Etching More Prints

Tighe O'Donoghue's detailed depiction of a flower is highly reminiscent of anatomical drawings and mathematical studies due to the careful linework, detailed shading, and soft colors...

A La Queue (Join the Queue) original etching from the series Naughty Dogs of Paris showing a line of five dogs of various breeds trailing a small Chihuahua on a leash who is turning her head towards the queue. This original etching is in excellent condition, hand signed by the artist and published by Sidney Lucas. paper size 13.75 x 29.25 image size 8.50 x 24 Boris O'Klein ( 1893-1985 ) immigrated to France from Russia with his family when he was a young boy. He settled in Paris after World War I and became a prolific artist well known for his watercolors and etchings of dogs getting into mischief. His images are often risque and are considered very humorous. They have been referred to as the Naughty or Dirty Dogs of Paris.

Scots Pine drypoint etching printed onto Japanese gampi tissue and backed onto German Hahnemule printmaking paper. This print depicts a mature pine tree, standing proud from the rest...

ARTIST: Salvador Dali TITLE: Florals Iris MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: 247/350 MEASUREMENTS: 21.6" x 29.4" Framed: 33" x 41" YEAR: 1972 FRAMED: Yes CO...

Artist: Salvador Dali Title: Santiago of Compostela Portfolio: The Hippies Medium: Color etching on Arches Date: 1969 Edition: 102/145 Frame Size: 31" x 26 1/2" Sheet Size: 26" x 20"...

Marc Chagall - Bath-Sheba at the Feet of David - Original Handsigned Etching 1958 Printed by Tériade Dimensions: 54 x 39 cm Handsigned and numbered handcolored Edition: 100 Reference: Cramer 30. Etching with hand-coloring, circa 1930, initialled in pencil, numbered 75/100 (there were also twenty hors-commerce copies) , published 1958 by Tériade, Paris, on Arches wove paper Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Ephraim Bonus (B278), Year: 1878 (of original 1647), Medium: Heliogravure, Image Size: 8 x 6.75 inches, Size...

Brodie Standing [08] Limited Edition Etching , hand printed on Hanemulle etching paper Edition of 75 Image size: H:30.5 cm x W:51 cm Complete Size of Unframed Work: H:45 cm x W:64 cm x D:.15cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look N.B. Original Print, handmade and hand printed etching. An old friend of mine, Brodie the Scottish Terrier. He was a regular at the shows and a wonderful character. Animals have always been at the heart of my work. I find the form, movement and behaviour of the creatures I draw a source of limitless fascination. I love the idea of them watching me, watching them as I draw. I hope my appreciation of the sentience and character of the animals I draw comes across in my work. Over my career I have drawn everything from primates to penguins, dogs, ostriches and even an echidna. These days dogs are my main focus, mostly because I adore dogs but also because they are such an integral part of life. I am delighted by the theory that humans and dogs co evolved, we wouldn’t be what we are without them and vice versa. I try to pare my images down to a balanced simplicity that directs attention to the subject of the picture. I try to balance the subject and the space it occupies, giving each equal importance. Light is hugely important to my work, I imagine my subject in three dimensions as I draw and the light describes the musculature and texture that gives the drawing it’s presence and grounds it in the picture. I aim to capture a pause, a moment where whatever I draw looks like it could wander off or leap up any minute. My influences include Japanese prints, Chinese and Japanese brush drawing and the European artists who were influenced by Japan. I am really excited by composition, by artists like Bonnard and Leon Spilliaert...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Melting Space Time MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Merrill Chase, Chicago/Alan Rich, New York E...

Signed on plate. Includes passepartout: 49x34 cm. Good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by ...

A view from above of both of the great gateway stations from London, St Pancras and King's Cross. This is a magical place for me full of memories and moments, arrivals and departures. It is wonderful in any weather but looks beautiful in London rain, meet me on the platform to get away somewhere... John Duffin is a painter and printmaker whose work is based on the modern environments of cities and towns, creating dynamic, cinematic images of contemporary urban life. His unique images of architecture, lighting and figures have been greatly praised and awarded, recently receiving The Most Outstanding Print Award from Sir peter Blake, he has a distinctive artistic voice and has much to say in his work about contemporary life in all of it’s manifestations. His work is in the tradition of LS Lowry...

Marc Chagall (1887-1985) - Soleil aux amoureux Etching from 1968. Trial proof - unique work. Dimensions of sheet: 51 x 34 cm Dimensions in frame: 63.2 x 53.2 cm Publisher: Maegh...

ARTIST: Salvador Dali TITLE: FlorDali/Les Fruits Pear MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: 48/200 MEASUREMENTS: 29.75" x 21.75...

Guy Allen Horse Study Blue Limited Edition Etching with Screen Print Overlay Edition of 45 Image Size: H 53.5cm x W 56.5cm Sheet Size: H 80cm x W 77cm x D 0.1cm Sold Unframed Please ...

Marc Chagall, Russian (1887 - 1985) - Full Moon, Medium: Etching on Arches, Image Size: 7.5 x 14.25 inches, Size: 15 x 22.5 in. (38.1 x 57.15 cm), Description: From the collection ...

Guy Allen Dachshund and Butterfly Etching Edition Size: 75 Year Completed: 2015 Image Size: H 40m x W 54 cm Approximate Size When Framed: H 69c...

Marte is a modern artwork realized by Umberto Mastroianni in 1970s. Mixed colored etching Hand signed, numbered and titled on the lower margin Edition of 48/75 Includes frame: 65...

A very good impression of this color etching with pochoir and paint applied with a tire on Pescia Italia paper. Signed, titled, dated and numbered 72/78 in pencil by Rosenquist. Prin...

Thames Bridges Dusk is an limited edition cityscape print by John Duffin. The monochromatic colour scheme highlights Duffin’s highly detailed style. John Duffin is a painter and printmaker whose work is based on the modern environments of cities and towns, creating dynamic, cinematic images of contemporary urban life. His unique images of architecture, lighting and figures have been greatly praised and awarded, recently receiving The Most Outstanding Print Award from Sir peter Blake, he has a distinctive artistic voice and has much to say in his work about contemporary life in all of it’s manifestations. His work is in the tradition of LS Lowry...

Red Door (In Blue). Typical Laurie style, well collected artist. Signed limited edition etching. Numbered 18 of 25. Each one of the edition is ...

ARTIST: Salvador Dali TITLE: Les Chants de Maldoror (Tongue) MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Albert Skira, Paris EDITION NUMBER: 14/100 MEASUREMENTS: 22" x 16.5...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Haaring Levieux (B274), Year: 1878 (of original 1655), Medium: Heliogravure, Size: 7.75 x 6 in. (19.69 x 1...

Untitled - Earthworm Abstract I Tighe O’Donoghue, American (1942–2023) Date: circa 1980 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 27 in. x 22 in. (68.5...

A very poignant depiction. A H Marsh is one of the English artists who devoted themselves to the representation of pathetic subjects. The gravity of this painter's idea is always to ...

A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...

This artwork titled "Sunspot" c.1980 is an original color aquatint by noted California artist Arnold A. Grossman, 1923-2016. It is signed, titled, and numbered 3/30 in pencil by the ...

Joan Miro Plate IV from Espriu. Year: 1975 Handsigned in pencil Edition: HC (Hors Commerce) aside from the edition of 50. On watermarked Sala Gaspar Publisher : Sala Gaspar, Barcelo...

Les 120 Journées de Sodome is a contemporary artwork by Hans Bellmer. Hand Signed. From the Portfolio "Petit Traité de Morale", Paris, Editions Georges Visat, 1968. Copy on vélin d...

Jean Miotte - Rare Original Signed Lithograph Title: Abstract Composition Dimensions: 76 x 56 cm Edition: 98/150 Signed and Numbered in pencil Jean Miotte, 1926 - 2016 Miotte came ...

Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32

Full Moon Etching by Robin Tanner (1904-1988), signed by the artist in pencil. Very good, strong impression with excellent contrast. From the edition issued in 1977. Robin Tanner’...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jesus Christ Mis Au Tombeau (B86), Year: 1878 (of original 1654), Medium: Heliogravure on Laid Paper, Size: ...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

ARTIST: Salvador Dali TITLE: Gala, mon seul desir MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel/Bergruen, Paris EDITION NUMBER: XLVII/LXXV MEASUREMENTS:...

H 8 x W 4.25 in. (image size) Signed lower left Notes: Cat. Raisonné, Rosenbach 25. From the edition of a 100 Provenance Private Collection, New York City This work is available f...

Image dimensions: 21x33 cm. Edition of 50 prints by Galerie Louis Leiris, numbered and hand signed by the Artist. Excellent conditions. This artw...

Acknowledged as, ‘One of the most attractive early 19th century colour-plate books on India’ Three rare, hand-coloured aquatints from: GRINDLAY, Robert Melville (1786-1877). Scenery, Costumes and Architecture, Chiefly on the Western Side of India. London: Smith, Elter & Co., [1826]-1830. Each work: Image size: 28 x 19.7 cm (11 x 7.7 Inches) Sheet size: 40.7 x 31.8 cm (16.2 x 12.5 Inches) Including mount: 16” x 18.5” Original Hand-colored aquatints. A remarkable group of prints with no rips or tears. The colours are fresh with no fading and no signs of foxing. Ancient Temple at Hulwud Plate 4 Painted by F Witherington from a Drawing by Captain Grindlay. Drawn by G Hunt Coloured by J Hogarth Published London by R Ackermann, Strand 1826 View near Tonk in Rajpootana Plate 24 From a drawing by Capt. Cha. Auber of the Quarter Mast. Gen. Department, Ceylon Drawn by W Westall Engraved by R G Reeve...

Artist: Pablo Picasso Title: Square Head of a Man with Clenched Mouth (Plate IX) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18"...

A very detailed drypoint etching of a Pine tree printed onto gampi Japanese tissue and backed onto Hahnemule printmaking paper. This print considers how we view the contemporary sublime landscape and how easy it can be to experience when we take the time to look. We often don’t have to travel far: parks in cities, the coastline and stars in the night sky. The mature Scots Pine tree pictured...

La Hage, Pyrenees , France  by French artist J.J. Regal is an original signed, limited edition aquatint etching printed on BFK Rives paper. This is a very bold design with an or...

London, England is an original signed limited edition aquatint etching by French artist J.J. Regal printed on BFK Rives paper. This is a very bold design with an original depict...

Tighe O'Donoghue's detailed rendering of a flower with a snail retains elements of mysticism and magic while adhering to tenets of realism. Arboretum (with Snail) Tighe O’Donoghue,...

ARTIST: Salvador Dali TITLE: Fruits Blackberries MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Jean Schneider, Basel EDITION NUMBER: VIII/CL MEASUREMENTS: 21.9" x 29.1" YEA...

The illusions and reflections in Sietins prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their own. This is one of the smallest prints done by Siet...

Sundial - Suite 2 Tighe O’Donoghue, American (1942–2023) Date: circa 1976 Etching with Aquatint, signed in pencil Edition of M 10 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Arms, John Taylor. LE PENSEUR DE NOTRE DAME. F.136. Etching, 1923. 1st State, edition of 150. 12 5/8 x 10 1/8 inches; 322 x 252 mm. Signed in pencil. In exc...

Untitled - Earthworm Abstract II Tighe O’Donoghue, American (1942–2023) Date: 1979 Etching with Aquatint, signed in pencil Image Size: 14 x 11 inches Size: 29.5 in. x 22 in. (74.93 c...

Spanish painter, engraver, master typographer and editor Louis Jou ( 1882 – 1968 ) became a naturalized French citizen and was known as an artist of the French School . He set up his own publishing house in Paris and gained a reputation as one of the greatest typographers of the 19th century. His original etchings and wood engravings appeared in books authored by Victor Hugo, Andre Gide, Cervantes and many more. Jou’s etchings also appeared in the Gazette des Beaux Arts published in Paris. Beginning in 1859 until it’s final year in 1930 the Gazette became known for it’s role in the revival of etching as a creative process as vital as painting and sculpture. The Gazette regularly commissioned the greatest etchers of the time including such artist’s such as Whistler, Goya, Max Lieberman...

White Horse, Woodhenge is a black and white etching on rosaspina Fabriano watermarked paper, realized in 1976 by the English pop artist, Joe Tilson. Image dimensions 38.5x18 cm Hand-signed, dated and numbered in pencil on lower margin. Edition of 100 prints. In excellent conditions. From the Wessex Portfolio, a collection of seven etchings with aquatint and six screenprinted poems on rosaspina paper by Joe Tilson, this contemporary original print represents a white horse in a primitive style on a black foreground, a "εpεkalov" prepresented ina detailed way as in the naturalistic essays, and a woodhenge, as it is reported on the right of each etchings. Composed by three different etchings, each of these titled on the right margin, the general composition is a wonderful final effect. A copy of the same print is preserved at the Tate Gallery. Joe Tilson (London, 1928 -) The English sculptor and painter was trained at St. Martin's School of Art and at the Royal College of Art in London. Obtained the Prix de Rome (1955), it was in Italy until 1957; later he taught in various English art schools...

Artist: Pablo Picasso Title: Square Head of a Woman with Full Lips Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition Size: 289 Framed Size: 18 3/4" x 16 3/4"...

The Curly Coated Retriever 1887 Etching

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

Nina Tichava's botanical series sees everyday plants bloom with newfound vibrancy. These monotype prints are created with etching ink on paper, mounted on panel, and varnished with c...

ANCIENT HEBREW WRITING by the Israeli artist Moshe Castel (1909-1991) is an original etching and aquatint printed in colors with carborundum using traditional hand intaglio technique...

Artist: Pablo Picasso Title: Square Head of a Woman Pouting (Plate XIII) Portfolio: Carmen Medium: Etching on Montval wove paper Year: 1949 Edition: 289 Frame Size: 21" x 18" Sheet S...

ARTIST: Salvador Dali TITLE: La Tauromachie Individuelle MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Pierre Argillet EDITION NUMBER: XXV/C MEASUREMENTS: 25.5" x 20" YEAR: ...

Jan Dingle Neaves Mill Limited Edition Etching Print Edition of 100 Image Size: H 9cm x W 7cm Sheet Size: H 21cm x W 17cm Signed and Numbered Sold Unframed Please note that any insit...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Crazy Crazy Crazy Minerv MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: EA MEASUREMENTS: 29.25" x 21.75" YEAR: 1971 ...

A very good impression of this large, scarce print, color aquatint on white wove Fabriano paper. Artist's proof, aside from the edition of 35. Signed and inscribed "artist's proof" ...

Marc Chagall (1887-1985) - Le Sept Péchés Capitaux Etching from 1925. Edition of 300 proofs. Dimensions of work: 25 x 19.5 cm. Publisher: Tériade, Paris. Reference: Kornfeld 47....