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Style: Victorian
England and Wales, Northern Part. Century Atlas antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. England and Wales, Northern Part'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5cm by 40cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Africa. North-East Part. Century Atlas antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Africa. North-East Part'
Original antique map, 1903.
Inset map of 'Nile Delta and Suez Canal'.
Central fold as issued. Map name and nu...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern...
Category
19th Century Victorian Prints and Multiples
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Prints and Multiples
Materials
Lithograph
Suggestions in Floral Design, Frederick Hulme, 19th century chromolithograph
By Frederick William Hulme
Located in Melbourne, Victoria
Chromolithograph, 1878. The gold colour is actually metallic and shiny.
From Frederick William Hulme's 'Suggestions in Floral Design', a late Victorian pattern book for interior des...
Category
19th Century Victorian Prints and Multiples
Materials
Lithograph
Washington. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Washington'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5cm by 40cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Grand Cricket Match at Lord's Ground, Marylebone, sport engraving, 1793
Located in Melbourne, Victoria
Title : 'Grand Cricket Match, played in Lord's Ground Mary-le-bone, on June 20th and following day between the Earl's of Winchelsea and darnley for 1000 Guineas.'
Publication line ...
Category
1790s Victorian Prints and Multiples
Materials
Engraving
South Dakota. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. South Dakota.'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5cm ...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Massachusetts, Eastern Part. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. Massachusetts, Eastern Part'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 40cm by 29.5cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
New York. Northern and Eastern Part. USA Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. New York. Northern and Eastern Part'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 40cm by 29.5c...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
New York, Western Part. USA. Century Atlas state antique vintage map
Located in Melbourne, Victoria
'The Century Atlas. New York, Western Part'
Original antique map, 1903.
Central fold as issued. Map name and number printed on the reverse corners.
Sheet 29.5cm by 40cm.
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Capture of the La Vengeance, 1800. English Regency naval colour aquatint, 1816
By Thomas Whitcombe
Located in Melbourne, Victoria
Thomas Sutherland (1785-1838) after Thomas Whitcombe (1760-1824)
'Capture of the La Vengeance, Aug 21st, 1800'
Colour aquatint engraving from 'The N...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Aquatint
For the 'Times', Vanity Fair legal chromolithograph of a judge, 1889
Located in Melbourne, Victoria
Vanity Fair legal portrait of John Patrick Murphy QC.
380mm by 260mm (sheet)
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
German anatomical medical antique lithograph - Veins in the Legs
Located in Melbourne, Victoria
German anatomical medical antique lithograph - Veins in the Legs
From Lorenz Oken's (1779-1851) "Naturgeschichte für alle Stände" (Natural History for...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Lithograph
Goodfellow's Tree Kangaroo, New Guinea, natural history lithograph, 1936
Located in Melbourne, Victoria
'Dendrolaugus Goodfellowi Goodfellowi'
Tree kangaroo native of New Guinea.
From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions ...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Galerie Chiaramonti, Vatican, Rome, Italy. Classical sculpture. Lithograph, 1870
Located in Melbourne, Victoria
'Musee du Vatican - Galerie Chiaramonti (Pie VII) avec l'entree de la Salle dite le Bras Nouveau'
Tinted lithograph by Philippe Benoist (1813-1881). Titled in French and Italian.
F...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Slow and Steady, Vanity Fair legal chromolithograph of a judge, 1900
Located in Melbourne, Victoria
Vanity Fair legal portrait of Justice Gainsford Bruce.
Sir Leslie Matthew Ward was a British portrait artist and caricaturist who over four decades painted 1,325 portraits which wer...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Hindoo No 2, Grammar of Ornament, Owen Jones, late 19th century, 1868
By Owen Jones
Located in Melbourne, Victoria
Chromolithograph, 1868.
From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of O...
Category
19th Century Victorian Prints and Multiples
Materials
Lithograph
Dr Robert Spicer, Vanity Fair medical portrait chromolithograph, 1902
Located in Melbourne, Victoria
'Rhinology'
Vanity Fair portrait of Dr Robert Spicer, 'a specialist in matters relating to ears, noses and throats'.
Accompanied by original descriptive text.
380mm by 260mm (sh...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Cricket Match, Victorian English sporting lithograph, circa 1850
Located in Melbourne, Victoria
'Cricket Match'
Tinted lithograph with hand-colouring after the picture by Rev Tatton Winter.
340mm by 430mm (sheet)
Category
1830s Victorian Prints and Multiples
Materials
Lithograph
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
Gillingham Mill, Dorsetshire. Mezzotint by Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Gillingham Mill, Dorsetshire'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Mezzotint
Tamarin (Tamarind), French botanical herbal medicinal flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818.
Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840)
From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Engraving
On the Stour, tinted lithograph of cattle, by Thomas Sydney Cooper, 1837
Located in Melbourne, Victoria
'At Smithfield Market'
Tinted lithograph with white highlights by Thomas Sidney Cooper, from 'Thirty-Four Subjects of Cattle', published in 1837 by Thos. McLean, Ackermann and Tilt....
Category
1830s Victorian Prints and Multiples
Materials
Lithograph
Large Classical Bird Color Print after John James Audubon -Iceland Or Ler Falcon
Located in Cirencester, Gloucestershire
Classical Bird print,
after John James Audubon,
printed by Harry N. Abrams, Publishers, New York
unframed, 17 x 14 inches color print on paper
condition: very good
provenance: from...
Category
20th Century Victorian Prints and Multiples
Materials
Color
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Located in Soquel, CA
"Church of St. Aignan Chartres" Etching in Ink on Paper (Demonstration Plate)
Delicate and detailed drypoint etching of the Church of St. Aignan in Chartres, France by John Taylor Arms (American, 1887-1953). The viewer stands in an alley near the church, looking out of the shadows at the sunlit towers. The architectural details of the church are well-captured, including the texture of the stone walls, the roof, and ornamental detail.
Titled, signed, dated, and inscribed along the bottom edge:
Sketch, Saint Aignon, Chartres John Taylor Arms 1950
The inscription includes details about production, as well as a dedication "To my friends Georgia and Jasper Mathews, with my sincerest good wishes"
Presented in a wood frame with an off-white mat.
Frame size: 12.5"H x 9.25"W
Image size: 7"H x 4.5"W
John Taylor Arms was born in Washington, DC in 1887. He studied law at Princeton University, transferring to the Massachusetts Institute of Technology, Boston, to study architecture, graduating in 1912. After serving as an officer in the United States Navy during World War I, he devoted himself full-time to etching. He published his first original etchings in 1919.
His initial subject was the Brooklyn Bridge in New York City near which he worked. Arms developed a successful career as a graphic artist in the 1920s and 1930s, specializing in series of etchings of Gothic churches and cathedrals in France and Italy. In addition to medieval subjects, Arms made a series of prints of American cities.
He used sewing needles and magnifying glasses to get a fine level of detail. A member of many printmaking societies, Arms served as president of the Society of American Graphic Artists. An educator, Arms wrote the Handbook of Print Making and Print Makers (1934) and did numerous demonstrations and lectures. Arms was elected into the National Academy of Design as an Associate member in 1930, and became a full member in 1933. His work was also part of the painting event in the art competition at the 1932 Summer Olympics...
Category
1940s Victorian Prints and Multiples
Materials
Paper, Ink, Drypoint, Etching
Hindoo No 3, Grammar of Ornament, Owen Jones, late 19th century, 1868
By Owen Jones
Located in Melbourne, Victoria
Chromolithograph, 1868.
From Owen Jones' 'Grammar of Ornament', 1868. Welshman Owen Jones first published his monument to design, the Grammar of Ornament, in instalments for subscri...
Category
19th Century Victorian Prints and Multiples
Materials
Lithograph
Dendrolaugus Inustus Keiensis, Indonesian tree kangaroo lithograph, 1936
Located in Melbourne, Victoria
'Dendrolaugus Inustus Keiensis'
Tree kangaroo native of Kei Island, South Molucca, Indonesia.
From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, publish...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Grizzled Tree Kangaroo, New Guinea natural history animal lithograph, 1936
Located in Melbourne, Victoria
'Dendrolaugus Dorianus Dorianus'
Tree kangaroo native to New Guinea.
From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions of th...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
John Seymour Lucas, Vanity Fair artist portrait chromolithograph 1899
Located in Melbourne, Victoria
'A Connoisseur'
Vanity Fair portrait of John Seymour Lucas (1849-1923) who was a Victorian English historical and portrait painter as well as an accompl...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Vanity Fair Caricature, Rev. Edgar Sheppard "A Great Marrier" by Spy
Located in Alamo, CA
Vanity Fair color chromolithograph caricature of Rev. Edgar Sheppard "A Great Marrier" by Spy (Leslie Ward) March 14, 1904 from the "Clergymen" series....
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Shawmayer's Tree Kangaroo, New Guinea natural history animal lithograph, 1936
Located in Melbourne, Victoria
'Dendrolaugus Goodfellowi Shawmayeri'
Tree kangaroo native to New Guinea.
From 'On the Genus Dendrolagus' by Lionel Walter Rothschild and Guy Dollman, published in 'Transactions ...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Robert Ball, astronomer, Vanity Fair portrait chromolithograph, 1905
Located in Melbourne, Victoria
'Popular Astronomy'
Vanity Fair portrait of Irish astronomer Sir Robert Stawell Ball (1840-1913). In 1867 he became Professor of Applied Mathema...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Luke Fildes, painter, Vanity Fair artist portrait chromolithograph, 1892
Located in Melbourne, Victoria
'He painted '"he Doctor"'
Vanity Fair portrait of Sir Samuel Luke Fildes, KCVO, RA (1843-1927) who was an English painter and illustrator born at Liverpo...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Edward Poynter, painter, Vanity Fair artist portrait chromolithograph, 1897
Located in Melbourne, Victoria
'PRA'
(President of the Royal Academy)
Vanity Fair portrait of Sir Edward John Poynter, 1st Baronet, PRA, who was an English painter, designer, ...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the brother of the great botanical artist Pierre Joseph Redout...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
India (Southern Sheet), English antique map by Alexander Keith Johnston, 1901
Located in Melbourne, Victoria
'India (Southern Sheet)', antique lithographic map by Keith Johnston.
Inset maps of 'Bombay Island & Town', 'Madras & Environs', and 'South-Eastern Provinces of India'.
Central vertical fold as issued.
495mm by 625mm (sheet)
Alexander Keith...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Sheep by coast, antique colour aquatint engraving, circa 1800
Located in Melbourne, Victoria
Sheep by coast.
Colour etching, circa 1800.
20cm by 26cm (sheet)
16cm by 20cm (platemark)
Category
19th Century Victorian Prints and Multiples
Materials
Etching
Sir Richard Steele's Cottage, Hampstead Rd Mezzotint after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'Sir Richard Steele's Cottage, Hampstead Road'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic landscape...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Mezzotint
Shells, French 18th century natural history marine sea shell engraving
Located in Melbourne, Victoria
18th century natural history engraving depicting shells by Robert Benard after Henry Joseph Redoute.
Henry Redoute was the bro...
Category
Late 18th Century Victorian Prints and Multiples
Materials
Engraving
'40 HP in a dinghy', Vanity Fair naval portrait chromolithograph, 1906
Located in Melbourne, Victoria
'The Cavalry Division'
Vanity Fair portrait of Admiral Sir Compton Edward Domvile GCB GCVO (1842-1924) who was a distinguished Royal Navy officer in the Edwardian era.
390mm by 26...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Lord Howe Island White-Eye and others, Bird lithograph with hand-colouring, 1928
Located in Melbourne, Victoria
'Lord Howe Island White-Eye and others'
Limited edition lithograph with original hand colouring by Henrik Gronvold. From Mathews 'The Birds of Norfolk and L...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Lionel Charles Palairet, Vanity Fair cricket portrait chromolithograph, 1903
Located in Melbourne, Victoria
'Repton, Oxford & Somerset'
Vanity Fair portrait of Lionel Charles Hamilton Palairet (1870-1933) who was an English amateur cricketer who played for Somerset and Oxford University....
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
A Cottage in a Cornfield. Mezzotint by David Lucas after John Constable, 1855
By David Lucas
Located in Melbourne, Victoria
'A Cottage in a Cornfield'
Mezzotint on steel by David Lucas (1802-1881) after John Constable (1776–1836).
From 'English Landscape Scenery', 1855. John Constable RA was an English Romantic...
Category
Mid-19th Century Victorian Prints and Multiples
Materials
Mezzotint
Gregor MacGregor, Empire Cricketeer, Scottish cricket sport portrait lithograph
Located in Melbourne, Victoria
Gregor MacGregor was a Scottish wicketkeeper for Middlesex and England.
Tayler was an English artist who was a member of the Royal Academy of Painters. He was a cricketer himself, a...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
Henry Searle, rower, Vanity Fair rowing portrait chromolithograph, 1889
Located in Melbourne, Victoria
'H Searle, Professional Champion Sculler of the World'.
Vanity Fair rowing portrait of Henry Searle (1866-1889), an Australian sculler who raced in...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Slender-Billed Cockatoo, Bird Chromolithograph, circa 1885
Located in Melbourne, Victoria
Colour woodblock, finished by hand, by Benjamin Fawcett (1808-1893) after Alexander Francis Lydon (1836-1917).
From WT Greene's 'Parrots In Captivity'. Alexander Francis Lydon was a...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
Set of Two Hand-Colored Lithographs from Roscoe's "Monandrian Plants" /// Botany
Located in Saint Augustine, FL
Artist: William Roscoe (English, 1753-1831)
Title: "Maranta Arundinacea (Arrowroot)" and "Phrynium Grandiflorum"
Portfolio: Monandrian Plants of the order Scitamineae, Chiefly Drawn ...
Category
1820s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
Love and Death.
Located in Storrs, CT
Love and Death (after George Frederic Watts, R.A., H.R.C.A. 1817 - 1904). 1900. Mezzotint. Hardie 71 between i and ii. 24 1/2 x 12 (sheet 27 1/4 x 13 3/ 8). Edition 350 in state one. London, Published May 1st 1900 by Robert Dunthorne ,5 Vigo Street, London W. Rubbing and discoloration from a previous mat in the margins, well outside the image. A rich proof printed on Japon paper. Signed in pencil by Watts and by Short. Housed in an archival folder
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Winged Love...
Category
Early 1900s Victorian Prints and Multiples
Materials
Mezzotint
Myzanthe Ignipectus (Fire-breasted Flowerpecker) /// John Gould Ornithology Bird
By John Gould
Located in Saint Augustine, FL
Artist: John Gould (English, 1804-1881)
Title: "Myzanthe Ignipectus (Fire-breasted Flowerpecker)" (Vol. 2, Plate 40)
Portfolio: The Birds of Asia
Year: 1850-1883
Medium: Original Hand-Colored Lithograph on wove paper
Limited edition: approx. 235
Printer: Hullmandel & Walton, T. Walter or Walter & Cohn, London, UK
Publisher: Taylor and Francis, John Gould, London, UK
Reference: Anker No. 178; Nissen No. IVB 368; Sauer No. 17, Zimmer page 258; Wood page 365; Sitwell page 102
Sheet size: 21.38" x 14.57"
Image size: 16" x 9.75"
Condition: Light toning to sheet. Has been professionally stored away for decades. In excellent condition with strong colors
Extremely rare
Notes:
Provenance: private collection - Aspen, CO. Lithography and hand-coloring by John Gould and English artist Henry Constantine Richter (1821-1902). Comes from Gould's seven volume "The Birds of Asia", (1850-1883) (First edition), which consists of 530 hand-colored lithographs. Other contributing lithographers were German artist Joseph Wolf (1820-1899) and Irish artist William Hart (1830-1908). "The Birds of Asia" was Gould's last work before his death. Gold gilded edges as issued.
The fire-breasted flowerpecker is a species of bird in the family Dicaeidae found in the Indian Subcontinent and Southeast Asia. Like other flowerpeckers, this tiny bird feeds on fruits and plays an important role in the dispersal of fruiting plants.
Biography:
John Gould FRS (14 September 1804 – 3 February 1881) was an English ornithologist and bird artist. He published a number of monographs on birds, illustrated by plates that he produced with the assistance of his wife, Elizabeth Gould, and several other artists including Edward Lear, Henry Constantine Richter, Joseph Wolf and William Matthew Hart. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, "On the Origin of Species".
Category
1850s Victorian Prints and Multiples
Materials
Watercolor, Lithograph
The German Chapel in St. James Palace, A 19th Century Hand Colored Engraving
By Charles Wild
Located in Alamo, CA
A hand-colored engraving of the interior The German Chapel, St. James Palace in London, England from 'The History of the Royal Residences of Windsor Castle, St. James Palace, Carlton House, Kensington Palace, Hampton Court, Buckingham House, and Frogmore', commissioned by the British Royal Family. The work is one of the finest depictions of interiors ever published. The engraving was created by Daniel Havel (1786-1826) after a painting by Charles Wild (1781-1835) and published by William Henry Pyne (1770–1843) in 1819.
The print is presented in a gold-colored wood museum style frame and an elaborate light grey French mat with highlighted gold and royal blue bands. A certificate of authenticity from Trowbridge Gallery...
Category
Early 19th Century Victorian Prints and Multiples
Materials
Aquatint
The Merry Beaglers restrike aquatint by John Harris after Harry Hall
Located in London, GB
John Harris after Harry Hall
The Merry Beaglers
Restrike print - c. mid twentieth century
48x65cm
Aquatint with hand colouring
The most famous beagling...
Category
Mid-20th Century Victorian Prints and Multiples
Materials
Aquatint
Sir Henry James, Statesman: 19th C. Vanity Fair Caricature by Pellegrini (Ape)
Located in Alamo, CA
A Vanity Fair chromolithograph caricature of Sir Henry James, M.P., ("Nervous"), Statesman by Ape (Carlo Pellegrini) March 7, 1874, No. 164 from the ...
Category
Late 19th Century Victorian Prints and Multiples
Materials
Lithograph
'Impromptu', Mark Hambourg, Vanity Fair musician caricature portrait, 1908
Located in Melbourne, Victoria
'Impromptu'
Chromolithograph. 1908.
Vanity Fair portrait of Mark Hambourg (1879-1960) who was a distinguished Russian-British concert pianist, among the most famous of his age.
...
Category
Early 20th Century Victorian Prints and Multiples
Materials
Lithograph
English victorian Gentlemen playing Crown Bowls
Located in Woodbury, CT
Cecil Charles Windsor Aldin, was a British artist and illustrator best known for his paintings and sketches of animals, sports, and rural life. Aldin executed village scenes and rura...
Category
Early 1900s Victorian Prints and Multiples
Materials
Lithograph, Handmade Paper
The Merry Beaglers engraving by John Harris after Harry Hall's 1845 painting
Located in London, GB
John Harris after Harry Hall
The Merry Beaglers
c. 1845
48x65cm
Aquatint with hand colouring
The most famous beagling print there is, after the 1845 pa...
Category
1840s Victorian Prints and Multiples
Materials
Aquatint
Victorian prints and multiples for sale on 1stDibs.
Find a wide variety of authentic Victorian prints and multiples available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. If you’re looking to add prints and multiples created in this style to introduce contrast in an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple and other colors. Many Pop art paintings were created by popular artists on 1stDibs, including Sir Leslie Ward, John James Audubon, George Cruikshank, and Philippe Benoist. Frequently made by artists working with Lithograph, and Engraving and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Victorian prints and multiples, so small editions measuring 4.34 inches across are also available. Prices for prints and multiples made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $65 and tops out at $30,458, while the average work sells for $173.