Victorian Prints and Multiples
to
12
382
91
15
4
3
Overall Width
to
Overall Height
to
20,640
19,639
10,643
5,837
5,276
2,641
1,476
1,394
1,155
809
773
421
341
192
28
22
20
16
11
26
327
139
3
8
2
1
1
26
265
229
1
199
99
96
74
66
48
37
33
29
29
27
26
26
20
17
15
14
14
12
10
335
100
74
74
46
49
25
127
40
Style: Victorian
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
George Washington, early 19th century portrait engraving
Located in Melbourne, Victoria
'Giorgio Washington'
Stipple engraving by Giovanni Antonio Sasso (active 1809-1816) after Jean Bosio (1767-1832), 1818.
220mm by 155mm (platemark)
295mm by 220mm (sheet)
George W...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Engraving
Playmates, mezzotint of child and cat by Cousins after Hugues Merle
By Samuel Cousins
Located in Melbourne, Victoria
Hugues Merle was a French painter who mostly depicted sentimental or moral subjects. Samuel Cousins was a highly regarded mezzotint engraver.
350mm by 2...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Mezzotint
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
Impatiens puberula (Soft Pink Balsam) /// Antique Botanical Flowers Plant Print
Located in Saint Augustine, FL
Artist: Nathaniel Wallich (Danish, 1786-1854)
Title: "Impatiens puberula (Soft Pink Balsam)" (Plate 193)
Portfolio: Plantae Asiaticae Rariores; or, Descriptions and Figures of a Select Number of Unpublished East Indian Plants
Year: 1830-1832
Medium: Original Hand-Colored Lithograph on J. Whatman paper
Limited edition: 254
Printer: Engelmann, Graf, Coindet & Co., London, UK
Publisher: Richard Taylor for Treuttel & Würtz, London, UK
Reference: Nissen BBI No. 2099; Pritzel No. 9957; Stafleu-Cowan No. 16583; Dunthorne No. 326
Sheet size: 21.13" x 14.13"
Condition: Has been professionally stored away for decades. In excellent condition with strong colors
Rare
Notes:
Provenance: private collection - Aspen, CO. Lithography by Maltese artist...
Category
1830s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
MacIntosh - Chief (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
MacIntosh - Chief (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descripti...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Florida Cormorant /// John James Audubon Ornithology Bird Art Natural History
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Florida Cormorant" (Plate 417, No. 84)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 1,200
Printer: John T. Bowen, Philadelphia, PA
Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA
Sheet size: 6.5" x 10.44"
Image size: 3.75" x 6.25"
Condition: Some minor discoloration upper center in margin. In excellent condition with strong colors
Notes:
Provenance: private collection - Cleveland, OH. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs.
Based on a composition painted in the Florida Keys on April 26, 1832, Audubon's forty-seventh birthday.
The double-crested cormorant (Nannopterum auritum) is a member of the cormorant family of water birds. It is found near rivers and lakes and in coastal areas and is widely distributed across North America, from the Aleutian Islands in Alaska down to Florida and Mexico. Measuring 70–90 cm (28–35 in) in length, it is entirely black except for a bare patch of orange-yellow facial skin and some extra plumage that it exhibits in the breeding season when it grows a double crest in which black feathers are mingled with white. Five subspecies are recognized. It mainly eats fish and hunts by swimming and diving. Its feathers, like all cormorants, are not waterproof, and it must dry them out after spending time in the water. Once threatened by the use of DDT, the numbers of this bird have increased markedly in recent years.
To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category
1840s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
Kiwi, Apteryx Owenii, New Zealand bird lithograph with hand-colouring, c1875
Located in Melbourne, Victoria
'Apteryx Owenii Juv.' (Young Grey Kiwi)
From G.D. Rowley's, 'Ornithological Miscellany', 1875 - 78.
Johannes Gerardus Keulemans (1842 - 1912) was a Dutch bird...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Star Chart. Antique Astronomy celestial print
Located in Melbourne, Victoria
Colour lithograph, 1890. 210mm by 285mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
19th century lithograph caricature black and white satirical figurative print
Located in Milwaukee, WI
"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair.
Artwork Size: 8 1/2" x 10 3/4"
Frame Size: 17 3/4" x 20 1/4"
Artist Bio:
Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century.
French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
Category
1860s Victorian Prints and Multiples
Materials
Lithograph
Carte du Bresil, antique 1860s engraved map of Brazil
Located in Melbourne, Victoria
'Carte du Bresil'
Engraving with original outline colouring, circa 1860, by Alexandre Vuillemin, published in Paris.
31cm by 41cm (sheet)
21.5cm by 31.5cm (image)
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
The Clan of Macauley (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan of Macauley (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descri...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
The Clan Colquhoun (Tartan), Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Clan Colquhoun (Tartan)
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descript...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Ashdod. Tinted lithograph after David Roberts, 1855.
Located in Melbourne, Victoria
'Ashdod', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travelled throughout Egypt an...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Lithograph
The Rob Roy Tartan, Scottish Scotland art design lithograph print
Located in Melbourne, Victoria
The Rob Roy Tartan
Chromolithograph. 1886. From 'The Tartans of the Clans of Scotland', by James Grant, 1886.
365mm by 265mm (sheet).
Accompanied by a sheet of descriptive text.
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Large Classical Bird Color Print after John James Audubon - Painted Finch
Located in Cirencester, Gloucestershire
Classical Bird print,
after John James Audubon,
printed by Harry N. Abrams, Publishers, New York
unframed, 17 x 14 inches color print on pap...
Category
20th Century Victorian Prints and Multiples
Materials
Color
La Mode de Paris, French late 19th century colour fashion illustration engraving
Located in Melbourne, Victoria
'La Mode de Paris'
Wood-engraving with original hand-colouring.
French 1870s fashion illustration, from a series called 'La Mode de Paris'. Signed in ...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Engraving
Michigan, Northern Part. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Michigan, Northern Part'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5cm by 40cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Michigan, Southern Part. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Michigan, Southern Part.'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 40cm by 29.5cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
1st Violin Duke of Edinburgh: 19th C. Vanity Fair Caricature by Ape (Pellegrini)
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of "First Violin " Prince Alfred, Duke of Edinburgh and Saxe-Coburg and Gothan by Ape (Carlo Pellegrini)...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
German anatomical medical antique lithograph - Veins in the Legs
Located in Melbourne, Victoria
German anatomical medical antique lithograph - Veins in the Legs
From Lorenz Oken's (1779-1851) "Naturgeschichte für alle Stände" (Natural History for...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Lithograph
Large Classical Bird Color Print after John James Audubon - Cat Bird
Located in Cirencester, Gloucestershire
Classical Bird print,
after John James Audubon,
printed by Harry N. Abrams, Publishers, New York
unframed, 17 x 14 inches color print on pap...
Category
20th Century Victorian Prints and Multiples
Materials
Color
La Mode de Paris, French late 19th century colour fashion illustration engraving
Located in Melbourne, Victoria
'La Mode de Paris'
Wood-engraving with original hand-colouring.
French 1870s fashion illustration, from a series called 'La Mode de Paris'. Signed in ...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Engraving
Sea Birds, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Sea Birds
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Prints and Multiples
Materials
Engraving
Sea Birds, English antique bird engraving print, 1879
Located in Melbourne, Victoria
Sea Birds
Wood-engraving with original colouring. 1879.
160mm by 245mm (sheet).
Key below the image. From Oliver Goldsmith's 'A History of the Earth and Animated Nature'.
Category
Late 19th Century Victorian Prints and Multiples
Materials
Engraving
Michel Grove, Sussex English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Michel Grove, Seat of Thomas Walker Esq'.
Michel Grove was a house in Sussex which Humphrey Repton was commissioned to landscape.
Published by Rudo...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Etching, Engraving, Aquatint
Vicinity of London, England, United Kingdom. Century Atlas antique map
Located in Melbourne, Victoria
'The Century Atlas. Vicinity of London, England, United Kingdom.'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Italy, Northern Part. Century Atlas antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Italy, Northern Part.'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5cm by 40cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Killerton, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Killerton, Seat of Sir Thos. Dyke Ackland Bt MP'.
Killerton is an 18th-century house in Broadclyst, Exeter, Devon. It was built for the Acland family in 1778. The garden was creat...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Etching, Engraving, Aquatint
Capture of the La Vengeance, 1800. English Regency naval colour aquatint, 1816
By Thomas Whitcombe
Located in Melbourne, Victoria
Thomas Sutherland (1785-1838) after Thomas Whitcombe (1760-1824)
'Capture of the La Vengeance, Aug 21st, 1800'
Colour aquatint engraving from 'The N...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Aquatint
White-fronted Shearwater, Sea Bird lithograph with hand-colouring, 1928
Located in Melbourne, Victoria
'Calonectris Leucomelas (White-Fronted Shearwater)'
Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Norfolk and Lord Howe Isla...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
Pericrocotus Flammeus (Orange Minivet) /// John Gould Ornithology Animal Bird
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881)
Title: "Pericrocotus Flammeus (Orange Minivet)" (Vol. 2, Plate 8)
Portfolio: The Birds of Asia
Year: 1850-1883
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 235
Printer: Hullmandel & Walton, T. Walter or Walter & Cohn, London, UK
Publisher: Taylor and Francis, John Gould, London, UK
Reference: Anker No. 178; Nissen No. IVB 368; Sauer No. 17, Zimmer page 258; Wood page 365; Sitwell page 102
Sheet size: 21.38" x 14.57"
Image size: 16.25" x 10"
Condition: Faint UV stain to sheet and light toning at edges. Remnants of mounting tape from previous framing at top edge on verso. Has been professionally stored away for decades. In excellent condition with strong colors
Very rare
Notes:
Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's seven volume "The Birds of Asia", (1850-1883) (First edition), which consists of 530 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Asia" was Gould's last work before his death. Gold gilded edges as issued.
The orange minivet is a brightly colored bird in the cuckooshrike family, Campephagidae. It is found all along the Western Ghats and west coast of India and Sri Lanka.
Biography:
John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
Category
1850s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
Mexico. Century Atlas antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Mexico.'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5cm by 40cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Nablous, The Ancient Shechem. tinted lithograph after David Roberts, 1855.
Located in Melbourne, Victoria
'Nablous, The Ancient Shechem', tinted lithograph after David Roberts RA.
Signed in stone lower right. Printed title below the image. Roberts travell...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Lithograph
Rockbear House, Devon, English Regency country house colour aquatint, 1818
Located in Melbourne, Victoria
'Rockbear House, Seat of Thos Porter Esq'.
Rockbear House was originally built c. 1760-70 and owned by Sir John Duntze, the wealthy Exeter woollen merchant and banker. About 1820 t...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Etching, Engraving, Aquatint
Townsend's Cormorant /// John James Audubon Ornithology Bird Art Natural History
Located in Saint Augustine, FL
Artist: John James Audubon (American, 1785-1851)
Title: "Townsend's Cormorant" (Plate 418, No. 84)
Portfolio: The Birds of America, First Royal Octavo Edition
Year: 1840-1844
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 1,200
Printer: John T. Bowen, Philadelphia, PA
Publisher: John James Audubon and J.B. Chevalier, New York, NY and Philadelphia, PA
Sheet size: 10.13" x 6.5"
Image size: 4.38" x 5"
Condition: Light toning to sheet. Some light foxing and small areas of discoloration. Remnants of mounting tape from previous framing on verso. The white background was recently also hand-colored. In otherwise good condition with strong colors
Notes:
Provenance: private collection - Nashville, TN; acquired from a gallery in Nashville, TN. Lithography and hand-coloring by American artist John T. Bowen (1801-c.1856). Comes from Audubon's famous seven volume portfolio "The Birds of America", First Royal Octavo Edition (1840-1844), which consists of 500 hand-colored lithographs.
Based on a composition probably painted in London in 1838, from a specimen obtained near the mouth of the Columbia River.
Brandt's cormorant is a strictly marine bird of the cormorant family of seabirds that inhabits the Pacific coast of North America. It ranges, in the summer, from Alaska to the Gulf of California, but the population north of Vancouver Island migrates south during the winter.
To make 'The Birds of America' more affordable and widely available, in 1839 John James Audubon began the first octavo edition, a smaller version of the folio which was printed and hand-colored by J. T. Bowen in Philadelphia. Employing a new invention, the camera lucida, the images were reduced in size, rendered in intermediate drawings by John James Audubon and his son John Woodhouse, and then drawn onto lithographic stones. These miniatures exhibit a remarkable amount of attention to quality and detail, as well as a meticulous fidelity to the larger works. Some compositional changes were made in order to accommodate the smaller format. Like the Havell edition, John James Audubon’s first...
Category
1840s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
Tamarin (Tamarind), French botanical herbal medicinal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Engraving
Large Classical Bird Color Print after John James Audubon - Baltimore Oriole
Located in Cirencester, Gloucestershire
Classical Bird print,
after John James Audubon,
printed by Harry N. Abrams, Publishers, New York
unframed, 17 x 14 inches color print on pap...
Category
20th Century Victorian Prints and Multiples
Materials
Color
English early 20th century, An Irish Hare and a Mountain hare in a landscape
Located in Woodbury, CT
Wonderful Vintage Archibald Thorburn colored chromolithograph.
The colors are amazing, giving the painting a really great appearance .
Printed circa 1919, the picture is inscribed ...
Category
1910s Victorian Prints and Multiples
Materials
Paper
Lord Howe Island Crow-Shrike, Bird lithograph with hand-colouring, 1928
Located in Melbourne, Victoria
'Strepera Crissalis (Lord howe Island Crow-Shrike)'
Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of N...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Maps for the Northern Hemisphere. Antique Astronomy star constellation print
Located in Melbourne, Victoria
Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Valeriane (Valerian), French botanical medicinal herbal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Engraving
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Parrot-billed Grosbeaks", "White backed Coly", "Banksian Cockatoo", and "Variegated Tanager"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 5.75" x 4.75"
Condition: "Parrot-billed Grosbeaks" and "White backed Coly" have light offsetting to their sheets. "Banksian Cockatoo" and "Variegated Tanager" have moderate offsetting to their sheets. The "Variegated Tanager" also has a few light spots of discoloration at top in margins. They are all otherwise in good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Parrot-billed Grosbeaks" and "Variegated Tanager" have an unidentified "1821" watermark lower right and upper right respectively. "Banksian Cockatoo" as a partially visible "1820?" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Ancient Rome /// Joseph Mallord William Turner City River Landscape Engraving
Located in Saint Augustine, FL
Artist: (after) Joseph William Mallord Turner (English, 1775-1851)
Title: "Ancient Rome"
Portfolio: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Josep...
Category
1860s Victorian Prints and Multiples
Materials
Engraving
Aegiothus Linaria (Common Redpoll) /// John Gould Ornithology Bird Lithograph
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881)
Title: "Aegiothus Linaria (Common Redpoll)" (Vol. 3, Plate 51)
Portfolio: The Birds of Great Britain
Year: 1862-1873
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 750
Printer: Walter or Walter & Cohn, London, UK
Publisher: Taylor and Francis, John Gould, London, UK
Reference: Sauer No. 23; Ayer/Zimmer page 261; Wood page 365; Nissen No. IVB 372; Sitwell page 78
Sheet size: 21.63" x 14.75"
Image size: 13.75" x 10.5"
Condition: Faint UV stain to sheet. Remnants of mounting tape from previous framing on verso. Has been professionally stored away for decades. In excellent condition with strong colors
Very rare
Notes:
Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's five volume "The Birds of Great Britain", (1862-1873) (First edition), which consists of 367 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Great Britain" is recognized as Gould's greatest work. Gold gilded edges as issued.
The common redpoll or mealy redpoll is a species of bird in the finch family. It breeds somewhat further south than the Arctic redpoll, also in habitats with thickets or shrubs.
Biography:
John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
Category
1860s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
Set of Four Hand-Colored Ornithological Engravings by John Latham /// Bird UK
By John Latham
Located in Saint Augustine, FL
Artist: John Latham (English, 1740-1837)
Title: "Kamtschatkan Thrush", "Spotted-sided Grosbeak", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak"
Portfolio: A General History of Birds
Year: 1821-1828 (second edition)
Medium: Set of Four Original Hand-Colored Engravings on watermarked wove paper
Limited edition: Unknown
Printer: Jacob & Johnson, Winchester, UK
Publisher: John Latham, Winchester, UK
Reference: Brunet III, 872; Lowndes II, page 1314; Fine Bird Books page 87; Nissen IVB 532; Zimmer page 376
Sheet size (each): approx. 11.25" x 8.88"
Image size (each): approx. 4.5" x 4.5"
Condition: "Kamtschatkan Thrush", "Crimson-bellied Flycatcher", and "Black-headed Grosbeak" have some light offsetting to their sheets. "Spotted-sided Grosbeak" has some minor foxmarks and some light discoloration upper left in margin. They are all otherwise in very good condition with strong colors
Rare
Notes:
Provenance: acquired from Christie's, New York, NY, December 19, 1990. Comes from Latham's famous eleven volume portfolio "A General History of Birds" (1821-1828) (second edition), which consists of 193 hand-colored prints, made from engraved plates. "Kamtschatkan Thrush" and "Crimson-bellied Flycatcher" have an unidentified "1821" watermark lower right and upper right respectively. "Spotted-sided Grosbeak" has a "1820" watermark lower right.
Biography:
John Latham (27 June 1740 – 4 February 1837) was an English physician, naturalist and author. His main works were A General Synopsis of Birds (1781–1801) and General History of Birds (1821–1828). He was able to examine specimens of Australian birds...
Category
1820s Victorian Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Southwest View of Sherborne Abbey Church /// History of Dorset English Engraving
Located in Saint Augustine, FL
Artist: John Hutchins (English, 1698-1773)
Title: "Southwest View of Sherborne Abbey Church" (Plate 15)
Portfolio: The History and Antiquities of the County of Dorset
Year: 1861-1870...
Category
1860s Victorian Prints and Multiples
Materials
Engraving
Calvary of the Holy Sepulchre
Located in London, GB
David Roberts R.A.
1796 - 1864
CALVARY - HOLY SEPULCHRE
First Edition lithograph
Full plate: 26
Presented in a acid free mount
Modern hand-coloured lithograph for the first editi...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)
Located in Saint Augustine, FL
Artist: George Brookshaw (English, 1751-1823)
Title: "Pears (Bergamot de Chantilly, Bouchee, Winter Sweet Sugar Pear, Bishop's Thumb)" (Plate LXXIX)
Portfolio: Pomona Britannica, or A Collection of the Most Esteemed Fruits
Year: 1808 (First edition)
Medium: Original Aquatint and Stipple Engraving with Printed and Hand-Coloring on wove paper
Limited edition: Unknown
Printer: T. Bensley, London, UK
Publisher: George Brookshaw, London, UK
Reference: Dunthorne No. 50; "Great Flower Books" - No. 81; Nissen BBI No. 244; "An Oak Spring Pomona" No. 40a; Prideaux No. 295
Framing: Framed in a silver/gold moulding
Framed size: 22.94" x 18.88"
Sheet size: approx. 22.25" x 17.5"
Image size: 16.25" x 12.25"
Condition: Light toning to sheet. One unobtrusive foxmark lower center right. In otherwise very good condition
Rare
Notes:
Provenance: private collection - Orlando, FL; acquired from The Old Print Shop, New York, NY retaining their original gallery label lower center on verso. Comes from Brookshaw's famous book volume "Pomona Britannica", (1804-1812) which consists of 90 aquatint engravings some with stipple printed...
Category
Early 1800s Victorian Prints and Multiples
Materials
Watercolor, Engraving, Aquatint
Lepidoptera (Butterflies) /// Scottish Natural History Zoology Animal Engraving
Located in Saint Augustine, FL
Artist: William MacGillivray (Scottish, 1796-1852)
Title: "Lepidoptera (Butterflies)" (Plate XII)
Portfolio: The Edinburgh Journal of Natural History, and of The Physical Sciences
Ye...
Category
1830s Victorian Prints and Multiples
Materials
Watercolor, Engraving, Intaglio
Iris /// Antique Natural History Botany Botanical Flower Art Science Garden
By Pierre Corneille Van Geel
Located in Saint Augustine, FL
Artist: Pierre Corneille Van Geel (Flemish, 1796-1838)
Title: "Iris"
Portfolio: Sertum Botanicum
Year: 1828 (first edition)
Medium: Original Hand-Colored Lithograph on wove paper
Lim...
Category
1820s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
Mid 19thCent. Kings Hall Party Session, Athelhampton, Dorsetshire by Joseph Nash
By Joseph Nash
Located in Soquel, CA
Historical mid-19th century hand tinted lithograph and a lively scene of men and women engaging in a light hearted game of the era by artist Joseph Nash (British, 1808-1878). Signed ...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Watercolor, Lithograph
El Deir, Petra
Located in London, GB
Available in the First Edition lithograph
Full plate: 90
Presented in a acid free mount
We only sell the original 19th century lithographs by David Roberts, please read the informa...
Category
19th Century Victorian Prints and Multiples
Materials
Lithograph
Soldanella Alpina Alpine Soldanella /// English Botanical Flower Engraving Print
Located in Saint Augustine, FL
Artist: William Curtis (English, 1746-1799)
Title: "Soldanella Alpina Alpine Soldanella" (Vol. 2, Plate 49)
Portfolio: The Botanical Magazine; or, Flower-Garden Displayed
Year: 1788 ...
Category
1780s Victorian Prints and Multiples
Materials
Watercolor, Laid Paper, Engraving, Intaglio
Front Elevation of The Great Temple of Aboo Simbel
Located in London, GB
Front Elevation of The Great Temple of Aboo Simbel
First edition lithograph
Full plate: 169
Presented in a acid free mount
£2,600
Scroll down for more information.
Roberts reached A...
Category
19th Century Victorian Prints and Multiples
Materials
Lithograph
Ben Lawers /// George Fennell Robson Antique Scottish Landscape Engraving Scene
Located in Saint Augustine, FL
Artist: (after) George Fennell Robson (English, 1788-1833)
Title: "Ben Lawers" (Plate 18)
Portfolio: Scenery of the Grampian Mountains
Year: 1819 (Second edition)
Medium: Original Ha...
Category
1810s Victorian Prints and Multiples
Materials
Watercolor, Aquatint
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
Victorian prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Victorian prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Sir Leslie Ward, John James Audubon, George Cruikshank, and Philippe Benoist. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Victorian prints and multiples, so small editions measuring 4.34 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $30,458, while the average work sells for $173.