21st Century and Contemporary More Prints

Illume [2008] limited edition Archival Chromagenic Photographic Print Edition of 25 Image size: H:79 cm x W:228 cm Complete Size of Unframed Work: H:228 cm x W:76 cm x D:2.5cm F...

Three and a Half Feet, Ballantines Movie Colony, Palm Springs, California, photograph from Richard Heeps Dream in Colour series. A palm tree casts a shadow on a Palm Springs swimming...

Zzyzx Resort Pool, Soda Dry Lake, California. Photograph from Richard Heeps 'Dream in Color' Series, from a California road trip, this abandoned structure...

Rob Barnes Durdle Door Limited Edition Linocut Print Edition of 50 Image Size H 44cm x W 33cm Sheet Size H 49cm x W 61cm Sold Unframed mounted in Antique W...

Burn Baby Burn, inspired by the aesthetics of “live fast – die young” rock ’n’ roll, is a critique of some harmful habits we are addicted to. Not just the harmful effects of burning ...

Millefleurs Unicorn by Kate Willows [2019] limited edition Ink and pencil on paper Edition of 50 Image size: H:20 cm x W:30 cm Sold Unframed Please n...

Heidler & Heeps B Side Vinyl Collection Sixteen Piece Multicolor Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to mak...

Heidler & Heeps Vinyl Collection Sixteen Piece Multi-color Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this...

Mark Podwal (American, New York, born 1945) "All This Has Come Upon Us" Archival pigment print Dimensions: 22 X 30 inches with Roman antique bronze or gold coins From a 2014 portf...

An ex libris print with themes of ancient Greece and surrealist fantasy, showing elements from the Acropolis against a backdrop of the universe. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

'Buick in the Dust II', features an American Car, on a British Beach (Hemsby, Norfolk) driven by a German. Richard spent years honing his skills as a drag racing...

Iconic neon from London's North Circular landmark, the Walthamstow Stadium. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to aluminium, presented in...

Zzyzx Resort Pool, Soda Dry Lake, California. Photograph from Richard Heeps 'Dream in Colour' Series, from a California road trip, this abandoned structure...

JR Wombat Portfolio and Print Stamp-dated, numbered and hand-assembled The Wombat box No. 37 is a special Edition made with JR for the occasion of his new exhibition MOMENTUM at La ...

Signed, titled and numbered from the edition of 25. The illusions and reflections in Sietens prints often bring M.C. Escher to mind, but his prints have a distinctive feel all their ...

The reflection of reality on a metallic sphere is one of Sietins' most frequently used motifs. He is fascinated by the possibility of opening an extra dimension in the dialogue ...

Silkscreen Print – A printing technique whereby the artist paints glue or stencils their work onto a mesh stretched over a wooden frame. Colour is then pushed through the mesh (whic...

Vipers Tongue By Billy Childish Billy Childish is a British artist, musician, and poet known for his prolific work across various mediums, including painting, punk rock music, and...

This scarce color lithograph is signed, dated and numbered 11/48 by the artist in pencil.

The Mojo poster was part of VIP ticket packages for the tour. Artists: Shepard Fairey Bands: Tom Petty & The Heartbreakers Edition Details Year: 2010 Class: Fine Art Print Status: Official Tour Print Run: 175/250 Paper: Holographic Fine Art Foil Paper Size: 18 X 24 Markings: Numbered by the artist in black felt marker. Print measures 18X24 and is in perfect condition with no visible flaws. Any questions please let us know. Thank you Frank Shepard Fairey was born February 15, 1970 in Charleston, South Carolina, USA. Fairey's adolescence was shaped by the influences of punk-rock and skateboarding. In his teens, he began creating his own bootlegged clothing and skateboard decals featuring bands and brands he liked. Fairey’s early bootlegs were created because his generally conservative parents would not purchase the clothing he wanted. In 1986, he stumbled upon the Andre the Giant image for which he has become famous for, in a local newspaper. The image was selected when Fairey demonstrated to a friend how to make a stencil; it was modified slightly to include the meaningless caption “Andre the Giant has a Posse” and made into a sticker. The sticker was reproduced en masse and began to appear around Charleston as it spread through the skateboarding community. While the sticker had no inherent meaning, the public response varied from disregard to curiosity to out-right fear. Civic groups editorialized and theorized that the Andre image was affiliated with everything from a band to a hate group. Nevertheless, the stickers were considered vandalism and in time, Fairey would face numerous charges for defacing public property. Fairey's record includes 15 arrests as of March 2009, for defacing property as a result of his so called bombing campaigns. Fairey affixed the stickers on municipal properties nearly everywhere he went, and the Andre sticker was being seen in Boston and New York City, soon others procured the image and were encouraged to spread the campaign worldwide in the form of stickers, stencils and wheat-paste posters. Following high school, Fairey was accepted to the Rhode Island School of Design (RISD), where, with an interest in screen printing, he majored in illustration. In 1992, while still attending RISD, Fairey started Alternate Graphics, a mail order catalog business through which he could merchandise his own t-shirts, skateboards, posters and stickers. He also took small commercial illustration jobs to help supplement his income. Shortly thereafter, the Andre the Giant Has a Posse logo was shortened simply to Obey Giant. The Obey, for which Fairey has also become synonymous, is derived from the 1988 John Carpenter film They Live. In the film, aliens who appear as human, rule the governments and economies of the world while the humans are reduced to an unwitting, hypnotized slave-class. Themes from the film continue to appear in Fairey’s work. Over time, the Andre the Giant face was modified into a more simplified and streamlined appearance, reminiscent of Russian Constructivist/Rodchenko style Soviet propaganda posters of the 20th Century. In 1994, filmmaker Helen Stickler featured Fairey and his sticker phenomenon in her documentary: Andre the Giant has a Posse. The following year, Fairey started Subliminal Projects with the late Blaize Blouin, his friend and pro-skateboarder. Subliminal Projects created and released several Obey-Giant themed posters and skateboard decks. Fairey directed a short skateboarding film featuring some of his friends through Subliminal Projects and Alternate Graphics titled A.D.D.(Attention Deficit Disorder). In 1996, Fairey moved to San Diego, California to create Giant Distribution with partner Andy Howell. Later, with Howell, Phillip De Wolff, Dave Kinsey, he formed First Bureau of Imagery (FBI), a branding, marketing and design firm established to focus on the increasingly lucrative sports market. FBI was closed in 1999 and Fairey, along with De Wolff and Kinsey created BLK/MRKT, similar to FBI. At this time, Fairey met and began working with Amanda Alaya, whom he would later marry. BLK/MRKT moved to Los Angeles in 2001. Here, they could expand and were able to incorporate a small gallery. Fairey and Kinsey eventually bought out De Wolff’s share of the partnership and by then had set up offices in the Pellissier Building (home of the historic Wiltern Theater), in the Koreatown section of Downtown Los Angeles. In December 2001, Fairey and Alaya were married in Charleston, South Carolina, Amanda has occasionally been the model for Fairey's prints (see: Commanda, 2007). Additionally, Amanda Fairey works in the capacity as publicist, agent and representative of her husband. In 2003, Kinsey and Fairey split. Kinsey retained the BLK/MRKT name and gallery, which he relocated to Culver City, California. Fairey retained the offices and most of the employees to create Studio Number One and the gallery was renamed Subliminal Projects. Studio No. 1 has since gone on to produce numerous memorable album covers, concert and film posters. In 2004, Fairey created the magazine Swindle with his old friend Roger Gastman. Swindle is a quarterly publication that features fashion, art, music and other pop-culture elements. During the 2004 presidential election, Fairey teamed up with artists Mear One...

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

The iconic architecture of the La Concha Motel in Las Vegas, was captured by Richard Heeps for his 'Dream in Colour' series, before its closure in 2004. Designed by Paul Williams, it is synonymous of the Googie style architecture popular in America during the 1950s and 1960s. The lobby is now preserved at the Las Vegas Neon...

QV 3 Cents, from the Heidler & Heeps Stamp Collection, Hong Kong Series. The fine detailed tapestry of the original Hong Kong small postage stamp has been brought to life and made un...

'Monte Amiata II', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing ...

A Vocabulary of Ornaments by Benjamin Thomas Taylor [2022] limited_edition Signed and numbered limited edition Giclée print hand finished with screen printed layers of varnish, acry...

Signed to the lower right Edition 40/50 Published by Obey Giant, Los Angeles We must fight the greed of the powerful and restore the basic fairness of our society and our democracy....

Artist: Hijack Title: Puzzled Medium: Unique silkscreen on Archival Fine Art Paper Size: 22 x 30 Inches Edition: 38 of 45 Year: 2006 Notes: "Puzzled," released as an edition of 45 w...

Artist: Martin Whatson x Pez Title: Behind the Curtain - Migration Size: 18 9/10 × 31 1/2in (48 × 80 cm) Medium: Giclee Print On 300 Gsm somerset satin Paper Edition: of 5 Year: 2018...

Color lithograph with gold leaf, Edition 30 Working from branches and grasses collected in the vicinity of Shark’s studio, Kushner created this composition determined by chance. K...

Campbell's Soup, iconic British architecture of their first UK factory. Photograph by Richard Heeps. This artwork is a limited edition of 25, gloss photographic print, accompanied b...

Gerberas, 2020 Michael Craig-Martin Screenprint in colours, on Arches 88 paper, Signed, dated and numbered from the edition of 125 Published by Jealous Gallery, London, unframed. F...

Taku Obata Signed And Numbered Art Book Zine Edition of 200 Street Art Japan. Thick heavy stock paper with vibrant inks. 8 1/4 × 6 in 21 × 15.2 cm Edition 1...

Heidler & Heeps B Side Vinyl Collection Twelve Piece Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have coll...

I Drink Therefore I Can By The Connor Brothers The Connor Brothers are a contemporary British art duo known for blending fiction with reality, often creating works that mix vintage...

Edition Details Year: 2015 Class: Art Print Status: Official Run: 195/200 Technique: Screen Print Paper: Cream Speckletone Paper Size: 18 X 24 Markings: Signed & Numbered Shepard Fairey, the artist behind the iconic Obama Hope poster...

Heidler & Heeps Vinyl Collection Twelve Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifu...

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler h...

Heidler & Heeps Vinyl Collection Twenty-One Piece Multi-color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have co...

Color lithograph/triptych, Ed. 25. Hung Liu’s Xiao Lu triptych was inspired by the artist’s encounters with two fallen deer. In November of 2008, Liu was taking a morning walk in the Oakland hills...

Original poster of the Tom Sachs: Rocket Factory collection. This offset print measures 36" H x 24" W and was published by Tom Sachs in 2021.

Black Ice, from the original sketches on Richard's first discovery of ICES in Bexhill in 2018. This artwork is a limited edition of 25, gloss photographic print, dry-mounted to alum...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The baby blue color blocking, typography and the surreal twist of the suspended ice cream cone, cross many of Richard’s artistic signatures. Richard runs his own color darkroom in Cambridge printing his photographs from negative and chose to frame this image with the Kodak film...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The coral color ...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The viridian gre...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The light blue c...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The raspberry pi...

TABACCHI at Twilight, Italian architecture photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' b...

TABACCHI at Night, Italian architecture photography from Richard Heeps series, A Short History of Milan. 'A Short History of Milan' bega...

32 x 8 inches (81.3 x 20.3 cm) from an Edition of 50. Produced by Beyond the Streets, Los Angeles. Deck is in good condition, in the pastic, and has been stored flat since purchase....

Winter Moon 2, 3 and 4 by Sarah Brooks [2022] limited_edition Mixed Media Edition number 40 Image size: H:29.7 cm x W:42.5 cm Complete Size of Unframed ...

John Doe - In The Wings - Urban Graffiti Street Art Artists Doe, John Edition Details Year: 2021 Class: Art Print Status: Official Rel...

Type II Pink, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Ri...

Inspired by 18th-century aesthetics and philosophy, Josh Keyes paints animals in a style reminiscent of anatomical diagrams. His work is characterized by an attention to detail and t...

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. Edition 91/100 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...

Heidler & Heeps Vinyl Collection Twenty Piece Multi-Color Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautif...

Heidler & Heeps Vinyl Collection Ten Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully...

Tyre Pressure Gauge, from Richard Heeps' series A Short History of Milan. 'A Short History of Milan' began in November 2018 for a special project featur...