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Period: 18th Century
Amaranthus tricolor: A 17th-18th C. Besler Hand-colored Botanical Engraving
Located in Alamo, CA
This is a hand-colored copper plate engraving entitled "Amaranthus Tricolor", depicting a flowering Amaranthus Tricolor plant from Basilius Besler's landmark work, Hortus Eystettensis (Garden at Eichstatt), first published in 1613 in Eichstatt, Germany near Nuremberg and later in 1640 and 1713. Amaranthus tricolor, known as edible amaranth, is a species of flowering plant in the genus Amaranthus. The plant is often cultivated for ornamental and culinary purposes. Cultivars have a striking yellow, red, and green foliage. It is known as Joseph's coat in some areas, after the biblical figure Joseph, who is said to have worn a coat of many colors. Amaranthus tricolor is one of several species of amaranth cultivated in warm regions across the world.
This beautiful colorful engraving is printed on thin laid chain-linked paper with very wide margins. There is a short crease in the upper right corner, mild irregularity of the left, right and lower edges and some bleed-through of text from the verso. The print is otherwise in excellent condition with striking hand-coloring. The sheet measures 22.13" high and 17.13" wide.
Basilius Besler (1561–1629) was an apothecary and botanist. He was curator of the Willibaldsburg Castle garden of Johann Konrad von Gemmingen, prince bishop...
Category
Academic 18th Century Still-life Prints
Materials
Engraving
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300)
Portfolio: Histoire Nature...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
Acer & Carduus - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Acarna Theophrasti' and 'Acer Campestre minus'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The fi...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Peach varieties, fruit engraving with later hand-colouring, circa 1770
By HL Duhamel Du Monceau
Located in Melbourne, Victoria
Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770.
Duhamel du Monceau (1700-1782) was one of outstanding ...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Abolboda; Elodea (Waterweeds); Lepidosperma (Hoary Rapier-Sedge) /// Botanical
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Abolboda; Elodea (Waterweeds); Lepidosperma (Hoary Rapier-Sedge)" (Triandrie Monogynie, Plate 905)
Portfoli...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648)
Portfolio: Histoire Na...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush) /// Botanical Botany
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush)" (Syngenesie; Polygamie, Plate 698)
Portfolio: His...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
Quivisia; Portesia /// Antique Botanical Botany Plants Science Engraving Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Quivisia; Portesia" (Octandreie, Monogynie, Plate 302)
Portfolio: Histoire Naturelle
Year: 1749-1789
Medium...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Euphorbia (Spurge) /// Antique Botanical Botany Plants Engraving Buffon Science
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Euphorbia (Spurge)" (Dodecandrie, Trigynie, Plate 411)
Portfolio: Histoire Naturelle
Year: 1749-1789
Medium...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Flowering Cotton Plant: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This striking hand-colored botanical mezzotint and line engraving is entitled "Gnaphalium, Gossypium (Cotton Plant)". It is plate 551 in Johann Weinmann's monumental publication "Phy...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
$2,380 Sale Price
20% Off
"The Fern Gatherers" 18th Century Antique Mezzotint Engraving by John R. Smith
Located in Carmel, CA
"The Fern Gatherers" After a painting by George Morland. 1763-1804. - Mezzotint engraving by John Raphael Smith. 1752-1812.
Print: 20.75" x 26" - With Frame: 28" x 33.5"
Published:...
Category
Realist 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Flowering Morning Glory: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Convolvulus Major Folio Subrotundo Purpureg Albo, B. Convolvulus Major...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Asparagus Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Flowering Chestnut Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Castanea Equina, Chateignier amaire (Horse Chestnut)". It is plate 342 in...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Flowering Spurge: 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "A. Esula seu Tithyinalus Africanus SpinosusCera Effigie, B. Esula seu Ti...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Piranesi VI.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.
Category
Italian School 18th Century Still-life Prints
Materials
Black and White, Archival Pigment
$1,053 Sale Price
20% Off
Vaso Cinerario di Gran Mole, etching from "Vases, Candelabras, Grave, Stones..."
Located in Roma, IT
Well-knowned as an architect and an archaeologist, undoubtedly Giovanni Battista Piranesi, is the most important engraver of the 18th century: the leading artist in this field in the...
Category
18th Century Still-life Prints
Materials
Engraving, Etching
THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...
Category
Naturalistic 18th Century Still-life Prints
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Ancient Roman Statues in the Vatican: A Grouping of Three 18th C. Engravings
By Vincenzo Dolcibene
Located in Alamo, CA
This is a set of three framed 18th century engravings depicting statues found in the Vatican, including: "Pescatore" (Fisherman), "Pastore" (Shepherd) and "Istrione" (Actor), "Gia ne...
Category
Old Masters 18th Century Still-life Prints
Materials
Engraving
Oil Lamp - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp is an Etching realized by Giovanni Battista Casanova (1735-1810).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichit...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
THORNTON. The Superb Lily.
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category
Naturalistic 18th Century Still-life Prints
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Still Life - Etching by Carlo Cataneo - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Cataneo in the 18th Century.
Signed on the plate.
Good conditions with folding, due to the tim...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Flowering Dragonmouth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century hand colored botanical engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering sage plants:...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Roman Still Life Fresco - Original Etching - 18th Century
Located in Roma, IT
Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Various Authors in the 18th Century.
Good conditions.
The etching belongs to the print ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Ballota (Horehound); Marrubium (White Horehound) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508)
Portfolio: Histoire N...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Ancient Still Life 9 - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions with some folding and foxi...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Oil Lamp - Etching - 18th Century
Located in Roma, IT
Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Various Authors in the 18th Century.
Monogrammed on the plate.
Good conditions with some cuts on margi...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp With Decoration is an Etching realized by Giovanni Battista Casanova (1735-1810).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Oil Lamp to Hang - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Ancient Still Life 4 - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Filippo de Grado e Vincenzo Campana in the 18th Century.
Signed on the plate.
Good conditions with s...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Ancient Still Life 11 - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions with some folding and foxi...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Decoration With Animals - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Decoration With Animals is an Etching realized by Carlo Oraty (18th century).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antich...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Zodiac Signs On Lamps - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Zodiac Signs On Lamps from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions with some cutti...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Duck Head Oil Lamp - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Duck Head Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Oil Lamp With Decoration - Etching by Giovanni Battista Casanova - 18th Century
Located in Roma, IT
Oil Lamp With Decoration is an Etching realized by Giovanni Battista Casanova (1735-1810).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Still Life Fresco - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Campana in the 18th Century.
Signed on the plate.
Good conditions with slight foldin...
Category
Modern 18th Century Still-life Prints
Materials
Etching
Oil Lamp - Etching by Giacomo Casanova - 18th Century
Located in Roma, IT
Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Iacomino e Casanova in the 18th Century.
Signed on the plate.
Good conditions with some folding.
The ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions with some folding...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Still Life Fresco With Birds - Etching by Nicola Fiorillo - 18th Century
Located in Roma, IT
Still Life Fresco With Birds from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Fiorillo in the 18th Century.
Signed on the plate.
Good conditions with som...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Roman Temple Fresco - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Oil Lamp to Hang - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Cupids - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Cupid and Genni from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Vanni in the 18th Century.
Signed on the plate.
Good conditions and aged with some foldi...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Still Life - Etching by Giovanni Morghen - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Morghen in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs to ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Oil Lamp With Medusa, Cupid - Etching by Francesco Giomignani - 18th Century
Located in Roma, IT
Oil Lamp With Medusa, Cupid and Poseidon from "Antiquities of Herculaneum" is an etching on paper realized by Francesco Giomignani in the 18th Century.
Signed on the plate.
Good c...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Cupid In Pompeian Fresco - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Cupid In Pompeian Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Filippo De Grado in the 18th Century.
Signed on the plate.
Good conditions with some f...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Roman Objects - Etching by Aniello Cataneo - 18th Century
Located in Roma, IT
Roman Objects from "Antiquities of Herculaneum" is an etching on paper realized by Aniello Cataneo in the 18th Century.
Signed on the plate.
Good condi...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Ancient Still Life 1 - Etching by Nicolo Cesarano - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Nicolo Cesarano in the 18th Century.
Signed on the plate.
Good conditions with some folding and foxi...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
