Roy LichtensteinBrushstroke 1965
1965
About the Item
- Creator:Roy Lichtenstein (1923 - 1997, American)
- Creation Year:1965
- Dimensions:Height: 23 in (58.42 cm)Width: 29 in (73.66 cm)
- More Editions & Sizes:NonePrice: $28,000
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU46636462262
Roy Lichtenstein
Roy Lichtenstein is one of the principal figures of the American Pop art movement, along with Andy Warhol, James Rosenquist, Claes Oldenburg and Robert Rauschenberg.
Drawing inspiration from comic strips, Lichtenstein appropriated techniques commercial printing in his paintings, introducing a vernacular sensibility to the visual landscape of contemporary art. He employed visual elements such as the halftone dots that comprise a printed image, and a comic-inspired use of primary colors gave his paintings their signature “Pop” palette.
Born and raised in New York City, Lichtenstein enjoyed Manhattan’s myriad cultural offerings and comic books in equal measure. He began painting seriously as a teenager, studying watercolor painting at the Parsons School of Design in the late 1930s, and later at the Art Students League, where he worked with American realist painter Reginald Marsh. He began his undergraduate education at Ohio State University in 1940, and after a three-year stint in the United States Army during World War II, he completed his bachelor’s degree and then his master’s in fine arts. The roots of Lichtenstein’s interest in the convergence of high art and popular culture are evident even in his early years in Cleveland, where in the late 1940s, he taught at Ohio State, designed window displays for a department store and painted his own pieces.
Working at the height of the Abstract Expressionist movement in the 1950s, Lichtenstein deliberately eschewed the sort of painting that was held in high esteem by the art world and chose instead to explore the visual world of print advertising and comics. This gesture of recontextualizing a lowbrow image by importing it into a fine-art context would become a trademark of Lichtenstein’s artistic style, as well as a vehicle for his critique of the concept of good taste. His 1963 painting Whaam! confronts the viewer with an impact scene from a 1962-era issue of DC Comics’ All American Men of War. Isolated from its larger context, this image combines the playful lettering and brightly colored illustration of the original comic with a darker message about military conflict at the height of the Cold War. Crying Girl from the same year featured another of Lichtenstein’s motifs — a woman in distress, depicted with a mixture of drama and deadpan humor. His work gained a wider audience by creating a comic-inspired mural for the New York State Pavilion of the 1964 World's Fair, he went on to be represented by legendary New York gallerist Leo Castelli for 30 years.
In the 1970s and ’80s, Lichtenstein experimented with abstraction and began exploring basic elements of painting, as in this 1989 work Brushstroke Contest. In addition to paintings in which the brushstroke itself became the central subject, in 1984 he created a large-scale sculpture called Brushstrokes in Flight for the Port Columbus International Airport in Ohio. Still Life with Windmill from 1974 and the triptych Cow Going Abstract from 1982 both demonstrate a break from his earlier works where the subjects were derived from existing imagery. Here, Lichtenstein paints subjects more in line with the norms of art history — a pastoral scene and a still life — but he has translated their compositions into his signature graphic style, in which visual elements of printed comics are still a defining feature.
Lichtenstein’s work is represented in the collections of the Metropolitan Museum of Art, the Museum of Modern Art, Tate Modern, and many others. He was awarded National Medal of Arts in 1995, two years before he passed away.
Find a collection of Roy Lichtenstein prints, drawings and more on 1stDibs.
- ShippingRetrieving quote...Ships From: Miami, FL
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Pop Shop IV (1)By Keith HaringLocated in Miami, FLHand numbered 198/200, signed and dated on the recto in the lower right margin. Provenance: Martin Lawrence Gallery, Los Angeles, 1993 and Private coll...Category
1980s Pop Art More Prints
MaterialsScreen
- BrushstrokesBy Roy LichtensteinLocated in Miami, FLHand-signed rf Lichtenstein in pencil and numbered 245/300. Published by Leo Castelli Gallery, for the Pasadena Art Museum, California. The Prints of Roy Lichtenstein A Catalogue Rai...Category
1960s Pop Art Figurative Prints
MaterialsScreen
- Untitled Littmann 50By Keith HaringLocated in Miami, FLEA Artists Proof aside from edtion of 150. Screenprint in colors on Wove Paper. Hand signed, numbered from the Artists Proof edition of 20 and dated '85 in pencil right side margin. Published by Martin Lawrence Limited Editions, Inc., New York...Category
1980s Pop Art Figurative Prints
MaterialsScreen
- X-Man from Icons PortfolioBy Keith HaringLocated in Miami, FLSilkscreen ink on embossed Arches cover paper. Signed, dated and numbered in pencil on verso by Keith Haring estate. Published by Tony Shafrazi, New York. Reference Littman, K, & Ha...Category
1990s Contemporary More Prints
MaterialsScreen
- Best BuddiesBy Keith HaringLocated in Miami, FLTitled and numbered from the edition of 200 on the front in pencil, additionally dated and numbered on the reverse and signed by Julia Gruen, the executor of the Keith Haring Foundation and Anthony Shriver Best Buddies...Category
1990s Contemporary Figurative Prints
MaterialsScreen
- SinBy Ed RuschaLocated in Miami, FLNumbered, signed and dated in graphite lower left margin. Published by Cirrus Editions, Los Angeles. Edward Ruscha: Editions, 1959-1999: Catalogue Raisonné. 1st ed. Vol II. S. Engber...Category
1970s Contemporary More Prints
MaterialsScreen
- "Moi je veux vivre monotone" by Patrick Caulfield, Screenprint, Pop Art, PurpleBy Patrick CaulfieldLocated in Köln, DE"Moi je veux vivre monotone" is from the series "Some poems by Jules Laforgue". Patrick Caulfied was deeply inspired by these poems and found to his very own depiction of these poems...Category
1970s Pop Art Abstract Prints
MaterialsScreen
- "New York City Center 25th Anniversary"By Robert IndianaLocated in New York, NYRobert Indiana "New York City Center 25th Anniversary" New York City Center, 1968 Silkscreen Poster 35 x 25 inches Unsigned This poster is printed on...Category
1960s Pop Art Abstract Prints
MaterialsScreen
- Sightseeing (black pull) James Rosenquist text Pop Art in black and whiteBy James RosenquistLocated in New York, NYThis abstract composition features a cropped view of the words SIGHT SEEING, in bold all-capital lettering. Roses fill the top line of text, and the bottom line of text in white is s...Category
1970s Pop Art Abstract Prints
MaterialsLithograph, Screen
- 1973 by Mark Lancaster Neon yellow and black British pop art graffitiLocated in New York, NYA dynamic neon-yellow and black Mark Lancaster screen print combining calligraphic paint strokes, paint drips, and smooth, graphic yellow gradients characteristic of the artist's mos...Category
1970s Pop Art More Prints
MaterialsScreen
- Merton of the MoviesBy Roy LichtensteinLocated in New York, NYA very good impression of this color screenprint on silver foil paper. Signed and numbered 10/450 in pencil by Lichtenstein. Printed by Fine Creations, Inc., New York. Published by L...Category
1960s Pop Art Abstract Prints
MaterialsColor, Screen
- Quelques Poèmes de Jules LaforgueBy Patrick CaulfieldLocated in New York, NYBound portfolio with complete text, 22 color screenprints on Neobond papier synthétique. One of 200 copies (French edition) from a total edition of 500. Signed, numbered 101/200 and inscribed "Edition B" on the justification page. Printed by Christopher Betambeau, London. Published by Petersburg Press, London. Original gray leather folders...Category
1970s Pop Art Abstract Prints
MaterialsSynthetic Paper, Color, Screen