Miniature Still-life Prints

'207. Polyporus fomentarius' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et Belgique," an atlas of French, Swiss, and Belgian fu...

Fig-marigold Showy, Mesembryanthem spectabile Plate 396 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Mikelis day. 1984. Paper, linocut, 25x34 cm imprint size 13x26 cm total page size 25x34cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fiction ...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, maki...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

Kites by John Scott Martin [2021] Original Linocut print Image size: H:11 cm x W:30 cm Complete Size of Unframed Work: H:22 cm x W:40 cm x D:0.1cm Sold Unframed Please note that insi...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made ...

A Toast to Us and Mini Saucy by Gavin Dobson [2021/22] original Cymk screen print, Glitter Image size: H:21 cm x W:29.6 cm Complete Size of Unframed Work: H:21 cm x W:29.6 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look A classic British and food inspired diptych 'Toast to Us' and 'Mini Saucy'. Perfect to brighten up a Kitchen or Dinning Room Space. Gavin Dobson A toast to us A 5 layer hand silk screen with a final hand finished layer with pink glitter! Romantic and witty. The perfect gift idea. Wychwood Art Comment "The perfect witty and fun gift to your partner", and Mini Saucy A 5 layer hand silk screen with a final hand finished layer with red glitter! Based on the British classic...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and articulate the world. As machine perception becomes more pervasive in our daily lives, the world as seen by computers becomes our dominant reality. White explores this phenomenon in his work. Collaborating with AI systems, White creates physical abstract prints that are reliably classified by neural networks...

"La Broc a Eau" is a Limited Edition Serigraph (43/80) by Laurent Schkolnyk. It is pencil-signed by the artist. The print measures 11 x 13 inches, unframed. The date of creation is u...

Heath Recurved, Erica retorta Plate 362 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Brunfelsia American, Brunfelsia americana Plate 393 1797 Hand-colored etching Ed. 1st ed. 9 x 5.25 inches

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical specimens were made by artist Pipo Nguyen-duy in Claude Monet’s garden...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Charlie Davies Winter winds, Agapanthus and Delicate Cowparsley Triptych [2021] Original botanical etching Soft ground etching on paper Image Size: 35 cm x...

Clare Halifax Summer Wildflower Limited Edition 8 Colour Silkscreen Print Edition of 100 Image size H 35 x 35cm Sheet Size: H 38 x W 37 cm x D 0.1cm Sold Unframed Please note that in...

This is for the one print listed here. Internalized Page Project. color Iris digital prints on paper, each initialed on verso and numbered from edition of 15. printed & published by ...

Silkscreen on vélin Saunders Waterford, St Cuthberts Mill paper. Paper Size: 8 x 7.625 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Ficciones, 1984...

Vicky Oldfield Cups in a Row Limited Edition Collagraph Print Edition of 20 Hand Coloured Collagraph with Chine Colle Solf Unframed Free Shipping Cups in a Row is a limited edition ...

'Hanging Mistletoe (Loranthus pendulus)' Colour lithograph, 1909.

'Apple of Sodom (Solanum - sodomaeum, Linne)' Colour lithograph, 1909.

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Flowers in Hand. This one is hand signed and dated verso. Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City. Lesley Schiff (born 1951) is an American fine artist. Schiff studied painting at the Art Institute Chicago before developing her signature practice using color laser printers to create images. Her work is included in the collections of the Whitney Museum of American Art, the Mead Art Museum and the Metropolitan Museum of Art and other major museums, corporate and private collections globally. Lesley Schiff revolutionized the photocopier from being an office tool to just another instrument in the artist's arsenal. Rather than addressing the tool in her work, Schiff instead uses the photocopier like a paintbrush to realize her vision. Once a painter, Schiff says: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct." Painting with light, Schiff's body of work outlines a cycle of life: man, woman, child, civilization, nature, technology. More recent works challenge the viewer to understand the concept of eye-levels and perspectives, reinventing the way we see. Schiff's work was the Metropolitan Museum of Art's first digital acquisition, and most recently, was featured at the Whitney Museum of American Art in "Experiments in Electrostatics". She uses a color laser printer “like a paintbrush” to create her art. She has said about her work and her tool: “I never intended to stop painting. I just decided to start painting with a modern tool. Working with the color laser printer keeps you in your culture. It's like America. Plugged in. Electronic. Direct—but no matter how hi-tech my tools become, I’m a painter, but instead of painting with oils, I paint with light. The Whitney Museum will show Lesley Schiff's pioneering SEASONS portfolio in its entirety. Many prominent collections acquired SEASONS as their first digital artwork. She participated in the Punk Art show in the 1970's. Her work kind of relates to Fluxus and Dada. Leslie Schiff moved from Chicago to New York in the early 1970s. Much of her art involves collage and the Xerox photocopy machine. Her images are rooted in her personal psyche and have an intuitive meaning that is not always easily understood. In exhibitions, Xerox sheets are combined and displayed decoratively on the wall. Schiff has also created books; and made video and sound tapes. She was included in the seminal New York/New Wave 1981 exhibition show at MoMA PS1 along with Jean-Michel Basquiat, William S.Burroughs, David Byrne, Larry Clark, Crash (John Matos), Ronnie Cutrone, Brian Eno, Nan Goldin, Keith Haring, Ray Johnson, Joseph Kosuth, Robert Mapplethorpe, Kenny Scharf, Steven Sprouse, Andy Warhol and Lawrence Weiner. She did a “visual biography,” comprised of portraits of Bob Dylan—depicted at different ages, from his 20s to his 60s—illustrations of his lyrics, and images of iconic objects like his sunglasses and harmonica. Schiff collaborated with Matthew Carter...

Clare Halifax F is for Flamingo Limited Edition 3 colour screen print Edition of 100 Sheet Size: H 38cm x W 37cm x 0.1cm Sold Unframed Hand printed by the artist onto somerset satin ...

'Furze (Ulex Europaeus, Linne)' Colour lithograph, 1909.

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

Lithograph on vélin du Marais paper. Paper Size: 11 x 8.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the volume, Poèmes 1923-1958. Dix dessins d...

Color woodcut with pochoir embellishments on fine silver mica ground By Kano Shuho, or Yamakawa Shuho, 20th century Japanese Artist

Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, making artist books, installing edible and native gardens, and more. Dikon views her practice as a means of grounding her perspective in the principles of ecology. Born on Maui in 1989, Dikon was raised all over the Americas. As she continues to follow a nomadic path, she grounds her art practice in whatever environment she finds herself. The key to her process lies in her attempt to mimic the cycles of a natural ecosystem. Everything in the studio has value; from the scraped-up ink to the paper scraps, they all have a function that is considered and reused in the system several times before they are reused again in the waste pile for rebirth. In doing so, each image, object, and place created serves as a portal to a right relationship with the natural world, one where we acknowledge our connectedness, not through an intelligent knowing, but a visceral and intuitive awareness. After receiving her Bachelor of Fine Arts degree in painting at the University of Central Florida in Orlando, Dikon went on to earn a master's in printmaking from Temple University...

Nicole Dikon lives and works between Oahu and Mississippi. Her work spans various media and practices, including woodcut printmaking, writing poetry, maki...

Mini Summer Treats Triptych by Gavin Dobson Consists of Mini 99 Reasons Mini Cornetto Mini Rocket Each piece is individually £60 Each piece is individually H21cm x W14.8cm x D0.2c...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Man in Profile. This one is not hand signed although the rest in the portfolio were. (it might just have been an oversight and been missed) Seasons explores the seasons of Man, Woman, Child, Civilization, Nature and Technology. First digital artwork purchased by the Metropolitan Museum. Date: 1980-1981 Medium: vintage color photocopy print. “I worked at The Metropolitan Museum in 1981, when they acquired [Lesley’s] SEASONS portfolio. We knew we wanted it, even though we didn’t have a category for it.” David Kiehl, Curator of Prints and Special Collections The Whitney Museum of American Art, New York City...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Waterlily pool by Elaine Marshall [2012] Signed by the artist Etching and aquatint Edition of 5 Image size: H:17 cm x W:20 cm Complete Size of Unframed...

Nuthatch by Kate Heiss [2022] limited_edition Oil based inks on 300gsm Somerset velvet Paper Edition number 30 Image size: H:20 cm x W:15 cm Complete Size of Unframed Work: H:30 cm x W:25 cm x D:1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. This print linocut print features a nuthatch perched in an oak tree amongst the acorns and autumn Leaves. A linocut print is a relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and articulate the world. As machine perception becomes more pervasive in our daily lives, the world as seen by computers becomes our dominant reality. White explores this phenomenon in his work. Collaborating with AI systems, White creates physical abstract prints that are reliably classified by neural networks...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Tom White is a New Zealand-based artist investigating artificial intelligence and machine perception. White's artwork examines the Algorithmic Gaze: how machines see, know, and artic...

Village herdsman. 1979. Paper, linocut, 19x33 cm imprint size 8x25 cm total page size 19x33cm Dainis Rozkalns (1928 - 2018) Artist, graphic artist, illustrator of folklore and fict...

Joan Miro Miro Abstract Lithograph Artist: Joan Miro Plate III from “Miro Lithographs I” Medium: Lithograph on Rives vellum Year: 1972 Image Size: 10" x ...

Salvador Dali - Original Handsigned Etching From La Quête du Graal Dimensions: 45 x 33 cm Handsigned Edition: 38/100 From the rare additional suite of 100 aside from the edition of ...

'1-2 Helvella Crispa 3-6 Peziza Repanda' (White Saddle and Palomino cup) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after ...

'1-4 Agaricus Alutaceus 5-7 Agaricus Emeticus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific n...

This handmade screen print depicts an imaginary spiked sphere shape in five colours including fluorescent Yellow, metallic Gold and Red. The Gold ink layer gives the abstract print an extra brilliance and shine showing off the multi layered liquid patterns on the surface of the object. Chris Keegan artist online and in Wychwood Art Gallery...

A lovely spiky Still life of an Aloe Vera Plant by Kerry Day is a original varied limited edition, multi layered screen print. Printed onto Somerset paper, it has been printed to the...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe IV Year: 1981 Edition: 5,000 Image Size: 10" x 1...

Bluebells and Snowdrops diptych Overall sheet size : H80 x W80 Lucy Routh – Bluebells Inspired by nature and the beauty found in everyday objects. I combine traditional still life s...

"Orange Leaves" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted plants with orange leave...

Anna Harley Creation IV Limited Edition Print Screenprint on Somerset Satin Paper, printed to the deckle paper edge Edition of 30 Size: H 39cm x W 39cm x D 0.5cm Signed Sold Unframed Please note that any insitu images are purely an indication as to how a piece may look. Anna Harley is a professional fine art screen-printer, making prints at Spike Print Studio in Bristol. She has a Masters Degree in Multi-Disciplinary Printmaking and lives in South Bristol. Her handmade prints are produced in limited editions, so each print is an original artwork, not a reproduction of an artwork made in a different medium. She says, "the screenprinting process suits my practice, because it allows me to build images in fine layers of ink, printing layer upon layer until I am happy with the final print. I use a combination of drawing, digital photography and objects directly exposed on the screen, to create these individual layers. I enjoy the tension this creates in my images – is the print based on a drawing or photograph? Is it attached fabric, pencil marks or ink? While engaged in the creative process, I try to stay open minded about how the finished print will look, to allow the print to make itself – print is an extremely process led way of making art and allowing the unexpected to happen and taking advantage of these happy accidents allows the work to stay fresh and exciting." She is inspired by how it feels to be outside, tree silhouettes, passing seasons, the weather, and the sky and how it changes from sunrise to evening. "I love things that sparkle and twinkle. I often use metallic pigments and, in a move that fully embraced my inner kitsch, I have recently made a snow print using white glitter. " Anna’s work is rooted within the Landscape tradition, while the fabric textures in her prints are an echo of her Scandinavian Arts and Crafts...

'O'Tannenbaum' (Artist's #30129) is an original color silkscreen print by Ruth Grotenrath, signed by the artist on verso. Influenced by the works of Expressionists like Henri Matisse and the woodblock prints of early modern Japanese artists like Katsushika Hokusai, Ruth Grotenrath's 'O'Tannenbaum' combines the expressive use of color of the former with the precision of the latter to create a Christmas card that is as vibrant as it is subtle. Depicting a pine tree decked with ornaments and stockings, Grotenrath has rendered the tree-topping star as a ball of flames to analogize the warmth and spirit of the holiday season. Original color silkscreen 6.625 x 4 inches, silkscreen 14.375 x 11.375 inches, frame Signed in screen on verso inside-letter Framed to conservation standards using archival materials including 100 percent rag matting and mounting materials, Museum Glass to inhibit UV damage and reduce glare, and housed in a gold finish wood frame. "The paintings of Ruth...

Nature morte au bulbe d'ail Mezzotint, 1957 Signed, titled & numberred in pencil (see photos) Edition: 50 (40/50) Condition: Excellent Image: 10 7/8 x 11 5/8 inches Sheet: 14 7/8 x 1...

SEASONS (1981) This is for the single print listed here. (not the outside folder or title sheet) Title: Rocket ship and (toy) soldier. This one is hand signed and dated verso. Season...

'37 Tricholoma saponaceum 38 Tricholoma terreum' Antique French mushroom / fungi chromolithograph. From "Atlas des champignons de France, Suisse et B...

Fresh Blooms by Vicky Oldfield Hand signed by the artist Limited Edition Collograph Print Edition of 30 Image Size: H 19.5cm x W 15.5cm Sheet Size: H 35.5cm x W 30.5cm x D 0.1cm Sol...

The Most Important Film Ever Made, 1972 Color screen print and collage, from the edition of 70. 15 x 17 in 38.1 x 43.2 cm Published by the artist with Marlborough Graphics at the Kelpra studio in 1972. This work is also in the collections of TATE London and the Victoria & Albert Museum. the price reflects the fact that there is no backing page. Stylistically, these are hybrid works, influenced by Pop art and the modernist tradition of the Readymade, a work of art created when a mundane found object is named as an artwork and set in an art context. This avant-garde concept was originally invented by the Dada master Marcel Duchamp early in the twentieth century. In the 1960s it received renewed attention at a time when artistic norms were again being questioned. Reacting to Andy Warhol’s Pop imagery, Kitaj poignantly called his repurposed lithograph and silkscreen book covers “his soup can, his Liz Taylor.” The blatant use of images taken directly from commercial sources situates In Our Time as a precursor of appropriation art. In turning book covers into works of art, Kitaj is offering fragments of a history of knowledge, in which the content of each volume is at once mysterious and absent. Coming from this passionate bibliophile, the series is nothing less than an intellectual self-portrait. R.B. Kitaj, in full Ronald Brooks Kitaj . Ron Kitaj...

Fine bone china 10 1/2 × 10 1/2 × 1 in 26.7 × 26.7 × 2.5 cm Edition of 250 The paintings of Matthew Wong, who was on the precipice of massive art world s...

limited_edition Oil based inks on 300gsm Somerset Velvet Paper Edition number 50 Image size: H:30 cm x W:30 cm Complete Size of Unframed Work: H:40 cm x W:40 cm x D:1cm Sold Unf...