Lithograph More Prints

Da Non Cacciare (Not to be Hunted) is an original colored lithograph realized by Antonio Fomez between 1950 and 1974. Hand-signed in pencil on the lower right. Artist's proof (handw...

Artist's proof, hand signed in pencil. Very Good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an ar...

Éditions d'art " L' Oeuvre Gravée". This lithograph is a beautiful example of Campigli’s greeting cards. The Italian artist (born in Berlin in 1895) realized this “Biglietto d’Augur...

Image dimensions: 35x24.5 cm. Woman is an original black and white lithograph realized by Oscar Pelosi during the 1980s. The artwork is hand-signed in pencil by the artist on the l...

Limited Edition Lithograph (172/199). Signed by artist (signature is illegible). Measures 26 x 19.75 inches and is unframed. The piece is in Good Condition-wrinkling/discoloration co...

A very good impression of this color lithograph. Signed and numbered 14/200 in pencil.

Illustration 5 From "Inverosimile" is a beautiful original lithograph on Graphia paper realized by Piero Gilardi in 1990. Hand-signed on the lower right in pencil and numbered on th...

Image dimensions: 19x12 cm. Hand signed, on ivory colored paper. Artist's proof. In excellent conditions. Passepartout included : 49 x 34 cm Reference: G. Di S. Lazzaro, 33; Toninell...

JERRY N. UELSMANN (American, b. 1934). Poster-Silver Meditations, from the book Silver Meditations. Published by Morgan & Morgan Inc. Measures 23.5 x 17 in. Unframed. Good/Fair Condi...

Lithograph on Japon paper, Edition of 50 Paper size: 43.7 x 28.1 cms (17.2 x 11.1 ins) Image size: 39.1 x 23.7 cms (15 3/8 x 9 1/4 ins)

(after) Robert Delaunay - La Femme et la Tour - Handsigned Lithograph Handsigned and numbered by Sonia Delaunay with a dedication to Robert Delaunay Dimensions: 55 x 33 cm Circa 1960...

Color lithograph, Ed. 25. Rafael Ferrer depicts the intense life of the Caribbean in his paintings and prints. With hot colors, deep shadows and mysterious relationships among his f...

Kansas City, Missouri-born artist Emmett Merrill holds a BFA from the Kansas City Art Institute and an MFA from the University of Tennessee - Knoxville, and he is returning to the Ma...

Image dimensions : 19 x 25 cm. Signed and dated on plate. Includes passepartout (34 x 49 cm).

Original Lithograph by Jean Cocteau Title: Reflections Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumbered as issued

To see our other original vintage travel posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find th...

Color lithograph with pochoir, Edition 30 Roberto Juarez has been an important figure in the American art scene since his first solo exhibition at Robert Miller Gallery in 1981. H...

"Dahkota Mission of Peace 1820, Warning Against Tresspass" is a color lithograph by Seth Eastman. It features figures trying to warn people against trespassing on their land. 7 3/4...

Poster, Printed in Morosstudio 1980. Measures 36 x 23 inches and is unframed. The piece is in Good/Fair Condition-wrinkling/indentation consistent with age and handling.

Marc Chagall Original Lithograph 1963 Dimensions: 32 x 24 cm As published in Chagall Lithographe 1957-1962. VOLUME II. Unsigned, as issued, from the edition of several thousand Condition : Excellent Reference: Mourlot/Gauss 401 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion...

Color woodcut/lithograph with chine collé and collage Woodman returned to Shark's in 2015 to make her most recent print "The White & Black Set". The artist poses a set of white a...

A very good impression of this color lithograph on Rives BFK. One of 2 numbered printer's proofs, aside from the edition of only 10 in this color combination (there is a total editio...

Color lithograph with pearlescent and metallic powder, Edition 15. Barbara Takenaga is a painter who made her first lithograph at Shark’s in the summer of 2002. Her abstract works...

Jane, 2002 Paula Rego Lithograph, on Somerset textured paper Signed and numbered from the edition of 75 From the deluxe edition of Jane Eyre Accompanied by ...

Jean Bazaine - Original Lithograph 1976 Dimensions: 32 x 25 cm Revue XXe Siècle Edition: Cahiers d'art published under the direction of G. di San Lazzaro. ean Bazaine is born in P...

Color lithograph, Edition 30. Enrique Chagoya makes paintings and prints about the changing nature of culture. “My artwork is a conceptual fusion of opposite cultural realities that...

Very good impressions of these extremely scarce, early color lithograph proofs, double-sided, on Rives BFK. Each an unique proof with color variations, aside from the edition of 100. One side signed, inscribed "monoprint" and numbered 10/16 in pencil. Printed by Joe Funk at Joseph Press...

Color lithograph, Edition 25 Bernard Cohen has exhibited his work widely in England, Europe, the United States and Asia. He has had several retrospective exhibitions, including wo...

Original Lithograph by Jean Cocteau Title: Taureaux Signed in the plate Dimensions: 40 x 30 cm Edition: 200 Luxury print edition from the portfolio of Trinckvel 1965 Jean Cocteau W...

"Abstract Design" is a Limited Edition Lithograph (250/295) that is signed by the artist. The work measures approximately 29 x 28.75 inches with its frame and matting; the print meas...

"From: Ilsée, Princess of Tripoli Recto: "Oasis Beetles" Verso: "Visiting Ilsee's Palace" is an original color lithograph by Alphonse Mucha. Exquisite double-sided color lithographs ...

The artist describes this project: My lithographs In Between Days and A Question of Time are based on a series of monotypes I have created over the past couple years. In the monotypes I layer color fields, forms, patterns, and arrays of dots or other shapes onto dozens of sheets of paper in a process somewhat like sketching. I collect found objects to use as stencils to physically print from or to photocopy. A few objects used in the making of these prints are perforated metal sheets, wooden wine crate...

A very good impression of this color lithograph on wove paper. Signed, dated and numbered 23/90 in pencil.

This color double-sided lithograph is from Alphonse Mucha's "Ilsee, Princess of Tripoli." The front of this piece, "Rudel of Blaye" features the royal family and subjects (sans text)...

Zao Wou-ki - Original Lithograph 1962 From La tentation de l’Occident Dimensions: 39 x 28.5 cm Publisher: Les Bibliophiles Comtois Edition of 170 Reference: Jørgen Ågerup 137 - 146...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

Lithograph on paper (Edition of 25) Signed in pencil, l.r. Numbered in pencil, l.l. This print is offered by ClampArt, located in New York City. Joan Brossa (1919-1998) was a Cata...

This scarce color lithograph is signed, dated and numbered 11/48 by the artist in pencil.

Color lithograph, Edition 30. In the studies for this print, Juarez combined casual, small sketches made daily, found botanical prints and magazine illus...

A very good impression of this color lithograph. One of 25 numbered artist's proofs, aside from the edition of 50. Signed, inscribed "AP" and numbered X/XXV in pencil by Moore. Print...

Color lithograph, Ed. 30 Chagoya's newest prints, "Invites Into the World of the Eternal Instant" and "Expresses Nothing but the Self", are concerned with the current unsustainabl...

Charming detailed lithographs published by Draeger, Paris 1947 for the perfume house Bienaimé. Printed in colours and highlighted in gold and silver on embossed paper...

Isia Leviant - Hands Signed Lithograph Dimensions: 70.5 x 54.5 cm Edition of 30 Signed and numbered Isia Leviant (1914 - 2006) was a Franco Israeli Kinetic painting artist. He is a...

Paul Jenkins - Composition - Original Lithograph 1964 Dimensions: 30 x 20 cm Edition of 200 (one of the 200 on Vélin de Rives) Mourlot Press, 1964 Paul Jenkins, American (1923 - 2012) Paul Jenkins, an artist originally associated with abstract expressionism, exhibits in his mature works a redefining of color, light and space on the canvas surface. Born in Kansas City, Missouri in 1923, Jenkins worked as a teenager in a ceramics factory, where he was first exposed to color intensity and the creation of form. From age 14 to 18, he studied drawing and painting at the city's Art Institute. Initially interested in drama, Jenkins received a fellowship to the Cleveland Playhouse, then continued his dramatic studies in Pittsburgh at the Drama School of the Carnegie Institute of Technology. Deciding to become an artist, Jenkins moved to New York City in 1948 and studied at the Art Students League. During Jenkins's three years at the League, Yasuo Kuniyoshi and Morris Kantor were his influential instructors. While Jenkins continued to live and paint in New York City, his personal explorations took a metaphysical turn, which would ultimately become dominant in his work. P.D. Ouspensky's The Search of the Miracu/ous changed the artist's thoughts on human growth and limitations, while the Chinese I Ching, through its thematic emphasis on constant change, heightened his interest in flowing paint on canvas. Painting for Jenkins became an intuitive, almost mystical process. He commented, "I paint what God is to me." In 1953, Jenkins traveled to Paris, where, a year later, he had his first one-man show. While working at the American Artists Center, he continued to experiment with flowing paints, pouring pigment in streams of various thicknesses, with white thin spills as linear overlays. Jenkins's intent was to deny stasis and create a literal and metaphysical sense of dynamism, while maintaining a sense of unity. Beginning in 1958, Jenkins titled each canvas Phenomena, with additional identifying words. He believed the work to be descriptive of the discovery process inherent in each painting. Paralleling his beliefs, the artist's paintings have undergone subtle but definite changes. Beginning in the early 1 960s, a shift of color saturation and exposure of the white areas gave Jenkins's canvases an enhanced feeling of illumination. If Jenkins's technique is unorthodox, he is in many other ways a traditional artist. He works in an acrylic medium on traditional linen canvas or fine rag paper. Often he uses an ivory knife...

A very good impression of this scarce color lithograph on Arches. Artist's proof, aside from the edition of 65. Signed and dated in pencil. Published by the Martha Jackson Gallery...

Color lithograph, Edition 20. The artist describes this project: “The suggestive but ambiguous presence and narrative of the images “Bloob (?)” & “Dyad-O” reflect an ongoing creati...

Color lithograph, Edition 25 Michael Rubin earned an MFA from Southern Illinois University/Edwardsville in 1979. Selected Collections: Fort Wayne Museum of Art, Fort Wayne, IN; Owensboro Museum of Fine Art, Owensboro, KY; Metropolitan Museum of Art, New York, NY; Solomon R. Guggenheim Museum, New York, NY; University of Kentucky Art...

Portfolio with complete text is one of 150 deluxe numbered copies. It consists of 7 boldly colored lithographs and color lithograph cover. The sheets are loose as issued. Signed in p...

40 x 42.2 cms (15 3/4 x 16 5/8 ins) Signature: Signed "Motherwell" in pencil lower right Inscriptions: Numbered in pencil lower right Edition: 100

Lithograph on Arjomari paper. Printer's proof, aside from the edition of 34. Signed, dated and inscribed "P. P. II" in pencil by Nauman. Printed and published by Gemini G.E.L., Los A...

Color lithograph with chine collé, Ed. 30. Sherman’s paintings and prints propel the viewer into a claustrophobic and unstable world through a perspective that shimmies between repr...

"York: The Gateway to History" is an original lithograph poster by E.H. Spencer. This poster is a guide to the city from the Information Centre Public Library to advertise the Britis...

Color lithograph, Edition 25. I have a long history of exploring the possibilities of animal and naturalist imagery to fabulist ends. This work serves as allegory, political commen...

Maurice Estève - Composition Original Lithograph 1964 Dimensions: 32 x 24 cm Revue Art de France French painter born in Culan, Cher. He went to Paris in 1919 in the face of opposi...

Color lithograph with hand coloring and pearlescent powder. Ed. 25 The artist describes this project: I like the sense of that in-between time of blue light in this print - betwee...

"Coin Beads - Western US Wilderness Expedition of 1847" is a color lithograph by Seth Eastman. It depicts various Native American beads used as currency and...

Color lithograph, Edition 30. Enrique Chagoya’s print, Illegal Alien’s Guide to the Concept of Relative Surplus Value, continues his examination of cultural realities and the curr...

Color lithograph with chine collé and collage, Edition 25 Kathy Butterly makes small ceramic sculptures that topple, bend and stack. Butterly made her first print, “Loosened Up” in 2005 at Shark...

VIntage Chagall Poster

A very good impression of this large color lithograph on white Arches cover paper. Signed and numbered 16/100 in pencil, and titled in pencil within the image. Printed by Styria Stud...