Op Art Prints and Multiples

Victor Vasarely (1906-1997) - The Fifty Years 6 ""Camocim"" Silkscreen / Serigraph from 1989. Edition of 100. Dimensions of work: 70 x 57 cm The work is in Excellent condition. ...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Convolution Year: 1978 Medium: Serigraph, signed and numbered in pencil Edition: 19/80 Image Size: 18 x 24 inches Size: 20 x 26 in....

Artist: Julian Stanczak (1928-2017) Title: Veiled (from Twelve Progressions) Year: 1971 Edition: 53/90, plus proofs Medium: Three color silkscreen on Fabriano paper Size: 32.25 x 26 ...

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Richard Anuszkiewicz Op Art Bowl for Hirshhorn Museum, 1976 Glazed Enamel on Metal Bowl. Artists Signature Fired in Plate Anuszkiewicz' signature fired ont...

An original hand-signed and numbered (edition 17/50) silkscreen by Ryo Tokita. Ryo Tokita is a Japanese born artist who emigrated to the United States in 1...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Ikon Year: 1976 Medium: Serigraph, signed and numbered in pencil Image Size: 17 x 17 inches Size: 20 x 20 in. (50.8 x 50.8 cm)

Medium: offset lithograph (after Vasarely). Printed in 1972 in Neuchatel, Switzerland on thick, high-gloss paper and published by Editions du Griffon...

Enterieur (Outside) Screen print, 1973 Signed lower right in pencil (see photo) Edition: A.P., annotated lower left corner Published by Edition Ltd., Indianapolis Image size: 21 3/4 ...

Victor Vasarely (1906-1997) - Kris Bille Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavide...

Victor Vasarely (1906-1997) Composition Screenprint in color Pencil signed lower right Edition 234/275 Image Size: 26"h x 26"w, Sheet (unframed): 31"h x 30"w Victor Vasarely...

Russell Dunbar, American (1927 - ) - Untitled, Year: circa 1970, Medium: Screenprint, signed and numbered in pencil, Edition: 100, Image Size: 23 x 23.25 inches, Size: 27 x 27.25 i...

Skylight XXXVII Evelyn B. Johnson Date: circa 1980 Screenprint, signed, numbered, and titled in pencil Edition of 9/25 Image Size: 36 x 26 inches Size: 41.5 x 30 in. (105.41 x 76.2 cm)

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Kinetic Composition is an original Contemporary artwork realized by Alvin Mavignier da Silva (Rio de Janeiro, 1925; Hamburg, 2018) in 1969. Original colored Silkscreen. Hand signed on the lower right with white pencil by the artist, dated on the lower left, stamped on the reverse with "HBK. Hamburg Edition Griffelkunst". Good conditions: lightly wave. Brazilian artist Almir da Silva Mavignier...

Artist: Jurgen Peters, German (1936 - ) Title: Rainbow Waves Year: 1981 Medium: Screenprint, signed and numbered in pencil Edition: 250, AP 30 Image Size: 18.5 x 34 inches Size...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Peano's Curves is an original print realized by Bruno Munari in 1993. Mixed colored lithograph. Hand-signed and numbered in pencil on the lower margin. Edition VII/XXX. Printed by...

Artist: Babe Shapiro, American (1937 - 2016) Title: Purple v. 1 Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 75 Image Size: 28 x 28 inches Size: 35 x 3...

Victor Vasarely (1906-1997) - Latorça Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm. Hand signed. The work is in Excellent condition.

Artist: Babe Shapiro, American (1937 - 2016) Title: Zarch III Year: 1971 Medium: Screenprint, signed in pencil Edition: AP Image Size: 30 x 22 inches Size: 33 x 25 in. (83.82 x 63.5 cm)

Negative - Positive is an original print realized by Bruno Munari in 1993. Mixed colored lithograph Hand-signed and numbered in pencil on the lower margin. Edition VII/XXX Printed...

Artist: Jurgen Peters, German (1936 - ) Title: Spur Year: 1981 Medium: Serigraph, signed and numbered in pencil Edition: 250, AP Image Size: 20 x 31.5 inches Size: 24 in. x 36...

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Victor Vasarely Planetary Folklore (Hand signed by Victor Vasarely), 1973 Hardback monograph with dust jacket Hand signed by Victor Vasarely on the first front end page 9 1/2 × 9 7/...

Abstract Pink Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower mar...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

Continuity is an original Screen Print on paper realized by Bruno Munari in 1980s. Very good condition on a white cardboard. No signature nor edition number. Bruno Munari (October...

Artist: Mark Rowland (American, 1953 - ) Title: Gamut Medium: Screenprint, signed, dated, and titled in pencil Edition 214/300 Size: 30 x 30 in. (76.2 x ...

Abstract Silver Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Limited edition of 100 copies numbered and signed by the artist with pencil on the lower m...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Michael Dal Cerro's prints could be seen as imaginary architectural proposals. He takes satisfaction in taking something that is supposed to be exact...

Our M.C.-2 Screen print, 1970 Signed in pencil lower right Chop stamp: Denise Rene Editeur, on lower left margin From: Album Charities Edition: 300 (35/300) Catalog raisonne states e...

Artist: Josef Levi, American (1938 - ) Title: Karen Year: 1972 Medium: Screenprint, signed and numbered in pencil Edition: 150; AP XII Image Size: 12 x 12 inches Size: 14 x 18 in. (3...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Gull Point Year: 1987 Medium: Silkscreen, signed, numbered, dated, and titled in pencil Edition: 100 Image Size: 25.5 x 18 inches ...

Screen printing on BFK Rives paper, edited in 1975. Limited edition of 200 copies , numbered as 42/200 in lower left corner.
 Hand-signed by artist in pencil in the lower right corne...

V from Double Metamorphosis Series Yaacov Agam, Israeli (1928) Date: Circa 1979 Screenprint on Arches, signed and numbered in pencil Edition of 180 Image Size: 27.5 x 42 inches Size:...

Victor Vasarely born in 1906 was a Hungarian-French artist, who is widely accepted as a "grandfather" and leader of the Op Art movement. Op Art is a form of abstract art that gives the illusion of movement by the precise use of pattern and color, or in which conflicting patterns emerge and overlap. Victor Vasarely and Brigit Riley are its most famous exponents. In its visual balancing act of color and movement from a flat plane to developed continuous flow “Untitled” is a complex arrangement of squares and colors that visually expand and contract. It is one of Vasarely’s most successful Op Art abstract works. The piece is signed on the lower right and number 20/150 on the lower left. The print is behind glass and matted. Vasarely was born in Pecs and grew up in Slovakia and Budapest, where in 1925, he took up medical studies. Abandoning medicine he turned to traditional academic painting at the private Podolini-Volkmann Academy. In 1928/1929, he enrolled at Sandor Bortnyik’s private art school widely recognized as Budapest's centre of Bauhaus studies. His studies concentrated on applied graphic art and typographical design. In 1929, he painted his Blue Study and Green Study. In 1930, he married his fellow student Claire Spinner (1908–1990). Together they had two sons, Andre and Jean-Pierre. Vasarely became a graphic designer and a poster artist during the 1930s combining patterns and organic images with each other. Vasarely utilized geometric shapes and colorful graphics, the artist created compelling illusions of spatial depth, as seen in his work Vega-Nor (1969). Vasarely’s method of painting borrowed from a range of influences, including Bauhaus design principles, Wassily Kandinsky, and Constructivism. In the late 1920s, Vasarely enrolled at the Muhely Academy in Budapest, where the syllabus was largely based on Walter Gropius’s Bauhaus school in Germany. After settling in Paris in 1930, Vasarely worked in advertising agencies to support himself as a graphic artist while creating many works including Zebra (1937), which is considered by some to be one of the earliest examples of Op Art. The artist experimented in a style based in Surrealism and Abstract Expressionism during the 1940s, before arriving at his hallmark checkerboard...

Hand signed and numbered limited edition print. David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil. . The strings are tied in bunches and closely hung tram a wooden bar. The size and shape of the string is similar to that at a canvas painting. Each bundle is represented by a vertical row at squares on the graph and the groupings at string are lined up along the wall according to the horizontal rows at the program. The six primary and secondary colors are used in their full intensity along with black, grey, and white. As a painter Roth works to formulate with color. Some painters regard color as a concomitant of form, hence a subordinate, but Roth's color is the chief medium of his pictorial language. A programmed juxtaposition at primary color allows Roth and the viewer to play upon various combinations. The graphs Roth executes are proportioned according to a strict mathematical formula - the pictures are Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas. One Man Shows 1966 The Gallery Upstairs, Buffalo, New York 1967 The Gallery Upstairs, Buffalo, New York 1969 The House of Graphics, New York 1969 Illinois Institute of Technology, Chicago, Illinois 1972 Robert Elkon Gallery, New York 1973 Robert Elkon Gallery, New York 1974 Robert Elkon Gallery, New York 1975 Michael Wyman Gallery, Chicago 1975 Robert Elkon Gallery, New York 1976 G.W. Einstein, New York 1976 Robert Elkon Gallery, New York 1977 Robert Elkon Gallery, New York 1977 G.W. Einstein, New York 1978 Sunne Savage Gallery, Boston, Massachusetts 1978 Robert Elkon Gallery, New York 1979 Nancy Roth Gallery, Katonah, New York Group Exhibitions 1967 State University of New York, Buffalo 1970 Ronald Feldman Gallery 1970 The Everyman Gallery 1971 Robert Elkon Gallery, New York 1972 The Brooklyn Museum, New York 1972 The Newark Museum, New Jersey 1972 Art...

Composition VII is an original serigraph realized by Franco Cannilla in 1971. The artwork is hand-signed in pen by the artist. Edition of 40 prints. ...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

This original screenprint in colours is hand signed in pencil by the artist “Vasarely” in the lower right margin. It is also hand numbered in pencil from the edition of 138, at the l...

Negative-Positive is an original screen print realized by Bruno Munari in 1991. Hand-signed and numbered with pencil by the artist on the lower margin. Good condition. Bruno Muna...

Blue Composition in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Limited edition of 100. Handsigned in pencil on the right lower margin. Excellent condition.

Abstract composition in purple in an original screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 18/100 Handsigned in pencil on the right lower margin. Excell...

A limited edition screenprint from the Inward Eye portfolio. The work bears the publishers stamp verso and is unsigned from the edition of 500. Artist: Richard Anuszkiewicz, America...

Artist: Julian Stanczak (1928-2017) Title: Trespass Year: 1979 Edition: 106/175, plus proofs Medium: Silkscreen on Somerset paper Size: 26.75 x 22.5 inches Condition: Good Inscriptio...

Yaacov Agam, Israeli (b. 1928) Hand signed, not individually numbered but from edition of 180. I can include a copy of the title sheet with the edition size and his signature if you ...

Artist: Jesus Rafael Soto, Venezuelan (1923 - 2005) Title: Ovalo Verde Year: 1980 Medium: Screenprint on Arches, signed and numbered in pencil Edition: 150, AP 25 Paper Size: 22 in. ...

Artist: Yvaral, Jean-Pierre Vasarely (1934-2002) Title: Faces of Dali #4 Year: 1977 Medium: Silkscreen on Arches paper Edition: IX/XX, 200, plus proofs Size: 34.75 x 24.375 inches Co...

Artist: James Norman, American (1927 - 2011) Title: Winter Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 40/50 Image Size: 22 x 32 inches Size: 25 x 38 in. (...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Conceptual Perspective II Year: 1969 Medium: Serigraph, signed and numbered in pencil Edition: 100 Image Size: 17 x 17 inches Size:...

Hand signed and numbered. Edition of 100 prints. On headed paper.

Victor Vasarely (1906-1997) - The Fifty Years 2 Silkscreen / Serigraph from 1989. Edition of 100. Dimensions of work: 70 x 57 cm The work is in Excellent condition. Fast and sec...

Artist: Yaakov Agam (1928) Title: Wash Art Year: 1978 Medium: Silkscreen on wove paper Size: 38.5 x 23.25 inches Condition: Excellent Inscription: Signed in colored ink Notes: Publis...

Abstract composition in purple in a screenprint realized by Victor Debach in 1970s. 50x70 cm. Edition 16/100 Handsigned in pencil on the right lower margin. Excellent conditions.

Artist: Roy Ahlgren, American (1927 - 2011) Title: Extrinsic Year: 1974 Medium: Screenprint, signed and numbered in pencil Edition: 50 Image Size: 17 x 17 inches Size: 20 x 20 in. (5...

Abstract Green Composition is a Screen Print on Paper realized by Victor Debach in 1970s. Hand-signed. Limited edition of 100 copies numbered and signed by the artist with pencil o...

Victor Vasarely (1906-1997) - Balaton Silkscreen / Serigraph from 1989. Edition of 250. Dimensions of work: 47 x 37.5 cm Reference: Catalogue Raisonné Vol I par Pedro Benavides n...

Luminous Op Art print by David Roth. Nicely matted and framed in black. Untitled 25 David Roth, American (1942) Date: 1979 Screenprint, signed and numbered in pencil Edition of 150 ...