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Period: 18th Century
Glaucium Violaccum (Violet Horned-Poppy) /// James Sowerby Botanical Flower Art
Located in Saint Augustine, FL
Artist: James Sowerby (English, 1757-1822)
Title: "Glaucium Violaccum (Violet Horned-Poppy)" (Vol. 3, Plate 201)
Portfolio: English Botany; or, Coloured Figures of British Plants
Year: 1794 (First edition)
Medium: Original Hand-Colored Engraving on cream wove paper
Limited edition: Unknown
Printer: J. Davis...
Category
Victorian 18th Century Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Ancient Still Life 5 - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Giovanni Guerra in the 18th Century.
Signed on the plate.
Good conditions and aged with some folding...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Chironia Baccifera Berry-Bearing Chironia /// English Botanical Flower Engraving
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Chironia Baccifera Berry-Bearing Chironia" (Vol. 7, Plate 233)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year...
Category
Victorian 18th Century Still-life Prints
Materials
Watercolor, Engraving, Intaglio
------- Pyramidal, ------- Pyramidalis Plate 366
Located in Columbia, MO
—–---Pyramidal, -------Pyramidalis Plate 366
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century Still-life Prints
Materials
Etching
Set of Three Engravings from Curtis's "Flora Londinensis" /// Botanical Flowers
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Titles: "Epilobium Tetragonum (Square Stalked Willow Herb)" (Vol. 2, Plate 131), "Stellaria Holostea (The Greater Stitchwort)" Vol. 2, Pla...
Category
Old Masters 18th Century Still-life Prints
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Presse Ludovico Mirri Mercante d’Quadri incentro al Palazzo Bernini a Roma No.42
Located in Paonia, CO
Presse Ludovico Mirri Mercante d’Quadri incontro al Palazzo Bernini a Roma No.42 is from a series of original engravings published by Lodovico Mirri in the late 18th century and engr...
Category
18th Century Still-life Prints
Materials
Engraving
THORNTON. The Superb Lily.
Located in London, GB
A magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora...
Category
Naturalistic 18th Century Still-life Prints
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
Located in Columbia, MO
Milk-vetch Montpelier, Astragalus monspessulanus Plate 375
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century Still-life Prints
Materials
Etching
Craggula Tree, Crassula cotyledon Plate 384
Located in Columbia, MO
Craggula Tree, Crassula cotyledon Plate 384
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century Still-life Prints
Materials
Etching
THORNTON. Group of Carnations
Located in London, GB
Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora.
[London 1799]
First state.
Thornton was a prolific medical author and became a Doctor of Medicine at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the sexual system of Linnaeus.
In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle...
Category
Naturalistic 18th Century Still-life Prints
Materials
Mezzotint, Aquatint, Handmade Paper, Engraving
Set of Four Gourds
Located in London, GB
Set of 4 double-page mezzotint engravings, printed in colour and finished by hand.
[Published: H. Lentz and H.G. Neubauer, Regensburg, 1737].
An attractive collection of fine plates...
Category
Naturalistic 18th Century Still-life Prints
Materials
Handmade Paper, Engraving, Mezzotint
Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush) /// Botanical Botany
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Baccharis (Baccharises); Chrysocoma (Golden Bitter Bush)" (Syngenesie; Polygamie, Plate 698)
Portfolio: His...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Mimufops (Mimusops); Ibricaria (Shingle Oak) /// Botanical Botany Plants Buffon
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Mimufops (Mimusops); Ibricaria (Shingle Oak)" (Octandreie, Monogynie, Plate 300)
Portfolio: Histoire Nature...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Picris (Sunflower); Helmintia (Bristly Oxtongue) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Picris (Sunflower); Helmintia (Bristly Oxtongue)" (Syngenesie; Polygamie, Plate 648)
Portfolio: Histoire Na...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Vervain Three-leaved, Verbena triphylla Plate 367
Located in Columbia, MO
Vervain Three-leaved, Verbena triphylla Plate 367
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century Still-life Prints
Materials
Etching
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
Located in Columbia, MO
Epidendrum Aloe-leaved, Epdendrum aloides Plate 387
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century Still-life Prints
Materials
Etching
3 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Three plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: XLVIII; XLIX & L.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
Piranesi VI.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, edition, Giovanni Battista Piranesi print in Verlag von Ad Lehmann in Wien, end of 19 Century.
Category
Italian School 18th Century Still-life Prints
Materials
Black and White, Archival Pigment
$1,054 Sale Price
20% Off
Lemons "Limon Peretto": An Early 18th Century Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of lemons by Johann Christoph Volkhamer, entitled "Limon Peretto" from his publication "Nurmbergische ...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
A Sledge of Kamtschatka – An image of a relic from Captain Cook's third voyage
By John Webber
Located in Middletown, NY
London: Scatcherd & Whitaker, 1784.
Etching with hand coloring in watercolor on cream wove paper, 7 1/2 x 10 (190 x 255); sheet 16 1/4 x 22 (414 x 560 mm), full margins. In good cond...
Category
English School 18th Century Still-life Prints
Materials
Handmade Paper, Etching, Watercolor
Piranesi IV.
Located in Slovak Republic, SK
Fine Art Print Hahnemuehle, editioned, Giovanni Battista Piranesi print in Verlag von AD Lehmann in Wien, end of the 19. century, SalamonArt certificate will be included.
Category
Italian School 18th Century Still-life Prints
Materials
Archival Pigment
$268 Sale Price
79% Off
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: No.1:I; No. 2:1; II & III.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
Chrysanthemums and the Rising Moon
Located in Middletown, NY
An image that originally appeared in an astrological calendar for the year 1766.
Tokyo: Shuei-Sha, 1766. Woodblock print in colors printed on laid mulberry paper, 10 3/4 x 7 7/8 in...
Category
Edo 18th Century Still-life Prints
Materials
Watercolor, Handmade Paper, Woodcut
Antirrhinum Orontium - 18th century Weinmann botanical plant flower engraving
Located in Melbourne, Victoria
'Antirrhinum Orontium'
Mezzotint printed in colours. Circa 1740.
From Johann W Weinmann's Phytanthoza Iconographia, published in Regensburg 1737-45. The first botanical series to u...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Flowering Prickly Pear Cactus: Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This is a hand-colored stipple engraving entitled "Cactus Opuntia Polyanthos, Cierge Raquette Multiflore" (Prickly Pear Cactus) by Pierre-Joseph Redouté, Plate 59 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in a double mat; white outer mat and heather green inner mat.The mat measures 20" x 16" and the sheet measures 19.5" x 13.38". There are wide margins with a few short tears and chips along the the right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, but a few are present in the image area, but the print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326854582. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With one 1.5 inch inch tear across the area of the top-left corner, well outside of image area. Handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXXI, CXXII, CXXIII, & CXXIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: JF Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CXLI, CXLII, CXIII & CXLIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
Besler Hand-colored Botanical Engraving of Flowering Tulip & Wild Garlic Plants
Located in Alamo, CA
This is a hand-colored copperplate engraving entitled "Tulipa viridiscoloris, Fritillaria iuncifolns, Allium Vrsinum" depicting flowering tulip, fritillary and wild garlic plants fro...
Category
Academic 18th Century Still-life Prints
Materials
Engraving
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: CI; CII; CIII & CIV.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Watercolor
4 plates from The Wondrous Transformation of Caterpillars & their Strange Diet..
Located in Middletown, NY
Four plates from The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers. “Wolfsmelk Rupsen;" “Wolfsmilch, Raupe und Schmetterling" Amsterdam: J F Bernard, 1730. Each an engraving with hand coloring in watercolor and gouache printed on one sheet of watermarked Honig cream laid paper, each measures 6 1/4 x 5 inches (157 x 121 mm), sheet measures 20 5/8 x 14 inches (522 x 355 mm), full margins. With handling creases in the lower right sheet quadrant, as well as minor, loose cockling, otherwise in very good condition. The colors are superb with exceptionally fresh and bright saturation. Engraved between 1679 and 1683, printed 1730. Plates included: LIV, LV, LVI, & LVII.
MARIA SIBYLLA MERIAN was one of the most highly respected entomologists of the 17th century, and remains today one of the field's most significant figures. A German-born naturalist and scientific illustrator, she reared herself on the study of caterpillars, and made tremendous contributions to the knowledge of the life cycles of numerous species. Until her detailed and careful study of the process of metamorphosis it was thought that insects were "born of mud," through spontaneous generation.
Trained as a miniature painter by her stepfather, she published her first book of illustrations in 1675, at the age of 28. In 1679, Merian published the first volume of the two-volume series on caterpillars, The Wondrous Transformation of Caterpillars and their Strange Diet of Flowers; the second volume followed in 1683. Each volume contained 50 plates that she engraved and etched. In 1699, Merian traveled to Dutch Guiana...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving
Pompelmus (Grapefruit): An Early 18th C. Hand-colored Engraving by Volckamer
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of grapefruit by Johann Christoph Volkhamer, entitled "Pompelmus (Grapefruit), Der Herra Sitz und Burg...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21
Located in Paonia, CO
[ Bird of Paradise] La Pie de paradise, vue par derriere , No.21, Paris 1801-1806 [Astrapia nigra]. Color-printed engraving with hand-coloring. French botanical and zoological illustrator Jacques Barraband (1767-1809) was known as one of the finest ornithological artists of his time .He is best known for his watercolors and engravings that were commissioned by François LeVaillant, French explorer, naturalist, zoological collector , noted ornithologist and author. Levaillant’s Histoire naturelle des perroquets (1801-05) and his Histoire naturelle des oiseaux de paradis (Birds of Paradise, 1801-06), both of which Barraband contributed to, are still considered some of the most beautiful bird books of all times because of their exceptional scientific accuracy, rich color and detail. The Astrapia nigra is a Bird of Paradise that inhabits the Vogelkop Peninsula of West Papua...
Category
Other Art Style 18th Century Still-life Prints
Materials
Engraving
![[ Bird of Paradise] La Pie de paradise, vue par derriere, No.21](https://a.1stdibscdn.com/jacques-barraband-prints-works-on-paper--bird-of-paradise-la-pie-de-paradise-vue-par-derriere-no21-for-sale/a_7803/1543778408303/Bird_of_Paradise_master.jpg?width=240 "jacques bird")
$5,200 Sale Price
20% Off
Ancient Roman Statues in the Vatican: A Grouping of Three 18th C. Engravings
By Vincenzo Dolcibene
Located in Alamo, CA
This is a set of three framed 18th century engravings depicting statues found in the Vatican, including: "Pescatore" (Fisherman), "Pastore" (Shepherd) and "Istrione" (Actor), "Gia ne...
Category
Old Masters 18th Century Still-life Prints
Materials
Engraving
Corn, Maize: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is a striking original antique colored botanical mezzotint and line engraving of two varieties of corn or maize, which is finished with hand-coloring. It is entitled "Frumentum ...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Citrus (Cedar Flower): An Early 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of the anatomy of a Cedar Flower citrus fruit by Johann Christoph Volkhamer, entitled "Cedro di fiore e Sugo doppia (...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Flowering Digitalis Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Digitalis rubra floribus albis maculatis. Digitalis angustifolia flore fe...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Ancient Roman Architectural Frieze: An 18th C. Piranesi Etching
Located in Alamo, CA
This framed original 18th century etching is entitled "Fregio antico di marmo con Ippogrifi, nel cortile del palazzo della Valle" (Ancient Marble Frieze with Hippogriffs in the Courtyard of The Palace of the Valley). The etching is by Giovanni Battista Piranesi, published in Rome in 1778. It is from Piranesi's monumental work "Vasi, Candelabri, Cippi, Sarcofagi, Tripodi, Lucerne, Ed Ornamenti Antichi", (Vases, candelabra, grave stones...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Peach varieties, fruit engraving with later hand-colouring, circa 1770
By HL Duhamel Du Monceau
Located in Melbourne, Victoria
Peaches, Copper-line engraving with later hand-colouring, from Duhamel du Monceau’s 'Traité des Arbres Fruitiers', circa 1770.
Duhamel du Monceau (1700-1782) was one of outstanding ...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Flowering Carnation Plant: 18th C. Hand-colored Botanical Engraving by Weinmann
Located in Alamo, CA
This hand-colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) is entitled "Caryophyllus Anglicus flore". It is plate 326 in Weinmann's monumental pu...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Red Geranium: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This is an original antique colored botanical mezzotint and line engraving of flowering Red Geraniums which is finished with hand-coloring. It is entitled "Geranium Anemones folio Af...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Asparagus Plant: An 18th Century Hand-colored Botanical Engraving by J. Weinmann
Located in Alamo, CA
This colored botanical mezzotint and line engraving finished with hand coloring by Johann Wilhelm Weinmann (1683-1741) is entitled a. Thyrsus asparagi. b. Asparagus, Asperge. c. Aspa...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Ballota (Horehound); Marrubium (White Horehound) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Ballota (Horehound); Marrubium (White Horehound)" (Didynamie, Gymospermie, Plate 508)
Portfolio: Histoire N...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Atraphaxis (Shrub); Cabomba (Carolina Fanwort) /// Botanical Botany Plants Art
Located in Saint Augustine, FL
Artist: Georges-Louis Leclerc, Comte de Buffon (French, 1707-1788)
Title: "Atraphaxis (Shrub); Cabomba (Carolina Fanwort)" (Hexandrie, Digynie, Plate 265)
Portfolio: Histoire Naturel...
Category
Naturalistic 18th Century Still-life Prints
Materials
Watercolor, Engraving, Laid Paper, Intaglio
Flowering Livid Amaranth: 18th Century Hand-colored Weinmann Botanical Engraving
Located in Alamo, CA
An 18th century color printed in addition to hand colored botanical mezzotint and line engraving by Johann Wilhelm Weinmann (1683-1741) depicting the following flowering amaranthus p...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving, Mezzotint
Lemons "Cedro Ditela Multiforme": An 18th C. Volckamer Hand-colored Engraving
Located in Alamo, CA
This is an early 18th century hand-colored copperplate engraving of lemons by Johann Christoph Volkhamer entitled "Cedro a Ditela o Multiforme" from his publication "Nurmbergische He...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
Columbines Pl.162 Original mezzotint by J.W. Weinmann
Located in Paonia, CO
“Columbines Pl. 162” A Weinmann, Johann, Wilhelm Mezzotint Engraving With Some Hand Coloring from Johan Wilhelm Weinmann’s ( 1683-1741 ) Phytanthoza Iconographia, a comprehensive sci...
Category
Other Art Style 18th Century Still-life Prints
Materials
Mezzotint
Set of Four Color Engravings from "Herbier de la France" by Pierre Bulliard
Located in Saint Augustine, FL
Artist: Pierre Bulliard (French, 1742-1793)
Title: "La Gratiole Officinale (Grace of God)", "La Digitale Jaune (Yellow Foxglove)", "La Renoncule Acre (Acre Buttercup)", and "La Cheli...
Category
Old Masters 18th Century Still-life Prints
Materials
Laid Paper, Engraving, Intaglio
Flowering Cactus: A Framed 18th C. Hand-colored Engraving by Redoute
Located in Alamo, CA
This framed hand-colored stipple engraving entitled "Cactus Peruvianus Cierge du Pérou" by Pierre-Joseph Redouté, Plate 58 from his illustrated publication 'Plantarum Historia Succulentarum ou Histoire des Plantes Grasses', published in Paris in 1799. It depicts a branching limb of a cactus with a beautiful flower. There is a separate detail of the anatomy of a seed with early growth. Redoute was a pioneer of the stipple engraving technique, which he used to create this image. It involves utilizing a series of small dots worked into a copper plate rather than the more common lines. These dots can be made smaller or thicker depending on the degree of opacity the artist intends for various areas of the print. When inked and applied to paper, this allows for a greater portion of the paper to be seen, which accentuates the appearance of luminosity of the subject the artist is creating. Different color inks are used in the printing process, a time consuming technique known as "a la poupee". The engraving is then finished with watercolor to further enhance the beauty and realism of the print subject.
This engraving of a flowering cactus is presented in silver-colored ribbed wood frame and a double mat; cream-colored outer mat and heather green inner mat. The frame measures 21.25" high by 17.25" wide by 1.13" deep. The sheet measures 19.88" high by 14" wide. There are wide margins with a few short tears and chips along the the left, right and upper edges, which are all covered by the mat. There are small spots predominantly in the margins, with a few present in the image area. The print is otherwise in very good condition. There is another Redoute flowering cactus listed on 1stdibs, LU117326853392, which is framed and matted identically to this one. The pair would make an attractive display grouping.
Pierre-Joseph Redouté (1759-1840), was a painter and botanist originally from Belgium, who pursued his extremely successful artistic career in France. He is well known for his watercolor paintings of roses, lilies and other flowers and their subsequent folio-sized, color stipple engravings. Some believe him to be the greatest botanical illustrator of all time. Redouté was a favorite of the French royal court at the time and of the post French...
Category
Naturalistic 18th Century Still-life Prints
Materials
Engraving
18Th Century Botanical Engraving
Located in Lake Worth Beach, FL
Rare Botanical Hand Colored Engraving about 1737-1745
Beautifully framed French hand painted mat, in gold leaf frame each print measure 9.5x14.5 with the frame 23.5hx18.5x1
Johann ...
Category
Old Masters 18th Century Still-life Prints
Materials
Engraving
Vaso Cinerario di Gran Mole, etching from "Vases, Candelabras, Grave, Stones..."
Located in Roma, IT
Well-knowned as an architect and an archaeologist, undoubtedly Giovanni Battista Piranesi, is the most important engraver of the 18th century: the leading artist in this field in the...
Category
18th Century Still-life Prints
Materials
Engraving, Etching
Toad-flax Clammy, Antirrhinum viscosum Plate 368
Located in Columbia, MO
Toad-flax Clammy, Antirrhinum viscosum Plate 368
1797
Hand-colored etching
Ed. 1st ed.
9 x 5.25 inches
Category
Naturalistic 18th Century Still-life Prints
Materials
Etching
Roman Still Life Fresco - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions with some folding...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Decoration With Animals - Etching by Carlo Oraty - 18th Century
Located in Roma, IT
Decoration With Animals is an Etching realized by Carlo Oraty (18th century).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antich...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Cyrilla Pulchella Scarlet-Flowered Cyrilla /// English Botanical Flower Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Cyrilla Pulchella Scarlet-Flowered Cyrilla" (Vol. 11, Plate 374)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Ye...
Category
Victorian 18th Century Still-life Prints
Materials
Watercolor, Engraving, Intaglio
Duck Head Oil Lamp - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Duck Head Oil Lamp from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century.
Signed on the plate.
Good conditions.
The etching belongs ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Ancient Still Life 2 - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Ceri in the 18th Century.
Signed on the plate.
Good conditions, aged with some folding.
The e...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Cupids - Etching by Nicola Vanni - 18th Century
Located in Roma, IT
Cupid and Genni from "Antiquities of Herculaneum" is an etching on paper realized by Nicola Vanni in the 18th Century.
Signed on the plate.
Good conditions and aged with some foldi...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Oil Lamp to Hang - Etching by Filippo de Grado - 18th Century
Located in Roma, IT
Oil Lamp to Hang is an Etching realized by Filippo de Grado (1705-1780).
The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original title: “Le Antichità ...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
Still Life Fresco - Etching by Vincenzo Campana - 18th Century
Located in Roma, IT
Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Campana in the 18th Century.
Signed on the plate.
Good conditions with slight foldin...
Category
Modern 18th Century Still-life Prints
Materials
Etching
Still Life - Etching by Carlo Cataneo - 18th Century
Located in Roma, IT
Still Life from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Cataneo in the 18th Century.
Signed on the plate.
Good conditions with folding, due to the tim...
Category
Old Masters 18th Century Still-life Prints
Materials
Etching
