Screen Prints and Multiples

Elephant Charge, 1999 LeRoy Neiman (American, 1921-2012) Serigraph Artist Proof Edition 4/85 Lower Left Hand Signed Lower Right 32 x 31 inches 40 x 39 inches with frame Known for his bright, colorful paintings and screen prints of famous sports stars...

Artist: Thomas W. Benton, American (1930 - 2007) Title: Evolution Series Blue Year: 1981 Medium: Silkscreen, Signed and numbered in pencil Edition: 250, XLV, HC Image Size: 32 ...

Screenprint in colors, on wove paper. Stamped with the artist's estate and signed, dated and numbered by the executor, Julia Gruen, in pencil on the reverse. Artwork size 27 x 33 i...

Silkscreen / Feminist Art and Contemporary Feminist / Pop and Contemporary Pop / Graffiti and Street Art / Cultural Commentary DIMENSIONS 24 × 18 in 61 × 45.7 cm EDITIONS Edition 476/600 "I grew up at a time when women's rights were on the rise...

This is a Three colour screen print that includes two metallic inks. This print captures the wild nature of Monstera plant leaves, the world's favourite house plant. Limited edition ...

Artist: Romare Bearden, American (1911 - 1988) Title: The Olympics Year: 1976 Medium: Serigraph on BFK Rives, signed and numbered in pencil Edition: 200 Paper Size: 40 x 25 in. (101....

Limited Edition Beryl Cook's appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her pai...

Cisco Jimenez (Mexico, 1959) 'Pañito', 2006 silkscreen, collage on paper 23.7 x 31.5 in. (60 x 80 cm.) Edition of 99 Unframed ID: JIM1752-001-109 Hand-signed by author in pencil

Unsigned. On Japanese paper.

Untitled - Spheres Joseph Grippi, American (1924–2001) Date: circa 1970 Screenprint, signed and numbered in pencil Edition of 21/50 Size: 27.25 x 46 in. (69.22 x 116.84 cm)

Paper Size: 30 x 21 inches ( 76.2 x 53.34 cm ) Image Size: 30 x 21 inches ( 76.2 x 53.34 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Amleto dalla Costa Anatomy+Suite 1979 Original silkscreen hand signed and numbered from an edition of 325

Keith Haring Skateboard Deck c.2012: Rare, out of print Keith Haring skate deck featuring one of the artist's iconic dragon images, set amidst a vibrant array of colors that really p...

TITLE Mark Drew Diptych Print Set Exclusive "Time to Grind" & "Keep Their Heads Ringing" The Peanuts Charles Schulz YEAR 2019 CLASSIFICATION Limited editio...

Artist: Kyohei Inukai Title: Seven Units on Red Year: 1978 Medium: Serigraph, Signed and numbered in pencil Edition: AP 30 Size: 22 x 30 inches

"Spirales (from Sotomagie series)" is a Contemporary screenprint on plexiglass sculptural print made by Jesus Rafael Soto in 1967. The artwork is 13 3/8 x 13 3/8 x 7 inches and weigh...

This artwork titled "Mirror Pass" 1977 is an original color screenprint by noted Native American artist Earl Biss, 1947-1998. It is hand signed, dated and numbered 37/100 in pencil by the artist. The artwork (image) size is 29 x 21 inches, framed size is 38.5 x 30 inches. Custom framed in a wooden silver and blue frame, with fabric matting. It is in excellent condition. About the artist: Born in Washington state, Earl Biss became a well-known Native American artist. He was raised by his grandmother on the Crow reservation in Montana and earned a scholarship to the Institute of American Indian Art in Santa Fe where he studied jewelry design. He attended the San Francisco Art Institute and then traveled widely in Europe where he was heavily influenced by the impressionist style of Monet and other European artists. His paintings have a dream-like, abstract quality with Indian figures merging with the landscape. He worked on numerous paintings, sometimes as many as twenty, simultaneously. On October 18, 1998, he died from a stroke while in his studio painting. • 1965 - 1966 Studied at the Institute of American Indian Arts (IAIA) in Santa Fe, New Mexico. Was a member of the inaugural class. The IAIA was founded in 1962. • Studied under Fritz Scholder, Charles Loloma, Alan Houser...

Kate Moss, 2010 Signed, countersigned, dated and annotated verso 'Life is beautiful" along with thumbprint Acrylic and silkscreen on wove paper 21 x 22 inche...

Manufacturer: Obey Giant Edition Details: Year: 2019 Class: Art Print Status: Official Released: 01/08/19 Run: 417/450 Technique: Letterpress Paper: Cream Cotton Size: 10 X 13 Markin...

Water is the New Black Signed and dated in pencil Edition 179/450 Screenprint on cream speckle tone paper Published by Obey Giant. image: 17 by 23 in. (43.2 by 58.7 cm.) sheet: 18...

Eliza Southwood's Vineyard cyclists is a limited edition print. Eliza Southwood’s beautiful screen print is signed and numbered and is an edition of ...

Artist: Michael Knigin, American (1942 - 2011) Title: Eye of the Storm Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 136/200 ...

London Bestiary by Mychael Barratt. Limited Edition Silkscreen Print. Edition of 100. Image Size: H 66cm x W 99.7cm. Sheet Size: H 112.1cm x W 76.9cm x D 0.1cm. Signed and titled. So...

Victor Vasarely (Hungarian/French, 1906-1997), "Zaphir 2", Screenprint in Colors, unsigned, silver-tone frame. Image: 27" H x 25.5" W; frame: 32.75" H x 29.5" W. Provenance: From a N...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 12 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 70 Size: 32 x 40 in. (81.28 x 101.6 cm)

Sunflower Gold by Gavin Dobson [2020] limited_edition Print on Paper Edition number 50 Image size: H:70.5 cm x W:25 cm Complete Size of Unframed Work: H:70.5 cm x W:20 cm x D:0.1...

"Expanding" is a color screenprint made by Adolph Gottlieb in 1967. The work is number 4 from an edition of 75. The work is signed and dated in pencil, lower left, "Adolph Gottlieb 1...

Mini lobster [2022] limited_edition Cymk screen print Edition number 100 Image size: H:21 cm x W:14.8 cm Complete Size of Unframed Work: H:21 cm x W:14.8 cm x D:0.1cm Sold Unfra...

Relish by Ralph Goings, American (1928–2016) Date: circa 1990 Screenprint, Signed and numbered in pencil Edition of 195,AP 55 Size: 25 in. x 38 in. (63.5 cm x 96.52 cm)

Artist: Donald Sultan Title: Wallflower 2 Portfolio: Wallflowers Medium: Screenprint on paper Date: 2008 Edition: 106/190 Frame Size: 31" x 28 1/2" Sheet Size: 24 1/4" x 21 1/2" Sign...

Tar and Feather Paul Arthur Jansen, American (1945) Date: circa 1979 Screenprint, signed and numbered in pencil Edition of 225, AP 40 Image Size: 25 x 23 inches Size: 30 in. x 26 in....

On deckle edged watermarked Arches French paper with publishers embossed blindstamp. hand signed in pencil, dated and numbered. the edition size is 175. there are three states of the same image image each with increasing detail and color. This auction is just for the one shown in the photos. Josef Alan Levi (1938) is an American artist whose works range over a number of different styles, but which are unified by certain themes consistently present among them. Josef Levi began his artistic career in the 1960s and early '70s, producing highly abstract and very modernist pieces: these employing exotic materials such as light fixtures and metallic parts. By 1975, Levy had transitioned to painting and drawing still lifes. At first these were, traditionally, of mundane subjects. Later, he would depict images from art history, including figures originally created by the Old Masters. Around 1980, he made another important shift, this time toward creating highly precise, though subtly altered reproductions of pairs of female faces which were originally produced by other artists. It is perhaps this work for which he is most well known. Since around 2000, Josef Levi has changed the style of his work yet again: now he works entirely with computers, using digital techniques to abstract greatly from art history, and also from other sources. Levi's works of art in the collections of the Museum of Modern Art, NYC, the National Gallery of Art, and the Albright-Knox Museum, among many others. Levi's art has been featured on the cover of Harper's Magazine twice, once in June 1987, and once in May 1997. Josef Levi received a Bachelor of Arts degree in 1959 from the University of Connecticut, where he majored in fine arts and minored in literature. From 1959 to 1960, he served to a first lieutenant in the U.S. Army, and from 1960 through 1967 he was in the U.S. Army Reserves. In 1966, he received the Purchase Award from the University of Illinois in 1966, and he was featured in New Talent U.S.A. by Art in America. He was an artist in residence at Appalachian State University in 1969, taught at Farleigh Dickenson University in 1971 and was a visiting professor of art at Pennsylvania State University in 1977. From 1975 to 2007, Levi resided in New York City. He now lives in an apartment in Rome, where he is able to paint with natural light as he was unable in New York. From 1959 to 1960, Josef took some courses of Howard McParlin Davis and Meyer Schapiro at Columbia University which initiated him into the techniques of reproducing the works of the Old Masters. His first works, created in the 1960s, were wood and stone sculptures of women. His first mature works were abstract pieces, constructed of electric lights and steel. In 1970, Levi's materials included fluorescent light bulbs, Rust-Oleum and perforated metal in addition to paint and canvas. By 1980, Josef Levi's art had transformed into a very specific form: a combination of reproductions of female faces which were originally depicted by other artists. The faces which he reproduces may be derived from either portraits or from small portions of much larger works; they are taken from paintings of the Old Masters, Japanese ukiyo-e, and 20th-century art. Artists from whom he has borrowed include: Vermeer, Rembrandt, Piero della Francesca, Botero, Matisse, Utamaro, Correggio, Da Vinci, Picasso, Chuck Close, Max Beckmann, Pisanello, Lichtenstein. The creation of these works is informed by Levi's knowledge and study of art history. Josef Levi's paintings from this period are drawn, then painted on fine linen canvas on wooden stretchers. The canvas is coated with twenty-five layers of gesso in order to produce a smooth surface on which to work. The drawing phase takes at least one month. Levi seals the drawing with acrylic varnish, and then he may apply layers of transparent acrylic in order to approximate the look of old paintings. After the last paint is applied, another layer of acrylic varnish is sprayed on to protect the work. Most of the figures in his contemporary pieces are not paired with any others. SELECTED COLLECTIONS MUSEUM OF MODERN ART, NEW YORK, NY ALBRIGHT- KNOX GALLERY, BUFFALO, NY ALDRICH MUSEUM OF CONTEMPORARY ART, RIDGEFIELD, CT NATIONAL GALLERY OF ART, WASHINGTON, DC BROOKLYN MUSEUM OF ART, BROOKLYN, NY SMITHSONIAN NATIONAL MUSEUM OF AMERICAN HISTORY, WASHINGTON, DC CORCORAN GALLERY, WASHINGTON, DC UNIVERSITY OF NOTRE DAME ART...

Vantage point by Chris Keegan. This Five colour handmade screen print depicts a multi-layered dynamic set of landscapes all floating above and below each ...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...

Artist: Dan May (American, 1955-) Title: "Are the Cookies Ready Yet" *Signed and numbered by May in pencil lower left Year: 2001 Medium: Original Screenprint on unbranded white wove ...

Artist: Lloyd Fertig, American (1943 - 1995) Title: Untitled - Purple Abstract Year: 1970 Medium: Serigraph, signed and numbered in pencil Edition: 100 Size: 22 in. x 22 in. (55.88 c...

The inspiration for this print is to capture the momentary spectacle when shafts of light cast themselves through a densely packed woodland canopy. The print boasts a vibrant array of four stunning colours, featuring an under-layer of metallic Gold ink and finished off with a subtle lush green overprint. Artwork printed...

This first edition serigraph by Yrisarry was created to announce the Third International Choral Festival at Lincoln Center in 1972. Referenced on pages 52 and 53 of the Lincoln Cente...

Rupprecht Geiger (German, 1908-2009) Orange on Yellow (from "Colour in the Round"), 1969 Medium: Silkscreen in colours, on thin cardboard Dimensions: 28 × 26 in (71 × 66 cm) Edition ...

Wonderful silkscreen abstract of yellow and mauves suggesting a doorway to new posibilities by Di Pierro (American, 20th Century), 1989. Numbered left corner "25/75" and signed lower...

Radiohead Print Toronto Signed Materials: Screenprint Size 20 × 28 in 50.8 × 71.1 cm Rarity Edition of 500 Near Mint Condition. Signature: Show print from the Skydome in Toronto, ...

Jimmer Willmott, a pop surrealist from Bristol, England, is known for his vibrant, quirky, and humor-filled artwork that often blends the playful with the unconventional. His art fre...

Artist: David Simpson (American, b. 1928) Title: Ovograph Year: c. 1969 Medium: Serigraph, signed and numbered in pencil Edition: 50 Image Size: 29.5 x 22 inches Size: 40 x 2...

Jacqueline Kennedy I, from 11 Pop Artists I. Screenprint in silver, on wove paper. Artist's stamped signature on the reverse and numbered. From the edition of 200. Published by O...

Artist: Lady Pink, Ecuadorian (1964 - ) Title: Under the Brooklyn Bridge from Bullet Space, Your House is Mine Year: 1988-1992 Medium: Silkscreen, signed in pencil Image Size: 22...

Screenprint on handmade Napalese paper. Edition of 3000. Printed by Universität für angewandte Kunst, Vienna. Published by MAK Galerie, Österreichisches Museum für angewandte Kunst, ...

Screenprint in black on wove paper, hand signed and inscribed 'to Camilla and Earl' by the artist. From the edition of 20. Sheet size 25.25 x 19.25 inches. Custom framed as pictu...

This artwork titled "Fiesta" 1982 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 66/130 in pencil by...

Jasper Johns b.1930 Untitled 1977 screenprint in colors on Patapar printing parchment image: 9¼ h × 9 w in (23 × 23 cm) sheet: 9¾ h × 10 w in (25 × 25 cm) This work is from the edit...

Woodcut and screenprint in colours, 1987, on Arches wove paper, signed and dated in pencil from the edition of 75, published by Parasol Press, Ltd., New York, from The Brooklyn Acade...

Artist: Robert Motherwell, American (1915 - 1991) Title: Lincoln Center Mostly Mozart, 25th Anniversary Year: 1991 Medium: Lithograph and Screenprint on ...

Serigraph on paper. Hand signed, titled and numbered by the artist. From the edition of 100. Artwork is in excellent condition. Certificate of Authenticity included. All reasonab...

JONATHAN LAWES Caleta Bright Abstract Cubist Print Unique Multi-Layered Screen Print Sheet Size: H 75cm x W 55cm x D 0.1cm Sold Unframed Signed Lower Right Dated and Numbered on the...

Frank Stella b.1936 Sinjerli Variation I 1977 lithograph and screenprint in colors on Arches Cover 31¾ h × 42 w in (81 × 107 cm) Signed, dated and numbered to lower right edition of...

Artist: Arthur Boden, American Title: Star Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 4/50 Image Size: 10 x 9.5 inches Size: 14 x 14 inches Plexi Box ...

Artist: Hunt Slonem, American (1951 - ) Title: Three Stars Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: AP 30 Image Size: 1...

2 Lazy 2P, ca. 1939 Lon Megargee Serigraph 20 x 24 inches Signed in screen Original serigraph print by Lon Megargee 1883 - 1960 Featured in "Hot Irons" by Oren Arnold and John Hale, 1940 Lon Megargee created this serigraph from his commission with Oren Arnold and John Hale to do their dust jacket for the book, " Hot Irons", 1940. Arnold and Hale wanted to establish a reference work, an "authority", with a entertaining history about the evolution of the brand. Megargee created a painting of a steer that was branded with the script, 2 Lazy 2 P. Surrounding the steer is a random display of famous brands of ranches in the Southwest. It was well received and must have prompted Megargee to create the likeness as a print. The brand is described in chapter thirteen, page 207-208 and says, " Ed Stram, who was Arizona state veterinarian for sixteen years, fire-branded his cattle with this peculiar crest. It isn't peculiar unless you have an equally peculiar sense of humor. At a glance it appears to be just another typically unimaginative brand, but it has been used to make many a thousand girls blush, and a few thousand bashful young men as well". COLLIER GALLERY, FINE ART ESTATE OF LON MEGARGEE Born and raised in Philadelphia, Pennsylvania, Lon Megargee, at age 13, ran away from his upper class home and went West in 1896 led by his zest for the wild and adventuresome life. There he established a reputation as a cowboy painter and illustrator with work most associated with Arizona Brewing Company ads featuring humorous aspects of cowboy life. In his youth, he worked as a free-lance cowboy, exhibition roper, poker dealer, and bronco buster in Arizona, and then went east again to study art in Philadelphia at the Pennsylvania Academy of Fine Arts, and to New York at the Art Students League and Pratt Institute. He returned to Arizona, living in Cave Creek, Salt River Canyon, Phoenix and the last years of his life near Sedona. His Phoenix home later became a popular hotel and dining place called the Hermosa Inn. Megargee was a ranch owner and also did oil canvases of the places he loved and the cowboy life he admired. By 1910, he was among the earliest resident artists, and was probably the best known artist in Arizona. His name was first associated with a landscape series of 15 large murals for the Capitol Building, newly constructed just after Arizona became a state in 1912. Another one of his paintings, Elemental, was the first painting by an artist living in Arizona to be acquired for the Municipal Collection of Phoenix. These works were chosen from entries in the State Fair, where he continued to win prizes for figure and landscape painting. From 1911 to 1953, he did numerous commission works for the Santa Fe Railroad, including a work titledNavajos Watching a Santa Fe Train. Between 1915 and 1930, he also painted in the Los Angeles area of California and had entries in the California State Fair. He died in Cottonwood, Arizona. After his death, theSaturday Evening Post had a double-page reproduction of his painting Cowboy's Dream. Creator of the iconic logo for the Stetson Hat Company, " Last Drop From his Stetson", still in use today. Fine Art Estate of Lon Megargee We offer signed in print and original signature block prints. Custom, hand carved, signature frames, with archival standards and a speciality in hand dyed mats and french matting are provided for a beautiful and timeless presentation. Megargee explored different mediums; printmaking captivated him in particular. The contrast of the black and white block print method captured perfectly his interpretation of a bold American West. The first print was produced around 1921 and culminated with the creation of “The Cowboy Builds a Loop” in 1933 with 28 images and poetry by his friend, Roy George. Megargee continued producing prints throughout the 1940s and early 50s. At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar Ranch . . . and, after a few years, was offered a job by Billy Cook...

Clare Halifax A New York Minute Limited Edition 6 Colour Silkscreen Print Edition of 30 Image size 22x22cm Sheet Size: H 27 x W 25cm x D 0.1cm Sold Unframed Please note that in situ ...