18th Century Prints and Multiples

Funeral Ceremonies of natives of Guiana- Funeral Ceremonies of Brasilian indigenouses Etchings, Hand-Watercoloured. Vol. VIII, Plate LXXV Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Very Interesting Etchings ( two pictures in the same matrix), Hand-watercoloured, showing typical Funeral Cerimonies of American natives...

Divinities of Campeche, Idols of Tabasco Etchings, Hand-Watercoloured. Vol. VIII, Plate LXXI Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passepartout Dim: cm 49 x 34 Two E...

The Malkuth, or Discipline of German Jewish Etching, Hand-Watercoloured. Vol. VIII, Plate IX Image Dim: cm 25.5 x 18; Sheet Dim: cm 37.5 x 23.8; Passep...

Somerset Royal Palace View is an original print realized by Anonymous artist at the end of XVIII century (about 1760). Titled below "Vue du Palais Royal Somerset du côté de la Tamise" with the imprint "a Paris chez Daumont rue St Martin...

La Devineresse is an original artwork realized by Jean-Lubin Vauzelle in the second half of the XVIII century. Original etching on paper. Passepartout included (39 x 28.5 cm). Sign...

Original etching by Francesco Simonini (1686-1753), a well-known painter and engraver active in Italy in the first half of 18th century. Good conditions. This artwork is shipped fro...

Pacte Fédératif Français is an original artwork realized by Abraham Girardet in 1790. Original etching on paper. Passepartout included (cm 32 x 40.5). Good conditions. This artw...

The Patriarch is an original artwork realized by Charles Eisen in the second half of the XVIII Century. Original lithograph on paper. Signed on plate o...

Another view of the same Candelabrum Artist proof, printed on contemporary laid paper, wide margins, showing a precious candelabrum. Etching with good contrasts and sharp details. In...

Another front view of the same chair / Rear view of the same chair. Artist proof, printed on contemporary watermarkedpaper, wide margins, representing the same chair in front and re...

Don Quichotte conduit par la Folie is an original artwork realized by Louis Surugne in 1730. Etching on paper. Proof of the 1st tirage (chez Surugne). Titled and signed on plate on ...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) The Sheldonian Theatre, University of Oxford Engraving 12 x 16 cm An eighteenth-century view of Oxford's marvellous She...

After Dinner Scene F. Schweitzer Etching on laid paper, signed in pencil Image Size: 9.25 x 7.5 inches Size: 17.5 x 12.75 in. (44.45 x 32.39 cm)

Artist's proof, printed on antique laid paper, large margins, representing an antique marble vase, whose details are described in the ending note....

From the Piranesi's series “Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal cav. Gio. Batt. Piranesi pubblicati l’anno MDCCLXXIIX” (1778). Antiche urne cinerarie e lampade" is an artist proof, printed on contemporary laid paper, large margins, representing antique marble cinerary urns - “found into antique graves...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Paysage a la Tour Carree Bartsch (B218), Year: 1878 (of original 1650), Medium: Heliogravure, Size: 3.5 x 6.25 i...

An amusing view of an academic wagging his finger in disapproval as a young lady in a rope seat is pulled up to a college dorm window by a group of revelling students. Thomas R...

A wonderful selection of hand-coloured mezzotint engravings from: ""Phytanthoza Iconographia"", c1739, presented in hand- made parcel-gilt, ebonised and decalcomania frames. Joha...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." after Samuel Buck (1696 - 1779) and Nathaniel Buck (active 1724 - 1759) View of Durham Castle...

Maria Sibylla Merian was born in Germany in 1647 and received early artistic training from her stepfather, an established still life painter. She was fascinated by insects and collec...

Hand-coloured mezzotint engravings of decorative urns with aloes and cacti from: ""Phytanthoza Iconographia"", c1739, presented in hand- made, parcel-gilt, ebonised and decalcomania...

Artist: Francis Drake (English, 1696-1771) Title: "William the Conqueror Giving a Charter to his Nephew Alan Earl of Britain" (Plate 12) Portfolio: Eboracum: or The History and Antiquities of the City of York Year: 1736 (First edition) Medium: Original Engraving on watermarked light laid paper Limited edition: Unknown Printer: William Bowyer...

18th-century celestial FLAMSTEED, John. Andromeda Perseus Triangulum London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas ...

Original engraving by old master print-maker Ploos Van Amstel after Jan van Goyen. Holland, 1767. Unframed. Trimmed to size.

Mezzotint Engraving with Some Hand Coloring image size 15.25 x 10 from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive scientific eight volume set w...

Corn-flag Copper coloured, Gladiolus securiger Plate 383 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

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Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Le Verger et la Grange, Year: 1878 (of original c1633), Medium: Heliogravure, Size: 6 x 10 in. (15.24 x 25.4 cm),...

Artist: (after) Jean-Baptiste Hilaire (French, 1751-1828) Title: "Ahorn auf Kos (Vue de la Place Publique de Cos)" (Plate 3) *Issued unsigned, though signed by Richter in the plate (...

"Perseus and Andromeda" is an etching by Scottish artist Alexander Runciman, signed in plate to the lower left. It depicts Perseus on the left sw...

Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam. Amsterdam, Wetsten, Smith, Jans...

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Moses Harris ( British 1731-1785 ) Plate XXXVIII ,The Aurelian, A Natural History of English Moths and Butterflies Hand colored engraving 1778 edition 17.88 x 11.00 Very good condi...

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Joseph Constantine Stadler (1755 - 1828) after Joseph Farington (1747 - 1821) View of Greenwich and Down the River (1795) Hand-coloured engraving 23 x 3...

Artist: Pierre Bulliard (French, 1742-1793) Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...

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Moses Harris ( British 1731-1785 ) The Aurelian, A Natural History of English Moths and Butterflies Plate XLII 1778 edition hand colored edition 17.88 x 11.00 good condition Pla...

Robert Morden (1650-1703) Nottingham Shire (or Nottinghamshire) Engraving with recent hand colouring 34x42cm First published in 1695 for Camden's Britannica (1695-1772) and reprinte...

Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

Artist: Treadway Russell Nash (English, 1724-1811) Title: "The South View of the City of Worcester, from Digley Fields" and "Hewell, the Seat of the Right Honorable the Earl of Plymouth" Portfolio: Collections for the History of Worcestershire Year: 1781-1782 (First edition) Medium: Set of Two Original Engravings on watermarked laid paper Limited edition: Unknown Printer: John Nichols, London, UK Publisher: T. Payne and Son, J. Robson, B. White, Leigh and Sotheby, London, UK; Fletcher, Oxford, UK; and Lewis, Worcester, UK Reference: Upcott III, page 1330 Sheet size (each): approx. 10.25" x 16.63" Image size (each): approx. 7" x 12" Condition: "The South View of the City of Worcester, from Digley Fields" has some minor foxmarks in margins. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" has toning and uneven discoloration to its sheet. Have been professionally stored away for decades. They are both otherwise strong impressions, the first in excellent condition, and the second in good condition Notes: Provenance: private collection - Aspen, CO. "The South View of the City of Worcester, from Digley Fields" was engraved by English artist Thomas Sanders (Active: Mid-Late 18th Century) after a drawing by himself. "Hewell, the Seat of the Right Honorable the Earl of Plymouth" was engraved by English artist Michael Angelo Rooker (1743-1801) after a watercolor painting by English artist Paul Sandby (1731-1809). Comes from Nash's two volume "Collections for the History of Worcestershire", (1781-1782) (First edition), which consists of 75 engravings. Each work is printed from one copper plate in one color: black. There was a (Second edition) "with Additions" bound in with Volume II of this portfolio published by John White in (1799). And both the First and Second editions of "Collections for the History of Worcestershire" are based off Thomas Sanders' 1779-1781 "Perspective Views of the Market Towns within the County of Worcester". "The South View of the City of Worcester, from Digley Fields" has an unidentified watermark in the center of its sheet resembling "XV". Biography: Treadway Russell Nash (24 June 1724 – 26 January 1811) was an English clergyman, now known as an early historian of Worcestershire and the author of Collections for the History of Worcestershire, an important source document for Worcestershire county histories. He was a fellow of the Society of Antiquaries of London. Treadway Russell Nash was born on 24 June 1724 born at Clerkenleap, in Kempsey, Worcestershire. His family were from Ombersley. They had lands there and at Claines, and had later bought lands in the Reformation around St Peter's, Droitwich. He was related to James Nash and John Nash, both MPs for Worcester. His father Richard, a grandson of Sir Rowland Berkeley, died in 1740, and Richard's eldest son in 1757. As a result, Treadway Russell Nash inherited the Russells' Strensham estates from his brother, as well as the Nash estates, and took both names. He was educated from the age of twelve at King's School, Worcester, and became a scholar at Worcester College, Oxford aged fifteen. In March 1749, he accompanied his brother on a trip to the continent, to aid Richard's health. They visited Paris for about six weeks, before spending the summer "on the banks of the Loire". They then visited "Bourdeaux, Thoulouse, Montpelier, Marseilles, Leghorn, Florence, Rome, Naples, Bologna, Venice, Padua, Verona, Milan, Lyons, and again Paris"; such expeditions are often known as the Grand Tour. On his return in late summer 1751, Nash took up a post as Vicar of Eynsham through his friend and future brother-in-law, John Martin. He also had an income as a tutor at Oxford. He took his Doctor of Divinity degree and left Oxford, having "gone out grand compounder", following the death of his brother. He also left his benefice at Eynsham in 1757. While at Oxford he had proposed a road from there to Witney (now the A40 and B4022), and also stood for Parliament. Nash married Margaret Martin...

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Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Pieter van der Aa (1659-1733), after Jan Kip (1652/3-1722) Old St Paul's Cathedral (1707) 14 x 17 cm Engraving A view of the nave of Old St Paul's Cathedral, engraved by Pieter van der Aa after Johannes 'Jan' Kip, the Dutch draftsman, engraver and print dealer...

Seba, Albertus. Locupletissimi rerum naturalium thesauri accurata descriptio, et iconibus artificiossimis expressio, per universam physices historiam. Amsterdam, Wetsten, Smith, Jans...

Original engraving by Johann Wilhelm Weinmann from "Phytanthosa Iconographia." Ratisbon, 1737-1745. This plate: Cereus Minimus Serpens Americanus. [Cactus]. Mezzotint engraving print...

Marvel of Peru Common, Mirabilis jalapa Plate 371 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Letter R is an Etching realized by Luigi Vanvitelli artist of 18th century. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Corpus Christi College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Corpus Christi College, engraved by P...

FEOLI, Vincenzo. Vedute del Museo Pio-Clementino. Rome, 1790. A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm. Presented in a mount, size: 81cm by 101cm. Magnificent series of extra-large plates illustrating the Vatican Museum...

A late-18th or early-19th century strike of an engraving by Robert Dodd (1748-1815) after William Hogarth's (1697-1764) painting of a children's performance of John Dryden...

Letter P is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

Letter Q is an Etching realized by Luigi Vanvitelli. The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità di Ercolano Esposte”)...

"A View of the Town and Harbour of St Peter and St Paul, in Kamtschatka" is an engraving created by Charles Grignion, from a drawing by John Webber (1752-1793), who was the artist on...

James Basire (engraver) after W Davey (illustrator) Chimneypiece in the Bishop's Palace, Exeter 50x33cm (to plate mark) Engraving Published by the Society of Antiquaries 23rd April 1...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Christ Church, Oxford Engraving 12 x 16 cm An eighteenth-century view of Christ Church, engraved by Pieter van der Aa a...

Pieter van der Aa (1659-1733), after David Loggan (1634–1692) Merton College, Oxford Engraving 12 x 16 cm An eighteenth-century view of Merton College, engraved by Pieter van der Aa...

Artist: Colen Campbell (Scottish, 1676-1729) Title: "Powis House in Ormond Street London" (Vol. 1, Plate 42) Portfolio: Vitruvius Britannicus; or The British Architect, Containing th...