Decor Still-life Prints

Still, Life is a woodcut print on paper, realized by an Anonymous artist in 1936 It is monogrammed and dated on the lower with pencil and numbered, rare edition of 1/20 prints. Goo...

Image dimensions: 24.5 x 31.5 cm. Ciclamini su Fondo Scuro ("Cyclamens on a Dark Background") is an original artwork realized by Luigi Bartolini in 1941.  Very precious watercolor...

Gorgeous highly detailed, color botanical etching of Primrose by California artist J. Whiteman Parker (American, b. 1945). Titled, numbered, and sig...

Mary Faulconer, American (1912 - 2011) - White Iris, Year: circa 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: 250, AP 35, Image Size: 24 x 18 inches, Size: ...

This is a pair of framed hand-colored engravings of an ancient vase in the Palizzy Wares style and a silver gilt tazza (cup) with a cover, both from the 16th century. These were engraved under the supervision of Philip De La Motte...

Lithograph and stencil on vélin pur chiffon d'Arches paper. Inscription: Unsigned and unnumbered, as issued. Good condition; unframed. Notes: From the folio, Faunes et Flore d'Antibe...

NICOLAS PARTY STILL LIFE (ROCKS), 2023 4 Colour offset print on thick matte paper. 30 × 30 cm Edition of 100 Produced by MUSEUM FRIEDER BURDA.

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Poster-Up Front Gallery November-December, 1981. Copyright 1981 Up Front Graphics, San Diego, CA. Measures 36 x 20 in. Unframed. Good/Fair Condition-shows signs of age and handling.

The Round Plate, April 1986, 1986 David Hockney Homemade print in colours executed on an office colour copy machine On Arches rag paper Signed, dated and...

Waterlily pool by Elaine Marshall [2012] Signed by the artist Etching and aquatint Edition of 5 Image size: H:17 cm x W:20 cm Complete Size of Unframed...

Romantic Mid-century French lithograph of table setting in front of window, circa 1960. Title lower left. Signed lower right. 67/150 Original artwork on paper displayed on a white ...

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 12.25 x 9.5 inches; image size: 9.05 x 6.69 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

This is a three-plate color mezzotint, edition 74/90. The mat dimensions are 20 x 16 inches. Signed "Schkolnyk" at lower right.

Cyanotype (Unique) Signed, titled, and dated in pencil, verso This artwork is offered by ClampArt, located in New York City. These cyanotype prints of botanical...

Medium: Etching Year: 2019 Image Size: 10 x 8.25 inches Edition of 20, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated from Loyola High S...

Jack Hofflander, American (1920 - 2003) - Flowers, Medium: Screenprint, numbered in pencil, Edition: TP, Image Size: 18.5 x 26 inches, Size: 21 x 28 in. (53.34 x 71.12 cm), Des...

Georges Rohner Original Handsigned Lithograph Dimensions: 76 x 54 cm Edition: HC XXI/XXX HandSigned and Numbered Ecole de Paris au seuil de la mutation des Arts Sentiers Editions Georges Rohner was one of the great painters of the “Ecole de Paris” and of the second mid twenty century. Georges Rohner, French (1913 - 2000) Georges Rohner Georges Rohner was a French painter, born July 20, 1913 in Paris and died on 3 November 2000 in Lannion. Georges Rohner was born in 1913 in Paris. His uncle George Stugocki, art teacher, gives him an early taste for art and thus develops his passion. In 1929 he left school to run in the "galleries" of the School of Fine Arts in Paris where he will be received. A year later, it will be admitted as a student in the workshop Lucien Simon alongside Robert Humblot...

Artist: George Braque – French (1882-1963) Title: Les Marguerites (Daisies) Year: circa 1952 Medium: Color etching and aquatint Publisher: Maeght, Paris (bears Maeght blindstamp in ...

Lithograph on vélin paper. Paper Size: 15 x 11 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the folio, Derrière le miroir, N° 79-81, 1955. Publishe...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

Hino creates a still life of a lotus from an edition of 65. A prominent figure in Buddhist and Egyptian culture, and native flower for both India and Vietnam, the lotus holds enormous symbolic weight. It spans various thousand-year-old Eastern cultures and yet, is still considered one of the most sacred flowers today. So what is it about this mysterious blossom that people find so enrapturing? Its colorful bloom is an obvious suspect, but the lotus also has a life cycle unlike any other. With its roots based in mud, it submerges every night into murky river water, and—undeterred by its dirty environment—it miraculously re-blooms the next morning without residue on its petals. Although cultures have their own interpretations of this daily process, there is a general consensus among ancient texts...

Hand signed in red pencil and numbered. Dated in plate. Edition 14/50. On Arches Wove Paper. Excellent condition. Reference: Bloch n.443; Mourlot 86.

Though this unique monotype looks like a woodcut or linocut, it is not. This is a cyanotype, a kind of lensless photography dating back to the 1800s. This butter yellow cyanotype sta...

Signed and numbered from the edition of 10. Printed on chine colle. Yuji Hiratsuka was born 1954 in Osaka, Japan. In 1985 he moved to the United States to pursue graduate degrees in...

Uses and Customs - Etruscan Painting is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of th...

"Patricia's Tulips" (2000) by Kate Breakey is a limited-edition archival pigment print that is hand colored using pencil and pastel that depicts a vase of wilted flowers. About the ...

Still life etching with jars by Doris Ann Warner (American, 1925-2010). Four jars sit on a countertop. Overlapping fabric patterns like cheesecloth are used to create shadows and tex...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized by an anonymous artist in the 18th century. ...

Robert Kipness was an American painter and printmaker who’s work focused on forms and a pronounced moodiness. This print is signed, numbered, dated, and...

Relish by Ralph Goings, American (1928–2016) Date: circa 1990 Screenprint, Signed and numbered in pencil Edition of 195,AP 55 Size: 25 in. x 38 in. (63.5 cm x 96.52 cm)

Medium: Etching Year: 2010 Image Size: 16.5 x 11.5 inches Edition of 20, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated from Loyola High...

Nuthatch by Kate Heiss [2022] limited_edition Oil based inks on 300gsm Somerset velvet Paper Edition number 30 Image size: H:20 cm x W:15 cm Complete Size of Unframed Work: H:30 cm x W:25 cm x D:1cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look. This print linocut print features a nuthatch perched in an oak tree amongst the acorns and autumn Leaves. A linocut print is a relief printing technique where lino is cut, inked and rolled to create an inverse relief print, generating the image as seen. Kate Heiss is a textile designer and print-maker who has worked with a wide range of fashion brands including Fenchurch, Miss Selfridge...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Au Temps de Paris Seine, 1964. Published by Pierre ...

Lithograph on vélin du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, The Intimate Sketchbooks of G. Braque, Verve: Revue Arti...

Patrick Caulfield Sue Ware Jar, 1990 Screenprint on paper sheet: 107.2 x 81.1 cm image: 79.4 × 53.3 cm Edition of 45 + 10 AP Patrick Caulfield was a British painter and printmaker, ...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form found in Asian art. Some prints also include gold leaf, recalling the extensive use of gold on Japanese folding screens, and in early Renaissance painting...

"Night Moves" - Abstract Etching in Ink on Paper (Artist's Proof) Textural abstract print by Doris Ann Warner (American, 1925-2010). This piece is composed of overlapping fabric patt...

In order to subvert common associations, Baldessari calls one’s attention to minute details, absurd juxtapositions, and obscured or fragmented portions of imagery.

Roman Temple Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions. The etching belongs...

Siergiej Timochow, a Belorussian artist, born in 1960. He studied at an art school in Minsk in 1979 before continuing to study at the Fine Arts Academy in Belarus. His acrylic and ...

Still Life is an Original Lithograph realized by André Utter (1886-1948). Good condition included a white cardboard passpartout (55x37.5 cm). Hand signed and dedicated by the artis...

Oil Lamp With Decoration is an Etching realized by Giovanni Battista Casanova (1735-1810). The etching belongs to the print suite “Antiquities of Herculaneum Exposed” (original tit...

Roman Still Life Fresco from "Antiquities of Herculaneum" is an etching on paper realized by Carlo Oraty in the 18th Century. Signed on the plate. Good conditions with some folding...

Still life etching by Doris Ann Warner (American, 1925-2010). Several ornate bottles are arranged on a shelf. There is a splatter effect in this piece, c...

Tyger, Tyger, Burning Bright… by Kate Willows [2016] limited_edition Ink on paper. Edition number 40 Image size: H:20 cm x W:30 cm Sold Unframed Plea...

Le Repos is an original lithograph realized by Georges Braque (After) (Argenteuil, 1882 - Paris, 1963) in 1967. Original Lithograph on paper. Published by Maeght Editeur, Paris. Credits printed on rear. Mint Conditions. Georges Braque (1882-1963) was a French Fauve painter who began to rethink his own painting style after admiring Picasso’s Les Demoiselles...

The Drape is a vintage offset realized after a drawing by Renato Guttuso, in 1980s. The picture is in very good conditions, hand-signed by the artist on the lower margin. Image Dim...

This etching and aquatint is hand signed in pencil by the artist "G.Braque" at the lower right margin. It is also hand numbered in pencil from the edition of 100, at the lower left m...

George Lockwood, American (1929 - 1969) - Flowers, Year: 1963, Medium: Lithograph, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 8.5 x 10.5 inches, Size: 1...

Well-knowned as an architect and an archaeologist, undoubtedly Giovanni Battista Piranesi, is the most important engraver of the 18th century: the leading artist in this field in the...

Ex Libris Dolezal is an original Contemporary Artwork realized in the mid-20th Century. Original Ex Libris. Original B/W woodcut print on ivory-colored paper. The work is glued...

Ancient Roman Fresco, from the series "Antiquities of Herculaneum", is an original etching on paper realized from a design by Cepparuli after Nicolò Vanni in the 18th century. Signe...

Still Life is an original artwork realized in the mid-20th Century. A beautiful mixed colored oil on canvas on a vivid red colored background. Hand signed on the lower right margin.

Bold, dark etching with a skeleton by an unknown artist (20th Century). The ribcage, spine, and hips of a skeleton are laying down in front of some furniture. A small table sits on either side, with a large patterned blanket...

Bob Cato, American (1923 - 1999) - Still Life from Nantucket Series, Year: circa 1970, Medium: Screenprint on Somerset, signed, titled and numbered in penci...

Flowers In Mouth Puller Pot By Billy Childish Billy Childish is a British artist, musician, and writer known for his prolific output across painting, poetry, and punk music. His ra...

Still Life with Net Curtain is a unique monoprint by Rosemary Farrer. The simplistic shapes and contrasting colours give the work a layered effect. The prints are in no way copies of...

The formality, ornamental qualities and boldness of botanical art strongly influence Bardon's art. It is easy to see her inspiration in the patterns, line and simplicity of form foun...

30" x 14" Unframed Limited Edition Giclee HR of 35 Hand Signed by Thomas Arvid