Small More Prints

'Developments des Appuis et Des Museaux des Stalles' French copper-line engraving by P Le Cor after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's...

This is an original 19th century hand-colored lithograph entitled "Tsur Ancient Tyre, From the Isthmus, April 27, 1839" by David Roberts from his Egypt and Nubia volumes of the large...

Image dimensions: 35.3x29.7 cm. Hand signed and numbered. Edition of 65 prints. Technique: etching and drypoint. Original title "Giocolieri". This work is plate XV from the Portfolio...

12.5" x 24" Limited Edition Print of 495 Hand Signed by Bob Dylan In an urban world somewhat reminiscent of Marcel Carne’s 1945 film Children of Paradise – part circus, part Edwardi...

This print is part of a small series of works to investigate the use of layering, colour blends and texture in screen print to elicit an ethereal, eerie and potentially dizzying sens...

'Rade et Ville De Jame's Town' Jamestown, St Helena Tinted lithograph by Eduardo Laplante (1818 - 1860) after Jean-Baptiste Henri Durand-Brager (1814-1879). 1844. 295mm by 450mm ...

Patrick Rubinstein is a French contemporary artist, born in 1960 in Paris. He belongs to the movement of Op Art and Kinetic art. He is the inventor of the movement Kinetic Pop Art,...

Joan Miro (1893-1983) - Litografía original VIII Lithograph from 1972. Dimensions of work: 49.5 x 32 cm. Publisher: Maeght Éditeur, Paris. Printed by: Fernand Mourlot, Paris. Ea...

Sun 45, photograph from Richard Heeps' 'Dream in Colour' series. This stylish interior artwork is made up of deep and dark tones, with a flash of bright yellow. It was captured in a ...

'Maniere de Coller Les Bois Droit et Les Paneaux Cintree en Plan' French copper-line engraving by Michelinot after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper...

'Maniere de Determiner La Hauteur Des Lambris Dappuis' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roub...

Bitter Campari Sign, Italian architecture street photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' began in Nov...

Artist: Jean Arp Title: Constellations Portfolio: XXe Siecle No. 4 Medium: Linocut Date: 1938 Edition: Unnumbered Frame Size: 19 3/4" x 16 3/4" Sheet Size: 12 5/8" x 9 5/8" Signature...

'Maniere de Disposer La Menuiserie pour Recevoir La Sculpture' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. F...

'Elevations de Diverses Armoires Pour Les Sacristies' French copper-line engraving by Berthault after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo...

Portfolio of 21 photosensitive etchings and engravings on Rives Heavyweight Buff Signed by the artist in pencil on frontispiece Plate No. II:2; Signed by the artist Numbered 27/150 in pencil on the colophon page along with chop marks of artist/printers Robert E. Townsend and Gretchen Ewert, and the chop of Impressions Workshop, Boston Edition: 150 References And Exhibitions: A portfolio edition of Henry James' ghost story first published by "The English Review" in December, 1908 Principal Portfolio Edition Published by Aquarius Press Baltimore, MD Reference: Kneeland McNulty, Peter Milton: Complete Etchings 1960...

'Maniere de Construire Les Colonnes en Bois' French copper-line engraving by Michelinot after Andre Jacob Roubo (1739–1791). 18th century laid watermarked paper. From Roubo's 'L'Ar...

This is an original 18th century hand-colored map entitled "A New & Correct Chart of All The Known World Laid down according to Mercator's Projection" by Emanuel Bowen. It was published in 1744 in London in John Harris's "Navigantium atque Itinerantium Bibliotheca" or "A Complete Collection of Voyages and Travels". This highly detailed and colorful map depicts the world. as it was known in the mid 18th century. A majority of the northern and central portions of Canada and America are left blank due to the purity of knowledge at the time this map was published. The map is embellished with four Compass Roses in the lower left, lower center, lower right and center, along with many rhumb lines. There a is a decorative title cartouche in the upper left. This colorful, attractive, historical and interesting 1744 map presents the entire world on Mercator's projection as it was understood in the middle part of the 18th century, before the landmark explorations of Captain’s Cook, Vancouver, Wilkes and others. It is an example of a nautical chart, a type of map that was designed specifically for use by mariners. The map is centered on the equator and includes both the Eastern and Western Hemispheres. The continents of North America, South America, Europe, Africa, and Asia are depicted, as well as various islands in the Atlantic, Pacific, and Indian Oceans. The map is laid out according to the Mercator projection, a type of cylindrical map projection that was developed in the 16th century by Flemish cartographer Gerardus Mercator. This projection has the advantage of preserving angles and shapes, making it useful for navigation. The map presents a paucity of inland detail, particularly for the Americas, but major cities, geographical landmarks, and regions are included. Ocean currents and Tradewinds are identified, as well as the magnetic declination lines or magnetic variance, which refers to the difference between true north and compass north. The continents are color coded, enhancing the beauty of this map. The three compass roses indicate the directions of the cardinal points. The depiction of the western coast of America, the Pacific and Australia are interesting. There was very little exploration of Australia between the navigations of William Damper in 1699 and Tobias Furneaux in 1773. Most of the maps detail relies on the 17th century Dutch expeditions to Australia's western coast, by Abel Tasman and William Janszoon. Van Diemen's Land (Tasmania) and New Guinea appear connected to the Australian continent. New Zealand appears as a single landmass. North of New Zealand there is a landmass labelled 'Ter d' St. Esprit' which probably represents the New Hebrides Islands. This map precedes the accurate exploration of the South Pacific and east coast of Australia by Captain James Cook later in the 18th century. The map includes ‘Drakes' Port,' the site where Sir Francis Drake supposedly landed in 1579 during his 1579 circumnavigation of the globe. Here he claimed territory for England, restocked, and repaired his vessels. Drake named the region New Albion. The exact location of Drake's Port is a cartographic mystery. Drake's Harbor is believed to be in the region of San Francisco Bay, Bodega Bay, San Pablo Bay...

In the early ’90s, I fell in love with ’60s psychedelic posters from artists like San Francisco’s Victor Moscoso, Stanley Mouse, Alton Kelley, and Rick Griffin, as well as LA’s John ...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Marc Chagall (1887-1985) - And in those dayes, when Moses was growen, he went foorth unto his brethren, and...

'Utopian Foyer III', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturin...

Artist: Marc Chagall Title: Apparition at the Circus Portfolio: Mourlot Lithographe II Medium: Lithograph Date: 1963 Edition: Unnumbered Frame Size: 21 7/8" x 18 7/8" Sheet Size: 12 ...

This is an original 16th century copperplate originally hand-colored engraved map of View of Seravalle, Italy entitled "Seravallum Celeberrimum Marchiae Tarvisiniae in Agro Foro Juliensi Opp. - Seravalli, quam vides, Spectator, iconem, operi huic nostro suis sumptib. . . ." by Georg Braun & Franz Hogenberg, from their famous city atlas "Civitates Orbis Terrarum", published in Augsberg, Germany in 1575. The map depicts a view of Seravalle, now Vittorio Veneto, in San Marino, Italy, north of Venice, in a topographically accurate bird's-eye view from the south. A water-filled moat is seen to the south of the city walls and farmland to the east. Two men are depicted standing on a hill in the lower right in conversation next to grain sacks and a grazing horse, while a younger man behind them to the right herds a mule carrying presumably pigs. A very colorful and ornate title cartouche is in the upper center and coat-of-arms are in the right and left upper corners. Serravalle lies in an idyllic setting in the foothills and surrounded by orchards. St Mary's Cathedral with its tall bell tower is prominent in the center of the town. The marketplace and town hall with a bell tower in the square are depicted. Houses and shops are around the main square. Serravalle's importance as an agricultural centre is emphasized by the figures in the foreground. In 1337 Serravalle was conquered by the Republic of Venice. In 1866 the town was united with neighbouring Ceneda to form the town of Vittorio Veneto. The following is an English translation of an excerpt from the French description of the city on the back of the map: "Serravalle, a market town renowned for cloth, wine and grain, is in such a beautiful situation that the number of its inhabitants, attracted by the loveliness of the place, has grown so much at times that the wall encircling it has had to be enlarged for the third time. The city with the surrounding town once belonged to the Church in Ceneda as an imperial fief. It subsequently became the seat of the Da Camino family (a princely house that at that time was one of the five most noble in all Italy). Now the city is under the sway of the Venetians but is prudently governed by them. For they send only one city councillor with instructions to ensure that justice prevails and to collect duties. In all else, power lies in the hands of the noble families." This is a translation of the Latin in the title cartouche on the front: "The picture of the town of Serravalle, which you see, viewer, has been contributed to our work entirely at his own expense by Minutius, son of Hieronymus Minutius, a noble gentleman and one renowned for the far-reaching competence of his jurisdiction. We saw him sojourning in Cologne, where he was on business for Gregory XIII; while our good wishes accompany him, we should also like to accompany him on his way with this remembrance, even though it might be against his will, so that even those who have not seen him may learn of his excellence. However, those who do not yet know him will also see his excellence if God the Almighthy does not summon erring souls too soon back to the eternal seat of the Blessed." References: Van der Krogt 4, 4728, State 1; Taschen, Braun and Hogenberg, p.331; Fauser, #14960 This striking hand-colored city view is printed on laid, chain-linked paper with wide margins. The sheet measures 16" high by 21" wide. There is a central vertical fold as issued and French text on the verso, with Latin on the front. There is some discoloration in the upper and right margins which may represent some watercolor paint from the time of the original hand-coloring of the map. There is a small hole to the right of the upper portion of the vertical fold, which is only visible when held up to light and an area of reinforcement on the verso of the lower vertical fold. The map is otherwise in very good to excellent condition. Braun and Hogenberg's 'The Civitates Orbis Terrarum' was the second atlas of maps ever published and the first atlas of cities and towns of the world. It is one of the most important books published in the 16th century. Most of the maps in the atlas were engraved by Franz Hogenberg and the text, with its descriptions of the history and additional factual information of the cities, was written by a team of writers and edited by Georg Braun. The work contained 546 bird-eye views and map views of cities and towns from all over the world. It gave graphic representation of the main features of the illustrated cities and towns, including the buildings and streets. Although the ordinary buildings are stylized, the principal buildings are reproduced from actual drawings created on location. The principal landmarks and streets can still be recognized today. In addition, the maps often include the heraldic arms of the city, the nature of the surrounding countryside, the important rivers, streams and harbors, even depicting stone bridges, wooden pontoons, flat-bottomed ferries, ships and working boats, wharves and jetties, as well as land-based activities, including horsemen, pedestrians, wagons, coaches, and palanquins. Small vignettes are often included which illustrate the trade, occupations and habits of the local inhabitants, such as agriculture, paper-making and textiles, as well as local forms of punishment, such as gibbets, wheels, floggings etc. Large figures dressed in their local costume are often presented out of proportion in the foreground. The aim of the authors was to give as much information as possible in a pleasing visual form. They succeeded in creating maps that were both informative and decorative works of art. The atlas is a wonderful glimpse of life in medieval Europe. Georg Braun (1541-1622) was German Catholic...

Lopez created her haunting landscape in an edition of 95 at Tamarind Institute. It is a four color-lithograph on white Revere silk paper. Collaborating Printer: Valpuri Remling. "O...

Original stone lithograph KOLA MARQUE, created by the artist Jules Cheret in 1895. Size: 16" x 23.5". Professional acid free archival linen backed and ready to frame. Full boarders. Printer: Chaix. Jules Cheret is known as the father of the poster helping bring color printing to the world. Kola Marque. Tonique et Aperitif. Stimule forces physiques et intellectuelles. It indicates that if you drink this it helps give you physical and intellectual stimulus. In addition, it is served in all the local cafes and restaurants. I haven't found a breakdown of what 'special' ingredients in this liquor would make you feel and think so much better. Condition. This 1895 poster...

'Monte Amiata I' and 'Utopian Foyer IV', Milan, 2020. Italian Brutalist architecture photography by Richard Heeps. Two framed artworks each measuring 20" x 16". Each artwork is a li...

Jorge Machold (1940 Chemnitz - 2015 Berlin), Untitled, 1973. Color etching, 41.5 x 29.2 cm (plate size), 49.5 cm x 39.5 cm (sheet size), signed lower right in lead “J.[orge] Machold”...

Takashi Murakami, a pivotal figure in contemporary art, is renowned for his ability to blend traditional Japanese aesthetics with modern pop culture. His 2016 limited edition print, ...

Screenprint in colours Edition 29 of 60 60 x 60 cm (23.6 x 23.6 in) Signed, numbered and dated on the front, publisher stamped on the back Artwork in excellent condition. Minor soft ...

Made in France from the Heidler and Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collab...

Color lithograph with relief printing from polymer plates on Rives BFK. Pencil signed and dated and numbered 274/400 on lower margin in pencil. Printed by Staib & Maye, Stuttgart. Pu...

Hand signed and numbered. Edition of 75 prints. This work is the plate IV of the serie "Tout près de Marino", published in 1971. Ref. "Marino Marini: 1919 - 1980", by Giorgio e Guido...

Screenprint and collage Edition of 100

Asger Jorn (1914-1973) - One Cent Life Lithograph from 1961. Dimensions of work: 41 x 58 cm Publisher: E.W. Kornfeld, Switzerland. Printed by Maurice Baudet, Paris The work is i...

Algiers Motel Apartments, photograph from Richard Heeps' Dream in Color series. This visually arresting artwork captures the essence of a sunbathed, mid-century modern apartment str...

This image is based on a photo by Daniel Kramer, who shot Dylan regularly during his rapid mid-60s ascent to stardom and audience projection of Dylan as the voice of a generation… a ...

Apparuerunt Illis Dispertitae Linguae is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 19...

Carriage engraving from the Encyclopedie ou Dictionnaire raisonne des sciences, des arts et des metiers, par une societe de gens de lettres. edited ...

TABACCHI at Night, one of a sequence of artworks from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable ...

A blue Las Vegas dice suspended on a black background, hypnotically curious in both content and technique, viewers find themselves pleasantly puzzled. Heidler & Heeps have developed ...

Yellow Corridor Night, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and th...

Susan Davidoff Night Walk Set of 3 (Natural Structures, Shifting Daylight) Year: 2013 Medium: Lithographs Edition: 36 Paper: Rives BFK, White (each) Paper Size: 22″ x 21.75″ (each) I...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. –- Pablo Picasso (1881-1973) - Peintre et modèle aux cheveux longs Etching and aquatint on Auvergne paper fro...

Artist: Joan Miro Title: Plate I Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 18 1/2" x 16" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" x ...

Abraham, Abraham! is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Marc Chagall (1887-1985) - Jonah II Lithograph from 1972. This impression is notated as “Epreuve d’exposition H.C”. apart from the edition of 50 on Japon paper. Unsigned and unnum...

Sister Corita Kent One Man One Woman (INV# NP3567) screenprint in colors print: 16.5 x 15" frame: 20 x 18.5" 1976 signed by artist *Not examined out of frame

'Call Booth', photograph from Richard Heeps Salton Sea series. This cinematic neo-noir style picture shows the classic American roadside Phone Booth, something which we look at very ...

David and Goliath is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Palm Tree, photograph from Richard Heeps Salton Sea series. An almost silhouette of a palm tree dominates the image, set against the ultra blue Californian which sky radiates warmth....

Golden Nugget, Norfolk, photograph from Richard Heeps On-Sea series. The series captures the essence of the Great British 'Staycation'. Richard has captured iconic signs around the w...

Coney's, Porthcawl, photograph from Richard Heeps On-Sea series. The series captures the essence of the Great British 'Staycation'. Richard has captured iconic signs around the world...

Signed and titled and numbered AP #3/7. This is the last print available from the edition. Silkscreen print Created at Self Help Graphics in Los Angeles This print was featured in “Dreamland”, the first solo exhibition of a Chicano artist at MOLAA (Museum of Latin American Art). This is the first time the entire museum has been dedicated to a single artist. It is one of the personal favorites of the artist, with a nod to Vincent Van gogh. Throughout his 40 year career as an artist, Frank Romero has been a dedicated member of the Los Angeles arts community. As a member of the 1970s Chicano art collective, Los Four...

Color 3-D lithograph in Plexiglas box, Ed. 45. Grooms, who has devoted much of his distinguished career to portraying his New York City home, turns his eye to New York’s harbor and its hardworking tugboats in this three-dimensional lithograph. This tug, the ”Lysiane”, steams through rolling waves…with smoke billowing from the smokestack. Sailing past a buoy with a seagull perched on top….the deck hand prepares to throw a lifesaver to a man overboard. Hidden in the waters are a green suited man with concrete...

This is an original 18th century hand-colored map entitled "An Accurate Chart of The Mediterranean and Adriatic Sea's; with the Archipelago & Part of the Black Sea. Exhibiting all th...

A colorful and attractive hand-colored 19th century woodcut engraving entitled "A Game of Lacrosse" after a drawing by W. H. Hall. It was published in New York in Harper's Weekly on May 10, 1884. It depicts a scene from an intense lacrosse game. This hand-colored woodcut engraving is presented in a red mat that measures 16" high x 20.63" wide. The sheet measures 10.63" high x 15.88" wide. There is a central fold, as issued. The print is in excellent condition. Lacrosse is the oldest sport in North America, possibly originating as far back as the 1400's. The sport was first invented by Native Americans, who originally played it as a means to toughen braves for war or to settle tribal disputes. It was played by between 100 and 1,000 participants at a time. There were no strict boundaries and the game could cover miles and take days to complete. It was very violent with many injuries, which were sometimes fatal. The game was unknown to whites until the 17th century when a Jesuit priest observed Heron Indians playing it. He thought the stick and netting resembled the "crosier" carried by bishops during religious ceremonies, This led to the name "la crosse". A Canadian dentist standardized the rules of the game in 1867 and the 1st college team was created at New York University in 1877. The game gained national attention and popularity in 1956 when the Hall-of-Fame football player Jim Brown...

Original 'La France Manque d’Huile, cultivez des Oleagineux' vintage French poster. Linen backed in excellent condition, ready to frame. FREE Continential USA shipping. Transpor...

OPERATION MOSES is an original hand drawn lithograph by the American artist/sculptor Chaim Gross, hand proofed and printed from lithographic plates on archival Arches paper, 100% acid free. OPERATION MOSES is a contemporary style figurative watercolor drawing created to commemorate the evacuation of African Jews to Israel here represented by visual elements including colorful doves, a yellow menorah, an out stretched hand, city of Jerusalem, the U S White House, stone tablets, and a group of seated Ethiopian people studying Torah. OPERATION MOSES was printed in watercolor shades of light blues, reds, yellow, green, salmon pink, purple, browns and graphite black for the pencil drawing using the age-old hand printing methods first used in fine art lithography printmaking. OPERATION MOSES is a very unique, extremely limited edition lithograph created in commemoration of the historic airlift of Ethiopian Jews to Israel in 1984. Operation Moses refers to the covert evacuation of Ethiopian Jews (known as the "Beta Israel" community or "Falashas") from Sudan during a civil war that caused a famine in 1984. Print size - 16 x 20 inches, unframed, excellent condition, pencil signed by Chaim Gross Image size - 10.5 x 15 1/8 inches Edition size - 10, plus proofs Printer - J K Fine Art Editions Co. NY Never been framed or mounted, pencil signed A.P.(Artist Proof) aside from an edition of 10, printers chop on lower left corner, from the master printers private collection Chaim Gross,(1904 - 1991) was a sculptor, artist, and teacher, known for his wood carvings, sculptures of moving human figures, religious imagery, acrobats, mothers and children. Chaim was born on March 17, 1904 to a Jewish family in Austrian Galicia, in the village of Wolowa in the Carpathian Mountains. In 1911, his family moved to Kolomyia. During World War I, Russian forces invaded Austria-Hungary; amidst the turmoil, the Grosses fled Kolomyia. They returned when Austria retook the town in 1915, refugees of the war. When World War I ended, Gross and brother Avrom-Leib went to Budapest, where Gross attended the city's art academy and studied with painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna shortly before emigrating to New York City in 1921. In the U.S., Gross's studies continued at the Beaux-Arts Institute of Design, where he studied sculpture with Elie Nadelman and others, and at the Art Students League, with sculptor Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky. In the late 1920s and early 1930s Gross exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club (the precursor to the Whitney Museum of American Art). In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. Also in 1932, Gross married Renee Nechin (1909-2005), and they had two children, Yehuda and Mimi (Mimi Gross is a New York-based artist, and was married to the artist Red Grooms from 1963-1976). In 1933, Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration). Under these programs Gross taught and demonstrated art, made sculptures for schools and public colleges, and created works for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the 1937 Exposition universelle in Paris. Chaim Gross, Sculptor by Josef Vincent Lombardo, the first major book on Gross, came out in 1949 and included a catalogue raisonne of his sculpture. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1963, Gross and his family moved from their longtime residence at 30 W. 105th Street to Greenwich Village, following the purchase of a four-story historic townhouse at 526 LaGuardia Place, which is now the Renee & Chaim Gross Foundation. In 1974, the Smithsonian American Art Museum held the exhibition, Chaim Gross: Sculpture and Drawings, and in 1976, a selection from Gross's important collection of historic African...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Then all the people pluckt from themselves the golden eare-rings, and they brough...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Stereopsis I Year: 1973 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 18 x 18 inches Size: 20 x 20 in. ...