Modern Prints and Multiples

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

The Physiognomy - Skulls is an original etching artwork realized by Thomas Holloway for Johann Caspar Lavater's "Essays on Physiognomy, Designed to Promote the Knowledge and the Love...

This exquisite lithograph after Henri Matisse (1869–1954), titled Series K, Variation 4, originates from the rare 1943 folio Henri Matisse, Dessins, Themes et Variations. Published b...

Joan Miró One plate from DLM "Peintures Murales de Miró" Medium: Color lithograph Publisher: Maeght, Paris Size: 13.3 × 10.7 on 14.8 × 10.9 inches Reverse Side: Continued text about "Peintures Pour De...

This exquisite lithograph and pochoir after Pablo Picasso (1881–1973), titled The Basket, from the folio Picasso, Fifteen Drawings, 1946, originates from the 1946 edition published b...

Uses and Customs -Romanian is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the governme...

Medium: Lithograph on vélin d'Arches paper Year: 1969 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, Raoul Dufy, IV, Col...

This artwork titled "Tierra Roja" from "The Mexican Suite" is an original colors lithograph on Arches paper by renown Mexican artist David Alfaro Siqueiros...

This exquisite lithograph after Andre Derain (1880–1954), titled Route de Village (Village Road), from the folio Les Peintres mes amis (The Painters My Friends), originates from the ...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Que Sacrificio is a black and White aquatint, drypoint and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-1886 . 6th Edition.Ve...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From Derrière le miroir, N° 166, 1967. Published by Aimé Maeght, Éditeur, Paris; pr...

Original Lithograph by Jean Cocteau Title: Blue Lady Signed in the plate Dimensions: 32 x 25.5 cm Edition: 200 1959 Publisher: Bibliophiles Du Palais Unnumb...

Keep 'em Flying!, artist: C. C. Beall: original linen-backed, excellent condition, World War Two vintage poster. The poster of Uncle Sam is constructed with several vignettes of workers, soldiers, scientists, the U. S. flag, and more. I have provided several details of this fabulous and uniquely designed vintage poster. The 1941 U.S. World War II (WWII) Home Front poster ("Keep 'em flying-Airplanes-flags-Machines-production-Nothing lags. Put your shoulder To the wheel; Courage staunch With nerves of steel. Greet each day, Or pledge a toast-"Keep 'em flying" is our boast. Here's a slogan For us all-An answer to Our country's call. Keep 'em flying; Keep 'em clear. The time is ripe, The time is HERE To pull together-One bold front-Each one prepared To do his stunt. Workers and The men who hire-Housewives-children-All aspire To help and work With little pause-One mind, one heart, One goal, one cause. So-'KEEP 'EM FLYING!' - Jack Childs"; "Presented by the United States Army Recruiting Service") featuring collage art of soldiers and other personnel overlaid with an image of Uncle Sam by Cecil Calvert Beall. Incredible design with the military, red cross nurse, American Flag, chemist, pilots, farmer, steel worker, and Navy guns...

This artwork "titled "Horses #V" 1974 is an original color lithograph, with embossing by French/Vietnamese artist Hoi Lebadang, 1922-2015. It is hand sign...

Sonia DELAUNAY Rio Spinning Dress Lithograph after a painting Printed signature in the plate Numbered /600 On Arches vellum 40 x 30 cm (c. 15.7 x 11.8 in) ArtCurial edition, 1994 ...

Lithograph hand watercolored. Plate from "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration of notable ...

Paysage d'Italie is an artwork realized by Corot in the 1870s. Etching. Good conditions. Realized for the "Société des Aquafortistes. Born on the initiative of the publisher Alfre...

Ya es hora from Los Caprichos is an original artwork realized by the artist Francisco Goya and published for the first time in 1799. Etching and aquatin...

(after) Alexander Calder "Calder's Circus" offset lithograph on wove paper after drawings by the artist Published by Art in America and Perls gallery in 1964 (from drawings done in the 1930's) these range slightly in size but they are all about 13 X 17 inches (with minor variations in size as issued.) These have never been framed. The outer folio is not included just the one lithograph. James Sweeny from the introduction “The fame of Calder’s circus spread quickly between the years 1927 and 1930. All the Paris art world came to know it. It brought him his first great personal success. But what was more important, the circus also provided the first steps in Calder’s development as an original sculptor” Clive Gray wrote ”A visit to the studio of Alexander Calder led to the chance discovery of some hundred masterful circus drawings completed over thirty years ago. We publish, for the first time, a choice of sixteen from that group.” With signed introduction by Miro. These whimsical drawings, done in the style of wire sculpture, include acrobats, clowns, jugglers, trapeeze artists, an elephant, dog and lion. they are great. Alexander Calder is widely considered to be one of the most important American sculptors of the 20th century. He is best known for his colorful, whimsical abstract public sculptures and his innovative mobiles, kinetic sculptures powered by motors or air currents, which embraced chance in their aesthetic. Born into a family of accomplished artists, Calder's work first gained attention in Paris in the 1930s and was soon championed by the Museum of Modern Art in New York, resulting in a retrospective exhibition in 1943. Major retrospectives were also held at the Solomon R. Guggenheim Museum (1964) and the Museum of Contemporary Art, Chicago (1974). Calder’s work is in many permanent collections, most notably in the Whitney Museum of American Art, but also the Guggenheim Museum; the Museum of Modern Art; the National Gallery of Art, Washington, D.C.; and the Centre Georges Pompidou. He produced many large public works, including .125 (at JFK Airport, 1957), Pittsburgh (Carnegie International prize winner 1958, Pittsburgh International Airport) Spirale (UNESCO in Paris, 1958), Flamingo and Universe (both in Chicago, 1974), and Mountains and Clouds (Hart Senate Office Building, Washington, D.C., 1976). Although primarily known for his sculpture, Calder was a prodigious artist with a restless creative spirit, whose diverse practice included painting and printmaking, miniatures (such as his famous Cirque Calder), children’s book illustrations, theater set design, jewelry design, tapestry and rug works, and political posters. Calder was honored by the US Postal Service with a set of five 32-cent stamps in 1998, and received the Presidential Medal of Freedom, posthumously in 1977, after refusing to receive it from Gerald Ford one year earlier in protest of the Vietnam War. Calder moved to New York and enrolled at the Art Students League, studying briefly with Thomas Hart Benton, George Luks, Kenneth Hayes Miller, and John Sloan. While a student, he worked for the National Police Gazette where, in 1925, one of his assignments was sketching the Ringling Bros. and Barnum & Bailey Circus. Calder became fascinated with the action of the circus, a theme that would reappear in his later work. In 1926, Calder moved to Paris, enrolled in the Académie de la Grande Chaumière, and established a studio at 22 rue Daguerre in the Montparnasse Quarter. In June 1929, while traveling by boat from Paris to New York, Calder met his future wife, Louisa James (1905-1996), grandniece of author Henry James and philosopher William James. They married in 1931. While in Paris, Calder met and became friends with a number of avant-garde artists, including Fernand Léger, Jean Arp, and Marcel Duchamp. Cirque Calder (on view at the Whitney Museum of American Art at present) became popular with the Parisian avant-garde. He also invented wire sculpture, or "drawing in space," and in 1929 he had his first solo show of these sculptures in Paris at Galerie Billiet. Hi! (Two Acrobats) in the collection of the Honolulu Museum of Art is an early example of the artist's wire sculpture. The painter Jules Pascin, a friend of Calder's from the cafes of Montparnasse, wrote the preface to the catalog. A visit to Piet Mondrian's studio in 1930, where he was impressed by the environment-as-installation, "shocked" him into fully embracing abstract art, toward which he had already been tending. Dating from 1931, Calder’s sculptures of discrete movable parts powered by motors were christened “mobiles” by Marcel Duchamp, a French pun meaning both "motion" and "motive." At the same time, Calder was also experimenting with self-supporting, static, abstract sculptures, dubbed "stabiles" by Jean Arp in 1932 to differentiate them from mobiles. Public commissions increasingly came his way in the 1960s. Notable examples are .125 for JFK Airport in 1957, Spirale for UNESCO in Paris 1958 and Trois disques, commissioned for Expo 67 in Montreal, Quebec, Canada. Calder's largest sculpture at 25.7 meters high was El Sol Rojo, constructed outside the Aztec Stadium for the 1968 Summer Olympics "Cultural Olympiad" events in Mexico City. Many of his public works were commissioned by renowned architects; I.M. Pei commissioned his La Grande Voile (1966), a 25-ton, 40-foot high stabile for the Massachusetts Institute of Technology. Part of Calder's repertoire includes pivotal stage sets for more than a dozen theatrical productions, including Nucléa, Horizon, and most notably, Martha Graham’s Panorama (1935), a production of the Erik Satie symphonic drama Socrate (1936), and later, Works in Progress (1968). In addition to sculptures, Calder painted throughout his career, beginning in the early 1920s. He picked up his study of printmaking in 1925, and continued to produce illustrations for books and journals.As Calder’s professional reputation expanded in the late 1940s and 1950s, so did his production of prints. Masses of lithographs based on his gouache paintings hit the market, and deluxe editions of plays, poems, and short stories illustrated with fine art prints by Calder became available for sale. One of Calder's most celebrated and unconventional undertakings was a commission from Dallas-based Braniff International Airways to paint a full-size Douglas DC-8-62 four-engined jet as a "flying canvas." Calder created over 2,000 pieces of jewelry over the course of his career, many of them as gifts for friends and relatives. For his lifelong friend Joan Miró, he set a shard of a broken porcelain vessel in a brass ring. Peggy Guggenheim received enormous silver mobile earrings and later commissioned a hammered silver headboard...

This poster, created for a solo exhibition at the Maeght Gallery in Paris, features Marc Chagall's enchanting artwork "The Green Bird," which embodies his whimsical and fantastical s...

Farnesina Garden, Rome - Vintage Postcard is a colored vintage postcard realized in the 1980s. Copyright and information on the rear. Good conditions, aged with foxing.

This exquisite lithograph and pochoir by Jean Lurcat (1892–1966), titled Le Sagitaire (The Sagittarius), from the folio Les Signes du Zodiaque (The Signs of the Zodiac), originates f...

Pablo PICASSO (1881-1973) Diurnes, On the Rock, 1962 Original collotype and stencil (Jacomet workshop) Unsigned Limited to 1000 copy On paper 30 x 40 cm (c. 11,8 x 15.7 in) REFERE...

Glasgow: Walton's Compleat Angler, 1902. Etching on heavy Japan paper, 3 7/16 x 5 15/16 inches (80 x 149 mm), full margins. Initialed in pencil, lower ...

Genevieve Hamel Oh My! Digital Print after White Colored Pencil on Wood Panel Year: 2021 Image Size: 7x5in Size: 14x11in Edition: 25 Signed, inscribed and numbered by hand COA provid...

La Dida (M.1184, "The Nurse") is a lithograph on paper, image size 34.5 x 23.5 inches, signed Miró lower right and annotated 'HC' lower left (outside the edition of 75 Arabic and 25 ...

Alméry Lobel-Riche Young lady in a garden Handsigned original engraving Signature printed in the plate Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Very good condi...

"Not from Hollywood" Nude Photography 36" x 24" in Edition 1/15 by Larsen Sotelo Not framed. Ships in a tube Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin fin...

Cosmos Color woodcut with gauffage (embossing), January 1940 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1940) Condition: excellent Image size: 14 3/8 x 9 5/8 inches Provenance: Robert O. Muller Estate Biography Hodo Nishimura...

Niki de Saint Phalle Niki de St Phalle Bespoke LOVE Shopping Bag, ca. 1982 Silkscreen on paper bag 9.5 x 8 inches Unframed The edition is unknown but we h...

Etching and drypoint on cream wove paper, full margins. Signed and numbered 59/75 in pencil, lower margin. Notations in pencil along the lower sheet edge, recto, well outside of ima...

Teruta-hime is a woodcut print realized by Utagawa Kuniyoshi in 1842/43. Lifetime impression of chuban tate-e, it depicts Teruta-hime carrying a bucket of water through the snow, wi...

Maurice BRIANCHON Still Life with Pears and Grappes Original lithograph Handsigned in pencil Numbered / 75 On Arches vellum 50 x 65 cm (c. 20 x 26 in) Very good condition, light f...

Kabuki Actor is a woodcut print realized by Utagawa Kunisada in 1848/49. Lifetime impression in very good condition, except for some very minor sign of time.

Genji in the Twelve Months / The Tenth Month (Moto) is a tryptich woodcut print realized by Utagawa Toyokuni III in 1858. Very good condition except for some minor signs of wear.

Lithograph on vélin des Papeteries du Marais paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, André Beaudin, Verve: Revue Artistique et...

A contemporary photograph of an AC/DC - Back In Black cassette tape. "They encapsulate an era instantly transporting the viewer to another time." - Destro Printed on Archival Paper...

Original Back Our Girls Over There Y.W.C.A. WW1 antique poster: Linen-backed original Beautiful Y.W.C.A. Telephone operator sitting at the control pane...

Untitled (Plate 1) DLM Color lithograph, 1963 Unsigned and unnumbered (as usual) From: Derriere le Miroir, No. 141 Published by A. Maeght, Paris Image/sheet size: 14 7/8 x 11 inches...

Matisse’s Jazz is one of his most renowned and beloved seris. Pochoir in colors on Arches paper with the center fold (as issued) from the Edition of 250, published by Tériade, Pari...

Original ‘Fiesta Mayor Badalona” vintage travel poster. Conservation linen backed and ready to frame. Very good condition full lithograph A bright and vibrant travel poster that ...

Marc Chagall (1887-1985) - Maternity and Centaur Original Lithograph from 1957. Dimensions of work: 23 x 20 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

Polo Players is a print realized by an anonymous in the mid-20th century. Woodcut print on paper. Good conditions.

They spin finely (Hilan delgado) is a black and White aquatint, drypoint, and etching printed in blue-black ink on laid paper from Caprichos realized after Francisco Goya in 1881-188...

GUSTAVE BAUMANN (1881 – 1971) THE PRINT SHOP 1910 (Chamberlain 27) Color woodcut signed in pencil. Unnumbed from an edition 100 as published in the Hills o’ Brown Portfolio, (plate 11 of 12). Image 9 x 13 1/8, sheet 10 ¼ x 13 7/8 with deckle edge at the bottom. The print portrays the Brown County...

Arch is original Hand-colored etching, realized by Luigi Rossini (1790–1857) with description on the lower. In good conditions with some folding. Image Dimensions: 25 x 18 cm The ...

Jacques Monory In Honor of Oklahama's War Heroes, 1976 Original screen print Handsigned On BFK Rives 38 x 28 cm (c. 14x 11 in) Limited to 300 exemplary, not numbered INFORMATION: ...

Etching and aquatint realized by Thomas Rowlandson in 1817. Plate from "The Dance of Life" by William Combe. Very good condition. Thomas Rowlandson (1757-1827) was an english artis...

Charles-Éduard Jeanneret, known as Le Corbusier, was a Swiss architect and designer who is generally regarded as a key figure in the development of modern architecture, his work bein...

Lithograph hand watercolored. Belongs to the Series "Atlante di Botanica popolare ossia Illustrazione di Piante Notevoli di ogni famiglia" (Atlas of popular botany or illustration o...

Lithograph and stencil with hand coloring on vélin d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Le Livre blanc, précédé d'u...

Uses and Customs - Indian Rajah is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the gov...

Courtesan is an original modern artwork realized by Keisai Eisen in the first half of the 19th Century. Signed and inscribed on plate. Total dimension...

Photolithograph realized in 1993 after Henri Matisse. On Milano handmade paper. It belongs to the edition "H. Matisse, The Color of Light", by Seat Editore.

This exquisite lithograph by Andre Derain (1880–1954), titled Paysage (Landscape), from Verve, Revue Artistique et Litteraire, Vol. II, No. 8, originates from the 1940 issue publishe...

Woodcut print realized by Escher for the series "Emblemata", and published in 1931. On Hollande van Gelder paper. Edition of 300. Unsigned, as issued. Excellent condition, matted....

The Virgin and the Child is an original Woodcut on cream-colored paper. realized after Albrecht Durer, a reproduction of the early 20th Century from the...

Beautiful modernist figurative abstract with birds, a large scale vertical dual panel original serigraph, "Golden Haven I, and "Golden Haven II", by Phil Paradise...

Owl is an original artwork realized by the french artist Jean Lurçat (1892 Bruyeres - 1966 St.-Paul-de-Vence). Lithograph print, belongs to the suite "Géographie Animale", publis...