Op Art Prints and Multiples

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Roy Ahlgren (American, 1927 - 2011) Concatenation, 1970 Silkscreen (Print), signed, titled and numbered in pencil Edition 31/100 Image Size: 18 x 18 inches Sheet 20.5 in H x 20 in L ...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Blue and Red Space Ilk Screen, 1971 Signed and dated lower right (see photo) editioned lower left (see photo) Edition: 75 (75/75) Sheet size: 22 1/8 x 29 7/8" Image: 21-7/8 x 29-5/8"...

Artist: Victor Vasarely (1908-1997) Title: DOR-OR Year: 1982 Medium: Silkscreen on Arches paper Edition: 96/325, plus proofs Size: 42.75 x 23.5 inches Condition: Good Inscription: Si...

The Agamograph is Yaacov Agam’s unique contribution to the OP Art movement. The object is a print behind a lenticular surface that fools the eye to show movement and three-dimensional depth. The “Yellow Abstraction” is hand-signed and numbered in marker by the artist. Yellow Abstraction Yaacov Agam, Israeli (1928) Date: circa 1980 Agamograph, signed and numbered in marker Edition of 39...

This serigraph was created by Austrian-American artist Anne Youkeles. She has said that her work has benefited from the permissiveness that has encouraged artists to follow their cre...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size: ...

A geometric abstract print by Japanese artist Takaaki Matsumoto. Computer Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 198 Size: 24 x 24 in. (60.96 x 60.96 cm)

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

A geometric abstract print by Japanese artist Takaaki Matsumoto. Cloud Takaaki Matsumoto, Japanese (1954) Date: 1991 Screenprint Edition of 125 Size: 24 x 24 in. (60.96 x 60.96 cm)

Faces of Dalí #1 is a serigraph on paper with an image size of 26 x 18 inches, signed 'Yvaral' lower right and numbered 91/200 lower left. From the edition of 263 (there were also 20...

This original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered from the edition of 275, this piece was publi...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

This serigraph was created by German Op artist Herbert Aach. Aach's prints play with geometry and form, and trick the viewer's eyes by juxtaposing bright neon colors. This print is s...

Considered a major force in the op art movement, Anuszkiewicz is concerned with the optical changes that occur when different high-intensity colors are applied to the same geometric ...

Signed in pencil lower right Published by Eugene Schuster, London Art Printer: Vistec, Rochester, New York Regular edition unrealized per Stanczak web site This annotated "H.C." ...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Faces of Dali #2 Year: 1977 Medium: Silkscreen on Arches paper Edition: 104/200, plus proofs Size: 34.75 x 24.375 inches Condi...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Skylight XVII Evelyn B. Johnson Date: 1981 Screenprint, signed, numbered, dated and titled in pencil Edition of 19/25 Image Size: 26 x 38 inches Size: 30 x 42 ...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

TRIDIM Gris Screen print, 1986 Signed in pencil lower right (see photo) Edition: 200 (76/200) From: portfolio enetitled "35 ans apres" Printed at Atelier Arcay, Paris, France Publisher: Park West Gallery...

This screenprint was created by American artist Josef Levi. Levi is especially known for his interest in the visual similarities that transcend cultures, like the pattern shown here....

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Faces of Dali #3 Year: 1977 Medium: Silkscreen on Arches paper Edition: IV/XX, 200, plus proofs Size: 34.75 x 24.375 inches Co...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Dawn of a New Era Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 145 Image Size: 18 x 25 inches Size: 22 x ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Safe Harbor Year: 1988 Medium: Serigraph, signed, titled, dated, and numbered in pencil Edition: 11/100 Size: 22 x 30 in. (55.88 x ...

This screenprint was created by American artist David Roth. Roth's images are proportioned according to a strict mathematical formula - the pictures are composed according to horizon...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

Artist: Josef Albers, German (1888 - 1976) Title: Portfolio I, Folio 33 from Formulation: Articulation Year: 1972 Edition Size:1000 Medium: Screenprint on Mohawk Superfine Bristol pa...

Artist: Peter Markgraf, Canadian (1924 - 2008) Title: Fugue VII Year: circa 1970 Medium: Screenprint, signed, numbered, and titled in pencil Edition: 56...

Hydra Roy Ahlgren, American (1927–2011) Date: 1980 Screenprint, signed, numbered, dated, and titled in pencil Edition of 17/50 Image Size: 17 x 23 inches Size: 20 x 26 in. (50.8 x 66...

A vintage screen print poster after minimalist, op artist Joseph Albers from 1968. The piece advertises and exhibit of paintings and graphic works at Denise Rene, a Paris Art Galler...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Exploded View Year: 1971 Medium: Screenprint, signed and numbered in pencil Edition: 50 Image Size: 17 x 17 inches Size: 20 x 20 i...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Tutankhamen Year: 1983 Edition: 150 Medium: Serigraph, signed and numbered in pencil Image Size: 25.5 x 18 inches Size: 30 x 22.5 ...

This serigraph was created by German artist Jurgen Peters. Peters was a very well known optical artist in the 1970s, he was a contemporary of Victor Vasarely, Yaacov Agam and Briget Riley...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Desert Icon VI Year: 1969 Medium: Screenprint, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size: 20 x 20 ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Aztec Year: 1983 Medium: Screenprint, signed and numbered in pencil Edition: 150 Image Size: 18 x 26 inches Size: 22.5 x 30 in. (57...

Artist: Roy Ahlgren, American (1927 - 2011) Title: City of New York Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 20 x 26 inches Size: 23 x 29 ...

Artist: Enrique Carbajal Sebastian, Mexican (1947 - ) Title: Tres Torres Year: 1982 Medium: Serigraph, signed and numbered in pencil Edi...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Desert Icon IV Year: 1968 Medium: Serigraph, signed and numbered in pencil Edition: 25 Image Size: 17 x 17 inches Size: 20 x 20 in....

Artist: Roy Ahlgren, American (1927 - 2011) Title: Eternal Vigilance Year: 1975 Medium: Serigraph, signed and numbered in pencil Edition: 60 Size: 26 x 20 in. (66.04 x 50.8 cm)

This swirling chrome and silver print is named in reference to the famous painting “Starry Night” by Vincent van Gogh. The spiral that pulls at the center of the composition is remin...

Artist: Ludwig Wilding, German (1927 - 2010) Title: Untitled - Circle Year: 1967 Medium: Lithograph, signed and numbered in pencil Edition: 38/100 Image Size: 15.5 x 15.5 inches Size...

Louise Marler Energetic Influence Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-1695 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you r...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Yaacov Agam Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you request. sheet: 13.5 X 13.5 inches Some of these works have beautiful Hebrew calligraphy and mod imagery, animals, children and such that are not usually found in his work. This is a masterpiece of bold, graphic, mod design. Along with Reuven Rubin and Menashe Kadishman he is among Israel's best known artists internationally. Biographical info: The son of a rabbi, Yaacov Agam can trace his ancestry back six generations to the founder of the Chabad movement in Judaism. in 1946, he entered the Bezalel Academy of Arts and Design in Jerusalem. Studying with Mordecai Ardon, a former student at the Weimar Bauhaus. Yaakov Agam has been associated h with “abstract” artists, “hard edge” artists, and artists such as Josef Albers and Max Bill. Others find in Agam’s work an indebtedness to the masters of the Bauhaus. Agam’s approach to art, being conceptual in nature, has been likened to Marcel Duchamp’s, who expressed the need to put art “at the service of the spirit.” And, because of Agam’s employment of color and motion in his art, he has been compared to Alexander Calder, the artist who put sculpture into motion. (Motion is not an end, but a means for Agam. Calder’s mobiles are structures that are fixed, revolving at the whim of the wind. In a work by Agam, the viewer must intervene.) Agam has also been classified as an “op art” artist because he excels in playing with our visual sensitivities. Agam went to Zurich to study with Johannes Itten at the Kunstgewerbeschule. There, he met Frank Lloyd Wright and Siegfried Giedion, whose ideas on the element of time in art and architecture impressed him. In 1955, Galerie Denise René hosted a major group exhibition in connection with Vasarely's painting experiments with movement. in addition to art by Vasarely, it included works by Yaacov Agam, Pol Bury, Soto and Jean Tinguely, among others. Most Americans were first introduced to Vasarely by the groundbreaking exhibition, "The Responsive Eye," at New York's Museum of Modern Art in 1965. Josef Albers, Richard Anuszkiewicz. The show confirmed Vasarely's international reputation as the father of Op art. Agam has sought to express his ideas in a non-static form of art. In his abstract Kinetic works, which range from paintings and graphics to sculptural installations and building facades. Agam continually seeks to explore new possibilities in form and color and to involve the viewer in all aspects of the artistic process. Thus, for the past 40 years, Yaacov Agam’s pioneering ideas have impacted developments in art, (painting, monoprint, lithograph and agamograph) architecture, theatre, and public sculpture. Reflecting both his Israeli Jewish...

The Exchequer - Victor Vasarely - 1935 Lithography Inscribed on the back "L'échiquier - Lithog (1935)". Paper size: 40x46cm Size of the work: 33x23cm Signature at bottom right in p...

Moon Rays Graphic Construction (three sheets layered in a shadow box presentation), 1967 Signed lower right. Editioned lower left. (see photos) Edition: 60 f...

Patrick Hughes (b.1939) Jazz 2016 hand painted multiple with archival inkjet 43.5 x 91.5 x 18.5 cm edition of 50 plus 10 AP Price: £7,200 GBP (inc. 20% UK VAT) Provenance: Direct f...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Signed and numbered in pencil Publisher: Eugene Shuster, London Arts Printer: Vistec Graphics, Rochester, New York Stamp verso: London Arts Copyright 1980 Edition: 175 (85/175)

Created in 1990, this original color serigraph is hand signed by Victor Vasarely (Pécs, 1906 - Paris, 1997) in pencil in the lower right margin. Numbered 270/300, this piece was prin...

Signed, dated, titled and numbered in pencil Edition: 150 (80/150) 15 color silk screen 12" round Provenance: Estate of the Artist By decent

Günter Fruhtrunk (German, 1923-1982) Farbbewegungen, 1970 Medium: Portfolio of 6 screenprints on cardstock Dimensions: each 65 x 90 cm Edition of 125: Each hand-signed and numbered i...

Carnival, 2000 Bridget Riley Sscreenprint in colours, on wove paper Signed, dated, titled and numbered from the edition of 75 (plus 10 artist's proof) Printed and published by Artiz...

Abstract composition in purple is an screen print realized by Victor Debach in 1970s. 50x70 cm. Edition 14/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Abstract composition in purple is a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 7/100 Handsigned in pencil on the right lower margin. Excellent conditions.