Abstract Prints and Multiples

Image dimensions: 14.5 x 15 cm. Abstract Composition is an original etching realized by Danilo Bergamo in 1975. Hand signed on the lower right margin. Numbered on the lower left ...

There is a natural and raw understanding in Mukesh Sharma’s prints that both depict, and are influenced by, the Rajastani communities of his home town in rural India. In these Limited Edition fine-art prints, made over a period of twenty years, we are offered the colours of India’s ancient land, the textures, light and the patterns that are everywhere. In the patterns of the arable fields to the jali's (carved screens) in the architecture. This work is however not romantic nor nostalgic but shows a deeper rooted need to offer a visual heritage of place, of where the artist is from and the journey that he is taking. The results are both compelling and honest. Mukesh Sharma, Voted Dyas II, Lino-cut/ chine colle, on German Ivory paper Edition: 5 of 8, 1999 Image size: 47 x 39 cm / Sheet size: 79 x 55 cm Unframed 'We belong where love finds us' Mukesh Sharma's work: It is often in childhood that paths are set for what we will become. Mukesh Sharma hails from a rural, agricultural village in Rajasthan, India. His Father is a craftsman who fixed and mended farm machinery and understood the working parts in the processes. Sharma followed in his Father’s footsteps, as is often the case in Indian families, but his was not the machines of the fields but the presses of the printing studio. Like his Father, Mukesh Sharma is fascinated with understanding how things work and how he can manipulate the metal in his hands. It is not surprising then that his medium of choice is printing. One of the most physically challenging of all the practices, it can often be physically challenging as well as technical and detailed. In his youth, Sharma would draw with stones on walls and floors. He was lucky his family encouraged this and he is grateful for his early art-training at the Jaipur School of Art but it was at the Baroda Art Department that he was introduced to the great printing traditions of Jyoti Bhatt...

Composition is an original contemporary artwork realized in 1950 ca. monogrammed in pencil "F" and attributed to Johann Fruhmann. Original Colored lithograph on paper. Hand-signed...

This Limited Edition abstract print, "Lollipops #2," by Sofie Swann measures 40" x 50" and is an edition of 95. Printed on canvas, this giclee ships framed in a white floater frame w...

Lithograph, 1969 Handsigned by the artist in pencil Edition : /500 Publisher : Les Peintres Témoins de leur Temps, Paris Printer : Sorlier, Paris Catalog : [316] 72.00 cm. x 56.00 c...

Artist: Jay Rosenblum, American (1933-1989 Title: Cycle 3 Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition size: 250 Size: 25 in. x 29.5 in. (63.5 cm x 74.93 cm)

This stunning X-large hand drawn with original charcoal line drawing and hand painted with original oil and gesso paint; it is the No 2 of the only 10 Limited Editions; The colours...

THOMAS NOZKOWSKI Mostly Mozart (Hand signed and inscribed), 2007 Offset Lithograph. Hand signed dated 2016 and inscribed to Kevin 29 × 35 inches Personally signed and dedicated by No...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. IV from the Ten Coconut Suite by J...

This artwork "Astres Egares (Lost Astral)" 1970, is an original colors lithograph on Japan paper by noted Italian artist Berto (Roberto) Lardera, 1911-1989. It is numbered 1/1 in pen...

A large scale abstract interior scene with bold black, white, red, pink, green, white and orange patterns and brushstrokes, based on an abstract oil painting. Pink and purple dots, y...

Artist: Risaburo Kimura– Japanese/American (1924-2014 ) Title: City 365 Year: circa 1972 Medium: Serigraph Sight size: 25 x 19.75 inches. Sheet size: 28.75 x 22.75 inches. Signatur...

Myril Adler "Sunscape III" c.1960s Intaglio etching collage, ink on paper 5.75"x2.5" site unframed Signed and titled in ink Myril Adler, was born on September 22, 1920 in Vitebsk, R...

"Basketball" is a unique screen print on canvas by AI artist Tom White. This piece was created using neural networks trained on images of actual basketballs to create an abstracted i...

Abstract figurative lithograph with a lively jumble of abstracted animal and figurative forms by Michael William Eggleston (American, 20th Century). Titled (illegible), numbered ("5/...

Artist: Larry Zox Title: Niagara Series No. 5 Year: circa 1980 Medium: Screenprint, signed and numbered in pencil Edition: 175 Image Size: 34 x 13 inches Paper Size: 39 in. x 20.5 i...

South Sign is anartwork realized by the English artist Martin Bradley in 1971. Litograph on paper, hand-signed on the lower right corner "Martin Bradley ". Good conditions. Marti...

Christmas Card '65 is an artwork realized by Umberto Maria Casotti in 1965. Watercolor Drawing with and hand-written inscription. Penmarks and pen on paper.  Mint conditions.  Ch...

Coloured lithograph on Arches paper. Limited edition, numbered as 103/250 Eu. Signed in pencil by artist. Paper size: 65 x 48 cm Framed size: 74.5 x 87.5 cm very good condition Bib...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Lithograph Handsigned by the artist in pencil and annoted EA VII/XV 65.00 cm. x 48.00 cm. 25.59 in. x 18.9 in. (paper) 39.00 cm. x 39.00 cm. 15.35 in. x 15.35 in. (image) Annoted "...

Rupprecht Geiger (German, 1908-2009) Zurückgehen, Weitergehen, Fortgehen, 1966 Medium: Portfolio of 20 screen prints on paper Dimensions: 35 x 28.5 cm and 35 x 57 cm (with middle fol...

Hugo Demarco Relation Couleur, 1973 Silkscreen on velincarton Hand signed and numbered 62/200 on lower front. Bears the publisher's blind stamp on the fro...

Gorgeous abstract landscape lithograph of an outdoor picnic scene with kite by Katherine Chang Liu, (American, 20th century). Hand signed lower right. N...

Melissa Meyer (born May 4, 1946) is an American artist and painter. The Wall Street Journal has referred to her as a "lighthearted Abstract Expressionist". She works in various forma...

The Origin Blue is an artwork realized by Karolina Szewczyk the 2020s. Etching, Aquatint. Hand-signed. Numbered. Edition 3/10.

Patty deGrandpre’s “Passing Through” is a one of a kind eloquent 13 x 11.5 inch abstract monoprint . Striations and fields of warm pinks and oranges are inkjet printed in layers onto...

Pablo PICASSO (1881-1973)(after) Two nudes, 1946 Lithograph and stencil Signed in the plate On vellum 48 x 33 cm (c. 18.9 x 13 inches) INFORMATION: Edited by Albert Carman in 1946 ...

One of seven images from the Origin-Beginning series. Signed, titled and numbered by the artist. Seiko Tachibana was born in Japan and completed her Masters of Art Education at Kobe...

Artist: leonardo Nierman (Mexican, born 1932) Title: Untitled Year: Circa 1970 Medium: Color lithograph with embossing Edition: Numbered 139/200 in pencil Image size: 22 x 1...

Lithograph, 1953 Handsigned by the artist in pencil and numbered 27/100 Printer : Jean Pons (Paris) LCD5352

Juan Sebastian Barbera (Spanish, Born 1964 ) Litho on Guarro Paper Titled : La Comision (from the Los Conjuros Suite) Circa, 1994. Hand signed in pencil lower right with edition size number 62 / 75. Frame: 38" X 46" Image: 22" X 30" Juan Sebastián Barberá Durón Plastic artist Cd. de México 1964 Son of the great musical artist Luisa Duron, Mexican harpsichordist, daughter of pianists Jesús Durón Ruiz and Julia Crespo considered a pioneer of the movement and musical flourishing of the Renaissance and Baroque periods and the initiator of the harpsichord school in Mexico .he grew up in an almost Renaissance environment, among artists and under the main protection of the baroque music of Bach and Hotteterre, Couperin and Scarlatti , among others. Since a very young age, he had a great talent for drawing, painting and sculpture and at the age of ten he won the National School contest of art. From there on, he studied painting and engraving with significant teachers, and was dedicated in a very clear way to the plastic arts from the age of 17 years, after a mystical trip to India. He continued his studies at the academy of San Carlos...

This Limited-Edition abstract print, "Blueberry Hill," by Sofie Swann is an edition of 95. Printed on canvas, this giclee ships framed in a white floate...

Will Petersen, a painter, master printer and a poet, was born in Chicago. (Amer. 1928-1994) created this limited edition Etching on Arches paper at the Lakeside Studio. The LITHOGRAPH PRINT is from a limited edition of 25 (Roman Numerals), printed in black on Arches Cover White (archival paper). with chopmarks and blindstamps. published by The Lakeside Studio (chopmark lower right). THE LITHOGRAPH IS SIGNED TITLED AND ANNOTATED BY THE ARTIST in pencil EXCELLENT condition. Will's formal art education began with classes at the Chicago Academy of Fine Arts. As a student at the city's Steinmetz High School, Petersen succeeded Hugh Hefner (of Playboy magazine fame) as the HS newspaper cartoonist, the Steinmetz Star. During this time, Petersen recovered from polio. In 1947 Petersen enrolled at Chicago's Wilbur Wright College. While there, he painted with oils for the first time. Two years later he enrolled at Michigan State University where he developed a strong interest in literature and writing and began printmaking. By 1951 he had begun to exhibit paintings and prints nationally. A year later he completed his master's degree. Petersen served in the United States Army from 1952-54, spending one year as an education specialist in Japan. This encounter with the Japanese culture affected his entire life. He became interested in calligraphy and Noh, classical Japanese Buddhist performance that combines elements of drama, music and poetry. Upon completion of his military service in Japan in 1955, Will Petersen settled in Oakland, California, where he met some of the most active poets of the Beat Generation: Gary Snyder, Allen Ginsberg, Jack Kerouac, Phil Whalen, Mike McClure and others. Petersen was attracted to the group by their intelligence and belief in Zen Buddhism. In 1956 in his small studio in Oakland, he printed the poems of Jack Kerouac. He attended for the first time, the reading of Ginsberg's Howl at Six Gallery. His relationship with Gary Snyder had begun when both were in Kyoto, Japan; later Snyder wrote for the Plucked Chicken. Petersen returned to Japan in 1957, pursuing painting, printmaking and writing for eight years while living in Kyoto. In 1965 he accepted a faculty appointment at Ohio State University, teaching drawing, painting and printmaking. Four years later Petersen took his teaching skills to West Virginia University in Morgantown, where he concentrated on printmaking. He taught there until 1977 when he began publishing Plucked Chicken, a journal of art and poetry. In 1978 in Morgantown, Petersen and his wife, Cynthia Archer, established Plucked Chicken Press, which they later moved to Chicago and then Evanston. Petersen operated the Press until his death on April 1, 1994. From 1955-57 Petersen along with Mel Strawn founded the Bay Printmakers Society. He resumed exhibiting: International Color Lithography, Cincinnati Art Museum; Gravures Americaines d’aujourd’hui, Paris; & received an MFA on the GI Bill (with Nathan Oliveira) from the California College of Arts and Crafts where Richard Diebenkorn was on the faculty. Petersen meets Kerouac, Gary Snyder, Phil Whalen, Allen Ginsberg, McClure, and Rexroth. Petersen’s now famous “Stone Garden” essay is published in Evergreen Review. 1956 In storefront studio in Oakland, California, creates serigraphs and lithographs. Prints poems of Jack Kerouac. 1961 Back in Japan, acquires a lithography press and stones and resumes printing lithographs. Exhibits regularly with Kyoto Printmakers. 1969 Resident lithographer at the Lakeside Studio, Lakeside, Michigan. Prints for the first time Richard Hunt lithographs. 1978 Establishes Plucked Chicken Press in Morgantown, West Virginia. Resident lithographer at Lakeside Studio in Michigan. 1980 Plucked Chicken Press moves to Chicago. Publishes lithographs by Don Crouch and Art Kleinman. 1982 Publishes Blossom, a lithograph/collage by Tom Nakashima. 1983 Series I of Plucked Chicken Press is published with work by Archer, Duckworth, Godfrey, Heagstedt, Himmelfarb, Hoff, Hunt, Martyl, Miller, Nakashima and Petersen. 1984 Plucked Chicken Press moves to Evanston. Series II of Plucked Chicken Press is published with works by Croydon, Ho, Archer, Torn, Osver, Middaugh, Roseberry, Petersen, Spiess-Ferris and Hoppock. 1985 Series III of Plucked Chicken Press is published with works by Driesbach, Hunt, Trupp, Gregor, Pattison, Conger, Evans, Weygandt, Archer, Ho and Petersen. Prints Suite I, Northern Illinois University Collectors Series, with lithographs by Renie Adams, David Bower, David Driesbach, Carl Hayano and Ben Mahmoud...

Pink Girl is an abstract silk-screen and copperplate engraving print on heavy paper, realized in 1973 by the Japanese artist Shu Takahashi. Artist proof hand signed, numbered and da...

The work of Blue Chip artist Frank Stella is in the collection of every Major Museum Worldwide. In 2019 a work of his sold at Christies for over 28 Million Dollars. This etching, screenprint, and relief on white TGL handmade paper by Frank Stella is from a very limited edition of only 25 works, there were also eight artists proofs. Titled, "Green Journal", Created in 1985, it is hand signed, dated, and numbered in pencil 13/25 F. Stella 85 in the lower right. The TGL Blind Stamp is located on the lower right from the publisher Tyler Graphics Ltd. Paper size is a large 66x51" and the framed size 76x62". Catalog Raisonne reference is Axsom 163. "Green Journal" is a first for Frank Stella, in that it is the first time a printed word occurs in a Stella print...

John Stritch was an American artist best known for his abstract and sculptural work. "Blue Sky" features an abstracted and simplified pastoral landscape. ...

NIGHT CAT is an original limited edition lithograph by the Dutch artist Karel Appel printed using hand lithography techniques on Arches paper, 100% acid free. NIGHT CAT is a lively, ...

This abstract limited edition print by Kelly Rossetti features a cool palette and an abstracted landscape composition in a horizontal format. The artist...

Bold reds, oranges, and sparkling gold accents play across this beautiful abstract original work "Life Cycles II A" by master print maker Linda Whittemore. This mixed media viscosity...

Though it resembles a giant abstract watercolor painting owing to its soft gradations and luminous quality, this is a form of photography called a cyano...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Artist: Raymond Parker, American (1922 - 1990) Title: Untitled 17 Year: 1980 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Size: 35 x 45 inches

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

Abstract Composition is an Original screen print realized by Plinio Mesciulam in 1973. Very good condition on a white cardboard. Hand-signed and numbered by the artist on the lower...

Elephants. 1979 edition 2/20 Hand signed and dated Framed 24.5 X 28. Sheet 23 X 26 This is from a series of prints Boxer produced at Tyler Graphics between 1975 and 1979. Over thi...

Paul Klee A Garden for Orpheus, ca. 1950s Lithograph on Arches paper, sheet measuring 19.75 x 25.5 inches. Unframed. Minor acidification of paper where old matting covered paper...

There is a natural and raw understanding in Mukesh Sharma’s prints that depict, and are influenced by, the Rajastani communities of his home town in rura...

This is a mixed media artwork by Monty Montgomery and Tony Philippou. Its dimensions are 14 x 14 x 1.5 and it is a hand-embellished Giclee print on Canvas with UV Gloss Varnish. A ce...

Julius BALTAZAR (1949 -) Dreamy Landscape Etching with aquatint on Japon paper Signed on the right bottom and marked Bon à tirer (BAT = "Ready for press") on the left Size : 32 x 2...

A print from John Chamberlain's Suite "Ten Coconuts". Although known widely for his sculptural work, John Chamberlain was a prolific printmaker. The etching is hand-signed and numbe...

A very good impression of this color lithograph on Rives. Signed and numbered 4/50 in pencil by Francis. Printed and published by The Litho Shop, Inc., Santa Monica, with the blind s...

Etching and aquatint Handsigned by the artist in pencil Edition : 14/75 66.00 cm. x 50.00 cm. 25.98 in. x 19.69 in. (paper) 30.00 cm. x 26.00 cm. 11.81 in. x 10.24 in. (image) BFK ...

Marino Marini (Italian, 1901-1980) "Chevaux et Cavaliers" Artist proof pencil signed circa 1970 Fantastic 1970 lithograph by noted Italian artist Marino Marini. This is a rare Art...

Helen Frankenthaler (after) Frankenthaler (autographedand inscribed), 1988 Offset lithograph poster (hand signed and inscribed to renowned collectors) Hand signed and warmly inscribed in ink on the front Frame included: Museum frame with UV plexiglass included Inscribed "to Paul and Joan, love Helen Frankenthaler" (Paul and Joan Gluck were major art collectors) Measurements: Framed 42 inches vertical by 34 inches by 1.75 inches Print 34.5 inches vertical by 27 inches Helen Frankenthaler, A Brief Biography Helen Frankenthaler (1928-2011), whose career spanned six decades, has long been recognized as one of the great American artists of the twentieth century. She was eminent among the second generation of postwar American abstract painters and is widely credited for playing a pivotal role in the transition from Abstract Expressionism to Color Field painting. Through her invention of the soak-stain technique, she expanded the possibilities of abstract painting, while at times referencing figuration and landscape in unique ways. She produced a body of work whose impact on contemporary art has been profound and continues to grow. Frankenthaler was born on December 12, 1928, and raised in New York City. She attended the Dalton School, where she received her earliest art instruction from Rufino Tamayo. In 1949 she graduated from Bennington College, Vermont, where she was a student of Paul Feeley. She later studied briefly with Hans Hofmann Frankenthaler’s professional exhibition career began in 1950, when Adolph Gottlieb selected her painting Beach (1950) for inclusion in the exhibition titled Fifteen Unknowns: Selected by Artists of the Kootz Gallery. Her first solo exhibition was presented in 1951, at New York’s Tibor de Nagy Gallery, and that year she was also included in the landmark exhibition 9th St. Exhibition of Paintings and Sculpture. In 1952 Frankenthaler created Mountains and Sea, a breakthrough painting of American abstraction for which she poured thinned paint directly onto raw, unprimed canvas laid on the studio floor, working from all sides to create floating fields of translucent color. Mountains and Sea was immediately influential for the artists who formed the Color Field school of painting, notable among them Morris Louis and Kenneth Noland. As early as 1959, Frankenthaler began to be a regular presence in major international exhibitions. She won first prize at the Premiere Biennale de Paris that year, and in 1966 she represented the United States in the 33rd Venice Biennale, alongside Ellsworth Kelly, Roy Lichtenstein, and Jules Olitski. She had her first major museum exhibition in 1960, at New York’s Jewish Museum, and her second, in 1969, at the Whitney Museum of American Art, followed by an international tour. Frankenthaler experimented tirelessly throughout her long career. In addition to producing unique paintings on canvas and paper, she worked in a wide range of media, including ceramics, sculpture, tapestry, and especially printmaking. Hers was a significant voice in the mid-century “print renaissance” among American abstract painters, and she is particularly renowned for her woodcuts. She continued working productively through the opening years of this century. Frankenthaler’s distinguished, prolific career has been the subject of numerous monographic museum exhibitions. The Jewish Museum and Whitney Museum shows were succeeded by a major retrospective initiated by the Modern Art Museum of Fort Worth that traveled to The Museum of Modern Art, New York, the Los Angeles County Museum of Art, and the Detroit Institute of Arts, MI (1989); and those devoted to works on paper and prints organized by the National Gallery of Art, Washington, D.C. (1993), among others. Select recent important exhibitions have included Painted on 21st Street: Helen Frankenthaler from 1950 to 1959 (Gagosian, NY, 2013); Making Painting: Helen Frankenthaler and JMW Turner (Turner Contemporary, Margate, UK, 2014); Giving Up One’s Mark: Helen Frankenthaler in the 1960s and 1970s (Albright-Knox Art Gallery, Buffalo, NY, 2014–15); Pretty Raw: After and Around Helen Frankenthaler (Rose Art Museum, Brandeis University, Waltham, MA, 2015); As in Nature: Helen Frankenthaler, Paintings and No Rules: Helen Frankenthaler Woodcuts...

Composition is an original lithograph artwork on cardboard, realized in the late 20th Century. Hand-signed on the lower right. Numbered on the lower left, Edition II/XX. The stat...

Image dimensions: 60 x 92.9 cm. Grey Lines is an outstanding giclée print realized by the contemporary artist Dadodu in 2016. This original artwork represents a still life with ver...

Tom Alan Lieber, (American, born 1949), GTW #11 -7, 1986, Oil and mixed media on paper, 30.25 x 44 inches, Hand signed and dated lower right Provenance: Garner Tullis Workshop, ...

Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...