Lithograph More Prints

Zinnias, Ronald Julius Christensen, American (1923–1999) Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 295 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Then stood up Elias the prophet as fire, and his word burnt like a torch is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is publ...

David and Goliath is a Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Sign...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

ARTIST: Salvador Dali TITLE: Fantastic Voyage MEDIUM: Lithograph SIGNED: Hand Signed EDITION NUMBER: 139/300 MEASUREMENTS: 22" x 30" YEAR: 1965 FRAMED: No CONDITION: Excell...

Marc Chagall (1887-1985) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this...

Wassily Kandinsky (1866-1944) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Plate signed...

Artist/Designer; Manufacturer: Mr. Brainwash aka Thierry Guetta (French, b. 1966) Marking(s); notes: signed, thumb print; 2018 Materials: screenprint on paper Dimensions (H, W, D): 2...

Artist/Designer; Manufacturer: Mr. Brainwash aka Thierry Guetta (French, b. 1966) Marking(s); notes: signed, thumb print; 2018 Materials: screenprint on paper Dimensions (H, W, D): 2...

Passion is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1969. Signed and dated...

Orignal Vienna Metropoli della musica vintage poster. Archival linen backed and ready to frame. Grade A condition without any tears, damage, fading, or aging. Printed by: Piller-Druckl-Wien. Note that this is the rare “English” version for Vienna, however, the lower lettering is actually written in Italian. One of the best orchestras in the world, many even consider it the best: the Wiener Philharmoniker. Ambassadors of Viennese music travel the world: concerts, tours, and reruns such as those of the New Year's Concert and the summer concert. Perhaps no other musical ensemble is more consistently and closely associated with the history and tradition of European classical music than the Vienna Philharmonic. I am excited to offer this vintage poster for sale...

Night Driver is an original contemporary artwork realized by Mario Schifano in the 1970s. Hand-signed and titled on the lower margin. Numbered on the lower left margin Edition 53/...

Henri Matisse (1869-1954) - Nuit de Noël Lithograph from 1958. Dimensions of work: 35.5 x 26.4 cm Publisher: Tériade, Paris. First, original edition. The work is in Excellent co...

Spring’s Passion by Helen Covensky, Polish/American (1925–2007) Date: 1980 Lithograph, signed and numbered in pencil Edition of 225 Image Size: 18.5 x 27 inches Size: 22 in. x 29 in....

The Prophecy is an original artwork realized by Jean Bersier in the first half of the XX Century. Lithograph on paper. Hand-signed in pencil by the artist on the lower right. Numbered in pencil on the lower left. Edition of 35 prints. Very good conditions. Very beautiful artwork representing some bodies inside a forest. On the lower right side there is a skull, symbosl osf death and, some human nude figures are realized on the left side of the artworks. The figures recalls the characters of the Universal Judgment in the Sistine Chapel. On the lower side of the composition, there are some ferocious animals. Other mysterious symbols are hidden in the dark space. The Prophecy has been realized by Jean-Eugène Bersier (Paris, 1895 - Paris, 1978), a French painter and engraver and one of the pupils of Jean-Paul Lauriens, Maurice Denis, René Ménard...

Bernard Buffet (1928-1999) - A Japanese woman Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 53.5 x 39 cm. Hand signed. The work is in Excellent c...

Original G.M.E. Sanitaire vintage French poster. Linen backed in very good condition and ready to frame. GME Sanitaire c'est la Cuisine is a French vintage poster that has been linen backed for preservation. The poster advertises the GME tile and cladding company, which specializes in kitchen tiles...

Holy Bible - Tobias Listens to Raphael is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1...

Original VIVIANE DECK linen-backed vintage poster. The artist signed the poster with the initials V. D. Printed by Lacrois, Paris, France. She is shown dancing as a butterfly w...

This is a 19th century Honore Daumier lithographic caricature/satire entitled "Une Partie de Campagne" (Part of the Campaign), plate 59 from the ser...

Act II, Scene III - From “Romeo and Juliet”  is an artwork realized by Salvador Dalí in 1975. Mixed colored lithograph. Signed and dated on plate on the lower...

Original vintage travel poster: Germany by SAS (Scandinavian Airline System). Artist: Otto Nielsen. Size: 25 x 39.5" Archival linen backed original vintage travel poster; ex...

Original, linen-backed, KODAVOX original lithographic poster created by the artist Lantelme. The image features a large spool of magnetic recording tape as a face looking down on the Kodak packaging box. Bright reds and yellow in the smaller format original product poster. A fun art...

To see our other original vintage public information and propaganda posters, scroll down to "More from this Seller" and below it click on "See all from ...

Werner and Winter Frankfurt, "Eau de Lavande & Eaux de Cologne" Ed.48, Still Life Mixed Media Lithograph, 17.25 x 11.75, Early 20th Century Colors: Black, Whi...

This artwork titled "Odyssetron I" 1982 is an original color lithograph by American PopArt artist Bryan Rogers, 1941-2013. It is hand signed and numbered 1/50 in pencil by the artist...

Salvador Dali (1904-1989) - The Purgatory, Canto 27 - The Last Words of Virgil Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The...

Francisco Bores (1898 - 1972) - Earth Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Bernard Buffet (1928-1999) - The Little Template Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellen...

Bernard Buffet (1928-1999) - The Stone Garden Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent c...

The Four Seasons - Spring by Lélia Pissarro (B. 1963) Serigraph 50.5 x 69 cm (19 ⅞ x 27 ⅛ inches) 61.5 x 79 cm (24 ½ x 31 ⅛ inches) Signed and numbered Printed in an edition of 300 ...

The Reclining Figures is a print realized by the British artist Henry Moore (Castleford 1898 - Much Hadham 1986). This color lithograph on paper, was edited by the French magazine ...

To see our other original vintage travel posters, many of which have Austrian subjects, scroll down to "More from this Seller" and below it click on "See all from this seller" - or s...

Fernand Léger (1881-1955) - La Partie de Campagne Lithograph from 1952. Dimensions of work: 52 x 35 cm Publisher: Tériade, Paris. On the verso another Lithographs in black. The ...

Salvador Dali (1904-1989) - The Inferno, Canto 2 - Virigil comforts Dante Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work...

Composition is a lithograph, realized by  Ossip Zadkine Stamped in the lower right. Numbered, edition 37/65 Good conditions The artwork represents an abstract composition through...

Original vintage poster: BASEL (Switzerland). In ancient Basel, they beat the drums at night to drive the evil demons from the city. Fastnacht. Museum linen backed. Basel; the city on the Rhein and much more! Printer and illustator: Schaffner. This image features the drum that you beat all night long to drive the bad spirits from the city. A drama mask...

Original Germany, Bavaria: Munich – the Theatine Church and Felhernhalle vintage poster. Photo by: Jaeger & Goergen, Munich. Printed by the German National Railroad system (Deutsche Reichsbahn). This poster is presumed printed in the 1930s. A lithograph that was printed using blue-toned ink with cream borders. Linen backed in very good condition, ready to frame. The Theatiner Church is a colossal-looking ochre-colored church on Odeonsplatz in Munich built 1663-1692. It was the first baroque church in Bavaria and is one of the very few in Germany. The actual, official name of the Theatine Church is St. Kajetan. The big dome in the background is about 70 meters or 230 feet tall. On the left is the Feldherrnhalle. The model for the building on Odeon Square was the Loggia dei Lanzi in central Florence, which was built in the 14th century. The two monumental lions...

Original, WHAT WILL YOUR ANSWER BE when your boy asks you -- "Father, - what did you do to help when Britain fought for freedom in 1916?" horizontal, linen-backed, excellent condition ENLIST NOW. Poster showing, in silhouette, a boy in scout uniform addressing his father. This poster was also printed with the same text but using "Ireland" in the text. Iconic British World War 1...

Artist: Julian Opie Title: Julian with Cardigan Portfolio: 26 Portraits Medium: Lithograph Date: 2006 Edition: 250 Frame Size: 20" x 17" Sheet Size: 13" x 10" Signature: Unsigned

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

This colorful abstract lithographic poster was printed in 1966 at the Atelier Mourlot in Paris to promote an exhibition of Miro's works at the Musee d'Art Moderne De La Ville in Paris. Certificate of Provenance: Each individual work of art carefully curated by Mourlot Editions comes with a Certificate of Provenance, signed, dated, stamped, and numbered by Eric Mourlot...

Signed and numbered 19/150 in pencil, lower margin. Printed by Mourlot, Paris. Published by Editions San Francisco Grafic, San Francisco. From Album San Francisco. Catalogue raison...

Salvador Dali (1904-1989) - The Inferno, Canto 13 - La Fôret des suicidés Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work...

Et dixit Philistaeus ad David is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 and 1...

Salvador Dali (1904-1989) - The Purgatory, Canto 18 - The Fourth Terrace; Accidia Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. ...

Abraham Rattner (1895 - 1978) - Fire Lithograph from 1937. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and secure shipment.

Joan Miró Extremely rare 2-sided lithographic announcement to Galerie Maeght vernissage, 1953 2 sided Lithographic invitation (header image shows both front and back on one panel) Un...

Original vintage travel poster Car Festival at Puri India. Archival linen-backed lithograph in fine condition, ready to frame. At this festival, the public gathers and pull a chari...

Pablo Picasso (1881-1973) - Faune et fuemme nue Lithograph from 1967. The edition of 223/500 on Auvergne Richard de Bas paper. With two watermarks - one of the paper, second of th...

Bernard Buffet (1928-1999) - Temple To-ji,Kyoto Lithograph from 1981. Artsit's edition. On Arches paper. Dimensions of work: 71 x 53.5 cm. Hand signed. The work is in Excellent...

Holy Bible -  Sedet sola civitas is Color lithograph on heavy rag paper realized in 1964. It is part of Biblia Sacra vulgatæ edition is published by Rizzoli-Mediolani between 1967 an...

Original THOMSON Gyrathomic. Horizontal format original French vintage lithograph poster. Artist: Guy Georget. C. 1955. Archival linen backed. Very good condition. A fun...

Asger Jorn (1914-1973) - One Cent Life Lithograph from 1961. Dimensions of work: 41 x 58 cm Publisher: E.W. Kornfeld, Switzerland. Printed by Maurice Baudet, Paris The work is i...

Original linen-backed horizontal format vintage poster "AFRIQUE OCCIDENTALE FRANCAISE" lithograph. Poster for French West Africa Agency France d'Outre-Mer 1955. The poster has vignettes showing some African agriculture, oil along one side, local fruits and foods along the bottom, and stylized statues on left and right, harps, clay pots, drums with the maps of West Africa map...

Artist: Henri Matisse Title: Lied Dement Portfolio: Poesies Antillaises Medium: Lithograph Year: 1972 Edition: 250 Sheet Size: 14 7/8" x 11 1/8" Image Size: 14 7/8" x 11 1/8" Signatu...

Original poster: Radio L.M.T. "La Meilleure Tonalite". Elle l'aime tant. French antique vintage poster for the L. M. T. Radio. The radio wit...

KUKRYNIKSY Новый «Болшой Скачок» Пекина [The new Great Leap of Peking [Beijing]] Moscow, Izadetelstvo 'Plakat' 1977 54 x 37 cm, 12 posters loosely inserted in a printed paper portfo...

Marc Chagall - Original Lithograph La Vache Bleue (The Blue Cow) From the unsigned, unnumbered lithograph printed in the literary review XXe Siecle 1967 See Mourlot 488 Dimensions: 32 x 24 cm Publisher: G. di San Lazzaro. Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Original 6 Cylindres Berliet black and white vintage poster. Archival linen backed and ready to frame. The New six-cylinder models were introduced in 1927. Berliet was a French manufacturer of automobiles, buses, trucks, and military vehicles among other vehicles based in Vénissieux, outside of Lyon, France. Founded in 1899, and apart from a five-year period from 1944 to 1949 when it was put into 'administration sequestre' it was in private ownership until 1967 when it then became part of Citroën, and subsequently acquired by Renault in 1974. Black and white posters are a rarity as far as antiques go...