Op Art Prints and Multiples

Henry Pearson FACE, from Portfolio 9, 1964 Color lithograph with deckled edges Signed, titled, and numbered 84/100 in graphite pencil on the front; with publishers' blind stamp 17 1/2 × 22 1/10 inches Publisher Irwin Hollander, with blindstamp Hand Signed and Numbered 84/100 with Irwin Hollander (printer) Blindstamp Unframed Henry Pearson's iconic Pop Art lithograph "Face" from the mid-Sixties is in the permanent Collection of the Museum of Modern Art as well as other public institutions. This Classic Sixties psychedelic designed Op Art lithograph was created as part of the legendary 'Portfolio 9' in 1967 - one of the most influential eras in 20th century art. It was housed in a gray cloth-colored box with maroon paper inner panels and a large maroon "9" designed by Richard Lindner on the cover. Portfolio 9 featured nine of the most important artists of the era, representative of the three major trends: Pop Art, Minimalism and Abstract Expressionism: Roy Lichtenstein, Saul Steinberg, Richard Lindner, Robert Motherwell, Henry Pearson, Louise Nevelson, Sam Francis, Willem de Kooning- and Ellsworth Kelly. The Introduction to the portfolio was written by Una E. Johnson, Curator of Prints & Drawings, The Brooklyn Museum. Johnson wrote in 1967 for the colophon page: "The artists were selected to demonstrate the great diversity and character of lithography in the United States today... the dialogue of diverse forms and many faceted idioms that compose this graphic journal mirror the eloquence and delight the strengths and caprices of a period. Furthermore, they reflect in fine measure the creative achievements of artists attuned to their time." The lithograph offered here has superb provenance: it comes directly from 'Portfolio 9', numbered 84/100. This is the very first time since 1967 that this hand signed & numbered print will be separated from the original portfolio presentation box. According to the description of this print in the catalogue raisonne, "Organized as a celebration of Irwin Hollander's collaboration with American artists working in the medium of lithography, the Portfolio 9 is a compendium of images by nine of Hollander's artist collaborators. Henry Pearson Biography: Henry Pearson was born in Kinston, North Carolina in 1914. He studied art at the University of North Carolina where he received his B. A. and later at Yale University where he received an M. F. A. Pearson spent over eleven years in the army during and after WWII. On one tour of duty in Japan he was assigned to interpret topographical maps due to his past training in Theatrical Set Design. He returned to Japan on another tour after the war in order to immerse himself more fully in the culture. Pearson returned to the United States in 1953 and enrolled at the Art Students League in New York where he studied with Reginald Marsh. The Op-Art Movement was beginning to gain popularity and Pearson...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Oscillation Year: circa 1977 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18.25 x 25.75 inches Size:...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg (Orange) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 25 x 20 inches Size: 35 x...

Louise Marler Tulip and Bees Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1694 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Artist: Arthur Boden, American Title: Puzzle Year: 1970 Medium: Serigraph, signed and numbered in pencil Edition: 8/75 Size: 21.5 in. x 21.5 in. (54.61 cm x 54.61 cm)

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Screen print square, inscribed 'Vasarely' at bottom, hung diagonally, sides of the square 23 1/2 x 23 1/2 (59.5 x 59.5); as hung, 33 x 33 (84 x 84). VICTOR VASARELY (1908-1997) In...

Desert Icon II Screen print, c. 1968 Signed, titled and numbered in pencil (see photos) Edition 100 (17/100) Printed by the artist This image is the most elaborate of three color var...

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Transection I Year: 1971 Medium: Screenprint on Scintilla paper, signed and numbered in pencil Edition: 75 Paper Size:...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Mesa Year: 1986 Medium: Serigraph, signed and numbered in pencil Edition: 150 Image Size: 18 x 26 inches Size: 22 x 30 in. (55.88 x...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Pol Bury (Belgian, 1922-2005) Screen print of Brooklyn Bridge Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Pol Bury (Belgian, 1922-2005) screen print of Statue of Liberty Hand signed and numbered 27/ 62 in pencil Dimensions: 24.25 X 17.5 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

This artwork titled "Gull Point" 1987 is a color serigraph on Wove paper by noted American artist Roy Ahlgren, 1927-2011. It is hand signed, titled, dated and numbered 62/100 in penc...

Tecoma is a wonderful colored lithograph with a black, blue, pink abstract composition realized by Victor Vasarely in 1972. The plate is from the portfolio Octal edited by Bruckmann...

A limited edition screenprint from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, America...

Optical Composition is an original colored serigraph realized by Mario Padovan in 1973. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition 71/10...

Peano Curves is an original Serigraph realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Excellent condition. Bruno Munari (...

Color Grid. Ziggurat form. Hand signed and numbered silkscreen. Tony Bechara, Artist born in Puerto Rico in 1942. Painter, printmaker. Bechara attended Georgetown University in Washi...

Technical Information: Julian Stanczak Tempo of Three 1981 Screenprint 26 x 39 1/4 in. Edition of 175 Pencil signed and numbered Accompanied with COA by Gregg Shienbaum Fine Art

This artwork "Untitled" c.1980, is an original colors screen print on Arches paper by renown Hungarian artist Victor Vasarely, 1906-1997. It is hand signed and numbered CXCIX/CCL in...

Blue Composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored screen print on paper. Hand signed on the lower right margin. Numbered o...

Negative - Positive is an original print realized by Bruno Munari in 1993 Mixed colored lithograph Hand-signed and numbered in pencil on the lower margin. Edition VII/XXX Printed ...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Artist: Kyohei Inukai, American (1913 - 1985) Title: Egg (Red) Year: circa 1970 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 25 x 20 inches Size: 35 x 23...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 24/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Artist: AFter Yaakov Agam (1928) Title: An American Portrait, exhibition poster Year: 1976 Medium: Offset Lithograph on wove paper Size: 27.75 x 19.25 inches Condition: Excellent Not...

Jack Brusca, American (1939 - 1993) - USA, Year: 1978, Medium: Screenprint, signed and numbered in pencil, Edition: 200, AP 30, Image Size: 24 x 24 inches, Size: 28 in. x 26 in....

Julio Le Parc Jeux Enquête - Choisissez vos Ennemis, 1970-2014 Screenprint on wove paper Hand signed, dated and numbered 46/50 in graphite by the artist on the front Published by Serpentine Galleries, UK Accompanied by official certificate of authenticity from the Serpentine as well as gallery issued Certificate of Guarantee Unframed The long sold out Limited Edition produced on the occasion of Julio Le Parc’s exhibition at the Serpentine Gallery in the UK is a silkscreen print of a dartboard, part of the playful installation Choisissez vos Ennemis (1970) from his Jeux Enquête series, which was featured in the show. This series was borne from the civil unrest in France and the events of May 1968. It depicts social archetypes of different ranks: the imperialist, the capitalist, the military, the intellectual neutral, the policeman, and the indifferent. Julio Le Parc was born in Mendoza, Argentina in 1928 and currently lives and works in Paris where he has resided since the late 1950s. In 1964 he was awarded the Special Prize (acquisition) in the Premio Internacional Torcuato Di Tella, Buenos Aires, Argentina, and in 1996, the International Painting Grand Prix at the XXXIII Venice Biennial, Italy. Following his expulsion from Paris in 1968, he travelled around various European countries only to return five months later when the restriction was revoked. Le Parc participated in Unofficial Latin America, held in Paris, and the Medellín Biennial in Colombia in 1970. Le Parc held his first solo exhibition at the Howard Wise Gallery, New York (1966), which was followed his first retrospective exhibition, held at the Instituto Di Tella in Buenos Aires, Argentina (1967). Subsequently Le Parc has held numerous retrospective exhibitions in major museums in Havana, Düsseldorf, Montevideo, Caracas, Asunción, Mexico City, Stockholm, Berlin, Madrid, Barcelona, Santiago de Chile, and Porto Alegre. His most recent solo exhibitions were held at the Palais de Tokyo in Paris (2013) and at the Daros Foundation (2014). Notable writings include: A propósito de arte espectáculo... (With regard to spectacle art...); Función social del arte en la sociedad contemporánea (The social function of art in contemporary society); Color 1959 (Colour 1959); and El artista en el context social actual (The artist in the present social context). He participated, with the Denuncia group, in the collective work Torture (1972) and joined the International Brigade...

Richard Anuszkiewicz ANUSZKIEWICZ by Karl Lunde (hand signed and inscribed by Richard Anuszkiewicz), 1977 Hardback monograph with dust jacket (hand signed and inscribed by Richard An...

Victor Vasarely Anthea Galleria D'arte Poster, ca. 1971 Offset lithograph poster Limited edition of 400 (unnumbered) 28 1/2 × 22 1/2 inches Unframed This historic offset lithograph p...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Metamorphosis Year: 1974 Medium: Serigraph, signed and numbered in pencil Edition: 60 Image Size: 24.5 x 18 inches Size: 26 x 20 i...

A colorful OP Art silkscreen by Poland-born American OP Artist, Julian Stanczak. Artist: Julian Stanczak, American (1928 - 2017) Title: Compounded Red Year: 1981 Medium: Screenpri...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

This artwork titled "Gull Point" 1987 is a color serigraph by noted American artist Roy Ahlgren, 1927-2011 It is hand signed, titled, dated and numbered 60/100 in pencil by the artis...

Artist: Isaac Inbal, Moroccan/Israeli (1945 - ) Title: Intertwining Forms - Grey Year: circa 1970 Medium: Serigraph, signed and numbered in pencil Edition: 70/150 Size: 25 x 25 in. (...

Complex Geometries is an original colored serigraph realized by Mario Padovan in the 1970s. Hand-signed in pencil on the lower right. Numbered in pencil on the lower left. Edition o...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Optical green composition is an original contemporary artwork realized by Victor Debach in the 1970s. Mixed colored serigraph on paper. Hand signed on the lower right margin. Num...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Victor Vasarely (Hungarian / French 1906 – 1997) Door, 1982 Numbered ‘E.A. 7/9’ (lower left) and signed Vasarely (lower right) Artist’s proof Silkscreen print 43 x 23.1/2 in. (109.3 ...

Abstract Violet Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

Pol Bury (Belgian, 1922-2005) screen print of a train Hand signed and numbered 27/ 62 in pencil Dimensions: 17.5 X 24.25 inches. (sheet size) Provenance: Published by Lefebre Gallery, New York. lithographie en couleurs. Signées et numérotées 27/62. This is just for the print. the title sheet is just included for reference. Pol Bury (1922 – 2005) was a Belgian sculptor who began his artistic career as a painter in the Jeune Peintre Belge (along with Willy Anthoons, James Ensor, Odette Collon, Pierre Alechinsky, Jo Delahaut and Jean Rets...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 23/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Artist: Yaakov Agam (1928) Title: Five Visual Orchestrations Year: 1990 Medium: Silkscreen on Arches paper Edition: 12/72, plus proofs Size: 30.25 x 42 inches Condition: Good Inscrip...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Flat Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 55 Size: 24 x 24 in. (60.96 x 60.96 cm)

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 22/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 15/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract Turquoise Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lowe...

Offset lithograph print by Victor Vasarely 16 ⅛ x 16 inches About the Artist: Victor Vasarely (1906-1997) stands as a pioneering force in the realm of Op Art, heralded for his grou...

"Involution - Union 4B" Original Large-Scale Abstract Woodcut by Kazumi Amano Stunning Op-Art checkered color woodblock by Kazumi Amano (Japanese, 1927-2...

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 11/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. Edition 20/100. Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Peano Curves is an original Serigraph realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Excellent condition. Bruno Munari (...

Heatwave Barry Nelson, British/American (1937) Date: 1979 Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil Edition of AP Image Size: 29.5 x 20.25 inches ...

Early graphic work by the photographer Todd Smith during his period at Pratt Institute in the early 1970s. Edition of 250, unsigned and unnumbered, as issued.