Boy Prints and Multiples

Prints from this series are in the Permanent Collections of Konstmuseet i Skövde in Sweden and Durham University Art Collection in the UK. Stein's Armored for Today's Events print...

Published by S. Lipschitz & Son, London. Print Sz: 11"H x 14"W Frame Sz: 16 1/4"H x 19 1/4"W Artist: Thomas Worth (1834 -1917) An illustrator, Thomas Worth was one of the best-kn...

This new series consists of capturing a positive thought from a negative situation. Today we live in a negative world situation with the war between Russia and Ukraine. That's why I ...

Charles Pachter is one of the most collected and cherished Canadian artists. His iconic, uplifting, and patriotic images have independently earned their place in the nation's museum...

Lithograph in colors, on Arches paper. Hand signed, dated & numbered by the artist. Edition of 150. Published by David R. Godine Publishers and the Center for Constitutional Rights...

Classic English (5 custom framed) jockeys on c1930s Player's Cigarettes cards Image Sz: 6 1/2"H x 5"W Frame Sz: 15"H x 13"W

A fantastic original pop art screenprint, from an edition of 50 on 300gsm. 24 colour print (plus gloss varnish over image). Print has a white border. Print size 50cm x 70cm All pr...

the painting is being offered with a work and authenticity certificate

Art Sz: 5 3/4"H x 5 5/8"W Frame Sz: 10 3/8"H x 10 3/8"W Property from the Estate of Paula Peyraud

Hand Signed Artist Proof. Lithograph Measures 22 x 29in. Good Condition, small fold in the top right corner.

Portrait photography archival pigment print, Limited edition 1/20 by Luciana Pampalone ( American, 1963) .The art work is entitled " Games People Play" featuring a lady and gentlemen...

HENRI MATISSE 1869-1954 (Emile Benoît) Le Cateau-Cambrésis 1869-1954 Nice (French) Title: Frontal Nude, Right Leg Folded Nu de face, jambe droite repliée, 1929 Technique: Original...

Edition of 30 & hand signed by the artist Marco Santaniello is an Italian artist born in 1981 who lives & works in Cosenza, Calabria in Italy. He started his path doing Pop Portraits and in front of his “rainbow wall...

Original Flip-Lenticular Print by Drew Klausner

Original silver gelatin print on Ilford Multigrade fibre base 255 gsm paper, numbered in black pen to verso from the edition of 35, artist’s name blindstamp lower right, publisher’s ...

Edition 1 of 3 Our lives are filled with a lot of stories and experiences which we rarely talk about. Life is ultimately about self and each person has a different story to tell. Two people can be in the same place but they have different experiences. My works tell stories from everyday occurrences, dreams and premonitions from past times to recent times and sometimes possible future events. I am inspired by the unuttered thoughts, feelings and expressions of people. My works are usually one colour but I sometimes use other mediums like gouache, ballpoint pens and the likes to further express my thoughts in my works. I first came across linocut printmaking at my Alma Mata AHMADU BELLO UNIVERSITY, ZARIA and I loved the monochrome effect despite the detailing it takes to produce each artwork. At the end of the day, if a viewer can reflect on each piece not only for its beauty but feeling a sense of nostalgia I have succeeded in my work . Nneka Chima...

Eduardo Recife The Sound, 2018 Digital Collage Archival Pigment Print Framed 44 x 30 inches Edition of 5

This piece can be framed for an additional $1,500. 4" white border

Edition of 8 Signed, titled and numbered. From the series: Vietnam Remembrances After receiving his MFA at the University of Texas in 1966, Don Schol was drafted into the Army and ...

A highly-evocative original 1940s Peter László Péri etching in a museum-grade frame. Framed size: 45 x 52.5cm Mounting: Raised-float mounted using ...

Sara Jimenez Tropical Bounds A, 2018 Pigment print on Hotpress 25 x 12.5 inches Edition of 18 Publisher: Eminence Grise Editions Printer: Andre Ribuoli.

It is a limited series of 5 copies. Printing on 315gr fine art paper with a white border of around 2 cm. Color photography mixed media digital collage.

Print Sz: 20 1/2"H x 12"W Frame Sz: 26 1/2"H x 18"W

Published by S. Lipschitz & Son, London. Print Sz: 11"H x 14"W Frame Sz: 16 1/4"H x 19 1/4"W Artist: Thomas Worth (1834 -1917) An illustrator, Thomas Worth was one of the best-kn...

Colourful pair of Chinese theatrical masked characters Fig. No. 123 (Cheng En) & Fig. No. 124 (Yang Chi-lang) from the folio Le Theatre Chinois published 1935 in Peking Art Sz: 9" x...

The painting is being offered with a work and authenticity certificate

Hand signed, dated and inscribed "Study" by the artist. Hand embellished by the artist. A unique variation. Artwork is in excellent condition. Certificate of Authenticity included....

Lithograph that is signed and numbered.

Richard Lindner, German/American (1901 - 1978) - Couple, Portfolio: After Noon Portfolio, Year: 1969, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 25 x...

TWO WORLDS, FACES OF THE FUTURE is a hand drawn, limited edition color lithograph by the renowned American artist Romare Bearden, printed using hand lithography techniques on archival Arches printmaking paper, 100% acid free. TWO WORLDS, FACES OF THE FUTURE is a multicolored collage landscape portraying a mysterious, jigsaw-shaped starry night sky in shades of deep blue, hues of bright green, golden yellow, and touches of red. In the foreground of TWO WORLDS, FACES OF THE FUTURE two human figures stand face to face exchanging stars beneath a celestial blue sky showered with twinkling lights. Bearden created this image bearing in mind the importance of advancement through education. This very unique Romare Bearden lithograph...

PLAYMATES is an original hand drawn limited edition lithograph by the highly acclaimed African-American woman artist Elizabeth Catlett, master printmaker and sculptor best known for her depictions of the African-American experience. PLAYMATES portrays a colorful portrait of two black children playing; a young girl and boy artistically expressed featuring fabric scraps used for the girl's cobalt blue dress and for the boy's blue and white pin striped shirt creating a collage effect in this eye-catching composition by Elizabeth Catlett. Attractive color palette comprised of bright lemon yellow, cobalt blue, turquoise, warm red, warm brown, golden ochre, and black. From the FOR MY PEOPLE suite of prints, a set of 6 lithographs illustrating the well known 1942 poem by Margaret Walker. "For my playmates in the clay and dust and sand of Alabama backyards playing baptizing and preaching and doctor and jail and soldier and school and mama and cooking and playhouse and concert and store and hair and Miss Choomby and company;" stanza from the poem FOR MY PEOPLE by Margaret Walker...

This artwork is from the famous portfolio "Against Apartheid" which was released in 1983. This portfolio contains works by Roy Lichtenstein, Antoni Tàpies, Robert Rauschenberg or Arm...

THE LAMP is a hand drawn limited edition color lithograph by the renowned American master artist Romare Bearden, proofed and printed using hand lithography in 19 colors plus silver f...

John Baldessari (June 17, 1931 - January 2, 2020, American) Helmsmen (With Various Fires) 1989-1990 Sugar lift, spit bit, aquatint and photogravure in colors on three sheets of Somer...

Donald Baechler Boy with Guitar, 1988 Woodcut in stenciled handmade paper print in colors 35 x 34 1/2 inches (88.9 x 87.6 cm) each Edition 12/22

Donald Baechler Girl with Suitcase, 1988 Woodcut in stenciled handmade paper print in colors 35 x 34 1/2 inches (88.9 x 87.6 cm) each Edition 12/22

Created by Keith Haring in 1989, Pop Shop IV (A) is an original screenprint in colors on wove paper created by the artist in 1989, and is hand-signed in pencil, dated and numbered. ...

Created in 1986, this color screenprint on Lenox Museum Board is hand signed by Andy Warhol (Pennsylvania, 1928 - New York, 1987) in pencil in the lower left. A unique work inscribed ‘TP’ (trial proof) and numbered 7 from the edition of 36 unique trial proofs; aside from the edition of 250; published by Ronald Feldman Fine Arts, Inc., New York; printed by Rupert Jasen Smith, New York. Andy Warhol Cowboys and Indians Series: Andy Warhol’s Cowboys and Indians series of 1986 consists of ten prints each depicting their own respective subject—John Wayne, Annie Oakley, Kachina Dolls, Geronimo, Buffalo Nickel, Tonto, Theodore Roosevelt, General George Custer, Plains Indian Shield, and Northwest Coast Mask. Featuring images of famous American Western icons, Warhol’s series explores the relationship between Native Americans and Hollywood's portrayal of them in Western films. Warhol, being fascinated with celebrity culture, uses these famous figures to examine ways in which fame and popular culture intersect with history and myth. The Cowboys and Indians series was also created during a time at which Warhol was exploring his own Native American heritage. His mother was of Ruthenian and Carpatho-Rusyn descent, but Warhol claimed that his father was of Slovakian and Native American ancestry. Overall, the Cowboys and Indians series reflects Warhol's interest in American culture and history, as well as his fascination with celebrity and the intersection of art and commerce. This screenprint is part of a portfolio of works Warhol created in 1986 titled Cowboys and Indians. Other works in the Cowboys and Indians Series include General Custer, Sitting Bull, Kachina Dolls, Geronimo, Annie Oakley, War Bonnet Indian, Buffalo Nickel, Action Picture, Northwest Coast Mask, Plains Indians Shield, Mother and Child, Indian Head Nickel, and Teddy Roosevelt. Catalogue Raisonné: Andy Warhol Plains Indian Shield...

Lithograph on Toyoshi #80, 1979. Signed, dated and numbered from an edition of 100. Printed and published by Gemini G.E.L., Los Angeles. (Gemini 834)

Banksy (after) Visit Historic Palestine Color Offset Lithograph on fine paper Year: 2018 Dry Stamp, Embossed Logo in the lower Left Corner Siz...

From the Artist: You are just a fantasy in my head. It is difficult to explain. Our love blossomed into an eternal dream and there we were lost. You look...

Hebru Brantley Beyond the Beyond, 2018. Set of 4 Hebru Brantley Flyboy’s, each new in original packaging. Medium: Painted cast vinyl. Dimensions: 9 x 8 x 4 inches (22.9 x 20.3 x 10.2 cm). Each new in its original packaging. From a sold out edition of unknown; published by Hebru Brantley, Billionaire Boys Club & BAIT. Artist Statement: "Flyboy came out of characters of colour within popular culture. I hate saying “popular culture,” but it’s really popular culture. I mean you look at cartoons. You’ve got animated sponges and ducks and birds and whatever, and it’s very rare to see a popular character within any medium that is African-American, Latino, even Asian. What I wanted to do was create that, but in a space of high art and be able to have some historical context to that character. So I looked at the Tuskegee Airmen...

Elizabeth Catlett “Man” 1975 (The Print Club of Cleveland Publication Number 83, 2005) Woodcut and Color Linocut Printed in 2003 at JK Fine Art Editions Co., Union City, New Jersey Signed and Dated By The Artist Lower Right Titled Lower Left Ed. of 250 Image Size: approx 18 x 12 inches Elizabeth Catlett (1915-2012) is regarded as one of the most important women artists and African American artists of our time. She believed art could affect social change and that she should be an agent for that change: “I have always wanted my art to service black people—to reflect us, to relate to us, to stimulate us, to make us aware of our potential.” As an artist and an activist, Catlett highlighted the dignity and courage of motherhood, poverty, and the working class, returning again and again to the subject she understood best—African American women. The work below, entitled, “Man”, is "carved from a block of wood, chiseled like a relief. Catlett, a sculptor as well as a printmaker, carves figures out of wood, and so is extremely familiar with this material. For ‘Man’ she exploits the grain of the wood, allowing to to describe the texture of the skin and form vertical striations, almost scarring the image. Below this intense, three-dimensional visage parades seven boys, printed repetitively from a single linoleum block in a “rainbow roll” that changes from gold to brown. This row of brightly colored figures with bare feet, flat like a string of paper dolls, raise their arms toward the powerful depiction of the troubled man above.” Biography: Elizabeth Catlett (1915-2012) Known for abstract sculpture in bronze and marble as well as prints and paintings, particularly depicting the female figure, Elizabeth Catlett is unique for distilling African American, Native American, and Mexican art in her work. She is "considered by many to be the greatest American black sculptor". . .(Rubinstein 320) Catlett was born in Washington D.C. and later became a Mexican citizen, residing in Cuernavaca Morelos, Mexico. She spent the last 35 years of her life in Mexico. Her father, a math teacher at Tuskegee Institute in Alabama, died before she was born, but the family, including her working mother, lived in the relatively commodious home of his family in DC. Catlett received a Bachelor of Arts degree from Howard University, where there was much discussion about whether or not black artists should depict their own heritage or embrace European modernism. She earned a Master of Fine Arts degree in 1940 from the University of Iowa, where she had gone to study with Grant Wood, Regionalist* painter. His teaching dictum was "paint what you know best," and this advice set her on the path of dealing with her own background. She credits Wood with excellent teaching and deep concern for his students, but she had a problem during that time of taking classes from him because black students were not allowed housing in the University's dormitories. Following graduation in 1940, she became Chair of the Art Department at Dillard University in New Orleans. There she successfully lobbied for life classes with nude models, and gained museum admission to black students at a local museum that to that point, had banned their entrance. That same year, her painting Mother and Child, depicting African-American figures won her much recognition. From 1944 to 1946, she taught at the George Washington Carver School, an alternative community school in Harlem that provided instruction for working men and women of the city. From her experiences with these people, she did a series of paintings, prints, and sculptures with the theme "I Am a Negro Woman." In 1946, she received a Rosenwald Fellowship*, and she and her artist husband, Charles White, traveled to Mexico where she became interested in the Mexican working classes. In 1947, she settled permanently in Mexico where she, divorced from White, married artist Francisco Mora...

Peter Paul Portfolio "Portrait #14 - Peter Paul" with Karin Szekessy 5 x Color Lithographs on Arches 3 x Phototypes (Lichtdrucke) Year: 1973 Edition: 80 (one sheet editioned 75) Size...

In the permanent collection of the Museum of Modern Art in New York (object number 466,1982), One More and We will be More than Halfway There was created by Robert Rauschenberg as a ...

Versaweiss Feathered up Peacock II, 2016 Archival pigment print and acrylic color spray on archival mat paper 50 x 50 cm Unique Don’t Kill Bambi: The studio 54 phenomenon repo...

Presenting a sheet after French artist Fernand Leger. Originally acquired at an Los Angeles gallery exhibition of Leger's lithography in 1961, this is the first time it has been available to sale since originally purchased. The original poster from this Leger exhibition...

Isca Greenfield-Sanders Yellow Suit Bather, 2006 Color aquatint etching Plate: 21 x 21 inches; Sheet: 32 x 31 1/4 inches Edition of 50

Beginning with vintage slides, Greenfield-Sanders breaks down photographic images, and rebuilds them as her own. Putting the image through various incarnations, she grids and paints...