1920s Prints and Multiples

Charles Martin - The Eiffel Tower - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux d...

Beautiful original 1927 poster for the state railroad. The poster features an image of the ruins of Chinon castle, the brick of a deep purple in the dark n...

Very nice poster for Molinari and Vautrin dates and nutmegs Surchoix. Gastronomy - Advertising Imprimerie de la Méditerranée Marseille

- Lithographic poster for the International Exhibition of Decorative Arts, 1925. - Printed by Edmond Bernard, Paris. Dimensions H : 121,2 cm L : 80,4 cm/H: 47.72 in W: 31.65 in

Hindenlang, Charles [Karl]. Gewerbemuseum, Basel/Licht Reklame. 1928. Color lithograph. Printed by Wasserman, Basel. 35 1/5 x 50 1/4." Hiddenlang was known primarily as a muralist with interests in painting, glassware, ceramics, stage and graphic design. Born in Basel and educated at the city's Gewerbeschule. The Kunsthalle Basel dedicated to him in 1965 along with Dick and Karl Otto...

This original etching is hand signed in pencil by the artist “Henri Matisse” in the lower right margin. It is also hand inscribed ‘essai’ [proof], in the lower right margin. This i...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Jean-Gabriel Domergue Jea...

Pierre Bonnard - The Street - Original Lithograph Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris CHARLES...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a F...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...

Original Lithograph by Leonard Foujita Title: Soldiers Signed in the plate Dimensions: 23 x 28 cm Edition of 97 From the " Propos d'un intoxiqué " Portfolio, published in 1928 by Jav...

Moreau - Paris, At The Cinema - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...

Serge Gladky - Art Deco Colorful Composition Original Pochoir Circa 1925 33 x 26 cm So what is a "pochoir?" In its most basic sense, it is a stencil. By the 1920’s and 1930’s, th...

Chas Laborde - Paris - Capucine's Boulevard - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Chas LABORDE Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine. He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”. In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor. In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and la...

Charles Martin - La Mêlée - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris

Henri Matisse La Sieste 1922 Lithograph on Chine paper, Edition of 50 Paper size: 45 x 57 cms (17 3/4 x 22 1/2 ins) Image size: 40.5 x 43.5 cms (16 x 17 1/8 ...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and la...

John Tandy, painter and stage designer, studied at the Architectural Association before becoming a student at Leon Underwood's Brook Green school and later studying at the Grosvenor ...

Dame Laura Knight "The Circus Dressing Room" 1925 Etching Ed. 20 Signed Lower Right Image Size: approx. 14 x 10 inches Framed Size: approx. 23.5 x 17.75 inches An English impressio...

Procede by Georges Manzana Pissarro (1871-1961) Coloured monotype with gold, silver and pencil 24 x 30 cm (9¹/₂ x 11³/₄ inches) Signed lower right, Manzana Artist biogaphy Like all ...

Henri Matisse Nu couché de dos 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.5 x 66 cms (20 x 26 ins) Image size: 46 x 56 cms (18 x 22 ins) HM16567

Woodcut print on paper. Hand signed and dated by Lyonel Feininger. Unknow edition. Image size approx 3.9 x 3.9 inches. Sheet size 7 x 6.5 inches. Artwork is in excellent conditio...

MIKHAIL LARIONOV 1881-1964 Tiraspol 1881 - Fontenay-Aux-Roses/Paris 1964 (Russian) Title: Composition, 1923 Technique: Original Lithograph in Colours on paper size: 50 x 34 cm / 1...

This linocut in black ink is hand signed in pencil by the artist ‘Moholy-Nagy’ in the lower right margin. It was hand printed by the artist in 1922. Note: Another dedicated impressi...

Cecil Aldin (1870-1935) pencil signed (LL) Limited Edition #46 of 350 hand-colour print of the Grand National "Becher's Brook" w/ Robertson-Deschamps Gallery label affixed on verso Print Sz: 8"H x 13"W Frame Sz: 13 3/4"H x 18 3/4'W Cecil Charles Windsor Aldin (28 April 1870 – 6 January 1935), was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rural buildings in chalk, pencil and also wash sketching. He was an enthusiastic sportsman and a Master of Fox Hounds, and many of his pictures illustrated hunting. Aldin's early influences included Randolph Caldecott...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

Two Turkeys by Georges Manzana Pissarro (1871 - 1961) Pochoir with hand-coloured metallic paint 42 x 59.5 cm (16 ½ x 23 ⅜ inches) Signed with Estate stamp, lower left Numbered 1/25 C...

Colourful pochoir No.20. by E.H Raskin Published 1926 by F Dumas Editeur, Paris Image Sz: 13 3/4"H x 9 1/4"W Frame Sz: 18"H x 14"W

Art deco c1926 Tres Parisien fashion pochoir No. 8 w/ gouache highlights depicting two chic ladies of the day Art Sz: 10 1/2"H x 7"W Frame Sz: 13 1/4...

Classic 'Saratoga Steeple-Chase' framed c1920s board game Manufactured by J.H. Singer New York together w/ a verso 44 slot racetrack Board Sz: 7 3/4"H x 13 3/4"W Frame Sz: 14"H x ...

In this Belgian poster we see the a classically styled piano as offered by the Anthonis Company of Antwerp. Anthonis was at one time the largest seller of musical instrument in Belgi...

Lithograph on Japon paper, Edition of 50 Paper size: 43.7 x 28.1 cms (17.2 x 11.1 ins) Image size: 39.1 x 23.7 cms (15 3/8 x 9 1/4 ins)

'La Bergère Turque' (The Turkish Shepherdess) by Georges Manzana Pissarro (1871-1961) Etching 33.5 x 27 cm (13 ¼ x 10 ¾ inches) Signed lower left, Manzana Pissarro, titled and inscri...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: Little Horses, Bathers and Seashell Petits Chevaux, Baigneuses et Coquillage, 1925 Technique: Original Hand Si...

Classic polo scene drawn on stone featuring six ponies on the field drawn on stone & signed by Edward King (LL) Print Sz: 10 3/4"H x 18 1/2"W Frame Sz: 18"H x 25 3/8"W

This is an original antique advertising poster created circa 1925 by the admired artist, Mich, in France. This spectacular poster promotes the enjoyment of the Bec Kina...

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right corner. It is also hand numbered 6 in pencil from the edition of 100, at...

Sz: 16 1/8"H x 32 1/2"W

ERTÉ (Romain de Tirtoff) 1892-1990 St. Petersburg 1892-1990 (Russian/French) Title: A Star of Hollywood II Une Etoile de Hollywood II, ca.1920s Technique: Original Hand Signed Gou...

This original etching and drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was printed by Pan-Presse, Berlin in 1922 and published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

Print Sz: 16 1/2"H x 19 1/2"W Frame Sz: 26 3/4"H x 29"W w/ blind stamp Fine Art Trade Guild Published by Frost & Reed Ltd Pencil signed by the artist LR margin Sir Alfred James Munnings, KCVO PRA RI (8 October 1878 – 17 July 1959) was known as one of England's finest painters of horses, and as an outspoken critic of Modernism. Engaged by Lord Beaverbrook's Canadian War...

JACOB EISENSCHER 1896-1980 Czernowitz 1896-1980 Tel Aviv (Ukrainian/Romanian/Israeli) Title: Bar Scene, 1919-1925 Technique: Original Hand Signed Wo...

This color pochoir was done in 1925 on Arches paper No. 739/750 and depicts two couples on a night out all dressed up. Archivally framed with 12k white gold; white gold fillet, silk...

c1920s Parisien advert sheet promoting Boissier Confiseur Chocolats De Toutes Especes Print Sz: 10 3/4"H x 6 3/4"W Frame Sz: 18"H x 14"W

Etching, signed bottom right Image size: 2 1/2 x 9 3/4 inches (6.5 x 35 cm) Mounted This is an original print from a copper plate etching by Robert Smith Forrest. It depicts one of ...

Jean-Emile Laboureur (1877-1943), Le Chemin de la Foret, etching and engraving, 1926, signed in pencil lower left and inscribed epreuve d’artiste lower right. Reference: Laboureur 32...

Original wood engraving, 1930-31, 14.6 x 6.7 cm. (5.7 x 2.6 in.)

Jean-Emile Laboureur (1877-1943), Le Promenade au Phare, engraving, 1925, signed in pencil lower left and numbered lower right (24/70) [with the initial in the plate lower left]. Ref...

Jean-Emile Laboureur (1877-1943) etching and engraving Paysage au Buttes-Chaumont (2nd Planche), 1920-21, signed and numbered ( 38/55) in pencil. Reference: Sylvain Laboureur 205. In very good condition with wide margins (remains of old hinging on margin verso, some showing through not near image). On white wove paper, 7 7/8 x 9 1/4, the sheet 10 x 13 1/2 inches, archival matting. A fine, fresh and clear impression of this important cubist-influenced scene. Jean-Emile Laboureur was born in Nantes in 1877. He traveled to Paris in 1895 intending to study law at the Sorbonne, but found himself drawn to the nearby famed Academie Julian, and although he never officially matriculated there, he became immersed in the Parisian art scene. Laboureur then traveled widely, staying for periods in the US and London, and studying classic art and printmaking in Italy and Germany. Although he had moved back to Paris by 1910, a time when analytical cubism was emerging in the work of Picasso and Braque, he continued working in an abstract, modernist mode, waiting until about 1913 or shortly thereafter to invent a cubist idiom all his own. Cubism remained an important theme for Laboureur, a theme he varied, sometimes using it as a strong design or compositional component, sometimes only as a subtle background element. In Paysage aux Buttes...

Hermine David (1886-1970) La Corrida, etching and drypoint, 1929, signed and numbered (20/100) in pencil (Inventaire Bibliotheque Nationale de France #22)....

Henri Matisse Nu renversé près d'une table Louis XV 1929 Lithograph on Arches Velin paper, Edition of 50 Paper size: 66 x 50 cms (26 x 19 7/8 ins) Image size: 55.9 x 46 cms (22 x 18...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of a Man with Hands on Table, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "ИАН ИАNCON" (probably Jan Jansson) and numbered "22" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 22 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

Henri Matisse Arabesque 1924 Lithograph on Chine paper, Edition of 50 Paper size: 62.2 x 46 cms (24 1/2 x 18 1/8 ins) Image size: 48.3 x 32 cms (19 x 12 1/2 ins) HM15834

LYONEL FEININGER 1871-1956 1871 - New York - 1956 (American/German) Title: On the Quay Wall Auf der Quaimauer, 1921 Technique: Original Hand Signed Woodcut on Wove Paper Paper...

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

Robert Hens .Stad Antwerpen/Syndikaat/Vlaamsche. 1924 Lithograph. on Linen. 43 x 28 1/2". Image Size:39 1/2 x 24 1/2" 2 very light middle folds otherwise in good condition The po...

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 49 in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

Henri Matisse Nu couché 1929 Etching on Chine appliqué on wove paper, Edition of 25 Paper size: 28.6 x 38 cms (11 1/8 x 14 5/8 ins) Plate size: 12.3 x 15.5 c...