Vertical Nude Prints

Artist: Henri Matisse (after) Title: Le Jarre I Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Frame Size: 20 1/2" x 15 1/4" Sheet Size: 14" x...

Artist: Corneille, Belgian (1922 - 2010) Title: Carroll from the Portfolio of Six Reves Peints Year: 1989 Medium: Lithograph, signed and numbered in pencil Edition: XVI/XXX Image Si...

Actual sheet is 25 X 20 size includes frame. Hand signed and numbered. The Flight exhibition comes from a portfolio of prints organized by Varian Fry in 1964 and completed in 1971. B...

Alexander Calder Lithograph c. 1967 from Derrière le miroir: Lithograph in colors; 15 x 11 inches. Very good overall vintage condition; well-preserved. Unsigned from an edition of u...

"I Awate You" Nude Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish Com...

About the Artist: Richard Klein is a Connecticut-based artist, curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Ca...

Artist: Reuben Nakian Title: Nymph and Goat IV from Myths and Legends Date: 1979 Medium: Drypoint etching with Chine Colle on Rives, signed and numbe...

A superb, richly-inked impression of this very scarce, important German Expressionist lithograph on smooth, cream wove paper. Edition of approximately only 20. Signed in pencil. Publ...

ARTIST: Salvador Dali TITLE: Petites Nus (From Appollinaire) D MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions Argillet EDITION NUMBER: 39/95 MEASUREMENTS: 15.2" x 11....

"Twin Kate Moss on Pink" Photography 30 x 27.5 in Edition of 25 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thou...

"Suffocate" Black & White Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait artis...

Artist: Dan May (American, 1955-) Title: "Reclining Nude (Maroon)" Portfolio: Reclining Nudes *Signed and numbered by May in pencil lower left Year: 1983 Medium: Original Screenprint...

"Two Birds" Black & White Photography 42" x 30" in Edition 1/7 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fini...

ARTIST: Salvador Dali TITLE: Hommage a Albrecht Durer Triomphe de Venus MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Vision Nouvelle EDITION NUMBER: EA MEASUREMENTS: 23" x 3...

Nude is an artwork realized by the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1959. Colored Offset on paper.  Good condition. Italian title on the back " Fig...

Salvador Dali - The Drawers - Original Etching Dimensions: 38 x 28 cm Edition: 235 1967 Embossed signature On Arches Vellum References : Field 67-10 (p. 34-35)

No title (No 10) Photography Edition of 28 36" x 29" in by Yevgeniy Repiashenko Year photo was taken: 2015 This artwork is part of "Spirit" series. The picture shows a frozen movem...

Publisher GKM. Unframed. Edition of 150 ex. Signed, dated and numbered. Free shipment worldwide. Vladimir Velickovic was born in 1935 in Belgrade. He graduated from the Faculty of A...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs...

Artist: Henri Matisse (after) Title: Nude With Oranges Portfolio: The Last Works of Henri Matisse Medium: Lithograph Year: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2" Signature: Si...

Artist: Dan May (American, 1955-) Title: "Woman with Fruit" *Signed and numbered by May in pencil lower left Year: 1994 Medium: Original Screenprint o...

The facsimile print made on a paper with size of 100x70cm (39.3x27.5 in). The dominant colors are black and white with a greyish gamma. His pencil drawing is a technique so exquis...

Cathy Migliaccio (American 1950-2003), "Women Seated" Edition 1/1, Abstract Figurative Lithograph numbered and signed in Pencil, 12.75 x 9.50 In Matte (18.63 x 15.50 In Frame), Late 20th Century, 1972 Colors: Black and White Cathy Miglaccio was an artist originally hailing from New Jersey and later the Bronx, New York City. Having graduated with a Masters in Art Education, she later taught Art respectively in Baltimore, MD and Fredonia, NY and later at The Holy Cross School in Rumson, NJ. While there, she also served as Chairwoman for the Holy Cross Antique...

Signed and dated in pencil lower right From: New Jersey Volunteers for McCarthy Portfolio (14 lithographs by various artists) Signed in pencil lower right and dated ‘68 Printed by Pearl Seligman on Rives Heavyweight paper Edition 250 Features a broadside of Lowell's poem "Fall 1961," and 14 lithographs Signed in pencil by the following artists: Richard Anuskiewicz, Carmen Cicero, Leo Dee, Joseph Demarais...

"Twin Kate Moss on Pink" Photography 40 x 36.5 in Edition 2/25 by Kate Garner Hahnemuhle fine art archival paper Kate Garner: Seeker, Sage, and Preservationist of Identity A thoug...

Salvador Dali - Kneeling Knight - Original Etching Stamp Signed Dimensions: 38,5 x 28,5 cm 1969 References : Field 69-1 / Michler & Lopsinger 305

Artist: Marc Chagall Medium: Original lithograph Title: Hagar in the Desert Portfolio: Drawings for the Bible From VERVE, Vol. X, Nos. 37 and 38. ...

Female Nude - Standing Female Nude (Havard) Drypoint, 1920 Unsigned, as issued in the portfolio No signed impression are known to exist From: The Drypoint...

"Kate Moss 7. Bronze & Green" Photography 56x40 in Ed. 1/1 by Kate Garner Hahnemuhle fine art archival paper Not framed. Ships in a tube. Kate Garner: Seeker, Sage, and Preservat...

Salvador Dali - Jonas Salk - Original Handsigned Engraving Dimensions: 17.5 x 12.5 cm 1970 Signed in pencil EA Jean Schneider, Basel References : Field 70-5

Salvador Dali - Henry Wadsworth Longfellow - Original Handsigned Etching Dimensions: 38 x 28 cm 1967 Signed in pencil EA in Sanguine Jean Sc...

Many of you clicking on this stunning signed etching with its fantastic Art Nouveau look are probably doing so because you know of Ellsworth Woodward, who with his brother William Wo...

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Éditions de la Revue Verve, Tériade, Paris Printed by: Atelier Mourlot, Paris Documentation / References: Mourlot, F., Chagall Lithograph [II] 1957-1962, A. Sauret, Monte Carlo 1963, nos. 234 and 257 Marc Chagall (born in 1887) Marc Chagall was born in Belarus in 1887 and developed an early interest in art. After studying painting, in 1907 he left Russia for Paris, where he lived in an artist colony on the city’s outskirts. Fusing his own personal, dreamlike imagery with hints of the fauvism and cubism popular in France at the time, Chagall created his most lasting work—including I and the Village (1911)—some of which would be featured in the Salon des Indépendants exhibitions. After returning to Vitebsk for a visit in 1914, the outbreak of WWI trapped Chagall in Russia. He returned to France in 1923 but was forced to flee the country and Nazi persecution during WWII. Finding asylum in the U.S., Chagall became involved in set and costume design before returning to France in 1948. In his later years, he experimented with new art forms and was commissioned to produce numerous large-scale works. Chagall died in St.-Paul-de-Vence in 1985. The Village Marc Chagall was born in a small Hassidic community on the outskirts of Vitebsk, Belarus, on July 7, 1887. His father was a fishmonger, and his mother ran a small sundries shop in the village. As a child, Chagall attended the Jewish elementary school, where he studied Hebrew and the Bible, before later attending the Russian public school. He began to learn the fundamentals of drawing during this time, but perhaps more importantly, he absorbed the world around him, storing away the imagery and themes that would feature largely in most of his later work. At age 19 Chagall enrolled at a private, all-Jewish art school and began his formal education in painting, studying briefly with portrait artist Yehuda Pen. However, he left the school after several months, moving to St. Petersburg in 1907 to study at the Imperial Society for the Protection of Fine Arts. The following year, he enrolled at the Svanseva School, studying with set designer Léon Bakst, whose work had been featured in Sergei Diaghilev's Ballets Russes. This early experience would prove important to Chagall’s later career as well. Despite this formal instruction, and the widespread popularity of realism in Russia at the time, Chagall was already establishing his own personal style, which featured a more dreamlike unreality and the people, places and imagery that were close to his heart. Some examples from this period are his Window Vitebsk (1908) and My Fianceé with Black Gloves (1909), which pictured Bella Rosenfeld, to whom he had recently become engaged. The Beehive Despite his romance with Bella, in 1911 an allowance from Russian parliament member and art patron Maxim Binaver enabled Chagall to move to Paris, France. After settling briefly in the Montparnasse neighborhood, Chagall moved further afield to an artist colony known as La Ruche (“The Beehive”), where he began to work side by side with abstract painters such as Amedeo Modigliani and Fernand Léger as well as the avant-garde poet Guillaume Apollinaire. At their urging, and under the influence of the wildly popular fauvism and cubism, Chagall lightened his palette and pushed his style ever further from reality. I and the Village (1911) and Homage to Apollinaire (1912) are among his early Parisian works, widely considered to be his most successful and representative period. Though his work stood stylistically apart from his cubist contemporaries, from 1912 to 1914 Chagall exhibited several paintings at the annual Salon des Indépendants exhibition, where works by the likes of Juan Gris, Marcel Duchamp and Robert Delaunay were causing a stir in the Paris art world. Chagall’s popularity began to spread beyond La Ruche, and in May 1914 he traveled to Berlin to help organize his first solo exhibition, at Der Sturm Gallery. Chagall remained in the city until the highly acclaimed show opened that June. He then returned to Vitebsk, unaware of the fateful events to come. War, Peace and Revolution In August 1914 the outbreak of World War I precluded Chagall’s plans to return to Paris. The conflict did little to stem the flow of his creative output, however, instead merely giving him direct access to the childhood scenes so essential to his work, as seen in paintings such as Jew in Green (1914) and Over Vitebsk (1914). His paintings from this period also occasionally featured images of the war’s impact on the region, as with Wounded Soldier (1914) and Marching (1915). But despite the hardships of life during wartime, this would also prove to be a joyful period for Chagall. In July 1915 he married Bella, and she gave birth to a daughter, Ida, the following year. Their appearance in works such as Birthday (1915), Bella and Ida by the Window (1917) and several of his “Lovers” paintings give a glimpse of the island of domestic bliss that was Chagall’s amidst the chaos. To avoid military service and stay with his new family, Chagall took a position as a clerk in the Ministry of War Economy in St. Petersburg. While there he began work on his autobiography and also immersed himself in the local art scene, befriending novelist Boris Pasternak, among others. He also exhibited his work in the city and soon gained considerable recognition. That notoriety would prove important in the aftermath of the 1917 Russian Revolution when he was appointed as the Commissar of Fine Arts in Vitebsk. In his new post, Chagall undertook various projects in the region, including the 1919 founding of the Academy of the Arts. Despite these endeavors, differences among his colleagues eventually disillusioned Chagall. In 1920 he relinquished his position and moved his family to Moscow, the post-revolution capital of Russia. In Moscow, Chagall was soon commissioned to create sets and costumes for various productions at the Moscow State Yiddish Theater, where he would paint a series of murals titled Introduction to the Jewish Theater as well. In 1921, Chagall also found work as a teacher at a school for war orphans. By 1922, however, Chagall found that his art had fallen out of favor, and seeking new horizons he left Russia for good. Flight After a brief stay in Berlin, where he unsuccessfully sought to recover the work exhibited at Der Sturm before the war, Chagall moved his family to Paris in September 1923. Shortly after their arrival, he was commissioned by art dealer and publisher Ambroise Vollard to produce a series of etchings for a new edition of Nikolai Gogol's 1842 novel Dead Souls. Two years later Chagall began work on an illustrated edition of Jean de la Fontaine’s Fables, and in 1930 he created etchings for an illustrated edition of the Old Testament, for which he traveled to Palestine to conduct research. Chagall’s work during this period brought him new success as an artist and enabled him to travel throughout Europe in the 1930s. He also published his autobiography, My Life (1931), and in 1933 received a retrospective at the Kunsthalle in Basel, Switzerland. But at the same time that Chagall’s popularity was spreading, so, too, was the threat of Fascism and Nazism. Singled out during the cultural "cleansing" undertaken by the Nazis in Germany, Chagall’s work was ordered removed from museums throughout the country. Several pieces were subsequently burned, and others were featured in a 1937 exhibition of “degenerate art” held in Munich. Chagall’s angst regarding these troubling events and the persecution of Jews in general can be seen in his 1938 painting White Crucifixion. With the eruption of World War II, Chagall and his family moved to the Loire region before moving farther south to Marseilles following the invasion of France. They found a more certain refuge when, in 1941, Chagall’s name was added by the director of the Museum of Modern Art (MOMA) in New York City to a list of artists and intellectuals deemed most at risk from the Nazis’ anti-Jewish campaign. Chagall and his family would be among the more than 2,000 who received visas and escaped this way. Haunted Harbors Arriving in New York City in June 1941, Chagall discovered that he was already a well-known artist there and, despite a language barrier, soon became a part of the exiled European artist community. The following year he was commissioned by choreographer Léonide Massine to design sets and costumes for the ballet Aleko, based on Alexander Pushkin’s “The Gypsies” and set to the music of Pyotr Ilyich Tchaikovsky. But even as he settled into the safety of his temporary home, Chagall’s thoughts were frequently consumed by the fate befalling the Jews of Europe and the destruction of Russia, as paintings such as The Yellow Crucifixion...

Jean Baptiste VALADIE Nude with Doves, 1975 Original Etching Signed in pencil Numbered on 225 copies On vellum 45 x 32 cm (c. 17.7 x 15.5 inche...

Artist: Dan May (American, 1955-) Title: "Nude" *Signed by May in pencil lower left Year: 1997 Medium: Original Monoprint on unbranded white cotton rag laid paper Limited edition: (1...

Bather is an artwork realized by Constant Dratz (1875 - 1946, Belgium) in 1970. Woodcut print. Good condition. As a painter, Dratz was known for his landscape paintings of the Dil...

Jean Baptiste VALADIE Fall : Women with a Hat Original Etching Handsigned in pencil Numbered on 225 copies On vellum 45 x 32 cm (c. 17.7 x 15.5 inches) Excellent condition

"Annette" is a black and white lithograph after Alberto Giacometti, published in Derriere le Miroir. It depicts the bust of a nude woman in scratchy lines. Annette was Alberto's wife and frequently modeled for his sculptures and drawings. 10" x 7 1/4" art 21 1/4" x 18 5/8" frame Alberto Giacometti (1901-1966) was born in Borgonovo, a Swiss municipality, to the post-impressionist painter Giovanni Giacometti. In 1922 he moved to Paris to study under the sculptor Antoine Bourdelle, an associate of Auguste Rodin. It was there that Giacometti experimented with cubism and surrealism and came to be regarded as one of the leading surrealist sculptors. Among his associates were Joan Miró, Max Ernst, Pablo Picasso, Bror Hjorth and Balthus. Between 1936 and 1940, Giacometti concentrated his sculpting on the human head, focusing on the sitter's gaze. He preferred models he was close to, his sister and the artist Isabel Rawsthorne (then known as Isabel Delmer). This was followed by a unique artistic phase in which his statues of Isabel became stretched out; her limbs elongated. Obsessed with creating his sculptures exactly as he envisaged through his unique view of reality, he often carved until they were as thin as nails and reduced to the size of a pack of cigarettes, much to his consternation. A friend of his once said that if Giacometti decided to sculpt you, "he would make your head look like the blade of a knife." After his marriage to Annette Arm in 1946 his tiny sculptures became larger, but the larger they grew, the thinner they became. Giacometti said that the final result represented the sensation he felt when he looked at a woman. In 1962, Giacometti was awarded the grand prize for sculpture at the Venice Biennale, and the award brought with it worldwide fame. Even when he had achieved popularity and his work was in demand, he still reworked models, often destroying them or setting them aside to be returned to years later. The prints produced by Giacometti are often overlooked but the catalogue raisonné, Giacometti - The Complete Graphics and 15 Drawings by Herbert Lust (Tudor 1970), comments on their impact and gives details of the number of copies of each print. Some of his most important images were in editions of only 30 and many were described as rare in 1970. In his later years Giacometti's works were shown in a number of large exhibitions throughout Europe. Riding a wave of international popularity, and despite his declining health, he travelled to the United States in 1965 for an exhibition of his works at the Museum of Modern Art in New York. As his last work he prepared the text for the book Paris sans fin...

Artist: Henri Matisse (after) Title: Nus Bleus X Portfolio: The Last Works of Henri Matisse Medium: Lithograph Date: 1958 Edition: 2000 Sheet Size: 14" x 10 1/2 Signature: Signed in ...

Abstract composition is a drawing in watercolor realized by Rewe Prunken in the Mid-20th Century. Good conditions with slight foxing. The artwork is represented in well-balance com...

Black and white abstract outline drawing depicting nude female. Framed and matted in a carved wooden silver metallic frame. Signed by artist on the bo...

Andre DERAIN Two Nude Women Surprised Original drypoint etching Stamp signature of the artist On vellum 45 x 34 cm (c. 18 x 14 in) Excellent condition

Artist: Dan May (American, 1955-) Title: "Devil's Club" *Signed by May in pencil lower left Year: 2003 Medium: Original Linocut on white Hosho handmade paper Limited edition: Test Pr...

Artist: Dan May (American, 1955-) Title: "At the Beach" *Signed by May in pencil lower left Year: 1993 Medium: Original Monoprint on unbranded white cotto...

Salvador Dali - King Marc - Original Etching Dimensions: 45 x 33 cm Edition: 125 1970 Signed in pencil. On Arches Vellum References : Field 70-10 (p. 60-61)

Jean Cocteau - Under the Fire Coat - Lovers - Original Lithograph Signed "Jean" in the plate and dated 1954 in the plate. Joseph Forêt Editions Dimensions: 4...

Original Lithographe EA (Epreuve d'Artiste ) Alain Bonnefoit’s trademark female nudes reflect both Western and Eastern art historical influences. A painter, engraver, and sculptor, B...

Artist: Dan May (American, 1955-) Title: "Nude and Cat" *Signed and numbered by May in pencil lower left Year: 1987 Medium: Original Screenprint on unbranded w...

Leonor Fini - Sadness - Original Lithograph The Flowers of Evil 1964 Conditions: excellent Edition: 500 Dimensions: 46 x 34 cm Editions: Le Cercle du Livre Précieux, Paris Unsigned...

Salvador Dali - Cut Cucumber - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lopsinger 174 to 187.

Marc Chagall, Original Lithograph depicting an instant of the Bible. Technique: Original lithograph in colours Year: 1956 Sizes: 35,5 x 26 cm / 14" x 10.2" (sheet) Published by: Édit...

André Minaux Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation d...

Salvador Dali - Nude Couple - Original Etching Dimensions: 38 x 28 cm Edition: 390 1967 On Rives Vellum References : Field 67-4 (p. 32-33) / Michler & Lops...

ROBERT WEIL (American, b. 1945). Poster-Orlando Orsini, Fine Arts Roma. Measures 32 x 22 in. Unframed. Excellent/Good Condition.

Hand signed and numbered by the artist. Sheet size 19.75 x 13 inches. Image size 14 x 7 inches. Artwork is in excellent condition. Certificate of Authenticity included. Edition of 6...

Salvador Dali - Enrico Fermi - Original Handsigned Engraving Dimensions: 17.5 x 12.5 cm 1970 Signed in pencil EA Jean Schneider, Basel References : Field 70-5

"Suffocate" (FRAMED) Photography 24" x 18" inch Edition 1/20 by Ben Cope Not framed. Ships rolled in a tube. BLANC series by Ben Cope: Ben Cope is a Los Angeles based portrait a...

Pearlstein, Philip. NUDE. Etching, 1976. Edition of 30, signed, dated and numbered 26/30 all in pencil. 7 7/8 x 5 7/8 (plate), 14 1/8 x 11 1/8 inches (sheet). In excellent condition.

A lovely drawing by Cortland Butterfield, signed, in an edition of 200 (this one numbered 110). Professionally float-framed and ready to hang. He...

Salvador Dali - Louis Pasteur - Original Handsigned Engraving Dimensions: 17.5 x 12.5 cm 1970 Signed in pencil EA Jean Schneider, Basel References : Fiel...