaranfi and Michele Gordigiani in Florence. In 1886 exhibited with Fattori, Achille Lega and Tommasi in the Prima Esposizione delle Belle Arti in Livorno. In 1888 he and his family moved to Paris, where he studied first with François Flameng until 1892 and later with Carolus-Duran. Müller remained in the French capital until the outbreak of the First World War, taking French citizenship in 1913. He worked in the countryside at Barbizon, Suresnes and elsewhere, but also made frequent visits to his native country, where he exhibited regularly in Florence with the Promotrice Fiorentine. His early work was indebted to Fattori and Plinio Nomellini, but he soon became interested in the Impressionists and was credited by the critic Mario Tinti with introducing the luminism of Monet into Italian art.
Müller was a member of the Société des Artistes Indépendents and exhibited regularly in the Paris dealer George Petit's annual exhibitions of colour prints. He made his first print in 1896, a lithographic portrait of the poet Paul Verlaine in the Café Procope. The following year Müller made his first colour aquatints. Among them were a series of illustrations to Dante's Divine Comedy. In style his etchings and aquatints were influenced by Manuel Robbe. Very occasionally he combined drypoint or soft ground etching with aquatint. Müller's principal publisher was Pierrefort, who also issued prints by Toulouse-Lautrec. After 1903 he largely abandoned aquatint for pure etching. Fourteen of his colour etchings were reproduced over a number of months in the weekly magazine 'Le Courrier français'. Müller also made a small number of colour lithographs, some of which were published by the Parisian print dealer Sagot. A single monotype of Mallarmé done in 1911, thirteen years after the poet's death in 1898, is recorded. Müller made a few landscape prints and a couple of etchings of fishing boats, but his principal subject was young women in long dresses. Often there is an aura of fin-de-siècle wistfulness. When he returned to Italy, he lived first in Taormina, then in Florence, and finally settled in a villa at Settignano. Müller largely abandoned printmaking after 1914. Only three more prints by him made in 1920, 1925 and 1933 are recorded after he moved back to his native country. Müller was a regular exhibitor in Florentine exhibitions, the most significant of which was the 1922 Primaverile Fiorentina. He returned to France in 1930 where he died in 1939. (Text by Martin Hopkinson)"
Said to rival the fountains at Versailles, La Grande Cascade is still turned on for a few hours every Sunday in June. The Grande Cascade, constructed in 1664-1665 by Antoine Le Pautre has survived.
The château was expanded by Phillipe de France, duc d'Orléans in the 17th century, and finally enlarged by Marie Antoinette in the 1780s. Napoleon I and Napoleon III also used the palace, which was a U-shaped scheme of three sections, open to the east. Destroyed by fire (with the exception of a few outbuildings and its majestic garden) in 1870, during the Franco-Prussian War. The burned-out shell stood until 1891, when it was demolished. The gardens were replanned by André Le Nôtre...
Category
Early 1900s French School Aquatint Prints and Multiples
Materials
Aquatint
Citrus Tree, by David Smith-Harrison
Located in Palm Springs, CA
By: David Smith-Harrison
Medium: Intaglio
Year: 2005
Image Size: 4.5" x 3.5"
Paper Size: 8" x 6.25"
Portrait of a citrus tree with a single lemon from an ...
Category
Early 2000s Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
Generations 14
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Aquatint Prints and Multiples
Materials
Color, Etching, Aquatint
Generations 15
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Aquatint Prints and Multiples
Materials
Color, Etching, Aquatint
Generations 22
By Robyn Denny
Located in London, GB
Etching with aquatint on watercolour wash on paper
53 x 71 cms (21 x 28 ins)
Edition of 35, Set of 24
Signed, dated, and numbered 3/35
Published by Bernard Jacobson Ltd., London
Prin...
Category
1970s Abstract Geometric Aquatint Prints and Multiples
Materials
Color, Etching, Aquatint
The Blue Dog - Etching with Aquatint - Spanish Surrealism
Located in London, GB
JOAN MIRO 1893-1983
Montroig 1893- 1983 Mallorca (Spanish)
Title: The Blue Dog Le chien bleu, 1959
Technique: Hand Signed and Numbered Etching with Aqu...
Category
1950s Surrealist Aquatint Prints and Multiples
Materials
Etching, Aquatint
Aggressive Muskox
By Pudlo Pudlat
Located in San Francisco, CA
This artwork titled "Aggressive Muskox" 1984 is an original color etching with aquatint on Wove paper by noted Canadian/Inuit artist Pudlo Pudlat, 1916-1992. It is hand signed, title...
Category
Late 20th Century Other Art Style Aquatint Prints and Multiples
Materials
Aquatint, Etching
La Poursuite by Orovida Pissarro - Animal etching
Located in London, GB
La Poursuite by Orovida Pissarro (1893-1968)
Etching with aquatint
17.2 x 12.5 cm (6 ³/₄ x 4 ⁷/₈ inches)
Signed and dated lower right Orovida 1917
Inscribed lower left Final State Trial proof no. 1
Artist biography
Orovida Camille Pissarro, Lucien and Esther Pissarro’s only child, was the first woman in the Pissarro family as well as the first of her generation to become an artist. Born in Epping, England in 1893, she lived and worked predominantly in London where she became a prominent member of several British arts clubs and societies.
She first learned to paint in the Impressionist style of her father, but after a brief period of formal study with Walter Sickert in 1913 she renounced formal art schooling. Throughout her career, Orovida always remained outside of any mainstream British art movements. Much to Lucien's disappointment she soon turned away from naturalistic painting and developed her own unusual style combining elements of Japanese, Chinese, Persian and Indian art. Her rejection of Impressionism, which for the Pissarro family had become a way of life, together with the simultaneous decision to drop her famous last name and simply use Orovida as a ‘nom de peintre’, reflected a deep desire for independence and distance from the weight of the family legacy.
Orovida's most distinctive and notable works were produced from the period of 1919 to 1939 using her own homemade egg tempera applied in thin, delicate washes to silk, linen or paper and sometimes embellished with brocade borders. These elegant and richly decorative works generally depict Eastern, Asian and African subjects, such as Mongolian horse...
Category
1910s Aquatint Prints and Multiples
Materials
Aquatint, Etching
Profile of a Young Woman, Signed Aquatint Etching Print on Paper Jewish Artist
By Milton Goldstein
Located in Surfside, FL
Milton Goldstein, was a prominent Bayside artist, won many prestigious awards and taught at Adelphi University.
Born in Holyoke, Mass., Goldstein began his career in the arts when he moved to New York to study at the Art Students League of New York in 1939. In 1942 he enlisted in the Army and served in the Pacific as a mapmaker during World War II. While stationed in the Philippines, Goldstein drew sketches and painted watercolors of the cities and people he saw during the war, and 300 of these works were donated to the Military Museum...
Category
20th Century Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
Vicente Rojo, ¨Suite Nubes de fuego IV¨, 2006, Silkscreen, 18.9x26.8 in
By Vicente Rojo
Located in Miami, FL
Vicente Rojo (Mexico, 1932-2021)
'Suite Nubes de fuego IV', 2006
aquatint, silkscreen on paper Guarro Super Alpha 250g.
18.9 x 26.8 in. (48 x 68 cm.)
Edition of 50
ID: ROJ-121
Unframed
Category
Early 2000s Contemporary Aquatint Prints and Multiples
Materials
Paper, Etching, Aquatint, Screen
L'Aieule (The Grandmother)
Located in Fairlawn, OH
L'Aieule (The Grandmother)
Etching and aquatint printed in colors, 1904
Signed with the red stamp of the publisher, Gustave Pellet, Lugt 1193 and numbered (see photo)
Edition: 100 (81/100)
Reference: Arwas 202 iv/IV
IFF 98
Condition: Excellent, the sheet aged as usual
Image size: 14 1/4 x 18 5/8"
Sheet size: 16 15/16 x 24 1/4"
Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906.
Life
Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops.
Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all."
Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine.
Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891.
In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes).
Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others.
He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur.
Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion.
Books illustrated
de Maupassant, Guy: Cinq Contes Parisiens, 1905.
Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category
Early 1900s Art Nouveau Aquatint Prints and Multiples
Materials
Aquatint
Miguel Castro Leñero, ¨Caballo de Batalla III¨, 2020, Engraving, 29.7x47.2 in
Located in Miami, FL
Miguel Castro Leñero (Mexico, 1956)
'Caballo de Batalla III', 2020
engraving on paper Intaglio 300 g.
29.8 x 47.3 in. (75.5 x 120 cm.)
Edition of 30
ID: CAM-103
Unframed
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Paper, Engraving, Etching, Aquatint, Screen
Raúl Martínez, ¨Flores y Frutas¨, 1978, Silkscreen, 20.2x26.3 in
Located in Miami, FL
Raul Martinez (Cuba, 1927-1995)
'Flores y Frutas', 1978
silkscreen on paper
20.2 x 26.3 in. (51.3 x 66.8 cm.)
Edition of 30
ID: MRT-302
Unframed
Category
1970s Contemporary Aquatint Prints and Multiples
Materials
Paper, Engraving, Etching, Aquatint, Screen
Miguel Castro Leñero, ¨Caballo de Batalla II¨, 2020, Engraving, 29.7x47.2 in
Located in Miami, FL
Miguel Castro Leñero (Mexico, 1956)
'Caballo de Batalla II', 2020
engraving on paper Intaglio 300 g.
29.8 x 47.3 in. (75.5 x 120 cm.)
Edition of 30
ID: CAM-102
Unframed
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Paper, Engraving, Etching, Aquatint, Screen
Pomegranates
By Kaiko Moti
Located in San Francisco, CA
This artwork titled "Pomegranates" c.1970 is an original color aquatint on Japan paper by noted Indian artist Kaiko Moti, 1921-1989. It is hand signed and numbered XXII/LXXV in White pencil by the artist. The Size is 22 x 29.25 inches. Printed to the edge. It is in excellent condition, some hanging tape remaining on the back from a previous framing.
About the artist:
Born (Kaikobad Motiwalla) in Bombay, India on December 15, 1921, Moti was first educated at the Bombay School of Fine Arts but his talent led him onwards to study at the University College in London (on scholarship) and at the Slade School of Fine Arts, London, where he received a Master's degree in Painting and Sculpture. While still in London he studied under MacWilliam and Reginald Butler.
Eventually moving to Paris in 1950, Moti attended the Academie de la Grand Chaumiere, Atelier Zadkine, to pursue his love of sculpture but lack of space soon compelled him to turn his attention to working on copper plates and he studied engraving with William Stanley Hayter...
Category
Mid-20th Century Impressionist Aquatint Prints and Multiples
Materials
Aquatint
Vicente Rojo, ¨Aforismo F¨, 2015, Silkscreen, 20.3x26.4 in
By Vicente Rojo
Located in Miami, FL
Vicente Rojo (Mexico, 1932-2021)
'Aforismo F', 2015
silkscreen on paper Deponte 300 g.
20.3 x 26.4 in. (51.5 x 67 cm.)
Edition of 140
ID: ROJ-147
Unframed
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Paper, Etching, Aquatint, Screen
Rufino Tamayo, "Personaje con Sombrero" 1979
Located in Los Angeles, CA
"Personaje con Sombrero" is a superb figurative abstraction by the renown Mexican artist Rufino Tamayo. An aquatint and etching in colors printed on a full sheet of watermarked woven handmade paper. The full sheet measures 29 5/8 inches H. x 22 inches W. Framed dimensions are 40 3/4 inches H. x 33 inches W.
Signed "R Tamayo" and numbered "40/99" in white crayon by the artist. Printed and published by Poligrafa, Barcelona in 1979.
Rufino Tamayo (1899-1991) is a modern master whose legacy is rooted in his contributions across a variety of media, including mural and easel painting, drawing, and the graphic arts. Produced between 1925 and 1991, his graphic work includes woodcuts, lithographs, etchings, and Mixografia prints — a new technique that was developed in the early 1970s to allow him to produce his prints in relief.
Tamayo is one of the most celebrated Mexican Artists of the 20th Century. Heavily influenced by pre-Columbian art...
Category
1970s Modern Aquatint Prints and Multiples
Materials
Aquatint, Etching
White Hamburgh Grape: A Framed 19th C. Color Engraving by George Brookshaw
Located in Alamo, CA
This is a 19th century colored aquatint and stipple engraving finished by hand entitled "White Hamburgh Grape", drawn and engraved by George Brookshaw and published in London in 1812 as plate 60 in his 'Pomona Britannica; or, A Collection of the Most Esteemed Fruits'. It depicts a cluster of pale green grapes still on the vine. The vine and leaves are shown in attractive shades of green and brown. The plant lays on a brown textured background with shadows to impart 3-dimensionality. The scene is reminiscent of an engraving in an 18th century artistically stylized human anatomy atlas. There is a light brown title rectangle in the lower center which is blank, suggesting this may be a more rare preproduction proof. There are wide white margins.
This striking engraving is presented in a reddish brown decorative wood frame with a darker brown scroll-work outer trim and a gold-colored inner fillet and a thick light beige mat. The frame measures 26" high, 22" wide and 1.13" deep. It is glazed with UV conservation glass. There is a tiny spot in the lower margin on the left and another in the left margin. The print and frame are otherwise in excellent condition.
There is a second Brookshaw engraving that is framed in identical moulding, although a slightly different size and a different color mat. It depicts a Silver Rock Melon. The two prints would make a striking display pairing...
Category
Early 19th Century Naturalistic Aquatint Prints and Multiples
Materials
Engraving, Aquatint
Rue de Marmousets, Paris; From Picturesque Architecture in Paris, Ghent, ....
Located in Middletown, NY
Aquatint with hand coloring in oil color on smooth wove paper, 10 5/8 x 7 3/8 inches (270 x 187 mm), full margins. Laid down to a support, as issued. Moderate toning and surface soil...
Category
1830s English School Aquatint Prints and Multiples
Materials
Oil, Handmade Paper, Aquatint
Sergio Hernández, 'La burra no era arisca', 2015, Aquatint, 29.1x29.1 in
Located in Miami, FL
Sergio Hernández (Mexico, 1957)
'La burra no era arisca', 2015
sugar aquatint on paper Guarro Biblos 250g.
29.2 x 29.2 in. (74 x 74 cm.)
Edition of 30
Unframed
...
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Ink, Aquatint, Paper, Engraving, Etching
L'Aquarium
Located in New York, NY
A very good impression of this color aquatint. Signed and numbered 2/100 in red crayon, lower margin. Published by Maeght, Paris.
Category
1950s Fauvist Aquatint Prints and Multiples
Materials
Color, Aquatint
DOWNTOWN, NEW YORK
Located in Portland, ME
Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...
Category
1920s Aquatint Prints and Multiples
Materials
Etching, Aquatint
M's Orchard, by David Smith-Harrison
Located in Palm Springs, CA
Signed, titled and numbered by the artist. This intaglio print shows an orchard combined with the classical architectural imagery that often accompany Smith-Harrison's portraits of ...
Category
Early 2000s Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
El Vaquero, by Xavier Viramontes
Located in Palm Springs, CA
This is one of six cowboy images completed by the artist. Chicano artist Viramontes is known for both political subject matter, as well as more personal s...
Category
21st Century and Contemporary Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
Peccarys and Tiger Pranks by Orovida Pissarro - Animal etching
Located in London, GB
*UK BUYERS WILL PAY AN ADDITIONAL 20% VAT ON TOP OF THE ABOVE PRICE
Peccarys and Tiger Pranks by Orovida Pissarro (1893-1968)
Etching and aquatint
31.5 x 23 cm (12 ⅜ x 9 inches)
Sig...
Category
1920s Aquatint Prints and Multiples
Materials
Aquatint, Etching
The Joker, by Xavier Viramontes
Located in Palm Springs, CA
Signed, titled and numbered by the artist. Chicano artist Xavier Viramontes is known for both political subject matter, initmate family scenes and the humor found in this series of d...
Category
Early 2000s Contemporary Aquatint Prints and Multiples
Materials
Etching, Aquatint
Untitled
Located in Milano, MI
Color hard ground etching with aquatint, spit-bite aquatint, drypoint, roulette, and scraping and burnishing ed-30
Category
2010s Aquatint Prints and Multiples
Materials
Etching, Aquatint, Drypoint
Seated Figure
Located in San Francisco, CA
This artwork titled "Seated Figure" c.1970 is an original color etching, aquatint and embossing on brown hand made paper by noted Spanish artist Jose Garcia...
Category
Late 20th Century Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
The Merry Beaglers engraving by John Harris after Harry Hall's 1845 painting
Located in London, GB
John Harris after Harry Hall
The Merry Beaglers
c. 1845
48x65cm
Aquatint with hand colouring
The most famous beagling print there is, after the 1845 pa...
Category
1840s Victorian Aquatint Prints and Multiples
Materials
Aquatint
Les Marguerites (Daisies), c. 1950
Located in Palo Alto, CA
Created with a sensitive attention to color and value, this work is one of many floral motifs Braque depicted in his lifetime. Deeply saturated tones of ochre and brown express a subdued mood, while the hints of highlights convey to the viewer a sense of brightness and energy. A cluster of yellow daisies emerge from a simple ochre vase...
Category
1950s Modern Aquatint Prints and Multiples
Materials
Aquatint, Etching
The Church Lady, by Xavier Viramontes
Located in Palm Springs, CA
Signed, titled and numbered from the edition of 25. One from a series of six pet portraits.
Viramontes was the subject of a 1-hour documentary "Xavier Viramontes, A Life in Print" w...
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Aquatint, Etching
Son Abrines
By Joan Miró
Located in San Francisco, CA
"Son Abrines" Original etching with aquatint printed on Guarro paper. Ink stamp signed, numbered 23/75 in pencil. Also hand signed in pencil on the back by the grand son of the artis...
Category
1980s Abstract Aquatint Prints and Multiples
Materials
Aquatint
Flora Okuli - Etching by Ernst Fuchs - Late 20th Century
By Ernst Fuchs
Located in Roma, IT
Flora Okuli is an original artwork realized by the Austrian artist Ernst Fuchs (1920-2015).
Aquatint etching. Signed and numbered by the artist on the lower margin.
Edition of 10.0...
Category
Late 20th Century Contemporary Aquatint Prints and Multiples
Materials
Aquatint, Etching
Fog Over the Golden Gate (Scarce Large Kloss)
By Gene Kloss
Located in Santa Monica, CA
GENE KLOSS (1903 - 1996)
FOG OVER THE GOLDEN GATE, 1954 (Kloss 455)
Drypoint and aquatint signed and titled in pencil, annotated Artist Proof. Edition 35. Image, 10 ¾ x 13 ¾ inches....
Category
1950s Aquatint Prints and Multiples
Materials
Etching, Aquatint
Wanderlessed
Located in Palm Springs, CA
Signed and numbered in pencil from the edition of 44.
Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in sever...
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Aquatint, Etching
Central Panel, from: Triptych 1974-1977
Located in London, GB
FRANCIS BACON 1909-1992
Dublin 1909-1992 Madrid (Irish/British)
Title: Central Panel, from: Triptych 1974-1977, 1981
Technique: Original Hand Signed and Numbered Etching and Aquatint in Colours on Wove Paper
Paper size: 64.8 x 50 cm. / 25.5 x 19.7 in.
Image size: 38.8 x 29.5 cm. / 19.3 x 11.5 in.
Additional Information: This etching and aquatint in colours is hand signed in pencil by the artist "Francis Bacon" in the lower right margin.
It is also hand numbered in pencil from the edition of 99, in the lower left margin.
The work was printed in a limited edition of 99 signed and numbered impressions with an additional 15 Hors Commerce [out of trade] impressions and 15 artist’s proofs.
It was printed and published by Polígrafa, Barcelona in 1981.
It is based on the painting of the same title.
Note: Tryptic 1974-1977 is one of Bacon's finest triptychs. It was painted by Bacon between May and June 1974 and was made in response to the tragic death of his lover George Dyer in 1971. It was the last work the artist made before a major retrospective of his work held at the Metropolitan Museum of Art in New York in 1974. The exhibition formed the culmination of this important survey of Bacon's career from the late 1960s onwards and was immediately recognised as both a major landmark and also perhaps a turning point in Bacon's career.
From 1971, Francis Bacon had been preoccupied with Dyer and the tragic manner of his suicide. Triptych 1974-77 also borrows several elements from the three earlier so-called 'Black' triptychs (In memory of George Dyer, 1971, Triptych August 1972 and Triptych May-June 1973). In each of these great three-panel paintings, the figure of Dyer is presented on the threshold of entering a dark void, either in the form of his hotel room, or silhouetted against a sequence of black rectangles. At the bottom of this central panel on a pale blue, purple and black curved continuation of this arena-like circle, there originally appeared a bizarre prone and bespectacled slug-like figure. Based on one of Edward Muybridge...
Category
1980s Surrealist Aquatint Prints and Multiples
Materials
Aquatint, Etching
Lady Berry Bomb & Madame Bit Nutty, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered from the edition of 15. Japanese women with ice cream cones. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense o...
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Aquatint, Etching
Hommage, Modern Abstract by Johnny Friedlaender
Located in Long Island City, NY
Hommage by Johnny Friedlaenderm German (1912–1992)
Date: circa 1965
Aquatint, signed in pencil
Edition of EA
Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)
Frame Size: 36 x 28.5 inches
Category
1960s Modern Aquatint Prints and Multiples
Materials
Etching, Aquatint
MATERNITY AILEE
Located in Portland, ME
Hayter, Stanley William. MATERNITY AILEE. 1948. B&M 187. Engraving, Etching & Aquatint, printed in colors. Edition of 50, signed, dated 1948, titled and numbered. 13 5/8 x 7 15/16 in...
Category
1940s Aquatint Prints and Multiples
Materials
Etching, Aquatint
V's Vase, by Yuji Hiratsuka
Located in Palm Springs, CA
Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table. While the images have some resemblance t...
Category
2010s Contemporary Aquatint Prints and Multiples
Materials
Aquatint, Etching
Secret Messenger, by Rosalyn Richards
Located in Palm Springs, CA
Signed, titled and numbered, edition of 15.
Image size: 9.75 x 10.75
Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams.
She has had solo shows throughout the United States, and her work is represented in museum collections such as:
MUSEUM COLLECTIONS:
Chicago Art Institute
Mineapolis Institute of the Arts
University of Minnesota
Yale University Art Gallery
Grunwald Center...
Category
Early 2000s Abstract Aquatint Prints and Multiples
Materials
Etching, Aquatint
"Montagne Ocre" Very large etching with aquatint
Located in San Francisco, CA
This artwork titled "Montagne Ocre" 1973 in an original color etching with aquatint on Arches paper by noted Polish artist Johnny Friedlaender, 1912-1992. It is hand signed and inscribed E.A. (Epreuve d'Artiste) in pencil by the artist. The image and paper size is is 28 x 38.5 inches, framed size is 48 x 38 inches. Custom framed in a wooden gold with dark brown patina frame, with off white matting. The artwork is in excellent condition, the frame is in very good condition, it has very minor restorations, practically invisible. This artwork is one of the largest work on paper ever created by the artist.
About the artist:
Johnny Friedlaender (26 December 1912 – 18 June 1992) was a leading 20th century artist, whose works have been exhibited in Germany, France, Netherlands, Italy, Japan and the United States. He has been influential upon other notable artists, who were students in his Paris gallery. His preferred medium of aquatint etching is a technically difficult artistic process, of which Friedlaender has been a pioneer.
Johnny Gotthard...
Category
Late 20th Century Abstract Aquatint Prints and Multiples
Materials
Etching, Aquatint
The hand
By Antoni Clavé
Located in Paris, FR
Etching and aquatint, 1966
Handsigned by the artist in pencil and numbered 6/50
Publisher : Sala Gaspar, Barcelone
Catalog : Passeron 137
65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in....
Category
1960s Abstract Aquatint Prints and Multiples
Materials
Etching, Aquatint
Shop a Collection of Aquatint Prints and Other Fine Art Prints on 1stDibs
Buying art and design is one thing. Collecting it is quite another. Whether you’re looking to add a focal point to your living room or you’re introducing a new acquisition to an already thriving collection of art, the range of aquatints and other fine art prints on 1stDibs is waiting for you.
A technique named for its resemblance to watercolor or ink wash, aquatint is often combined with etching to create rich tonal variations. It’s a similar process to etching but the resin ground is more granulated, so the acid handles the metal differently.
Different degrees of darkness are created during the aquatint printmaking process based on the amount of time the plate is in contact with the acid. The process was famously deployed by Goya, but contemporary artists, ranging from Wayne Thiebaud and Susan Rothenberg to Joel Shapiro and Marcel Dzama have used it to dramatic effect.
And prints — as well as sculpture, photography and and other types of art — should help a residence feel more like itself. “Art plays such an important function in the home,” says Sophie Ashby, who founded her eponymous interior design studio in London in 2014. “Out of everything in a space, it has the most power.”
Find original aquatint prints and other prints and paintings for your home on 1stDibs.
Read More
Art Brings the Drama in These Intriguing 1stDibs 50 Spaces
The world’s top designers explain how they display art to elicit the natural (and supernatural) energy of home interiors.
Welcome (Back) to the Wild, Wonderful World of Walasse Ting
Americans are rediscovering the globe-trotting painter and poet, who was connected to all sorts of art movements across a long and varied career.
Shapero Modern’s Director Tells Us All about 20th-Century Prints
Tabitha Philpott-Kent knows a lot of art multiples. Here, the London gallery director talks about what makes printmaking so fabulous.
Yoshitomo Nara Puts a Punk Rock Twist on the Traditional Prints of His Ancestors
The forever-rebellious Japanese artist craftily defaces famous Edo Period woodblock prints with “In the Floating World.”
Red Grooms Salutes the ‘Ninth Street Women’ Who Revolutionized Modern Art
In a new show of peppy portraits, the 85-year-old artist looks back at 1950s New York, when the Abstract Expressionists ruled the scene. Only now, the women Ab-Ex artists get more of the spotlight than the men.
Just What Is an Intaglio Print, and What Makes It a Good Investment?
Bay Area art publisher Rhea Fontaine explains the difference between intaglio and woodcut printing, how to frame fine art prints and what makes them attractive to collectors.
Andy Warhol Piles Up the Gifts in This Fanciful Christmas Print
Created in the late 1950s, it’s one of a surprising number of holiday-themed works by the prolific Pop artist.
A Derrick Adams Double Portrait Brings Out the Interior Lives of His Subjects
Adams has skyrocketed to art superstardom with his exuberant depictions of Black life. Here's what makes his work important to our times.
Recently Viewed
View AllMore Ways To Browse
Bed Medium
Vintage Army Glasses
1974 Vintage Watch
Vintage Bat Art
Large Modern Abstract Blue Sculpture
White Abstract Sculpture Wood Large
Watches From 1929
Tourism Vintage Posters
Tourism Posters Vintage
Air France Original Poster
Film Posters Star Wars
Signed Bat
Liberty Series
Nasa Space
Coca Cola Vintage
Printed Curtains
Original Vintage Sports Posters
Vintage Revisited