Miniature Nude Prints

Nude is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 10 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (May...

Naked Lady is an original offset realized after Renato Guttuso. The picture is in very good conditions, no signature. Renato Guttuso, born Aldo Renato Guttuso (26 December 1911 - 1...

Perspectivas Collage 13 x 9 My work is mainly abstract, I would say abstract expressionism. I love painting with oils, they give me many possibilities I do not find in other mediums...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations and #7/10 and 'Musee du Louvre' blindstamp verso Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Modella nello studio is a beautiful original lithograph on paper, realized by the Italian master Felice Casorati in 1946. Hand-signed in pencil "F. Casorati" on the lower left margi...

Vegetation an original Lithograph artwork realized by Daniele Dimitri. Hand-signed at the bottom. Numbered, edition 91/100. In excellent conditions. Passepartout included 70 x 50...

After Hans Bellmer (German, 1902-1975) Surrealist engraving, etching after drawings from a 1942 notebook, engraved in 1974-75 by Cecile Reims Printed by L'Atelier de Chalcographie du Louvre, Paris, Having printed monogram lower left in plate, pencil notations verso Editioned from a very small edition of #7/10 'Musee du Louvre' blindstamp. Dimensions: Sheet 11 X 7.5, Plate size 6.5 X 4 Hans Bellmer ( 1902 – 1975) was a Polish born German artist, best known for his drawings, etchings that illustrates the 1940 edition of Histoire de l’œil, and the life-sized female sculpture mannequin dolls he produced in the mid-1930s. Historians of art and photography also consider him a Surrealist photographer. Bellmer was born in the city of Kattowitz, then part of the German Empire (now Katowice, Poland). Up until 1926, he worked as a draftsman for his own advertising company. Bellmer is most famous for the creation of a series of dolls as well as photographs of them. He was influenced in his choice of art form in part by reading the published letters of Oskar Kokoschka (Der Fetisch, 1925) and Surrealism. Bellmer's puppet doll project is also said to have been catalysed by a series of events in his personal life. Hans Bellmer takes credit for provoking a physical crisis in his father and brings his own artistic creativity into association with childhood insubordination and resentment toward a severe and humorless paternal authority. Perhaps this is one reason for the nearly universal, unquestioning acceptance in the literature of Bellmer's promotion of his art as a struggle against his father, the police, and ultimately, fascism and the state. Events of his personal life also including meeting a beautiful teenage cousin in 1932 (and perhaps other unattainable beauties), attending a performance of Jacques Offenbach's Tales of Hoffmann (in which a man falls tragically in love with an automaton), and receiving a box of his old toys. After these events, he began to actually construct his first dolls. In his works, Bellmer explicitly sexualized the doll as a young girl (his work bears connection to the works of Bathus). Hirschfeld has claimed (without further argumentation) that Bellmer initiated his doll project to oppose the fascism of the Nazi Party by declaring that he would make no work that would support the new German state. Represented by mutated forms and unconventional poses, his dolls (according to this view) were directed specifically at the cult of the perfect body then prominent in Germany. He visited Paris in 1935 and made contacts there, such as Paul Éluard, but returned to Berlin because his wife Margarete was dying of tuberculosis. He was part of the circle of Surrealist luminaries such as Man Ray, Marcel Duchamp, Max Ernst, Joan Miro, André Masson, René Magritte, Alberto Giacometti and Salvador Dali as well as women artists—such as Frida Kahlo, Dorothea Tanning and Leonora Carrington. Bellmer produced the first doll in Berlin in 1933. Long since lost, the assemblage can nevertheless be correctly described thanks to approximately two dozen photographs Bellmer took at the time of its construction. Standing about fifty-six inches tall, the doll consisted of a modeled torso made of flax fiber, glue, and plaster; a mask-like head of the same material with glass eyes and a long, unkempt wig; and a pair of legs made from broomsticks or dowel rods. One of these legs terminated in a wooden, club-like foot; the other was encased in a more naturalistic plaster shell, jointed at the knee and ankle. As the project progressed, Bellmer made a second set of hollow plaster legs, with wooden ball joints for the doll's hips and knees. There were no arms to the first sculpture, but Bellmer did fashion or find a single wooden hand, which appears among the assortment of doll parts the artist documented in an untitled photograph of 1934, as well as in several photographs of later work. Bellmer's 1934 anonymous book, The Doll (Die Puppe), produced and published privately in Germany, contains 10 black-and-white photographs of Bellmer's first doll arranged in a series of "tableaux vivants" (living pictures). The book was not credited to him, as he worked in isolation, and his photographs remained almost unknown in Germany. Yet Bellmer's work was eventually declared "degenerate" (entartete kunst) by the Nazi Party, and he was forced to flee Germany to France in 1938, where Bellmer's work was welcomed by the Surrealists around Andre Breton. He aided the French Resistance during the war by making fake passports. He was imprisoned in the Camp des Milles prison at Aix-en-Provence, a brickworks camp for German nationals, from September 1939 until the end of the Phoney War in May 1940. After the war, Bellmer lived the rest of his life in Paris. Bellmer gave up doll-making and spent the following decades creating erotic drawings, etchings, sexually explicit photographs, paintings, and prints of pubescent girls. In 1954, he met Unica Zürn...

Nude is an original etching artwork on paper realized by an unknown artist in the XX century. Hand signed on the lower right in pencil. Numbered, edition 13/25. The state of prese...

Bathing Nude is a lithograph on paper realized by Robert Fontené in the mid-20th Century. Hand-signed on the lower right. Numbered on the lower left, ...

This lot is for one etching. --- Derain was born in 1880 in Chatou, Yvelines, Île-de-France, just outside Paris. In 1895 Derain began to study on his own, contrary to claims that meeting Vlaminck or Matisse began his efforts to paint, and occasionally went to the countryside with an old friend of Cézanne's, Father Jacomin along with his two sons. In 1898, while studying to be an engineer at the Académie Camillo, he attended painting classes under Eugène Carrière, and there met Matisse. In 1900, he met and shared a studio with Maurice de Vlaminck and together they began to paint scenes in the neighbourhood, but this was interrupted by military service at Commercy from September 1901 to 1904. Following his release from service, Matisse persuaded Derain's parents to allow him to abandon his engineering career and devote himself solely to painting; subsequently Derain attended the Académie Julian. At about this time Derain's work began overtly reflecting his study of the Old Masters. The role of color was reduced and forms became austere; the years 1911–1914 are sometimes referred to as his gothic period. In 1914 he was mobilized for military service in World War I and until his release in 1919 he would have little time for painting, although in 1916 he provided a set of illustrations for André Breton's first book, Mont de Piete. After the war, Derain won new acclaim as a leader of the renewed classicism then ascendant. With the wildness of his Fauve years far behind, he was admired as an upholder of tradition. In 1919 he designed the ballet La Boutique fantasque for Diaghilev, leader of the Ballets Russes. A major success, it would lead to his creating many ballet designs. The 1920s marked the height of his success, as he was awarded the Carnegie Prize in 1928 for his "Still-life with Dead Game" and began to exhibit extensively abroad—in London, Berlin, Frankfurt, Düsseldorf, New York City and Cincinnati, Ohio. During the German occupation of France in World War II, Derain lived primarily in Paris and was much courted by the Germans because he represented the prestige of French culture. Derain accepted an invitation to make an official visit to Germany in 1941, and traveled with other French artists to Berlin to attend a Nazi exhibition of an officially endorsed artist, Arno Breker. Derain's presence in Germany was used effectively by Nazi propaganda...

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices, Year: 1920, Medium: Lithograph, Image Size: 10 x 7 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Description...

HOLIDAY SITUATIONS,1999, color c-prints on Fuji crystal archive paper, each initialed on verso and inscribed "BAT" sheets 11 ¾ x 11 ¾", printed & published by Muse X, Los Angeles. (female nude manikin beneath a brilliant star), 1999 in the collection of Harvard University art museum where it is described as an Ink jet digital print Born in 1958 in Long Branch, New Jersey, Long currently lives and works in California.Education B.F.A., University of the Arts, Phila, PA; Whitney Independent Study Program, New York, NY; M.F.A., Yale University, New Haven, CT. Since then, the artist has received a number of honors and awards, most recently the 2008 Award of Merit Medal for Sculpture from the American Academy of Arts and Letters in New York. He currently teaches as a professor in the Art Department at the University of California, Riverside. Long’s work has been the subject of major exhibitions worldwide. His most important solo presentations include CATALIN at The Contemporary Austin in Texas (2014), Fountainhead, a public commission in Dallas, Texas organized by the Nasher Sculpture Center (2013), Pet Sounds at Madison Square Park in New York City (2012), Seeing Green, a solo project in conjunction with All of this and nothing: The 6th Hammer Invitational at the UCLA Hammer Museum in Los Angeles (2011), 100 Pounds of Clay at Orange County Museum of Art in California (2010), and More Like a Dream Than a Scheme at David Winton Bell Gallery at Brown University in Rhode Island, which traveled to SITE Santa Fe in New Mexico (2005). His work has been included in many significant museum exhibitions such as the 1997 and 2008 Biennials, Whitney Museum of American Art New York; Open Ends, The Museum of Modern Art; NYC. Performance Anxiety, MCA, Chicago; Happiness, Mori Art Museum, Tokyo; Arte Contemporáneo Internaciona, Museo de Arte Moderno, Mexico City; ART/MUSIC: rock, pop, and techno Museum of Contemporary Art, Sydney; Almost Warm and Fuzzy, Des Moines Art Center, The Shape of Color: Excursions in Color Field Art, AGO/Art Gallery of Ontario, Canada; Gone Formalism, The Institute of Contemporary Art, Philadelphia, PA; The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington D.C. SculptureCenter in New York, Museum of Contemporary Art Chicago, Magasin 3 Stockholm Konsthall, Hirshhorn Museum and Sculpture Garden in Washington, D.C., Institute of Contemporary Art, Philadelphia, Mori Art Museum in Tokyo, among other museums.Long's sculptures have explored the abstract autonomous art object as a psychological investigation into the nature self and others and have been made from diverse media such as coffee grounds, rubber and hair from Abraham Lincoln. He has collaborated with pop musicians such as Stereolab, Mark Mothersbaugh...

Egon Schiele (1890 – 1918), AUSTRIA “ART CANNOT BE MODERN, ART IS PRIMORDIALLY ETERNAL.” -SCHIELE Defiantly iconoclastic in life and art, Egon Schiele is esteemed for his masterful...

Nude is a lithograph print on paper, realized by an unknown french artist. Hand-signed " Reterelle" on the lower right in pencil. Good conditions.

Nude is a beautiful etching realized by the Italian artist Carlo Vitale. Signed on the plate Original print in very good conditions except for some stai...

Title: Decorative Documents Author: Alfons Mucha. Publisher: Paris: Librairie Centrale des Beaux-Arts, 13 Rue Lafayette. Emile Levy publisher. Published ...

PABLO PICASSO, Malaga 1881 - Mougins 1973 Femme couchée et homme au grand chapeau, 1962 Linoleoumography d'après in color. (mm270x325) Perfect specimen published by the Cercle d'Art ...

Woman on The Phone is an original etching artwork, realized by Emile Laboureur in 1928 The state of preservation is very good. Image Dimensions: 13 x...

Nude is an original etching and drypoint realized in the mid-20th Century by an anonymous artist. Good Conditions. The artwork is depicted through soft strokes in a well-balanced c...

Georges Rouault, French (1871 - 1958) - Acrobate II, Year: 1919, Medium: Etching, Edition: 2nd State, Image Size: 4.25 x 2.75 inches, Size: 9 x 6.25 in. (22.86 x 15.88 cm), Descrip...

Created circa 1975 and stamped, verso, with certification of authenticity for Jane Voitle Mellin (American, born 1952). Paper dimensions: 17.25 x 12 inches An atmospheric, sugar-lift aquatint showing a young woman seated at a claw foot table...

Original b/w Lithograph realized by Marino Marini in 1944. Hand signed and dated. Good conditions except for some minor foxing. This artwork is shipped from Italy. Under existing...

Signed Limited Edition , 6 /25 , etching by this collected Scottish artist. Very pretty, mounted unframed. Ian Laurie was born in 1933 and is a self taught artist who made the transition from industry to artistry around 40 years ago when he & his wife opened a gallery specialising in original, hand made prints by artists working in that medium. His own hobby of sketching soon became etching and it wasn't long before he was producing his own limited edition etchings...

Untitled Plate 8 from Paroles Peintes Suite is an etching and aquatint on Japon paper. Hand-signed and hand-numbered in pencil on the lower margin. Edition of 85 prints. Perfect con...

Lithographe published by les peintres lithographes ( blue stamp ) ; signed with pencil in the right lower corner, numbered 17 with ink in the lower left corner. Provenance : collecti...

Maiden is an original etching realized by Sergio Barletta in 1970s. Hand-signed on the lower right. In good conditions. Sergio Barletta (1934) is an Italian cartoonist and illust...

Jupiter and Antiope: Smaller Plate on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1631. This wonderful...

Standing Male Nude is a beautiful and original colored lithograph from the portfolio "Erotica" by Egon Schiele. In perfect conditions: as good as new. Today, the original drawing ...

Woman In Front Of The Stove III is an engraving on ivory-colored paper realized by Charles Amand Durand after an etching by Rembrandt dated 1658. This won...

Ex Libris Tibor Gubisi is an original Contemporary Artwork realized in the early 20th Century . Original B/W Xilograph artwork on ivory-colored paper. The work is glued on card...

Nudity is an offset print realized after the Sicilian artist Renato Guttuso, 1980s. Very good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Rome,1987) was a famous Italian ...

A Woman and a Horse is a Contemporary artwork realized in the 1970s by the Italian artist Alfredo Brasioli (Verona, 1935 - Rome, 2016). Original Etching on paper. Hand-signed in pe...

Morning Paper Mezzotint, 1941 Signed in pencil lower right Publisher: 32nd Presentation Print of the Chicago Society of Etchers Edition: 350 Illustrated in GREAT AMERICAN PRINTS 1900...

Femme Nue Allongée is a sensual color lithograph realized by Bernadette Kelly (1933-) in the 20th century. Dimensions: cm 32 x 24. Very good conditions. This suggestive artwork is ...

Women and Horses is a Contemporary artwork realized in the 1970s by the Italian artist Alfredo Brasioli (Verona, 1935 - Rome, 2016). Original Etching...

Woman In The Dark is an original colored lithograph realized by the artist Roger Chapelain-Midy in 1975. Hand-signed by the artist on lower right. Numbered on lower left. Edition XI...

Andre Masson, French (1896 - 1987) - La femme au poisson, Year: 1972, Medium: Etching, signed in pencil, Image Size: 6 x 5.5 inches, Size: 12.5 x 11 in. (31.75 x 27.94 cm), Descript...

Serena is an original woodcut realized by Arturo Martini. Title and signature printed on the lower margin. The State of preservation is good. The artwork is representing a woman beside a vase of flowers in a frame through intense bla...

Nudes is an original modern artwork realized by the Hungarian artist Amerigo Tot (Fehérvárcsurgó, 1909 - Rome, 1984) in 1945. Original woodcut print on I...

Reverse Nude is an original etching and aquatint realized by Leo Guida in 1970s. Good condition for the 3 copies of the artwork. Mounted on a white cardboard passpartout (50x34 cm)...

Signed, titled and numbered by the artist. Edition of 50. Female nude etching, from a series of 6 male and 6 female images. Reyes attended The School of the Art Institute of Chica...

Hand signed. Very rare edition of 125 prints. Good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy created over 70 years ago by an a...

The Red Host is an original colored lithograph from the portfolio "Erotica" by Egon Schiele. It deals with a reproduction of the homonym artwork realized in watercolor and pencil by...

Pensive Nude is a black and white print realized by Anna Bass (Strasbourg 1876 - Paris 1961) in the First Half 20th Century. The artwork represents a nude female portrait. Hand-si...

Nude in Woods. is an original etching print artworkk on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. Ker-Xavier Roussel (Lorry-les-Metz,1867 – L'Étang-La-Ville, 1944), the French artist, together with his friend Édouard Vuillard , studied at the artist studio of the painter Diogène Maillart. In 1888, he attended the École des Beaux-Arts, and then he studied at the Académie Julian where Maurice Denis and other artists formed the group Les Nabis , shifting towards mythological compositions with clear and luminous palettes of color. As a matter of fact, he is well-known for his paintings of French landscapes, usually depicting nymphs and fauns, women, and children in bucolic settings. In Gertrude Stein's Autobiography o f Alice B...

Signed Limited Edition Etching, 15 of 25, from this well collected Scottish artists studio. Very understated. Ian Laurie was born in 1933 and is a self taught artist who made the ...

Nude in Woods is an original etching print artwork on ivory-colored paper realized by Ker-Xavier Roussel in 1920 ca. Hand-Signed on the lower right margin. Very Good conditions. ...

Solitude is an original etching on ivory-colored paper realized by an unknown artist of the late 20th Century. Hand-signed on the lower, illegible. Numbered, edition of 20/100 print...

Nude of Woman is an etching on paper realized by Marcel Homs (1910 - 1995), in 1939. Hand-signed in pencil on the lower margin. Beautiful print represe...

Nude from Back is an original modern artwork realized in the first decades of the 20th Century by the French artist Henri Farge (1884-1970). Original et...

The painter and the model is an original rare etching on paper realized by the Italian artist Giacomo Manzù. Hand-signed on the lower right and numbered only edition of 17 prints. ...

Femme Nue Allongée sur Canapé is a sensual color lithograph realized by Bernadette Kelly (1933-) in the 20th century. Dimensions: cm 32 x 24. Very good conditions.

Nude Woman is an offset poster realized after Pierre-Auguste Renoir. In good conditions except for some rips on the margin. Signed on the lower right corner. The artwork represent...

MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...

This lithograph from the portfolio "Egon Schiele" is a reproduction of "Weiblicher Rückenackt", an original artwork realized by Egon Schiele in 1917. The portfolio, that includes 10 ...

Nudity 1 is an offset print realized after the Sicilian artist Renato Guttuso, 1980s. Good conditions. Renato Guttuso (Bagheria, Palermo 1912 - Rome,1987) was a famous Italian pai...

Hand signed. Etching and aquatint. Includes passepartout (49 x 34 cm ). This etching by Armand Breton is an example of the Post-Impressionism atmosphere at the beginning of the XX...

Raymond Pettibon illustrated Black Flag flyer published on the occasion of: Black Flag on Broadway / Dec. 19 1982 / Dec. 20 1982 with Code of Honor, Redd Kross, Nig-Heist, & Flipper...