20th Century Portrait Prints

From Poor Richard's Almanac portfolio. Hand signed and numbered by the artist. Lithograph on arches. Sheet size 25.5 x 19.5 inches. Image size approx 16.75 x 13.5 inches. From t...

Alex Katz (b. 1927) has been dedicated to art-making since the 1950's - however, it wasn't until the 60's when he established his signature 'flat' figurative style. Over the succeedi...

Jacques Villon - Man- Original Etching 1949 Signed in the plate Dimensions : 44.5 x 32.5 cm

Raoul Dufy - French Campagne - Original Etching Dimensions: 13 x 10". Edition of 200 1940 Edition Les Bibliophiles du Palais, Paris Unsigned and unumbered as issued

Jean Cocteau - Portrait - Original Etching Paris, Le Gerbier, 1946 Edition of 340 Signed in the plate Unnumbered as issued

After Andy Warhol (1928-1987) Andy Warhol, Kestner-Gesellschaft, Exhibition Poster, 1981 Medium: Offset lithograph in colors on paper Dimensions: 84 x 59 cm

Hand signed and numbered by the artist. From the Roman Numeral edition of 150. Framed size approx 50 x 34 inches. Artwork is in excellent condition. Certificate of Authenticity inc...

Mick Jagger III - After Andy Warhol. In this print, Warhol incorporated solid abstract shapes to emphasize Jagger's features - here, focusing on the singer’s famous lips, along with...

Niño Payaso is an original hand drawn stone lithograph by the Mexican artist Rafael Coronel. Niño Payaso was printed one color at a time on archival printmaking paper using traditional hand lithography techniques in Paris c.1973 from lithographic stones drawn by the artist. Niño Payaso is a sensitive profile portrait depicting a young boy wearing an antique-style clown outfit whose image suggests a deeply dispirited child at a moment of gloom; a very strong impression printed in rust orange, light beige and black ink on buff colored paper. Framed size - 24 x 30 in., dark brown Mexican wood frame...

Jean Cocteau ( 1889-1963 ) " Femme à l'écharpe rouge " Exemplaire d'Auteur . hand signed Jean Cocteau . Partially glazed white earthenware plate with engobe conceived in 1958 In an ...

This artwork by Henri Matisse is a lithograph page from the book Cinquante Dessins, published by Les Soins de L'Artiste in 1920. First Edition. The portfolio was edited and printed...

Aquatint on BFK Rives paper, Edition of 25 Paper size: 56 x 38 cms (22 x 15 ins) Image size: 34.8 x 27.7 cms (13 3/4 x 10 7/8 ins)

Leonardo DA VINCI Portrait of Isabella d'Este Etching Not signed On vellum 81 x 59 cm (c. 31.89 x 23.23 inch) INFORMATION : Published by the Chalcographie du Louvre and authenticat...

Heckel, Erich (German 1883-1970). ZAUBERKUNSTLER (ERRINERUNG AN PAUL KLEE). Woodcut, 1956 Dube 416. Second state of two, signed, dated and titled in pencil. Edition size not known, M...

Before digital when cameras used only film, a roll of 36 would be processed to produce a strip of negatives. The long roll of negatives was then cut into strips of six, usually with ...

Woodcut on vélin de cuve à la forme des papeteries d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Calligrammes, poèmes de la paix et de l...

Andy Warhol Mao, 1977 Offset lithograph exhibition poster on rag paper Published by the Hokin Gallery, Chicago, Illinois 37 × 24 inches Unframed This uncommon lithographic poster dep...

Original Gene Autry Gold Mine in the Sky linen-backed original vintage movie poster. The poster does show some foxing on the original theatrical fold marks. Republic Pictures. ...

Original Alhambra Theatre Maurice Chevalier vintage lithographic poster. Artist: Charles Kiffer (1902 - 1992). Size: 19.25" x 27.25". Archival linen-backed antique vintage poster; ready to frame. An original lithograph was done for the inauguration of the new Alhambra Theater, featuring Maurice Chevalier. Over the years; Kiffer designed 13 for Chavalier from 1927 - 1963. (Kiffer also designed for Josephine Baker, Edith Piaf, and many other performers.) Today this version with the text of the Alhambra Theatre Maurice Chevalier is a rare poster. Mid-century-modern. The Alhambra was a music hall located at 50, rue de Malte in the 11th arrondissement of Paris. It opened on August 11, 1866. This image with the familiar tilted hat is a recognized image associated with several different poster designs created for the actor Maurice Chevalier. In addition to the images created for the French cabaret; a similar image is also associated with the liquor poster...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Exposition Vallauris, printed by Mourlot for Art in Posters by Sauret (1959), is a reproduction after the original poster #75. The print shows some natural aging, with browning along...

Etching on paper. Hand signed lower right margin. Image size: 20 x 13 inches. Frame size approx 36 x 27 inches. Reference: Figure 331 page 156 in "Louis Icart: The complete etchin...

Original screen printing after Dolona Roberts numbered XXII / C . 45 in X 40 . Custom framed Born in 1936 in Santa Fe, New Mexico, Roberts has had a life-long fascination with t...

Hand signed and numbered by the artist. Artwork in excellent condition. Additional images are available upon request. Certificate of Authenticity is included. Of 110. All reasonabl...

Amanda No. 1 (Marguèrite). 1920. Etching. Fletcher 18. 3 1/2 x 2 3/8 (sheet 9 x 7 1/4). Edition 55. . A rich proof printed with plate tone on cream laid paper with full margins. Sign...

Hand signed, titled and numbered by the artist. Ginestet Pouillon 390. Sheet size 10.7 x 7 in. Image size 8 x 6 in. Framed. Edition of 140. Artwork is in excellent condition. Certi...

SEATED WOMAN BLUE JEANS is an original hand drawn (not digitally or photo reproduced) limited edition lithograph by the artist Raphael Soyer - Russian/American Social Realism Painter...

Serigraph in colors on paper. Hand signed, titled and numbered by the artist. From the edition of 275. Sheet size 32 x 22 inches. Image size approx 29 x 19.5 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. Please note our gallery has more than 1 of this artwork in stock and the exact edition number you may receive may be different than pictured. About the artist: Jane Bazinet...

Hockney, David (English, born 1937). CELIA OBSERVING. Etching and aquatint in colors, 1976. Not in the Scottish Arts Council or Tokyo catalogues, both of which cover earlier work. ...

(after) Raoul Dufy Lithograph after a watercolor, published in the book "Lettre à mon peintre Raoul Dufy." Paris, Librairie Académique Perrin, 1965. Printed signature Di...

Guillaume Corneille Summer 1981 L'Ete Exalte Print, Signed Lithograph on wove paper 25.5 x 20 " inches Signed in pencil and dated and marked AP 20/25 ( Artist Proof ) As a co-fo...

Maurice Quentin DE LA TOUR (1704-1788) Portrait of Mademoiselle Fel Heliogravure after a pastel by the artist Engraved by J. Chauvet Printed signature in the plate On vellum, 50 x 3...

Portrait is a wonderful etching realized by the Italian artist Walter Piacesi. This etching represents a portrait through confident strokes. Hand-signed Numbered. Edition, VI/XX...

Pierre Falké - Paris' Terrasse - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, E...

Serigraph in colors on paper. Hand signed and numbered by Peter Max. From the edition of 125 (there are also Artist Proofs). Sheet size 48 x 36 inches. Image size approx 41.5 x 3...

Al Hirschfeld A & E Biography 10th Anniversary, ca. 1994 Lithograph on Arches cover paper Signed and numbered 173/400 in graphite pencil on the front 19 × 15 inches Unframed This undated print was published on the occasion the 10th Anniversary of A & E's (the Arts & Entertainment network) acclaimed "Biography" documentary series. It is hand signed and numbered 173/400 by the legendary Al Hirschfeld. This lithograph depicts Marilyn Monroe, Muhammad Ali, Leonardo Da Vinci, New York's Governor Nelson Rockefeller, President Ronald Reagan, F. Scott Fitzgerald, General George C. Patton, Jacqueline Kennedy Onassis, Peter...

Original Lithograph by Jean Cocteau Title: The Picador 1961 Dimensions: 38 x 28 cm Printed signature Lithograph made for the portfolio "Gitans et Corridas" published by Soc...

Etching and aquatint, 1980, on BFK Rives, signed and titled in pencil, numbered 18/26. Published by Brooke Alexander, with full margins. Artwork is in excellent condition. Certificat...

Kees van Dongen - Portrait - Original Lithograph 1950 Signed in the plate Dimensions: 22 x 16 cm Publisher: Sauret. From The Gods Are Athirst

David Hockney New Work With A Camera (Hand Signed by David Hockney), 1983 Offset Lithograph Poster Hand signed by David Hockney lower right front 39 × 24 1/2 inches Unframed Accompa...

Original "The Girl Rush." linen-backed 1955 vintage film poster. Ready to frame. The Girl Rush is a 1955 American musical comedy film starring Rosalind Russell...

Mother and Child is an original litograph realized by Carlo Levi in mid-20th century. Good condition. Hand signed by the artist. Carlo Levi (29 Novembe...

Théo Tobiasse Title: Un Homme Raconte les Matins Signed and Numbered Dimensions: 57 x 76 cm Information : Edition of 175 Condition : Excellent

"Untitled" serigraph of Native Americans and horse with attached color photo by artist Jean Le Gac from the "Kinderstern" portfolio, published in 1989 by Edition Domberger to raise m...

NATURAL BEAUTY by the self taught African American artist William Tolliver (b.1951-2000) is an original hand drawn limited edition lithograph printed in 25 colors on archival printma...

Lithograph on vélin realized by Giacometti for Derrière le Miroir n. 127, in 1961. Ref. lust 152; ADG (Alberto Giacometti's Database) 334 Very good condition.

Linen backed original beer poster without text. A beautiful woman is holding a large German style glass of beer; of course, with the appropriate amount of foam on top. A pin up...

Original poster. Unsigned. Poster is in excellent condition. All reasonable offers will be considered.

Original Matson to Hawaii vintage travel poster from the 1960s. This poster is in excellent condition, ready to frame. Matson Resorts Afloat To and From Hawaii. Circa 1960s. Cruis...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Pablo PICASSO Carmen, The Man Behind the Mask, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - ...

Pablo PICASSO Carmen, A Young Girl’s Look, 1949 Original burin engraving (Atelier Lacourière, Paris) Unsigned On Montval wove paper 33 x 26 cm (12.9 x 10.2 in) REFERENCES : - Cata...

Medium: original lithograph. Catalogue reference: Mourlot 608. Printed in Paris at the atelier Mourlot in 1970 for the art revue XXe Siecle (No. 34) and published by San Lazzaro. Siz...

Marie Laurencin, French (1885 - 1956) - Young Girl with Rose (Fillette a la rose), Year: 1955, Medium: Lithograph, signed and numbered in pencil, Edition: 54/150, Size: 12.5 x 9....

Françoise GILOT (1921) The Dream, 1951 Original lithograph On Marais vellum 28 x 22.5 cm (c. 11 x 9 inches) REFERENCES : Catalog raisonne "Stone Echoes, Original Prints by Francois...

From Historia de Don Quichotte de la Mancha. Edition: 73/300. Authenticated by Albert Field on verso. Sheet size: 29.875 x 22.125 inches. Image Size: 15.75 x 17.5 inches. Frame size...

Caroline Durieux's "Survivor" is a pencil-signed lithograph created in 1947 in an edition of 20. It is illustrated in Carl Zigrosser's book on the artist published in 1949. Durieux on Survivor "An extra-terrestrial spotlight falls on this battered subhuman figure; he does not look directly into the light but away from it, raising his hand to it like a beggar. The worn pads on his hands and knees shows that he has walked on them, like an animal, for a long time. There is nothing to suggest that he can stand. The beam of light looks cold, machine like, impersonal. Scornful satire marks the limit of comedy for '. . . there is nothing funny about scorn which comes round again almost to the attitude of divine comedy.' Caroline Durieux (American, 1896 – 1989) Printmaker, painter, satirist, innovator, social activist, Caroline Durieux was born in New Orleans and was already making sketches by the age of four. Her formal art training was at Newcomb College (1912-1917) and the Pennsylvania Academy of Fine Arts (1918-1920). Carl Zigrosser of the Philadelphia Museum of Art encouraged Durieux to try lithography. While living in Mexico, she learned lithography from Emilio Amero...

Offset lithograph in colors on paper. Hand signed and numbered by the artist. From the edition of 500. Artwork is in excellent condition. Certificate of authenticity included. Al...

The Beatles at Abbey Road Studios, March 30th 1967 during the recording of Sgt Pepper's Lonely Hearts Club Band, take a lunch break. Later that day they after recording they made their way to Michael Cooper's Flood Street Studios to pose for the famous album cover. This is an original traditional silver gelatin print signed by the photographer, printed in 2008 for inclusion in Herrmann's sol show The Unseen Beatles at The Saint Giles Street Gallery in Norwich. Though is says 1/25 the other prints in the edition were never printed and this image is not available anywhere else. Rare image hand printed. paper size 20 x 16, Image size 18 x 12 inches. This print is embossed with the photographers stamp, numbered and signed by the photographer Frank Herrmann in pencil on lower right margin. Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with an illustrious thirty year career at The Sunday Times. Covering stories as diverse as the UDI in Rhodesia in 1966, the Paris riots in ’68, the Yom Kippur War of '73, the U.S Presidential elections of ’75 and the birth of Zimbabwe in 1980, he has travelled to Africa with Bob Geldof to record the famine relief work of Band Aid, has been to the South Pole to photograph the trans-Arctic expedition and has worked with Hunter Davies on several books including The Glory Game and Great Britain – a Celebration as well as his text book book on portraiture titled Portrait photography. His many portrait sittings include,  amongst others, Orson Welles, Maggie Smith, Sean Connery, William Burroughs, Winston Churchill, Duke Ellington, Harold Macmillan, Ronald Reagan, Arthur Miller, Samuel Beckett, Henry Moore, Judi Dench...

Le Jongleur (The Minstrel). 1930. Etching and aquatint printed in colours. Chapon/Rouault 199 d. 12 1/4 x 8 1/2 (sheet 17 1/4 x 13 1/8). Series: Cirque plate 2. Edition 270. Initial...