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Drawing Prints and Multiples

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Art Subject: Drawing
Purgatory Canto 19 (The Divine Comedy)
Located in Greenwich, CT
Purgatory Canto 19 is a wood engraving on BFK Rives with an image size of 10 x 7" from the popular French edition of the portfolio. Framed in a classic, gold-tone frame. Cataloging:...
Category

20th Century Surrealist Prints and Multiples

Materials

Paper, Woodcut

Saul Steinberg, Cat, L'édition de tête (after)
Located in Auburn Hills, MI
Lithograph on vélin de Lana paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, tête edition, Consacré a Steinberg, Derrière le miroir, N° ...
Category

1960s Modern Landscape Prints

Materials

Lithograph

Composition, Vers un monde volage, Marcel Gromaire
Located in Auburn Hills, MI
Etching on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good condition. Published by Éditions Marcel Seheur, Paris; printed by Atelier d'art Paul Haasen, Paris, Septembe...
Category

1920s Modern Figurative Prints

Materials

Etching

Nude - Original Etching and Drypoint - Mid-20th Century
Located in Roma, IT
Nude is an original print in etching and drypoint on white paper realized by an Anonymous artist of the Mid-20th Century. In very good conditions. The artwork created through deft s...
Category

Mid-20th Century Surrealist Figurative Prints

Materials

Drypoint, Etching

Composition (Mourlot 668-677), La Féerie et Le Royaume, Marc Chagall
Located in Auburn Hills, MI
Lithograph on vélin d’Arches paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Féerie et Le Royaume, Lithographies Originales de Marc Chagall, 1972...
Category

1970s Modern Figurative Prints

Materials

Lithograph

A L'Ombre (In Shadow)
Located in Fairlawn, OH
A L'Ombre (In Shadow) Etching & drypoint, 1905 Signed with the red stamp of the publisher Pellet (see photo) Edition: 50 on velin paper, signed and numbered Publisher: Gustav Pellet, Paris (his red stamp lower right, recto; Lugt 1193) Condition: Excellent Image/Plate size: 5-7/8 x 8-5/8" (14.8 x 21.8 cm.) Sheet size: 11 5/8 x 17 1/8" Reference: IFF 119 Exteens 229 Arwas 256 v/V Louis Auguste Mathieu Legrand (29 September 1863 – 1951) was a French artist, known especially for his aquatint engravings, which were sometimes erotic. He was awarded the Légion d'honneur for his work in 1906. Life Legrand was born in the city of Dijon in the east of France. He worked as a bank clerk before deciding to study art part-time at Dijon's Ecole des Beaux-Arts. He won the Devosge prize at the school in 1883.[2] In 1884 Legrand studied engraving under the Belgian printmaker Félicien Rops. Legrand's artworks include etchings, graphic art and paintings. His paintings featured Parisian social life. Many were of prostitutes, dancers and bar scenes, which featured a sense of eroticism. According to the Hope Gallery, "Louis Legrand is simply one of France's finest early twentieth century masters of etching." His black and white etchings especially provide a sense of decadence; they have been compared to those of Henri de Toulouse-Lautrec, though his drawings of the Moulin Rouge, the can-can dance and the young women of Montmartre preceded Toulouse-Lautrec's paintings of similar scenes. He made over three hundred prints of the night life of Paris. They demonstrate "his remarkable powers of observation and are executed with great skill, delicacy, and an ironic sense of humor that pervades them all." Two of his satirical artworks caused him to be tried for obscenity. The first, "Prostitution" was a symbolic drawing which depicted a naked girl being grasped by a dark monster which had the face of an old woman and claws on its hands; the second, "Naturalism", showed the French novelist Émile Zola minutely studying the thighs of a woman with a magnifying glass. Defended by his friend the lawyer Eugène Rodrigues-Henriques (1853–1928), he was found not guilty in the lower court, but was convicted in the appeal court and then given a short prison sentence for refusing to pay his fine. Legrand was made famous by his colour illustrations for Gil Blas magazine's coverage of the can-can, with text by Rodrigues (who wrote under the pseudonym Erastene Ramiro). It was a tremendous success, with the exceptional quantity of 60,000 copies of the magazine being printed and instantly sold out in 1891. In 1892, at the instigation of the publishing house Dentu, Legrand made a set of etchings of his Gil Blas illustrations. The etchings were published in a book, Le Cours de Danse Fin de Siecle (The End of the Century Dance Classes). Legrand took a holiday in Brittany, which inspired him to engrave a set of fourteen lithographs of simple country life called Au Cap de la Chevre (On Goat Promontory). It was published by Gustave Pellet who became a close friend of Legrand's. Pellet eventually published a total of 300 etchings by Legrand, who was his first artist; he also published Toulouse-Lautrec and Félicien Rops among others. He did not only work in graphics; he exhibited paintings at the Paris salon of the Société Nationale des Beaux-Arts starting in 1902. In 1906 he was made a chevalier of the Légion d'honneur. Legrand died in obscurity in 1951. A retrospective exhibition was held at the Félicien Rops museum in Namur, Belgium in 2006 to celebrate his graphic art. The art collector Victor Arwas published a catalogue raisonné for the occasion. Books illustrated de Maupassant, Guy: Cinq Contes Parisiens, 1905. Poe, Edgar Alan: Quinze Histoires d'Edgar Poe...
Category

Early 1900s Art Nouveau Landscape Prints

Materials

Etching

Young Boy - Vintage Phototype Print after Jean Cocteau - 1930 ca.
Located in Roma, IT
Young Boy is a vintage phototype print realized after a drawing by Jean Cocteau (1889 -1963) in 1930 ca., French draftsman, poet, essayist, playwright, librettist, film director. Wi...
Category

1930s Figurative Prints

Materials

Paper, Photogravure

Three Sisters With a Cat - Original Etching Hand Signed & Numbered
Located in Paris, IDF
Léonor FINI (1907-1996) Three sisters with a cat Original etching, 1973 Hand signed in pencil Numbered /275 copies On Arches vellum size 56 x 38 cm (c. 22 x 15 in) Very good condition
Category

1970s Surrealist Figurative Prints

Materials

Etching

Cat and book - Original Etching, Handsigned
Located in Paris, IDF
Mily POSSOZ Cat and book Original etching Handsigned in pencil Limited /40 copies On Rives vellum 20 x 15" INFORMATIONS : Bears the blind stamp of the editor "Marcel Guiot" Excell...
Category

Early 20th Century Modern Interior Prints

Materials

Etching

Main Street of a Traditional French Village - Original etching
Located in Paris, IDF
Maurice de VLAMINCK Main Street of a Traditional French Village, 1951 Original etching with aquatint Printed signature in the plate On vellum 33 x 43 cm (c. 13 x 17 in) REFERENCES ...
Category

1950s Modern Landscape Prints

Materials

Etching, Aquatint

Large George Grosz 1923 Lithograph Die Rauber German Expressionism WPA Realism
Located in Surfside, FL
From The robbers. lithographs by George Grosz for the drama of the same name. photolithography on watermarked paper. 19 X 25.5 inches (sheet size). This is not hand signed or numbe...
Category

1930s American Modern Figurative Prints

Materials

Lithograph

Young Lady - Original Etching Hand Signed & Numbered
Located in Paris, IDF
Léonor FINI (1907-1996) Young lady Original etching, 1973 Hand signed in pencil Numbered /275 copies On Arches vellum size 56 x 38 cm (c. 22 x 15 in) Very good condition
Category

1970s Surrealist Figurative Prints

Materials

Etching

Mother and Child - Collotype Print After Egon Schiele - 1920
Located in Roma, IT
Mother and Child is a fine black and white collotype from the series “Handzeichnungen” (1920), a fine art portfolio by Egon Schiele. Monogram on plate “S '10” on the lower right mar...
Category

1920s Expressionist Nude Prints

Materials

Other Medium

Magritte, Composition, Les chants de Maldoror (after)
Located in Auburn Hills, MI
Lithograph on vélin papier pur chiffon paper. Paper Size: 10 x 7.375 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Les chants de Maldoror, illustrat...
Category

1940s Surrealist Figurative Prints

Materials

Lithograph

“Woman with Beast”
Located in Southampton, NY
Black and white original artist proof etching by the well known Russian/American artist Nahum Tschacbasov. Marked “Arist Proof” lower left in pencil. Signed by the artist lower righ...
Category

1930s Modern Figurative Prints

Materials

Archival Paper, Etching

Pond Pals, Fish Art, Animal Prints, Print Art, Contemporary Art, Art under $1000
Located in Deddington, GB
3 colour screen print showing the tranquil habitat of aquatic life in a fish pond framed with botanical foliage.Clare Halifax, artist, joins Wychwood Art selling art online and in their art gallery in Deddington. Clare Halifax is offering exclusive Cotswold screen prints with Wychwood Art as well as scenes of London and Oxford. Clare Halifax graduated from the University of Loughborough in 2000 with a BA Hons in Printed Textile design and went on to sell her work internationally to the fashion and interior markets...
Category

21st Century and Contemporary Impressionist Animal Prints

Materials

Paper, Screen

La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre
Located in Fairlawn, OH
La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Im...
Category

1610s Old Masters Figurative Prints

Materials

Etching

Uses and Customs - Villa Carlotta, già Clerici e Sommariva...- Lithograph - 1862
Located in Roma, IT
Uses and Customs - Villa Carlotta, già Clerici e Sommariva on Lake Como is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peopl...
Category

1860s Modern Figurative Prints

Materials

Lithograph

Pigeon - Original Lithograph by Karl Bodmer - Late 19th Century
Located in Roma, IT
Pigeon is a black and white lithograph by Karl Bodmer in the XIX century. The artwork is from Souvenirs D'Artiste. Image dimensions: 22.4 x 15.9 cm. Title printed on the lower le...
Category

Late 19th Century Modern Animal Prints

Materials

Lithograph

Purgatory 19 - Dante's Dream - woodcut - 1963
Located in Paris, IDF
Salvador Dali (1904-1989) Purgatory 19 - Dante's Dream Woodcut on paper Signature printed in the image 1960/63 Printed on paper Vélin BFK Rives Size 32,8 x 26,4 cm (c. 13 x 10 in) ...
Category

1960s Surrealist Figurative Prints

Materials

Paper, Woodcut

Ancient Rome /// Joseph Mallord William Turner City River Landscape Engraving
Located in Saint Augustine, FL
Artist: (after) Joseph William Mallord Turner (English, 1775-1851) Title: "Ancient Rome" Portfolio: The Turner Gallery: A Series of Sixty Engravings From The Principal Works of Josep...
Category

1860s Victorian Landscape Prints

Materials

Engraving

Old Hoadley House
Located in New Orleans, LA
This image was in the personal collection of the artist. The Wheeler-Beecher House, sometimes referred to as the Hoadley House, is located on Amity Road in Bethany, CT. Built at the ...
Category

1910s American Modern Landscape Prints

Materials

Etching

Landscape - Lithograph by Arnoldo Ciarrocchi - 1966
Located in Roma, IT
Landscape is a modern artwork realized by Arnoldo Ciarrocchi in 1966. China ink Drawing on paper. Hand signed and dated on the lower margin. Includes frame
Category

1960s Modern Landscape Prints

Materials

Lithograph

Abstract Composition - Etching by Giosetta Fioroni - 1970s
Located in Roma, IT
American is a print realized by Giosetta Fioroni (Rome 1932) in the late 20th century. Aquatint and drypoint print Hand-signed and numbered, edition of 31/55 prints. The artwork i...
Category

1970s Contemporary Portrait Prints

Materials

Etching, Aquatint

Man, Wife and Child
Located in Fairlawn, OH
Man, Wife and Child Etching, 1905 Signed and titled in pencil by the artist below image (see photo) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower...
Category

Early 1900s Ashcan School Figurative Prints

Materials

Etching

Le Paon - Etching by Catherine Haussard - 1771
Located in Roma, IT
Le Paon is an etching realized by Haussard in 1771. Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la d...
Category

1710s Modern Figurative Prints

Materials

Etching

Sunflowers - Etching - Mid-20th Century
Located in Roma, IT
Sunflowers is an original etching realized by an anonymous artist in the 20th century. Good conditions. The artwork is depicted through strong strokes in a well-balanced composition.
Category

Mid-20th Century Modern Figurative Prints

Materials

Etching

Promenade - Original Lithograph and Offset by George Grosz - 1923
Located in Roma, IT
Promenade is an original offset and lithograph print realized by George Grosz. The artwork is the plate n.28 from the portfolio Ecce Homo published between 1922/1923, edition of De...
Category

1920s Expressionist Figurative Prints

Materials

Lithograph, Offset

"Seated Woman Semi-nude" by Gustav Klimt - Original Print from Courtesans Folio
Located in Chicago, IL
Plate #2 from Gustav Klimt's 1907 "Dialogues of the Courtesans" portfolio, consisting of 15 collotypes on cream japon paper. The drawings in this folio are said to be studies for Klimt's well-known Water Serpents paintings...
Category

Early 1900s Vienna Secession Figurative Prints

Materials

Paper

Antoine Louis-Barye "Walking Lion" Antique Engraving by Firmin Gillot ca. 1870
Located in SANTA FE, NM
"Walking Lion" Antoine Louis-Barye (France, 1775-1895) Antique Engraving by Firmin Gillot Circa. 1870 11 1/3 x 7 3/4 (21 3/8 x 17 1/2 frame) inches This is "Walking Lion," along with "Walking Tiger...
Category

1870s Realist Animal Prints

Materials

Black and White

Scène VIII, Shakespeare, Macbeth, Eaux-fortes de Gromaire
Located in Auburn Hills, MI
Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...
Category

1950s Modern Figurative Prints

Materials

Etching

Landslide - Etching and Aquatint by Max Klinger - 1881
Located in Roma, IT
Image dimensions: 42.4x29.5 cm. Landslide from "Intermezzi" is an original print realized by Max Klinger in 1881. Signature and number of the print on plate. Black and white etchi...
Category

1880s Symbolist Figurative Prints

Materials

Etching, Aquatint

Composition, Le Peseur d'âmes (The Weigher of Souls), Francis Picabia
Located in Auburn Hills, MI
Lithograph and stencil on vélin d'Arches paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the volume, Le Peseur d'âmes, précédé d'un frontispice et suivi de hui...
Category

1930s Modern Landscape Prints

Materials

Lithograph, Stencil

Science : The Microscope - Original lithograph (Mourlot 1969)
Located in Paris, IDF
Bernard BUFFET Science : The Microscope Stone lithograph (printed in Mourlot workshop) Printed signature in the plate On Arches vellum 30 x 22" REFERENCE : Catalog raisonne of lit...
Category

1960s Modern Figurative Prints

Materials

Lithograph

"Love" Copper Plate Heliogravure
Located in Chicago, IL
2018 marks the centenary anniversary of Ferdinand Hodler’s death. In that 100 years time, the art world’s esteem of this important artist has proved fickle. It has shifted from extolling his artistic merits during his lifetime to showing something of a feigned disdain- more reflective of the world political order than a true change of heart for Hodler’s work. After years of Hodler being all but a footnote in the annals of art history and generally ignored, finally, the pendulum has righted itself once again. Recent retrospective exhibitions in Europe and the United States have indicated not only a joyful rediscovery of Hodler’s art but a firm conviction that his work and world view hold particular relevance today. DAS WERK FERDINAND HODLERS is not only a collection of printed work reflecting the best of all of his painted work created up to 1914 just before the outbreak of World War I, the portfolio itself is an encapsulation of Hodler’s ethos, Parallelisme. Hodler developed his philosophy of Parallelisme as a unifying approach to art which strips away detail in search of harmony. By means of abstraction, symmetry and repetition, Hodler sought ways to depict Nature’s essence and her fundamental, universal order. He believed these universal laws governing the natural, observable world extend to the spiritual realm. Symbolist in nature with Romantic undertones, his works are equally portraits of these universal concepts and feelings governing all life as they are a visual portrait in the formal sense. Whether his subject is a solitary tree, a moment in battle, mortal fear, despair, the awe inspired by a vast mountain range, a tender moment or even the collective conviction in a belief, Hodler unveils this guiding principle of Parallelisme. Several aspects of Hodler’s portfolio reinforce his tenets of Parallelisme. The Table of Contents clearly preferences a harmonious design over detail. The two columns, consisting of twenty lines each, list the images by order of appearance using their German titles. The abbreviated titles are somewhat cryptic in that they obscure the identities of the sitters. Like the image Hodler presents, they are distillations of the sitter without any extraneous details. This shortening was also done in an effort to maintain a harmonious symmetry of the Table of Contents, themselves, and keep titles to a one-line limit. The twenty-fourth title: “Bildnis des Schweizerischen Gesandten C.” was so long, even with abbreviation, that it required two lines; so, for the sake of maintaining symmetry, the fortieth title: “Bauernmadchen” was omitted from the list. This explains why the images are not numbered. Hodler’s reasoning is not purely esoteric. Symmetry and pattern reach beyond mere formal design principles. Finding sameness and imposing it over disorder goes to the root of Hodler’s identity and his art. A Swiss native, Hodler was bi-lingual and spoke German and French. Each printed image, even number forty, have titles in both of Hodler’s languages. Certainly, there was a market for Hodler’s work among francophones and this inclusion may have been a polite gesture to that end; however, this is the only place in the portfolio which includes French. With German titles at the lower left of each image, Hodler’s name at bottom center and corresponding French titles at the lower right of each image, there is a harmony and symmetry woven into all aspects of the portfolio. This holds true for the page design, as it applies to each printed image and as it describes the Swiss artist himself. Seen in this light, Hodler’s portfolio of printed work is the epitome of Hodler’s Parallelisme. DAS WERK FERDINAND HODLERS is also one of the most significant documents to best tell the story of how Hodler, from Switzerland, became caught between political cross-hairs and how the changing tides of nations directly impacted the artist during his lifetime as well as the accessibility of his art for generations to come. The Munich-based publisher of the portfolio, R. Piper & Co., Verlag, plays a crucial role in this story. Publishing on a wide range of subjects from philosophy and world religion to music, literature and the visual arts; the publisher’s breadth of inquiry within any one genre was equal in scope. Their marketing strategy to publish multiple works on Hodler offers great insight as to what a hot commodity Hodler was at that time. R.Piper & Co.’s Almanach, which they published in 1914 in commemoration of their first ten years in business, clearly illustrates the rapid succession- strategically calculated for achieving the deepest and broadest impact - in which they released three works on Hodler to hit the market by the close of 1914. DAS WERK FERDINAND HODLERS was their premier publication. It preceded C.A. Loosli’s Die Zeichnungen Ferdinand Hodlers, a print portfolio after 50 drawings by Hodler which was released in Autumn of 1914 at the mid-level price-point of 75-150 Marks; and a third less expensive collection of prints after original works by Hodler, which had not been included in either of the first two portfolios, was released at the end of that year entitled Ferdinand Hodler by Dr. Ewald Bender. The title and timing of DAS WERK FERDINAND HODLERS' debut leaves little doubt as to the connection it has with another avant-garde portfolio of art prints, Das Werk Gustav Klimts, released in 5 installments from 1908 -1914 by Galerie Miethke in Vienna. Hodler, himself, was involved in Klimt’s ground-breaking project. As the owner of Klimt’s 1901 painting, “Judith with the Head of Holifernes” which appears as the ninth collotype print in the second installment of Das Werk Gustav Klimts, Hodler was obliged to grant access of the painting to the art printers in Vienna for them to create the collotype sometime before 1908. Hodler had been previously invited in 1904 to take part in what would be the last exhibition of the Vienna Secession before Klimt and others associated with Galerie Miethke broke away. In an interview that same year, Hodler indicated that he respected and was impressed by Klimt. Hodler’s esteem for Klimt went beyond the art itself; he emulated Klimt’s method aimed at increasing his market reach and appeal to a wider audience by creating a print portfolio of his painted work. By 1914, Hodler and his publisher had the benefit of hindsight to learn from Klimt’s Das Werk publication. Responding to the sluggish sales of Klimt’s expensive endeavor, Hodler’s publisher devised the same diversified 1-2-3 strategy for selling Hodler’s Das Werk portfolio as they did with regards to all three works on Hodler they published that year. For their premium tier of DAS WERKS FERDINAND HODLERS, R. Piper & Co. issued an exclusive Museum quality edition of 15 examples on which Hodler signed each page. At a cost of 600 Marks, this was generally on par with Klimt’s asking price of 600 Kronen for his Das Werk portfolio. A middle-tiered Preferred edition of 30, costing somewhat less and with Hodler’s signature only on the Title Page, was also available. The General edition, targeting the largest audience with its much more affordable price of 150 Marks, is distinguishable by its smaller size. Rather than use the subscription format Miethke had chosen for Klimt’s portfolios which proved to have had its challenges, R. Piper & Co. employed a different strategy. In addition to instantly gratifying the buyer with all 40 of the prints comprising DAS WERK FERDINAND HODLERS and the choice among three price points, they advertised in German journals a fourth possibility of ordering single prints from them directly. These printed images are easily discernible from the three complete folio editions. The paper size of the single purchased images is of the larger format like the Museum and Preferred editions, measuring 65 h x 50 w cm; however, the paper itself is the same copper print paper used in the General edition and then mounted on poster board. The publishing house positioned itself to be a direct retailer of Hodler’s art. They astutely recognized the potential for profitability and the importance, therefore, of having proprietary control over his graphic works. R. Piper & Co. owned the exclusive printing rights to Hodler’s best work found in their three publications dating from 1914. That same year, a competing publication out of Weimar entitled Ferdinand Hodler: Ein Deutungsversuch von Hans...
Category

1910s Symbolist Figurative Prints

Materials

Paper

King's College, Cambridge linocut print by Walter Hoyle
Located in London, GB
To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Walter Hoyle (1922 - 2000) King's College, Cambridge (Cambridge Series 1956 - 66) Linocut 61 x 80 cm Numbered 37/75 lower left, titled below, marked as artist's proof, and signed lower right, all in pencil. A blue- and grey-hued linocut of King's. A version of this print, owned by the Government Art Collection, hangs in the British Embassy in Tunis. Hoyle trained at Beckenham School of Art and the Royal College of Art. At the latter he was strongly influenced by Edward Bawden, one of Britain’s greatest linocut printers. Bawden had been commissioned by the 1951 Festival of Britain to produce a mural for the South Bank, and chose Hoyle to assist on account of his great talent. Hoyle moved to Great Bardfield in Essex, becoming a part of the Great Bardfield group of artists; diverse in style, they created figurative work, in stark contrast to the abstract art of the St Ives artists at the opposite end of the country. Hoyle taught at St Martin’s School of Art from...
Category

1960s Modern Landscape Prints

Materials

Linocut

Rest - Lithograph by Raoul Dufy - 1920
Located in Roma, IT
Rest is a vintage lithograph realized by Raoul Dufy in 1920. Good conditions. Edition of 110. Unsigned and unnumbered as issued.
Category

1920s Modern Figurative Prints

Materials

Lithograph

Saba - XXI Century Contemporary Linocut Print Surrealism, Black & white
Located in Warsaw, PL
Anna Gawlikowska is a Polish artist born in 1980. She studied printmaking, painting, and graphic design at the Academy of Fine Arts of Wroclaw in Poland in the workshops of professor...
Category

21st Century and Contemporary Contemporary Portrait Prints

Materials

Linocut, Paper

The swimmers - Original Etching Handsigned
Located in Paris, IDF
Alméry Lobel-Riche The swimmers Original engraving Handsigned in pencil Numbered /12 On parchment 31 x 22.5 cm (c. 12.2 x 8.9 inches) Excellent condition
Category

Early 20th Century Modern Nude Prints

Materials

Etching

The Monkey - Original Lithograph by Paul Gervais - 1854
Located in Roma, IT
The Monkey is an original lithograph on ivory-colored paper, realized by Paul Gervais (1816-1879). The artwork is from The Series of "Les Trois Règnes de la Nature", and was publishe...
Category

1850s Modern Figurative Prints

Materials

Lithograph

Claude Weisbuch-Deux Cavaliers-21.5" x 30"-Lithograph-hand-signed
Located in Brooklyn, NY
Hand signed and numbered out of 125 in pencil by Weisbuch.
Category

21st Century and Contemporary Contemporary Prints and Multiples

Materials

Lithograph

(Four Women at Hat Store)
Located in New York, NY
This is such an interesting image. Are there 'Four women'? Is the head on the upper right from a hat store or is she another person in the scene. And what a...
Category

Mid-20th Century American Modern Figurative Prints

Materials

Etching

Scène XIII, Shakespeare, Macbeth, Eaux-fortes de Gromaire
Located in Auburn Hills, MI
Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...
Category

1950s Modern Figurative Prints

Materials

Etching

THE HAWK Signed Lithograph, Portrait Man with Mustache, Poker Face, Pink Brown
Located in Union City, NJ
THE HAWK is an original hand drawn lithograph by the Argentine artist, Aldo Luongo. Hand printed at Circle Gallery NYC using traditional lithography methods ...
Category

1970s Contemporary Portrait Prints

Materials

Lithograph

Howard Cook Original Wood-Engraving, 1932 - "Acapulco Girl"
Located in Phoenix, AZ
Wonderful wood-engraving by Taos artist Howard Cook (1901-1980). Titled: “Acapulco Girl (alternate title: Coconut Palm).” Edition: 30. Image size: 10 1/16"h x 8"w. Sheet size: 12"h...
Category

1930s Portrait Prints

Materials

Paper

"Untitled"
Located in Southampton, NY
Original artist proof engraving, aquatint, intaglio on archival paper by the Russian/American artist, Nahum Tschacbasov. Signed in pencil lower right and dated 1947. Condition: good...
Category

1940s Surrealist Figurative Prints

Materials

Archival Paper, Engraving, Aquatint, Intaglio

"Untitled"
"Untitled"
$420 Sale Price
20% Off
Interior Bedroom, Modern Etching by Jules Pascin
Located in Long Island City, NY
Jules Pascin, Bulgarian/French (1885 - 1930) - Interior Bedroom, Medium: Etching on thin woven paper, Image Size: 11.75 x 16 inches, Size: 14.5 x 18.5 in. (36.83 x 46.99 cm), Descr...
Category

Mid-20th Century Modern Prints and Multiples

Materials

Etching

Untitled (dog)
Located in Palm Springs, CA
This is a unique ink drawing by Karl Wirsum. Wirsum was a foundational figure in the Chicago Imagist movement and a member of the influential Hairy Who group, whose work has been wid...
Category

Early 2000s Pop Art Animal Prints

Materials

Ink

Untitled (dog)
Untitled (dog)
$1,500 Sale Price
25% Off
Narcisissistic Mirror, by Yuji Hiratsuka
Located in Palm Springs, CA
Medium: Intaglio and Chine Colle Year: 2021 Image Size: 12 x 9 inches Edition of 15 Signed, titled and numbered by the artist. A young Japanese woman contemplating her image in a mi...
Category

2010s Contemporary Figurative Prints

Materials

Etching, Aquatint

Galloping Horse - Etching by Jean-Marie Guiny - 2000s
Located in Roma, IT
Galloping Horse is an artwork realized by  Jean-Marie Guiny, 2000s.  Etching, Edition 145/160. 40 x 50 cm ; with frame.  Hand signed in the lower right part. Good condtions! J...
Category

Early 2000s Modern Animal Prints

Materials

Etching

Matisse, Crayon, Dessins de Henri-Matisse (after)
Located in Auburn Hills, MI
Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...
Category

1920s Modern Landscape Prints

Materials

Lithograph

Nude 2 - 21 Century, Contemporary Figurative Etching Print, Female
Located in Warsaw, PL
MARTA WAKUŁA-MAC: Master of Arts in Fine Art Education- Diploma in Fine Art Printmaking at the Institute of Art, Pedagogical University, Krakow, 2003. Member of Graphic Studio Dubl...
Category

2010s Contemporary Nude Prints

Materials

Paper, Etching

Scène XII, Shakespeare, Macbeth, Eaux-fortes de Gromaire
Located in Auburn Hills, MI
Etching on Vélin de Rives paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Shakespeare, Macbeth, Eaux-fortes de Gromaire, 1958. Published by Tériade,...
Category

1950s Modern Figurative Prints

Materials

Etching

Price - Female Portrait - Lithograph by Leo Guida - 1966
Located in Roma, IT
Female Portrait is an original Contemporary artwork realized in 1966 by the italian artist Leo Guida. Hand-signed and dated in pencil on the lower right corner: Leo Guida '66. Ori...
Category

1960s Contemporary Portrait Prints

Materials

Lithograph

TWO GIRLS IN SUBWAY
Located in Portland, ME
Marsh, Reginald. TWO GIRLS IN SUBWAY. S.58. Etching, 1928. Printed on cream-colored wove paper, with a watermark, upper left. One of only two proofs of ...
Category

1920s Ashcan School Figurative Prints

Materials

Etching

Altra veduta della Chiesa di ... - Etching by G.B. Falda - Late 1600
Located in Roma, IT
Altra veduta della Chiesa di S. Ignatio de Papa della Compa di Giesu nel Rione della Pigna is an etching realized in the Late 17th Century by Giovan Battista Falda. Good condition e...
Category

Late 17th Century Old Masters Figurative Prints

Materials

Etching

Paris : Small Square in Montmartre - Original Lithograph, Handsigned
Located in Paris, IDF
Robert SAVARY Paris : Small Square in Montmartre, 1969 Original lithograph (Mourlot workshop) Handsigned in pencil On Arches vellum 37 x 29 cm (c. 16 x 12 in) Excellent condition
Category

1960s Modern Landscape Prints

Materials

Lithograph

New Bridge, Glasgow - Etching by W. H.Bartlett - 1845
Located in Roma, IT
New Bridge, Glasgow is an etching realized in 1845 by W. H. Bartlett. Signed on the plate. Titled on the lower center. Good conditions with slight foxing. The artwork is beautif...
Category

1840s Modern Figurative Prints

Materials

Etching

Composition, Éloge de Gromaire, Marcel Gromaire
Located in Auburn Hills, MI
Lithograph on vélin du Marais paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Éloge de Gromaire, 1958. Published by Editions d'Art Man...
Category

1950s Modern Landscape Prints

Materials

Lithograph

Bazaar In Algeria - Original Lithograph - 1846
Located in Roma, IT
Bazaar in Algeria is an original Hand-colored lithograph on paper realized in 1846 by an Anonymous artist of the 19th Century. Titled in Italian on the lower center "Botteghe d Alg...
Category

1840s Figurative Prints

Materials

Lithograph

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