Abstract Expressionist Prints and Multiples

"In the Sky" is an original 1982 poster for the exhibition of "40 international aerial artists exhibiting over Purchase, New York, Aug 8, Washington DC, Oct 9, New York City, Oct 16, 1982". Produced and orchestrated by the Rainbow Art...

This artwork titled "Landscape XI' c.2000 is an original color etching with aquatint by Hungarian/American artist Theodora Varnay Jones, b.1942. It is hand signed, titled and numbered 18/50 in pencil by the artist. The image (plate mark) size is 14.75 x 17.65 inches, framed size is 28.25 x 30 inches. Custom framed in a silver and brown patina frame, with white matting. It is in excellent condition. About the artist: Theodora Varnay Jones, printmaker, sculptor, installation and digital artist, lecturer, and teacher, was born in Budapest, Hungary on 26 February 1942. She graduated from the Hámán Kató Leány Gimnázium before beginning her studies at the Academy of Fine Arts, Budapest where she earned her B.F.A. and, in 1971, her M.F.A. She moved to the United States in the early 1970s and married Monty Jones on 9 September 1972 in Reno. On 27 September 1984 she became a naturalized citizen of the United States. Her creativity seems unlimited and her work has been featured in exhibitions too numerous to enumerate. She is a member of the KALA Art Gallery in Berkeley, California and teaches classes there. SOLO EXHIBITIONS 2018 "Dialectics:angles of cognition, in the orbit of photography" Don Soker Gallery, San Francisco, CA 2016 "Fugue" Don Soker Gallery, San Francisco, CA 2015 "Resonances" Stanford Art Spaces, Stanford University, CA "Appearances" Lena & Roselli Galeria, Budapest, Hungary 2011 "Theodora Varnay Jones: Prints & Drawings: Selected Archival Work” Baczek Gallery, Berkeley, CA 09/10 "Manifold", (survey) ICA, San Jose, CA 2009 "Reflections", (survey) Don Soker Gallery, San Francisco, CA 2008 "Translucent Phenomena", Fresno Art Museum, Fresno, CA 2007 "Structures" Don Soker Gallery, San Francisco, CA 2005 "Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Undercurrents", Don Soker Gallery, San Francisco, CA 2003 "Theodora Varnay Jones", Gallery Hirawata, Fujisawa, Kanagawa, J a p a n "Theodora Varnay Jones", Gallery Naufu, Gifu City, J a p a n "Dialectica", Don Soker Gallery, San Francisco, CA 2001 "Transparentia", Don Soker Gallery, San Francisco, CA " Theodora Varnay Jones", Galerie Reinfeld, Bremen, G e r m a n y "Mixed Media Works", Shasta College Art Gallery, Redding, CA SFMOMA Artists Gallery, San Francisco, CA 2000 " Microcosmos" invited to represent the US, Schleswig-Holstein Music Festival, Bad Segeberg, G e r m a n y "Microcosmos" Kieler Kloster, Kiel, G e r m a n y 1999 Don Soker Gallery, San Francisco, CA 1998 Don Soker Gallery, San Francisco, CA 1997 Plaza Gallery, Tokyo, J a p a n 1996 "Theodora Varnay Jones" (survey), Vasarely Museum, Budapest, H u n g a r y 1995 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n 1994 Collectors Gallery, The Oakland Museum, CA 1993 Don Soker Gallery, San Francisco, CA 1992 "Theodora Varnay Jones", Concourse Gallery, Bank of America World Headquarters, San Francisco, CA "Theodora Varnay Jones", Shirakawa Gallery, Kyoto, J a p a n "Theodora Varnay Jones", Chicashige Gallery, Okayama, J a p a n 1991 Collectors Gallery, The Oakland Museum, CA 1990 Don Soker Gallery, San Francisco, CA "Theodora Varnay Jones", Art Forum Yanaka, Tokyo, J a p a n Tamura Gallery, Tokyo, J a p a n Gallery 88, Sendai, J a p a n Heian Gallery, Kyoto, J a p a n 1989 Richard Hanson Fine Arts, Fresno, CA 1988 Don Soker Gallery, San Francisco, CA 1985 "Theodora Varnay Jones", Taller Galleria Fort, Cadaques, S p a i n 1984 Rorick Gallery, San Francisco, CA 1978 "Theodora Varnay Jones", Richmond Art Center, Richmond, CA TWO AND THRE PERSON EXHIBITIONS 2010 "Interdepencia/Interdependence; Theodora Varnay Jones, Francesca Pastine and Marta Sanchez-Vasquez" Consulate General of Mexico, San Francisco, CA 2007 "Theodora Varnay Jones and Tom Bills", Pacifica Center for the Arts, CA 2004 "Between"; Theodora Varnay Jones and Dee Hibbert-Jones Memorial Union Art Gallery, UC Davis 2002 "Theodora Varnay Jones and Lee Imonen", Campbell Hall Gallery, Western Oregon University 2001 "Traces" ; Theodora Varnay Jones, Christel Dillbohner and Mary Ijichi, Palo Alto Art Center, CA 2000 "Theodora Varnay Jones and Hoh Yin Ping", Kassenarztliche Vereinigung, Bremen, G e r m a n y 1988 "Theodora Varnay Jones and Kazuko Watanabe", Hastings College of the Law, San Francisco, CA 1985 "From a Different Perspective"; Theodora Varnay Jones and Peter Baczek, The Art Corridor, Menlo Park, CA 1981 "Theodora Varnay Jones and Vicki Ann Scuri", Rorick Gallery, San Francisco, CA SELECTED GROUP EXHIBITIONS 2021 "50th Anniversary Survey Exhibition" Don Soker Gallery at Carriage House Annex, San Francisco, CA "Art in the Time of Corona" NUMU New Museum Los Gatos, CA 2020 "Echoes of Bauhaus Photography Cast Long Shadows" curated by Hanna Regev, Ruth's Table Gallery, San Francisco, CA 2019 "Hardly Strictly Mini" Bolinas Art Museum, CA "The Artists' Annual" Kala Art Institute Gallery, Berkeley, CA "Annual Members Exhibition" Berkeley Art Center, CA 2018 "Surprise: New Acquisitions" The Janet Turner...

Seymour Lipton Oracle: Study for Clairvoyant, 1969 Lithograph on wove paper 24 1/2 × 18 inches Pencil signed "Lipton" lower right recto Pencil numbered 44/100, lower left recto pencil titled and dated, verso Unframed Uncommon mid century modern pencil signed and numbered lithograph by renowned abstract expressionist sculptor Seymour Lipton. "Study for Clairvoyant", also known as "Oracle", is a study for a famous monumental modernist masterpiece by Lipton. Other editions of this lithograph are in major collections such as that of the Brooklyn Museum. Rarely to market. Provenance: Swann Galleries

"Head of Batista", a mid-century modern miniature abstract etching by California artist Richard W. Downs (American,b-1934). This delicate, small-scale etching, dated 1965, was submitted to the Seattle Art Museum for the Northwest Printmakers 36th International Exhibition. Numbered "Proof III", titled "Head of Batista", signed "RW Downs" and dated "1/65" lower edge. Submission label attached to verso for the Northwest Printmakers 36th International Exhibition 1965, with information about the artist and piece. "RW Downs / San Jose California" written on verso. Displayed in a new beige mat, unframed. Image size: 3.25"H x 3.25"W. Paper size: 6"H x 5.5"W. Mat size: 13.75"H x 11.5"W RICHARD W. DOWNS was born in Los Angeles and received a Bachelor of Arts degree from the University of California and Master of Arts from San Jose State College where he taught one year as faculty assistant. He was a member of the Drake...

**ANNUAL SUPER SALE UNTIL FEB 29tH ONLY** THIS PRICE WON'T BE REPEATED AGAIN THIS YEAR - TAKE ADVANTAGE OF IT** Limited edition of 30 museum quality Giclee prints on CANVAS, signed ...

The painting is being offered with a work and authenticity certificate

Yehoshua Kovarsky 1907-1967 Kovarsky was born in the city of Vilna, Lithuania to a traditional Jewish family. His father and uncle owned a concession for painting railroad stations...

David Morris Need Your Funk Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref....

Artist: Serge Helenon (French, 1934-) Title: "Mon Jardin Zoologique" *Signed by Helenon in pencil lower right Year: 1989 Medium: Original Carborundum Engrav...

Abstract expressionist print by American artist Michael Steiner, who is most commonly known for his large scale sculptures. Michael Steiner, American (1945) Date: 1979 Screenprint,...

Bold collagraph print by Aptos artist Winifred Heron (Italian-American, 1922-2015). The black ink has an iridescent quality. Signed in the lower right corner by the artist and number...

David Morris Viva De Funk Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: ...

Intriguing modern figurative print with fantastical animals and a nude female figure with a blue cast in the foreground by artist and printmaker Robert R. Mal...

Title: Guide 32 color screenprint on 100% rag handmade, shaped deckle edged paper. with applied glitter. hand signed in pencil, stamped and numbered from edition of 33. Sandy Kinnee...

David Morris Out on the Coast Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Re...

Here we have an Original Pencil Signed and Numbered Lithograph by Rufino Tamayo, famous Mexican American Artist…. known for abstract Figurative Expressionist images There was only a...

**ANNUAL SUPER SALE UNTIL APRIL 15th ONLY** *This Price Won't Be Repeated Again This Year - Take Advantage Of It* Celebrating Spain in this original unique series by ...

Cleve Gray, American (1918-2004) Composition, (1976) serigraph or lithograph Hand signed lower right, and editioned 9/50 Dimensions: 19.25 X 23.75 inches sheet. unframed Cleve Gray (1918 – 2004) was an American Abstract expressionist painter, who was also associated with Color Field painting and Lyrical Abstraction. Gray was born Cleve Ginsberg, the family changed their name to Gray in 1936. Gray attended the Ethical Culture School in New York City (1924–1932). From the age of 11 until the age of 14 he had his first formal art training with Antonia Nell, who had been a student of George Bellows. From 15 to 18 he attended the Phillips Academy, in Andover, Massachusetts; where he studied painting with Bartlett Hayes and won the Samuel F. B. Morse Prize for most promising art student. In 1940 he graduated from Princeton University summa cum laude, with a degree in Art and Archeology. He was a member of Phi Beta Kappa. At Princeton he studied painting with James C. Davis and Far Eastern Art with George Rowley, under whose supervision he wrote his thesis on Yuan dynasty landscape painting. Best known for his calligraphic abstractions which melded elements of Abstract Expressionism, Color Field painting, and traditional Chinese scroll painting. After graduation in 1941 Gray moved to Tucson, Arizona. In Arizona he exhibited his modernist landscape paintings and still lifes at the Alfred Messer Studio Gallery in Tucson. In 1942 he returned to New York and joined the United States Army. During World War II, he served in the signal intelligence service in Britain, France and Germany, where he rose to the rank of sergeant. After the liberation of Paris he was the first American GI to greet Pablo Picasso and Gertrude Stein. He began informal art training with the French artists André Lhote and Jacques Villon, continuing his art studies in Paris after the war. Gray returned to the United States in 1946. In 1949 he moved to the house his parents had owned on a 94-acre property in Warren, Connecticut, and lived there for the rest of his life. In the 1960s he formed a close friendship with Barnett Newman. It was during this time that he experienced an artistic metamorphosis, dissolving his earlier cubist compositions in a sea of distilled color. This dramatic body of work marked the beginning of an artistic meditation that would last for over 40 years. The rigors of French modernism, the ethos of Abstract Expressionism and the meditative restraint of Chinese and Japanese scroll painting commingle with astounding affect. The atmospheric, subdued tones of his 1960s paintings gradually gave way to bright, monochromatic fields of color, hazily washed onto the canvas in stain like swathes. Much of his work from the last three decades of his career feature striking graphic brushwork that conjures the influence of Japanese and Chinese calligraphy. He married the noted author Francine du Plessix on April 23, 1957. They worked in separate studios in two outbuildings with a driveway in between. Gray was a veteran of scores of exhibitions throughout his career, as listed below, from the early days Tucson, through to postwar Paris and New York, and most recently in 2002 at the Berry-Hill Gallery in New York City. His paintings are held in the collections of numerous prominent museums and institutions. In 2009 the art critic Karen Wilkin curated a posthumous retrospective of his work at the Boca Raton Museum of Art, Florida, and other posthumous exhibitions have been held. Museum collections Addison Gallery of American Art, Phillips Academy, Andover, MA Albright-Knox Art Gallery, Buffalo, New York Boca Raton Museum of Art, Boca Raton, Florida The Brooklyn Museum, New York City Columbia University Art Gallery, New York City Columbus Museum of Art, Ohio The Corcoran Gallery of Art, Washington, D.C. Grey Art Gallery and Study Center, New York University, New York City Solomon R. Guggenheim Museum, New York City Honolulu Museum of Art, Honolulu, Hawaii The Jewish Museum, New York City The Metropolitan Museum of Art, New York City Museum of Art, Rhode Island School of Design, Providence Museum of Fine Arts, Boston Museum of Fine Arts, Houston Museum of Modern Art, New York City The Neuberger Museum, State University of New York at Purchase New Britain Museum of American Art, Connecticut The Newark Museum, New Jersey Norton Gallery of Art, West Palm Beach, Florida Oklahoma City Art Center, Oklahoma The Phillips Collection, Washington, D.C.[14] The Art Museum, Princeton University, New Jersey[6] Rose Art Museum, Brandeis University, Waltham, Massachusetts Sheldon Museum of Art, University of Nebraska, Lincoln Smithsonian American Art Museum, Washington, D.C. The Wadsworth Atheneum, Hartford, Connecticut Whitney Museum of American Art, New York City Yale University, New Haven, Connecticut Williams College Museum of Art, Williamstown, Massachusetts Yale University Art Gallery, New Haven, Connecticut He was included in the show 1977, Group Exhibition, Betty Parsons Gallery. Mino Argento...

Edward Colker, American (1927 - ) - Sign and Symbol, Medium: Screenprint on BFK Rives, signed, titled and numbered in pencil, Edition: 22/210, Image Size: 26 x 18 inches, Size: 30 ...

Woman is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1952. The print suite was realized in 1985 in a limited edition of 2500, a...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1980. The print suite was realized in 1985 in a limited edition of 2500...

This artwork titled "Diagrams" 1982 is a color monotype with collage on Chine colle paper by noted American artist Inez Storer, b. 1933. It is hand signed in pencil at the lower righ...

Artist: John Hoyland – British (1934-2011) Title: Brown Block on Pink Series: New York Suite Year: 1971 Medium: serigraph Image size: 36 x 26 inches Sh...

Artist: James Brown, American (1951 - ) Title: untitled from Bill T. Jones Portfolio Year: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 85 Size: 22 x 29.5 in. (55....

Ed Moses has been a prominent figure in the Los Angeles art scene for almost six decades.

Visage - 1974 Original Lithograph on Paper Original 1974 Lithograph depicting an abstracted mans face by Michael William Eggleston (American, 20th Century). Black ink is used to out...

Artist: Howard Hodgkin, British (1932 - ) Title: Artist and Model Year: 1979 Medium: Etching with Hand-Coloring, signed 'HH' and numbered in pencil Edition: 53/100 Size: 31.5 x 40.5...

Brightly colored one-of-a-kind multi-layer abstract composition in primary colors, one of one created by Michael William Eggleston (American, 20th Century). Initialed "MWE" on the bo...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition Etching on Arches paper at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition of 25 (Roman Numerals), printed in black on Arches Cover White (archival paper). with chopmarks and blindstamps. published by The Lakeside Studio (chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. From 1955-57 Petersen along with Mel Strawn founded the Bay Printmakers Society. He resumed exhibiting: International Color Lithography, Cincinnati Art Museum; Gravures Americaines d’aujourd’hui, Paris; & received an MFA on the GI Bill (with Nathan Oliveira) from the California College of Arts and Crafts where Richard Diebenkorn was on the faculty. Petersen meets Kerouac, Gary Snyder, Phil Whalen, Allen Ginsberg, McClure, and Rexroth. Petersen’s now famous “Stone Garden” essay is published in Evergreen Review. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Unique mid century modern abstract limited edition serigraph titled "Poor Butterfly" by Madrid-based artist Mil Lubroth (American, 1925-2004). Lubroth uses a layering technique to build the fragmented form of the butterfly in neutral earth-tones, black and grey. Her serigraph “Poor Butterfly” was exhibited at the Brooklyn Museum’s 13th Biennial National Print Exhibition in 1962. Signed "Mil Lubroth" lower right. Numbered 30/50 lower left and titled center. Displayed in a grey mat and metal frame with plexiglass. Image window: 19"H x 26"W. Paper size: 23.5"H x 32"W. Madrid artist...

Artist: Jasha Green, American (1923 - 2006) Title: Spring Street (13) Year: 1979 Medium: Lithograph, signed and numbered in pencil Edition: 250 Size: 22 x 30 in. (55.88 x 76.2 cm)

Métamorphose Des Fleurs Arthur Secunda, American (1927) Date: 1989 Screenprint, signed and numbered in pencil Edition of 98/150 Image: 43.5 x 25.5 inches Size: 46.5 x 28.5 in. (118.1...

Artist: K.R.H. Sonderborg, Danish (1923-2008) Title: Untitled 1 Year: 1969 Medium: Lithograph, signed and numbered in pencil Edition: 72/100 Size: 29 in. x 21.5 in. (73.66 cm x 54.61...

Untitled, 1983, lithograph printed in sepia ink, Hand signed and dated lower right, with the artist's chop mark lower left, inscribed by artist. From a series of experimental abst...

Artist: Robert Bennett Title: Saturday Night on Planet X Year: 1979 Medium: Lithograph on Stonehenge paper Size: 22 x 30 inches Edition: 10/100, plus proofs Condition: Good Inscripti...

A large, unique print on canvas by American Artist, Mitch Lyons (1938-2018), signed lower right. The canvas is unstretched and will be shipped rolled in a tube.

Rammellzee Annina Nosei Gallery, New York, 1983 (Rammellzee Gothic Futurism, Rammellzee Ikonoklast Panzerism): RARE Rammellzee illustrated announcement card published by Annina Nosei...

Artist: Darryl Hughto, American (1943 - ) Title: Loon Special Date: 1980 Screenprint, signed, titled, dated and numbered in pencil Edition: AP Image Size: 29.5 x 28 inches Size: 30...

Artist: Frank Roth, American (1936 - ) Title: Untitled - Two Wedges Year: 1978 Medium: Serigraph, signed, titled and numbered in pencil Edition: AP 30 Image Size: 17 x 34 inches Size...

Pink Composition is an original artwork realized by Mark Tobey in 1972. Mixed colored aquatint and etching on paper paper. Hand signed and dated on the Lower right. Numbered on th...

Artist: Domenick Turturro, Italian/American (1936 - 2002) Title: Cosmic Harlem Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 200 Image Size: 24 x 29 inches Siz...

Color lithograph with color paper collage, 1987. Pencil signed lower right and dated, and numbered lower left 5/24. Litho depicts a poem titled "Ariadne" by T. Weiss. Published by ...

Man is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1965. Signed o the plate on the lower. The print suite was realized in 198...

Artist: Larry Rivers (1923-2002) Title: Those who Fire, Those Who Run (Boston Massacre) Year: 1970 Medium: Silkscreen and collage on wove paper Edition...

Serge Poliakoff - Abstract Beach - Original Lithograph Published in the deluxe art review, XXe Siecle 1968 Dimensions: 32 x 24 cm Publisher: G. di San ...

Artist: Charlie Hewitt, American (1946 - ) Title: Untitled - J Year: circa 1985 Medium: Woodblock, Signed and Numbered in Pencil Edition: 100 Size: 20 in. x 24 in. (50.8 cm x 60.96 cm)

Peter Kalen - Caupina, Year: 1965, Medium: Screenprint on thin wove paper, mounted to Rives, signed, titled, numbered and dated in pencil, Edition: 2/5, Image Size: 11 x 15.25 inche...

Artist: Phil Sims (American, born 1940) Title: Untitled #3 Year: 1984 Medium: Monotype Paper: Wove Image size: 4 x 4 inches paper size: 11.25 x 10 inches Framed size: 18.5 x 17.25 inches Signature: Signed and dated (1984) in pencil lower right Printer: The artist Condition: Very good Frame: Framed in the custom original frame The print and mat are in very good condition. The frame is in fair to good condition with some light scratches and very slight separation in the lower left and upper right corners.. Phil Sims is born in 1940 in Richmond, California. Before turning to painting, Sims was a potter and a ceramic artist. In the mid- 1960s he attends the San Francisco Art Institute, and he is now considered a master in the use of color as an expressive medium. At the beginning of his artistic education, he looks at the use of color by the Abstract Expressionism artists. His early career develops as part of the artistic group Radical Painters (Marcia Hafif, Joseph Marioni...

Ed Moses has been a prominent figure in the Los Angeles art scene for almost six decades.

Melissa Meyer (born May 4, 1946) is an American artist and painter. The Wall Street Journal has referred to her as a "lighthearted Abstract Expressionist". She works in various forma...

A very good impression of this scarce, early lithograph on Rives BFK. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "a...

Artist: Robert Bennett Title: Saturday Night on Planet X Year: 1979 Medium: Lithograph on Stonehenge paper Size: 22 x 30 inches Edition: 12/100, plus proofs Condition: Good Inscripti...

Herbert Katzman was born in Chicago on Jan. 8, 1923, the son of Louis, a successful dentist and of Faye, a devoted homemaker. Herbert's mother died when he was eleven resulting in He...

A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...

Untitled is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1984. Signed in the plate on the lower. The print suite was realized ...

Working Man is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1937. Signed o the plate on the lower. The print suite was realize...

Artwork size : 72 × 102 cm Frame size : 92 x 121 x 3 cm Signed and numbered AP (Artist proof) Edition of 40 + Proofs 8 Artists Proof, 6 Trial Proof, 6 State Proof. Sam Francis Archive Number: SF-106A. Literature: Lembark L108. Museum glass anti-reflective. Free shipment worldwide. Sam Francis’s paintings are a journey into a dream, a voyage into the landscapes of the soul where colours are lights on fire. Alongside names such as Jackson Pollock, Willem de Kooning and Franz Kline, Sam Francis is an artist who has succeeded in demonstrating a total mastery of abstract expressionism’s impassioned and spontaneous genre. The explosions of colour – red, blue, green and yellow – the streaks, strokes and bold lines of his pictures are the physical synthesis of the deepest crevices of the soul. His colours create rhythmical motifs that, characteristically enough, can be called the “musicality” of his paintings. The work of Sam Francis provides a visible meeting place for the conscious and the unconscious. His pictures are the cross-fertilisation of what has already been experienced with what exists still only as desire, a struggle between melancholy and merrymaking. Influenced by C.G. Jung, the father of psychoanalysis, Sam Francis spent a large portion of his life exploring the premise that dreams, instincts and intuition provide, the keys which unlock the mysteries and meaning of our inner lives. He was also fascinated by the four ancient elements – earth, water, air and fire – which developed into a leitmotif in his work. Sam Francis was born in San Mateo in California, USA in 1923. After starting to paint at the age of around twenty, he soon found himself increasingly consumed by the power of art. He spent much of the 1950s in Paris, from where he not only made frequent excursions to a number of European cities, but also embarked on many journeys to South America and Asia. He continued to move from place to place, primarily in the USA and Japan, right up until his death in 1994. Sam Francis’s first...

After Brueghel (Spoleto ) is an offset and lithograph print realized on Fabriano Paper after a drawing by Willem De Kooning of 1969. Signed o the plate on the lower. The print sui...