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Orientation: Vertical
Kabuki Space by Betty Woodman (INV# NP3629)
Located in Morton Grove, IL
Kabuki Space (INV# NP3629)
Betty Woodman
color woodcut
37 x 25”
# P.P. 2/2, outside the edition of 30
2000
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
Early 2000s Contemporary Prints and Multiples
Materials
Woodcut
Boardwalk Vase (INV# NP3628)
Located in Morton Grove, IL
Boardwalk Vase (INV# NP3628)
Betty Woodman
color woodcut with chine collé
37.88 x 36.75”
1998
# P.P. 2/2, outside the edition of 30
signed
Betty Woodman (1930 - 2018) was a leading American ceramist whose dazzling inventions with form and color have moved beyond the traditional domain of craft and consistently challenged the limits of the medium.
Betty Woodman first became interested in crafts because her father was a woodworker. In high school, one ceramics course was sufficient to convince Woodman that she wanted to be a functional potter. Studying pottery at the School for American Craftsmen at Alfred University, she developed a strong interest in the history of ceramics. Her first job after graduating in 1950 was as a production potter, and that technical facility and experience were to be the foundation of her subsequent innovations. In 1952 Woodman traveled to Italy, where exposure to traditions such as majolica opened her eyes to the potential of clay.
It was not until the seventies that Woodman completely abandoned her functional approach. Collaborating with important figures in the Pattern and Decoration movement, such as Joyce Kozloff and Cynthia Carlson...
Category
1990s Contemporary Still-life Prints
Materials
Woodcut
$ Dollar Sign, FS II.277
By Andy Warhol
Located in Miami, FL
TECHNICAL INFORMATION:
Andy Warhol
Dollar Sign, FS II.277
1982
Screenprint on Lenox Museum Board
19 3/4 x 15 5/8 in.
48/60 - Each Piece is Unique
Pencil signed and numbered
Conditi...
Category
1980s Pop Art Still-life Prints
Materials
Screen
Campbell's Soup I, Chicken Noodle
By Andy Warhol
Located in Miami, FL
TECHNICAL INFORMATION:
Andy Warhol
Campbell's Soup I, Chicken Noodle
1968
Screenprint
35 x 23 in.
Edition of 250
Signed and stamped number on verso, si...
Category
1960s Pop Art Still-life Prints
Materials
Screen
Yellow Flags 3
By Alex Katz
Located in Zeist, UT
Ales Katz- Yellow Flags 3
Archival pigment inks on Crane Museo Max 365 gsm fine art paper
Signed and numbered in pencil
Paper size: 83.8 × 55.9 cm (33 ×...
Category
2010s Modern Still-life Prints
Materials
Archival Pigment, Archival Ink
Man Reading - Original Drawing by Auguste Andrieux - 19th Century
Located in Roma, IT
Man Reading is an Original Pencil Drawing realized by Auguste Andrieux.
The artwork is in good condition included a white cardboard passpartout (55x37.5 cm).
Hand-signed by the artist on the lower left corner.
Clément-Auguste Andrieux (7 December 1829, Paris– 16...
Category
19th Century Modern Figurative Prints
Materials
Pencil
Purple tulips 2
By Alex Katz
Located in Zeist, UT
Ales Katz- Purple Tulips 2
Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper, 2021
Edition: 100
Signed and numbered (41/100) in pen...
Category
2010s Modern Still-life Prints
Materials
Archival Ink
Melon Leaf (Feuille de Melon)
Located in New York, NY
From the Plant Lithographs suite 1964-66
Category
1960s Still-life Prints
Materials
Lithograph
Peppermints
Located in New York, NY
Etching on BFK Rives paper
Category
1640s Still-life Prints
Materials
Etching
Tulips II
By Joe Andoe
Located in New York, NY
Monoprint on wood laminate on paper
Category
Early 2000s Modern Landscape Prints
Materials
Monoprint
Dark Gumball Machine
Located in New York, NY
Wayne Thiebaud
Dark Gumball Machine, 1964/ 2017
Hard ground and soft ground etching
18h x 12w in
Category
1660s Post-War Still-life Prints
Materials
Etching
Orange Afternoon
Located in Slovak Republic, SK
The picture Orange Afternoon is a reflection taken from a an orange racing car. Could be also delivered framed. Edition of 15, signed by the author.
Category
21st Century and Contemporary Abstract Still-life Prints
Materials
Color, Photographic Paper, Digital, Archival Pigment
Holiday Print by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
Holiday Print
Jonas Wood
9-color screenprint on Rising Museum Board
10.5 x 8"
2018
edition of 250
signed
Category
2010s Contemporary Prints and Multiples
Materials
Screen
Autumn Equinox I: abstract monotype print & painting on paper in orange & red
Located in Bryn Mawr, PA
"Autumn Equinox I" is collaborative work created by Deirdre Murphy (painter) & Agathe Bouton (printmaker). It is a mixed media original monotype print w...
Category
2010s Abstract Still-life Prints
Materials
Acrylic, Monoprint, Monotype, Archival Paper
Leaves
Located in New York, NY
Frame size: 43 1/2 x 33 1/4 inches
Printer: Imprimerie Maeght, Levallois-Perret, France
Publisher: Maeght Editeur, Paris
Catalogue Raisonné: Axsom 32
Signed and numbered in pencil, l...
Category
1960s Still-life Prints
Materials
Lithograph
Target with Plaster Casts (Black & White)
By Jasper Johns
Located in Miami, FL
TECHNICAL INFORMATION
Jasper Johns
Target with Plaster Casts (Black & White)
1980-1989
Drypoint etching and aquatint
31 1/8 x 24 1/8 in.
AP IV/XVI
Pencil...
Category
1980s Abstract Expressionist Abstract Prints
Materials
Drypoint, Etching, Aquatint
Vintage Framed Serigraph "Jawbreakers" by Lee Lerfald C.1977
Located in San Francisco, CA
Vintage Framed Serigraph "Jawbreakers" by Lee Lerfald C.1977
Mid Century Modern Serigraph
Jawbreakers machines could be found most anywhere in American d...
Category
Mid-20th Century Post-Modern Still-life Prints
Materials
Screen
Nature Morte, Compotier - Etching and Drypoint by Pablo Picasso - 1909
Located in Roma, IT
Nature Morte, Compotier is a rare black and white drypoint on laid ivory-colored paper, realized by Pablo Picasso in 1909. Edition of 100.
Hand-signed in pencil on the lower right m...
Category
Early 1900s Cubist Figurative Prints
Materials
Drypoint, Etching
Violet Rose
Located in New York, NY
2015
Screenprint in colors, on 2-ply museum board
Sheet: 40 x 30 7/10 in.
Edition of 35
Signed and numbered
Category
2010s Pop Art Still-life Prints
Materials
Screen
Two Flags
By Jasper Johns
Located in New York, NY
Sheet size: 47 5/8 x 36 inches
Frame size: 49 1/4 x 37 3/4 inches
Printer and Publisher: Gemini G.E.L., Los Angeles
Edition size: 45, plus proofs
Catalogue Raisonné: ULAE 212
Signed...
Category
1980s Contemporary Figurative Prints
Materials
Lithograph
Yellow Flags 3
By Alex Katz
Located in Miami, FL
TECHNICAL INFORMATION
Alex Katz
Yellow Flags 3
2020
Archival pigment ink on Innova Etching Cotton Rag 315 gsm fine art paper
33 x 22 in.
Edition of 15...
Category
2010s Contemporary Landscape Prints
Materials
Archival Pigment
Whistle
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez writes of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined painti...
Category
1970s Surrealist Still-life Prints
Materials
Rag Paper, Etching
Lemon Tree
Located in Missouri, MO
Kazuhisa Honda (b. 1948)
"Lemon Tree" c. 1980s
Mezzotint
Signed Lower Right
Numbered Lower Left 81/250
Site Size: approx. 8 x 5 inches
Framed Size: approx...
Category
1980s Modern Still-life Prints
Materials
Mezzotint
Still Life with Mandolin - Pochoir - Spitzer edition circa 1950 /250ex
Located in Paris, FR
Paul GAUGUIN (after)
Still life with Mandolin
Lithograph and pochoir (Spitzer process)
Printed signature in the plate
Numbered / 250
Blind s...
Category
1950s Fauvist Still-life Prints
Materials
Lithograph
Les Mimosas
By Marc Chagall
Located in New York, NY
Signed and numbered in pencil
Category
Late 20th Century Modern Still-life Prints
Materials
Lithograph
String Bean Leaves III
Located in New York, NY
Frame size: 44 1/4 x 33 1/4 inches
Printer: Imprimerie Arte, Paris
Publisher: Maeght Éditeur, Paris
Edition size: 75, plus proofs
Catalogue Raisonné: Axsom 50
Signed and numbered in ...
Category
1960s Minimalist Still-life Prints
Materials
Lithograph
Cubist Composition with Glass and Apple - Original lithograph - Mourlot #77
Located in Paris, FR
Pablo PICASSO
Cubist composition with Glass and Apple (Tribute to Cezanne)
Stone lithograph (Mourlot workshop)
On Arches vellum 44.5 x 32.5 cm (c. 18 x 13 inch)
REFERENCES :
- Cat...
Category
1940s Cubist Still-life Prints
Materials
Lithograph
Set of Eyes, Color Lithograph, Belgian Abstract Expressionist Tamarind Print
Located in Surfside, FL
Signed, dated and titled. Initialed and dated lower right, each numbered 8/20, lower left. 9 x 6 image size, 22 x 15 in. sheet size. With the blindstamp of the Tamarind Institute print...
Category
1990s Abstract Expressionist Abstract Prints
Materials
Lithograph, Archival Paper
A 19th century Colored Botanical Engraving of Flowers by Czeiger
Located in Alamo, CA
A colored 19th century botanical engraving of flowers by Anstalt S. Czeiger of Vienna, Austria. An inscription at the bottom includes: "Wien, Kai...
Category
Late 19th Century Academic Figurative Prints
Materials
Engraving
VOTE by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
6-color screen print on Coventry rag paper
15.75 x 10 inches
Edition of 300
Signed, dated and numbered on recto in pencil
In originally packing and never removed.
Category
2010s Post-War More Prints
Materials
Screen
Peach Branch
Located in New York, NY
Printer and Publisher: Gemini, G.E.L., Los Angeles;
Catalogue raisonné: Axsom 93
Signed and numbered in pencil, lower margin
Category
1970s Still-life Prints
Materials
Lithograph
Salvador Dali - Dix Recettes d’Immortalite - Original Signed Artworks
Located in Collonge Bellerive, Geneve, CH
Salvador Dali, Dix Recettes d'Immortalité
Very Good Condition
Audouin-Descharnes, Paris, 1973
Reference: M. & L. 567-577, Field 73-20
The complete set of 11 signed, numbered and not...
Category
1970s Surrealist Still-life Prints
Materials
Lithograph
Plume - Etching, Aquatint, Contemporary Art, Pop Art, Still Life, Rosenquist
Located in London, GB
From 'Glass Wishes'.
Signed, titled and dated in pencil. Numbered from the edition of 59.
Printed and published by Gemini G.E.L., Los Angeles.
Category
1980s Pop Art Still-life Prints
Materials
Etching, Aquatint
Salvador Dali - Fruits With Holes - Original Hand-Signed Lithograph
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Fruits With Holes - Original Hand-Signed Lithograph
1969
Dimensions: P. 57 x 37 cm
Sheet: 75 x 56 cm
Handsigned, EA (Epreuve d'Artiste)
Excellent Condition
Reference...
Category
1960s Surrealist Still-life Prints
Materials
Lithograph
Bread
Located in New York, NY
Claudio Bravo
Bread, 1995
Lithograph
30 x 22 inches
Edition of 71
Born in Chile in 1936, Claudio Bravo lived and worked in Tangier, Morocco from 1972 onward. The artist first estab...
Category
1990s Still-life Prints
Materials
Lithograph
Mourning Tulips
By John Dugdale
Located in New York, NY
Cyanotype (Edition of 12)
Signed, titled, dated, and numbered on label, verso
This artwork is offered by ClampArt, located in New York City.
John Dugdale has received world acclaim...
Category
1990s Other Art Style Still-life Photography
Materials
Color
Dandelions Suite
By Kiki Smith
Located in London, GB
The complete set of six mezzotints.
Each signed, dated and numbered from the edition of 24 in pencil.
Printed on mold-made Hahnemüller paper.
Published by Pace Editions, Inc., New...
Category
1990s Photorealist Still-life Prints
Materials
Mezzotint
Bottleneck Vase with Falling Petal
Located in Kansas City, MO
Derrick Greaves
Title: Bottlenack Vase with Falling Petal
Medium: Color lithograph
Year: 1971
Signed, numbered or inscribed
Edition: XXXV + h.c.
Size: 13.7 × 15.2 on 29.4 × 20.7 inches
Slight Staining Throughout
Trial Proof Hole Punches Top & Bottom Center (see images)
Derrick Greaves is one of the most eminent British painters of the last half century. Greaves initially gained acclaim in the 1950s, when he represented Britain at the Venice Biennale along with the other 'Kitchen-Sink' painters with whom he was associated: John Bratby...
Category
1970s Modern Prints and Multiples
Materials
Lithograph
Apple (Poster) -- signed
Located in Missouri, MO
Hand-Signed and dated Lower Right
Original screenprint poster in yellow, red, blue an black on white wove paper. Designed by the artist for a traveling exhibition for the Saint Lou...
Category
1980s Pop Art Still-life Prints
Materials
Screen
Salvador Dali - Wild Blackberries
Located in Collonge Bellerive, Geneve, CH
Framed Salvador Dali's Lithograph
Wild Blackberries
1970
Dimensions: P. 57 x 37 cm
Sheet: 75 x 56 cm
Handsigned, EA (Epreuve d'Artiste)
Excellent Co...
Category
1970s Surrealist Still-life Prints
Materials
Lithograph
Untitled by Jonas Wood
By Jonas Wood
Located in Morton Grove, IL
screenprint
Signed and numbered in pencil by the artist
edition of 50
Beautifully framed!
provenance: The Nevica Project
Jonas Wood (American, b. 1977) is a Los Angeles based-artist. His paintings are most notable for their reconsideration of the golden era of 20th century American painting, drawing fine comparisons to artists such as Edward Hopper. Linda Yablonsky from the New York Times Style Magazine has said that, “Wood has one foot in Modernist cool and the other in vibrant Pop Art.” He paints what is around him in daily life, from basketball players to living rooms, and tries to preserve the beauty he sees in these subjects and share it with the viewer.
Jonas Wood was born in 1977 in Boston, Massachusetts. He graduated in 1999 from Hobart and William Smith Colleges, New York, and received his M.F.A. in 2002 from the University of Washington, Seattle. Murals and solo exhibitions include “Primitives: Chris Caccamise and Jonas Wood,” Cereal Art...
Category
2010s Contemporary Still-life Prints
Materials
Screen
Untitled
By Jonas Wood
Located in Morton Grove, IL
Screenprint with colors
Edition of 50
Signed and numbered by artist in pencil
Very rare
Category
2010s Contemporary Still-life Prints
Materials
Screen
Salvador Dali - Apricot - Original Hand-Signed Lithograph
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Apricot - Original Hand-Signed Lithograph
1969
Dimensions: P. 57 x 37 cm
Sheet: 75 x 56 cm
Handsigned, EA (Epreuve d'Artiste) aside from the edition of 200.
Paper :...
Category
1960s Surrealist Still-life Prints
Materials
Lithograph
Salvador Dali - Currant's Reverence - Original Hand-Signed Lithograph
Located in Collonge Bellerive, Geneve, CH
Salvador Dali - Currant's Reverence - Original Hand-Signed Lithograph
Dimensions: P. 57 x 37 cm
Sheet: 75 x 56 cm
Handsigned
Edition: XIV/XXXV
Lithograph with drypoint in colours, 1...
Category
1960s Surrealist Still-life Prints
Materials
Lithograph
Dracena II
Located in New York, NY
Printer: Gemini, G.E.L., Los Angeles
Publisher: Gemini, G.E.L., Los Angeles
Catalogue raisonné: Axsom 213
Edition size: 30, plus proofs
Signed and numbered in pencil, lower right
Category
1980s Minimalist Still-life Prints
Materials
Lithograph
Star, from American Signs Portfolio
Located in New York, NY
ROBERT COTTINGHAM
Star, from American Signs portfolio, 2009
screenprint in colors, on wove paper, with full margins,
40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
signed, dated `2009' and numbered edition of 100 in pencil
--
Robert Cottingham
B. 1935, BROOKLYN, NEW YORK
Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler.
Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising.
In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California.
In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category
Early 2000s Photorealist More Prints
Materials
Screen
American Signs portfolio
Located in New York, NY
ROBERT COTTINGHAM
American Signs portfolio, 2009
The complete set of twelve screenprints in colors, on wove paper, with full margins, 40 1/8 x 39 1/8 in (101.9 x 99.4 cm)
all signed, dated `2009' and numbered edition of 100 in pencil, published by Exhibit A Fine Art and Editions and American Images Atelier, New York, all in excellent condition, contained in original gray silk-covered box with artist and title embossed with gold foil.
Robert Cottingham
B. 1935, BROOKLYN, NEW YORK
Born in 1935 in Brooklyn, Robert Cottingham is known for his paintings and prints of urban American landscapes, particularly building facades, neon signs, movie marquees, and shop fronts. After serving in the U.S. Army from 1955 through 1958, he earned a BFA at Pratt Institute, Brooklyn, in 1963. Cottingham began his professional artistic career as an art director for the advertising firm Young and Rubicam in the early 1960s. Although he is typically associated with Photorealism, Cottingham never considered himself a Photorealist, but rather a realist painter working in a long tradition of American vernacular scenes. In this respect, his work often draws parallels to a number of American painters such as Stuart Davis, Charles Demuth, Edward Hopper, and Charles Sheeler.
Cottingham’s interest in the intersections of art and commerce derive from his career as an adman and the influence of Pop art. Many of his paintings convey an interest in typography and lettering, as well as an awareness of the psychological impact of certain isolated words and letters. In his facades, techniques from advertising, namely cropping and enlarging, often produce words of enigmatic or comical resonance such as “Art,” “Ha,” or “Oh.” Cottingham’s enlarged sense of scale is reminiscent of James Rosenquist’s work, while his interest in text suggests the influence of Robert Indiana and Jasper Johns. In general, Cottingham viewed his work as continuing the legacy of Pop artists such as Andy Warhol, who also had a background in advertising.
In 1964, Cottingham relocated to Los Angeles for work. There, inspired by the drastically different environment of the West Coast metropolis, he began to commit seriously to painting. Fascinated by Hollywood’s exaggerated glitz and the downtrodden atmosphere of the downtown, Cottingham saw in Los Angeles the relics of a bygone commercial heyday and desired to capture its kitschy and uncanny atmosphere, bathed in the near perpetual sunlight of Southern California.
In 1968, Cottingham ended his advertising career in order to devote all his time to painting. In the late 1960s, he started using photography in his practice, first as an initial reference point for his process. After selecting a photograph, he translates it into black-and-white drawings by projecting the image onto gridded paper...
Category
Early 2000s American Realist Still-life Prints
Materials
Screen
Journey
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Surrealist Figurative Prints
Materials
Rag Paper, Etching
Homage to Galileo
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1960s Outsider Art Still-life Prints
Materials
Etching, Aquatint, Rag Paper
Still Life
By Valton Tyler
Located in Dallas, TX
In The New York Times Arts in America column, Edward M. Gomez wrote of Valton Tyler, "visionary seems the right word for describing his vivid, unusual and technically refined paintin...
Category
1970s Outsider Art Still-life Prints
Materials
Rag Paper, Etching