18th Century and Earlier Prints and Multiples
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Period: 18th Century and Earlier
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Victorian 18th Century and Earlier Prints and Multiples
Materials
Engraving
After Jacob Herreyns the Elder (1643-1732) - 18thC Engraving, Maria Triumphant
Located in Corsham, GB
A richly detailed engraving after the original design by Jacob Herreyns the Elder, showing an elaborate pageant for Maria Theresa Walburga Amalia Christina (Maria Theresia (1717–17...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
$383 Sale Price
20% Off
View of Rialto Bridge in Venice
Located in New York, NY
Engraving of Veduta della Piazza, verso la Chiesa di S Marco by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 13.5"L x 10.5"H. Has the original center crease an...
Category
18th Century and Earlier Prints and Multiples
Materials
Paper
Glaucium Violaccum (Violet Horned-Poppy) /// James Sowerby Botanical Flower Art
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201)
Portfolio: English Botany; or, Coloured Figures of British Plants
Year: 1794 (First edition)
Medium: Original Hand-Colored Engraving on cream wove paper
Limited edition: Unknown
Printer: J. Davis...
Category
Victorian 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
16. Branching star
Located in Columbia, MO
Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Pigment
The Bodleian Library, Oxford University by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
The Bodleian Library, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of the bea...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Framed eighteenth century botanical engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand- made parcel-gilt, ebonised and decalcomania frame. So...
Category
18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Engraving, Mezzotint
Queens' College, Cambridge, engraving by David Loggan
By David Loggan
Located in London, GB
David Loggan (1634 - 1692)
Queens' College, Cambridge
Engraving
37 x 45 cm
An eighteenth-century view of Queens', Cambridge, engraved by David Loggan, the noted engraver, draughtsm...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
La Lampe Polonoise
Located in Fairlawn, OH
La Lampe Polonoise
Aquatint, 1771
Signed and dated in the plate lower left
Condition: Yellowing to the sheet
Image size: 6 1/8 x 8 1/8 inches
Reference: Hedou 147 ii/II
Provenance: C...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Aquatint
Johann Weinmann: c.18th Engraving of Fruit in a Decalcomania Frame.
Located in Richmond, GB
Hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-1741), a G...
Category
18th Century and Earlier Prints and Multiples
Materials
Watercolor, Mezzotint
Adoration of the Shepherds
By Peter Paul Rubens
Located in New York, NY
Adoration of the Shepherds after Peter Paul Rubens (Flemish, 1577-1640), engraved by Pierre-Franois Basan (French, 1723-1797), engraving, c. 1750, in black on ivory laid paper, 282 x 200 mm., with small margins. In very good condition.
A fine proof impression, before letters. A draft printing of letters is visible, lower left, below image: “P P Rubens inv.”; lower right: “F. Basan excudit”.
Basan’s engraving after Rubens may be modeled after another engraving of the Adoration after Rubens by Theodor Galle (1571-1633), which appeared as an illustration to the 1618 reprint of 1616 edition of “Missale Romanum...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving
Library View, Cambridge engraving Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692)
The Auditoriums & Public Library, Cambridge
Engraving
12 x 16 cm
An eighteenth-century view of the auditoriums and ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
18th-century celestial - Andromeda Perseus Triangulum
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Andromeda Perseus Triangulum
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas ...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
18th-century celestial - Camelopardal & Auriga
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Camelopardal & Auriga
London, C. Nourse, 1753.
Hand coloured star chart heightened with gold and silver, engraved by John Mynde, from the s...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
18th-century celestial - Cetus
Located in London, GB
18th-century celestial
FLAMSTEED, John.
Cetus
London, C. Nourse, 1753.
A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas published up to that ti...
Category
Naturalistic 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Engraving
Indiarum Occidentalium Tractus Littorales cum Insulis Caribicis / Pascaert van W
By Louis Renard
Located in New York, NY
This early 18th-century engraved map was published by Louis Renard in Amsterdam. The image size is 19 x 22 " (48.3 x 55.9 cm) plus margins.
A beautifully engraved Dutch sea chart. Shown is the entire Caribbean basin including the eastern seaboard up to Cape Cod and includes Bermuda. Florida is shown with the classic flattened southeastern coast that was derived by Hessel Gerritz. Noted are the routes taken by the Spanish treasure...
Category
Other Art Style 18th Century and Earlier Prints and Multiples
Materials
Engraving
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The C
Located in Fairlawn, OH
Veduta del Romano Camipidpglio con scalinata che va alla chisea d’Araceli (The Capitol and the Steps of S. Maria in Aracoeli)
Etching, 1775
Watermark: Double Circle Fleur de Lys
A lifetime impression with the price etching in the plate
Printed in Rome, before the plates are moved to Paris and the numerous posthumous editions
Reference: Hind 38 ii/IV
Robison 38 ii/V with the price
Wilton Ely 190
Condition: A fine Roman...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Etching
17th century etching black and white figures scene
Located in Milwaukee, WI
"The Singer" is an original etching by Cornelis-Pietersz Bega. It depicts a performer and onlookers. Publisher: Pearce #50.
4" x 3" art
16 1/2" x 13 1/2" frame
Cornelis Pietersz Be...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
17th century etching black and white landscape scene forest sheep figures sky
Located in Milwaukee, WI
"Shepherd and Shepherdess Conversing in a Landscape (Berger et Bergere Conversant)" is an etching by Claude Gellee (Le Lorrain). This etching is in the collections of the Metropolita...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Christ and the Little Saint John Playing with the Lamb (2nd State)
Located in Chicago, IL
Woodcut after Peter Paul Rubens (Siegen 1577 - 1640 Antwerp)
337 x 451 mm.; 13 1/4 x 17 3/4 inches
Provenance:
The Metropolitan Museum of Art, New York, Duplicate stamp on verso...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Woodcut
A Cart Race
Located in Fairlawn, OH
A Cart Race
Hand colored etching & aquatint, 1788
Signed in the plate (see photo)
Published by William Hollande, London
Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.'
Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938)
British Museum Satires 7607
Grego, 'Rowlandson', i. 260, Grego II.392
Provenance: Chris Beetles Ltd., London (label), 2003
Jeffrey M. Kaplan, Washington, D.C.
(label)
Fursten zu Oettingen-Wallerstein, Lugt 2715a,
verso (see photo)
Condition: Excellent
Printed on 18th century laid paper
Archival framing by Chris Beetles Ltd., London
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church...
Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35
The Metropolitan Museum has an impression: Accession number 59.533.314
Fitzwilliam Museum: Accession number: 34.14-286
Cleveland Museum of Art accession number: 1958.10
Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks.
"It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...
Category
Romantic 18th Century and Earlier Prints and Multiples
Materials
Aquatint
Clare College, Cambridge (aerial view) by David Loggan
Located in London, GB
David Loggan (1634 - 1692)
Clare College, Cambridge
Engraving
36 x 42 cm
An eighteenth-century view of Clare College, Cambridge, engraved by David Loggan, the noted engraver, draugh...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
David Loggan, Prospectus Cantabrigiae Orientalis & Occidentalis
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Prospectus Cantabrigiae Orientalis & Occidentalis
Engraving
32 x 46 cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Trinity College, Oxford David Loggan 1705 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
Trinity College, Oxford (1705)
Engraving
32 x 41 cm
Loggan's view of Trinity from the second edition of the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames
Located in Richmond, GB
A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames.
Joha...
Category
18th Century and Earlier Prints and Multiples
Materials
Watercolor, Mezzotint
Hand-coloured Print of weeping mythical sculpture angels in Walnut Frame
Located in London, GB
Hand-coloured tableau of a weeping spirit and her guardians, immobilised in marble. A disjointed narrative looking at recovery and protection, the angels shield the spirit with tender embraces and cry for her when alone.
Taken from The Sialia Marbles, a series of portraits containing ephemeral human sculptures taken between 2016-19. Together these works act as tales contained in a fictional sculpture hall, in direct reaction to Andre Malraux’s 1947 Le Musee Imaginaire (Museum Without Walls).
During the beginning of the 'Museum Age' in the 18th century , writer Johann Wolfgang Von Goethe discussed mythical...
Category
Victorian 18th Century and Earlier Prints and Multiples
Materials
Cotton, Walnut, Paint, Photographic Film, Ink, Spray Paint, Watercolor, ...
Christ Church, Oxford 18th century engraving by John Dadley after Edward Dayes
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Thorsby House in the County of Nottingham /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Thorsby House in the County of Nottingham" (Vol. 1, Plate 91)
Portfolio: Vitruvius Britannicus; or The British Architect, Contain...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Powis House in Ormond Street London /// "Vitruvius Britannicus" Engraving
Located in Saint Augustine, FL
Artist: Colen Campbell (Scottish, 1676-1729)
Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42)
Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching, Intaglio
Jesus College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Set of Two Engravings after Cipriani "Four Muses" & "Father and Two Daughters"
Located in Saint Augustine, FL
Artist: Francesco Bartolozzi (Italian, 1727-1815)
Title: "Four Muses" & "Father and Two Daughters"
Portfolio: Rudiments of Drawing
*Issued unsigned, though both are signed by Bartolo...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
17th century etching black and white landscape scene forest trees figures sky
Located in Milwaukee, WI
"Le Temps, Apollon, et les Saisons (Time, Apollo, and the Seasons)" is an etching by Claude Gellée (Le Lorrain). This etching is the Fifth state (A). This state is also in collections in Paris (BN, L, PP) and Washington; Mannocci cat. no. 43. The inscription reads: "Apollo in atto di obedire al tempo. La Primavera a cominciare il ballo. Lestate no manca del suo calore. L'aurunno colsuo licore / Seguita. Linvernno tiene la sua staggione, Claudio Gillee inven.Fec.Roma 1662 con licenza de super."
A powerful example of Claude's staging of landscape in the classical manner is the etching "Time,
Apollo, and the Seasons," done in 1662 after Poussin's painting of 1624-1636, "Dance to the Music of Time...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Roy Lichtenstein 'Still Life with Lobster' Signed Lithograph and Silkscreen 1974
Located in Miami, FL
ROY LICHTENSTEIN (1923-1997)
Roy Lichtenstein's 'Still Life with Lobster' is a 1974 color lithograph and silkscreen. This work is signed, dated 'Lichtenstein '74' and numbered 43/10...
Category
Contemporary 18th Century and Earlier Prints and Multiples
Materials
Lithograph, Screen
Corpus Christi College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
St John's College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
David Loggan: All Souls College, Oxford 1675 engraving
By David Loggan
Located in London, GB
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David Loggan (1634-1692)
All Souls College...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Four Groups of Nine Grotesque Masks
By Alò Giovannoli
Located in London, GB
4 Groups of 9 plates of Grotesque Masks.
[Published: Venanzio Monaldini, Rome, 1781].
Rare and strong impressions of etchings of grotesque masks, after...
Category
Gothic 18th Century and Earlier Prints and Multiples
Materials
Handmade Paper, Etching, Engraving
17th century etching baroque portrait male subject hat realistic print
Located in Milwaukee, WI
This is an excellent example of the kind of portraiture produced by Castiglione during the early part of the 17th century. In the image, we see the visage of a man with a mustache, wearing a fur-lined hat topped with a feathery decoration. The image is reminiscent of the work of Rembrandt van Rijn, himself known for his portraits in the form of etchings.
4 x 3.5 inches, image
15.25 x 13.25 inches, frame
Inscribed "GC" in the plate, lower left
This impression is from the edition ca. 1825 from the original plate of ca. 1635.
Unlike many Italian artists, Giovanni Benedetto Castiglione was profoundly influenced by foreigners. He first studied with local artists in his native Genoa, absorbing not only Tuscan Mannerism and Caravaggism but also the style of Peter Paul Rubens, who had worked in Genoa. From 1621 Castiglione also worked in Anthony van Dyck's Genoa studio. Early on, he was attracted to Flemish animal...
Category
Baroque 18th Century and Earlier Prints and Multiples
Materials
Etching
A Rustic Family /// George Morland British Figures Cottage Landscape Etching Art
Located in Saint Augustine, FL
Artist: (after) George Morland (English, 1763-1804)
Title: "A Rustic Family"
Portfolio: Original Sketches from Nature by Various Masters
*Signed by Morland in the plate (printed sign...
Category
Victorian 18th Century and Earlier Prints and Multiples
Materials
Etching, Intaglio
Letter E - Etching by Luigi Vanvitelli - 18th Century
Located in Roma, IT
Letter E is an Etching realized by Luigi Vanvitelli.
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Etching
Wadham College, Oxford 1675 engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Wadham College, Oxford (1675)
Engraving
32 x 41 cm
Loggan's view of Wadham from the 'Oxonia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Skeleton - Etching by Louis Legrand - 1771
Located in Roma, IT
Skeleton is an etching realized in 1771 by Louis Legrand (1723-1807).
Signed in plate.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la descri...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Corvus, Cornix (Hooded Crow) /// Dutch Ornithology Bird Animal Engraving Print
Located in Saint Augustine, FL
Artist: Cornelius Nozeman (Dutch, 1720-1786)
Title: "Corvus, Cornix (Hooded Crow)" (Plate 106)
Portfolio: Nederlandsche Vogelen (Dutch Birds)
Year: 1770-1829
Medium: Original Hand-Co...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Oxford Christ Church and Carfax 18th century engraving by John Donowell
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Captain Mazin Rides, and the Marquis Gives the Lesson /// Equestrian Horse Art
Located in Saint Augustine, FL
Artist: William Cavendish (English, 1593-1676)
Title: "Captain Mazin Rides, and the Marquis Gives the Lesson" (Plate 17, Page 76)
Portfolio: Methode et Invention Nouvelle de Dresser ...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Etching, Intaglio
Trinity College, Cambridge engraving by David Loggan
By David Loggan
Located in London, GB
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David Loggan (1634 - 1692)
Trinity College, Cambridge (1690)
Engraving
80 x 50 cm
Loggan's marvellous and large view of Trinity from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (circa 1708). The contemporary artist Andrew Ingamells...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Christ Church, Oxford engraving by Pieter van der Aa after David Loggan
Located in London, GB
Pieter van der Aa (1659-1733), after David Loggan (1634–1692)
Christ Church, Oxford
Engraving
12 x 16 cm
An eighteenth-century view of Christ Church, engraved by Pieter van der Aa a...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving
Polus Antarcticus - Etching by Johannes Janssonius - 1650s
Located in Roma, IT
Polus Antarcticus is a top rare ancient map realized in 1650 by Johannes Janssonius (1588-1664).
Good conditions.
From Atlantis majoris quinta pars, Orbem maritimum [Novus Atlas, v...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
Vitraux in Four Sheets Puzzle of Life by Salvador Dali
Located in New York, NY
Vitraux in Four Sheets, Puzzle of Life, 1974, by Salvador Dali (1904-1989)
Lithograph on paper
52 ¼ x 55 ½ inches unframed (132.715 x 140.97 cm)
53 ½ x ...
Category
Surrealist 18th Century and Earlier Prints and Multiples
Materials
Lithograph
$10,000 Sale Price
20% Off
Johann Weinmann: c18th Botanical Engravings in Decalcomania Frames, Set of 6
Located in Richmond, GB
A group of mezzotint engravings of flowers from: "Phytanthoza Iconographia", c1739, presented in hand-made parcel-gilt, ebonised and decalcomania frames.
Johann Weinmann (1683-174...
Category
18th Century and Earlier Prints and Multiples
Materials
Watercolor, Mezzotint
David Loggan Wadham College Oxford Collegium Wadhamense 1675 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
David Loggan (1634-1692)
Wadham College Oxford
Engraving
1675
34x42cm
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College (Winchester and New College share William of Wykeham as their founder) whilst the 'Cantabrigia Illustrata' includes one of Eton College (which shares its founder, Henry VIII, with King’s College).
Bird’s-eye views from this era required a particular talent as an architectural perspectivist; it was not until 1783 that it became possible for artists to ascend via hot air balloons and view the scenes they were depicting from above. Loggan thus had to rely on his imagination in conceiving the views.
Loggan’s views constitute the first accurate depictions of the two Universities, in many ways unchanged today. Whilst the Oxford engravings were produced in reasonable numbers and ran to a second edition by Henry Overton (on thicker paper and with a plate number in Roman numerals in the bottom right-hand corner), those of Cambridge were printed in much smaller numbers.
The Dutchman Pieter van der Aa published some miniature versions of the engravings for James Beverell’s guidebook to the UK, 'Les Delices de la Grande Bretagne' (c. 1708). The contemporary artist Andrew Ingamells...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Animal's Anatomy - Etching by Juste Chevillet - 1771
Located in Roma, IT
Animal's Anatomy is an etching realized by Juste Chevillet in 1771.
The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...
Category
Modern 18th Century and Earlier Prints and Multiples
Materials
Etching
The Birth of Adonis; Plate 1 from The Story of Adonis
Located in Middletown, NY
Etching with engraving on thin laid paper with an early and large unidentified heraldic watermark with a windmill, and the collector's stamp of Count F. J. von Enzenberg (1802-1879),...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Laid Paper, Engraving, Etching
William Williams engraving of Christ Church - College at Oxford c.1732
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want.
William Williams...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Christ's College, Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the ...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
William Hogarth's "Analysis of Beauty": A Set of Two Framed 18th C. Engravings
Located in Alamo, CA
The two plates in this set were created utilizing both engraving and etching techniques by William Hogarth in 1753, originally as illustrations of his book on aesthetics, entitled "Analysis of Beauty". Due to their popularity, these plates were later published separately. The publication line in the lower right reads: "Designed, Engraved, and Publish'd by Wm. Hogarth, March 5th 1753, according to Act of Parliament." Hogarth's original copper plates were refurbished where needed by James Heath and engravings were republished in London in 1822 by Braddock, Cradock & Joy. This was the last time Hogarth's copper plates were used for printing. Most were melted during World War I for the construction of bombs.
These large folio sized "Analysis of Beauty" engravings are presented in antiqued gold-colored frames with double mats; the outer silk mats are light brown-colored and the inner mats are dark brown. Each frame measures 27.38" x 31.25" x 1.13". There is one tiny spot in the right margin of plate 1 and another in the lower margin; the latter could be from the printing process. The prints are otherwise in excellent condition.
The "Analysis of Beauty" series is in the collection of many major museums, including: The British Museum, The Metropolitan Museum of Art, The Tate Museum, The Chicago Art Institute and The Fine Arts Museums of San Francisco.
The first engraving (Plate 1) depicts a courtyard of statues which is filled with some of the most famous works of classical sculpture. The most important sculptures are surrounded by less impressive works. The Medicean Venus (#13) is in the center with a statue of Julius Caesar (#19) to the right, elevated on a pulley with a short, overdressed Brutus stands over the falling Caesar. The Apollo Belvedere (#12) is next. A judge stands to the right with his foot on a cherub (#16). Another crying cherub holds a gallows and wipes his tears with the judge's robe.
A sphinx (#21) and the drunken Silenus (#107) are below the Venus. Michaelangelo's torso (#54) and a statue of Antonius (#6) are seen in the foreground. The Farnese Hercules (#3) and a bust of another Hercules (#4) under two statuettes of Isis are also included in the scene.
The key to these objects is included in the form of a serpentine line winding around a cone (#26), Hogarth's "Line of Beauty". For Hogarth the winding line is an essential element of beauty in art. Hogarth's theory of beauty is communicated in this plate.
Plate 2 is thought to represent the Wanstead Assembly, with the Earl of Tynley and his household. It is an adaptation of a scene in the Happy Marriage series, which complements Hogarth's Marriage à la Mode...
Category
Old Masters 18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
Great St Mary's, University of Cambridge David Loggan 1690 engraving
By David Loggan
Located in London, GB
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you cannot find the view you want.
David Loggan (1634 - 1692)
The Church of St Mary the Virgin, Cambridge (1690)
Engraving
38 x 47 cm
Loggan's view of Great St Mary's from the 'Cantabrigia Illustrata'.
Loggan was born to English and Scottish parents, and was baptised in Danzig in 1634. After studying engraving in Danzig with Willem Hondius (1598-1652 or 1658), he moved to London in the late 1650s, going on to produce the engraved title-page for the folio 1662 Book of Common Prayer. He married in 1663 and moved to Nuffield in Oxfordshire in 1665. Loggan was appointed Public Sculptor to the nearby University of Oxford in the late 1660s, having been commissioned to produce bird’s-eye views of all the Oxford colleges. He lived in Holywell Street as he did this. The 'Oxonia Illustrata' was published in 1675, with the help of Robert White (1645-1704). Following its completion, Loggan began work on his equivalent work for Cambridge; the 'Cantabrigia Illustrata' was finally published in 1690, when he was made engraver to Cambridge University.
The 'Oxonia Illustrata' also includes an engraving of Winchester College...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Theodoor Galle Martin de Vos 17th Century Engraving Jesus Nailed to the Cross
Located in London, GB
We have the full series of 52 prints (including title page) from Vita Passio et Resurrectio Iesu Christi listed. To find the others scroll down to "More from this Seller" and below it click on "See all from this Seller" and search for 'Collaert' - or message us as they may not all have been uploaded yet.
Theodoor Galle (1571 – 1633) after Maerten de Vos (1532 - 1603)
Jesus is Nailed to the Cross
46. Et postquam venerunt in locum qui voctur Caluarie, ibi crucifixerunt eum. Luc. 23.
From Vita, Passio, et Resurrectio Iesu Christi first published 1598, this a later edition published by Joannes Galle (1600-1676)
17.5x22cm
From the Gospel of Luke, chapter 3 "When they came to the place called the Skull, they crucified him there."
Theodoor Galle was the son of Philip Galle...
Category
Realist 18th Century and Earlier Prints and Multiples
Materials
Engraving
Johann Weinmann : Mezzotint engraving in a decalcomania frame.
Located in Richmond, GB
From a wonderful selection of hand-coloured mezzotint engravings from: "Phytanthoza Iconographia", c1739, presented in a hand-made parcel-gilt, ebonised and decalcomania frame...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving, Mezzotint
David Loggan: Peterhouse, Cambridge college engraving
By David Loggan
Located in London, GB
David Loggan (1634-1692)
Peterhouse, Cambridge
Engraving, 1690
50.5 x 64cm (framed)
To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below ...
Category
18th Century and Earlier Prints and Multiples
Materials
Engraving, Etching
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