Boy Prints and Multiples

Medium: lithograph (after the painting). Printed in Paris in 1954 at the atelier of Mourlot Frères in an edition of 2000. Sheet size: 12 1/4 x 9 1/2 inches (315 x 245 mm). Not signed.

Medium: serigraph (after Lindner). Printed in 1971 and published by Ives-Sillman. Image size: 9 3/4 x 6 3/4 inches (247 x 173 mm). Not signed.

Original WWII poster: A British "Commando" raid on a German-held port in Norway. Back Them Up! Linen backed and ready to frame. Printed in England...

Striking lithograph in green of fantasy creature by French artist Aristide Caillaud, 1963. Signed in pencil lower right. Original artwork on paper ...

Nubian Fisherman Thomas McKnight, American (1941) Screenprint, signed and numbered in pencil Edition of 64/200 Image Size: 16 x 18 inches Frame Size: 30 x 31 inches

Lithograph on vélin d'Arches à la forme savoir paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Dans l'Atelier de Picasso, 1957. Published by Fernan...

Engraving after Luca Penni

The 1983 Soviet poster titled I Would Be a Champion is a compelling artifact from the USSR's rich history of sports promotion and Olympic enthusiasm. This original poster exemplifies...

Purple Make Up By Sun-kyo Park ​Sun-Kyo Park is a South Korean visual artist born in 1990 in Jeonju, South Korea. He earned a degree in Visual Design from Hoseo University in 2015 ...

Marsha Feigin's print Slam, brings home the drama we all love about tennis. She GETS IT! There's something about the energy and maybe torque of the body here that makes us think "I ...

Zeal harris's art is often colorful, funny, deep and full of life. under the surface, these micro-narratives offer socio-political commentary about a range of larger issues that ofte...

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

This artwork Titled "Olympia" c.1970 is an original etching by New Orleans artist David L. Abel, b.1940. It is hand signed, titled and numbered 9/150 in pencil by the artist. The ima...

History of Injustice is an original Screen Print realized by Ibrahim Kodra in 1980s. Very good condition on a white cardboard. Hand signed with pencil by the artist on the lower ri...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Lithograph on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Ballade du Soldat, 34 Lithographies Originales de Max Ernst, 1972. P...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Beggars receiving Alms at the Door of a House, Year: of Original: 1648, Medium: Etching, Image Size: 7.5 x 5.5 inche...

Golf Player is an artwork realized by Victor Spahn in the second half of the 20th century. Colored lithograph on paper. Hand-signed in pencil on the low...

C Baldwin - Visitation, Year: 1963-1967, Medium: Etching, signed, titled, numbered and dated in pencil, Edition: AP, Image Size: 27.75 x 12 inches, Size: 3...

Vintage chinese woodcut print depicting a theatrical mask. Realized in the mid-20th Century. Framed under glass.

'The Honourable Lady Stanhope' Anne Hussey (Delaval), Lady Stanhope (died 1811) was the wife of Sir William Stanhope of Whig Park. James Watson (c1739-...

China Trade aquatint engraving. The plate was engraved by Dadley in London after drawings by Pu Qua of Canton and published in 1799 by W. Miller of Bond Street in London. Sight size 11.5 by 9.5 inches. Under glass. Silver leaf frame with wear consistent with age. Overall framed measurements are 13.5 by 11.5 inches. Not examined out of frame. Borghese label verso. Provenance: Sarasota collector. Inscriptions read as follows: Pu-Qua. Canton. Delin. Dadley, London, Sculpt. Published May 4, 1799, by W. Miller, Old Bond Street, London. John Dadley...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Jan Six, Year: of Original: 1647, Medium: Etching, Image Size: 9.5 x 7.5 inches, Size: 18 x 15 in. (45.72 x 38.1 c...

Miya is a woodcut print realized by Utagawa Hiroshige in 1833.  It is part of the suite "The Fifty-three Stations of Tokaido". Very good condition.

Ange Du Jugement Marc Chagall 1974 Vintage French Galerie Poste AFTER MARC CHAGALL Marc Chagall (1887-1985) was a pioneering Russian-French artist,...

Paper Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Image Size: 12.25 x 9.5 inches ( 31.115 x 24.13 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addi...

Marc Chagall Fables : The Bird Harmed by an Arrow , 1952 Original etching Printed signature in the plate Numbered 61 / 85 On Montval vellum 39 x 28 cm (c. 15 x 11 in) With COA of th...

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

Silkscreen on vélin papier Ingres de chez Arjomari-Prioux paper. Inscription: signed in the plate and unnumbered, as issued. Good condition. Notes: from the folio, Nous croyons en l'...

Original Gladiator Cycles. Artist: Gaston Noury. Stone lithograph that has professional archival linen backing. Size: 36" 49". C. 1889. Stone lithograph. Very good condition; ready to frame. The Gladiator Cycle Company, Clément-Gladiator (from 1896), was a French manufacturer of bicycles. The inside of all of the bicycle rims are done in gold or gold foil. Gold is also used in the flowers around the big ring that reads Gladiator. It doesn’t appear that this early bicycle had any brakes, so she may need that angel resting on her shoulder! Fold marks restored during linen backing, ready to frame. There is some waves at the bottom right, but no paper loss or damage. Antique bicycle posters have been and will be very collectible. This original Gaston Noury original stone lithograph is now challenging to find in any condition. Original linen-backed turn-of-the-century antique vintage bicycle...

This rare exhibition poster was created for the Nasher Sculpture Center in Dallas, featuring Tahitian Woman, a striking wood sculpture by Paul Gauguin. Produced in a very small editi...

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. A set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted (matted) and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Four color process print on vélin paper. Paper size: 10.75 x 9.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, George Condo, Drawing Paintings, 201...

The 1959 original movie poster for "Babette va alla guerre" by the celebrated artist Putzu is a delightful piece of cinematic and artistic history. This poster was created to promote...

Original Lithograph by Jean Cocteau Title: Profil Signed Dimensions: 60 x 44 cm

William Hogarth was an English painter and engraver, the outstanding British artist of his period. During his childhood, his father, a schoolteacher, was imprisoned for debt, and this early experience of the seamy side of life left a deep mark on Hogarth (much of his output is concerned with the contrast between success and failure, and he depicted prisons in several works). He trained as an engraver of silver plate and by 1720 had set up his own business in London, doing various kinds of commercial work. In his spare time he studied painting, first at the St Martin's Lane Academy and later under Sir James Thornhill, whose daughter he married in 1729. By the early 1730s he had achieved some success as a painter of conversation pieces and at about the same time he invented the idea of using a sequence of anecdotal pictures ‘similar to representations on the stage’ to point a moral and satirize social abuses. From a set of 12 original engravings illustrating Industry and Idleness, after the drawings by William Hogarth, printed in 1833. The engravers are F Jordan, E Smith, C Armstrong, S Davenport, H Adlard, W H Worthington, H Fernell, A Duncan and F F Walker. The engravings, which are in excellent condition, would be mounted and ready to frame Edward Smith (fl. 1823-49) The landscape, figure, and portrait engraver Edward Smith may have been a native of Edinburgh but appears to have worked mostly in London. His earliest recorded plates...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8.625 x 6.375 inches Inscription: Unsigned and unnumbered, as issued Notes: From t...

Paper Size: 30 x 22 inches ( 76.2 x 55.88 cm ) Image Size: 13 x 22 inches ( 33.02 x 55.88 cm ) Framed: No Condition: A: Mint Additional Details: Hand signed, dated, labeled PP (Prin...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...

'Catching the Badger' Colour aquatint by Mathew Dubourg (1786-1838) after Franz Joseph Manskirch (1768-1830). From Samuel Howitt's 'Foreign Field Sports...

Artist: Alice Asmar American (1929- ) Title: Harvest Dancers Year: 1980 Medium: Lithograph Sight size: 20.5 x 29.25 inches. Sheet size: 22 x 30 inches. Signature: Signed lower right Edition: 100. This one: 8/100 Condition: Very good Unframed This print by Alice Asmar (1929- ) is in very good never-framed condition with no flaws to note. American contemporary artist of Lebanese and Greek descent, Alice Asmar's art is often inspired by her love of nature, combined with a deep respect for native American culture, her work evolved into Southwestern themes of Indian Ceremonial Dance-Dramas, Indian portraits and landscapes. Her parents moved to Portland, Oregon when she was just a baby. She started drawing and painting at a very early age. Alice was considered a child prodigy; she was winning awards and recognition before the age of 10. The artwork of her early years was inspired by the splendors of nature, from the inscrutable pines and ancient sculptured rocks along the Oregon Coast to the mysterious ocean mists. She Graduated magna cum laude from Lewis and Clark College in Portland and obtained her Master's of Fine Arts Degree at The University of Washington in Seattle. Soon after graduating she accepted a job as an engineering drafter at Boeing Aircraft in Seattle. Her Assignment was clearing top secret drawings for air-to-ground missile. Alice worked for Boeing for less than a year. They offered her an engineering scholarship but she decided to go back to the art she loved doing from she was a child. In 1954, Alice received her teaching certificate from the University of Washington after which she taught art at Lewis & Clark (1955 to 1958). After studying and traveling throughout the Near East, France, Switzerland, Italy, Yugoslavia, Turkey, The Greek Islands, Greece and Lebanon, Asmar set up studios in California, New Mexico and Oregon. Today, She works in an 800 - square-foot studio that she designed with four skylights and is located behind her home in Burbank, California. A master of several media, Asmar is distinguished for her many techniques which include paintings in Oil, casein and Acrylic, drawing in ink, pencil and pastel, collage, tapestry, books, lithography, etching, Engraving on metal on plexiglas, portraits, murals and banners. Her hand engraving of innovative designs for dinner and household wares for Nambe Mills in Santa Fe is also recognized internationally. Alice Asmar's works are in several hundred public and private collections in the United States and Europe, including the Smithsonian Institution, Franklin Mint, Portland Art Museum, Gene Autry Hotel in Palm Springs, The Public Art Museum of Gabrova, Bulgaria, Kaiser-Permanente, and the Dr. Nicholas Townell collection, Angus, Scotland. A selected list of her EXHIBITIONS is as follows: - Seattle Art Museum. - Museum of Science & Industry, Los Angeles. - Circle Gallery Ltd, Houston - Abbot Hall Gallery, William Temple...

16 color hand pulled screen print on paper. Hand signed on front by Hebru Brantley. Framed size approx 25.25 x 31.25 inches. PP edition of 3 outside the main edition of 35. Pl...

Muertos recogidos is an original artwork realized by the great Spanish artist Francisco Goya in 1810. Original Etching on paper. The artwork belongs to the famous series "Los Desastres de la...

To see our other original vintage posters, scroll down to "More from this Seller" and below click on "See all from this Seller." Davos, Parsenne, Switzerland Vintage Ski Poster 1968 67 x 53 cm Printed by LooArt Press, Colorado Springs, Colorado 1960s poster for Davos ski resort in Parsenn, Switzerland, featuring a photograph of a skiier jumping off the slope into powder snow...

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 10.25 X 16.5 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and u...

Medium: Lithograph on vélin d’Arches paper Year: 1959 Paper Size: 10.25 X 16.5 inches Catalogue raisonné reference: Cramer, illustration 101 Inscription: Inscription: Unsigned and u...

Modesto Braulio (Cuba, ) 'Untitled (from Porfolio Grabados Cubanos)', 1978 silkscreen on paper Canson 320 g. 17.6 x 23.6 in. (44.6 x 59.8 cm.) Edition of 200 ID: BRA-301 Hand-signed ...

Lithograph on vélin d'Arches Arjomari paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Lettre à mon peintre Raoul Dufy, 1965. Published by Librairie ...

This high-quality reproduction, titled "The Bird with a Calm Look, its Wings in Flames," is published by Achenbach Art Edition, Düsseldorf. Printed on 250g Arches paper with deckled ...

Artworks sold in perfect condition : Set # 2 composed of 5 Gallery Print 30x40 cm This is an exceptional offer that we are presenting today. For almost four years, here on 1stdibs, a...

Image dimensions: 20 x 15.2 cm. A Pleasant Lunch is a color lithograph on paper, from the volume "Propos d'un intoxiqué , written by Jules Boissiére and illustrated with 16 color plates by Leonard Tsuguharu Foujita. A superb modern print of the original watercolor by Leonard Tsuguharu Foujita, published by Javal and Bourdeaux in 1928, printed "au trait" by Gaston Proust and "mises en couleurs" by the atelier Daniel Jacomet et C. of Paris. From a limited edition of 97 prints. Signed by the artist on plate on lower right margin. With an extreme delicatessen of touch, Foujita represents a pleasant and traditional Japanese lunch...

Lithograph on fine vélin paper, mounted on archival mat-board, as issued. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, Eugène De...

Life is a Struggle (The Golden Knight), no. 10 from the second installment of Das Werk Gustav Klimts With his golden armor meticulously and faithfully rendered after examples found ...

Edition 5 Richi Rich keeps toilet paper in his vault. JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using a dis...

Size of sheet is ca. 21 x 29 cm (A4) Contemporary figurative giclee print by Polish artist Rafal Olbinski. Print is signed, numbered and has a stamp of an artist's atelier. It comes...

Edition 5 Portrait of Sponge Bob JAY-C – the pseudonym of this innovative young artist known for his subversive use of familiar figures and symbols. Using ...

Slavko Kopac was born in Croation in 1913. He was one of the founding members and curators of Art Brut (Compagnie de L'Art Brut). 1948, Compagnie de L'Art Brut is founded by Slavko K...

The lithograph "Harmoniques," crafted by Amédée Ozenfant circa 1960, stands as a testament to the artist's mastery of form and composition. Numbered 19 out of 110 and personally sign...