Face Prints and Multiples

Image dimensions: 26.2x9.1 cm. I Buffoni is a beautiful colored lithographed original manifesto on cardboard, realized by the Italian artist and one of the fathers of the modern Italian poster art, Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944). Printed by Officine Ricordi, Milan in 1914, this advertising poster for "I Buffoni" is inspired by the Art Nouveau graphic style. Indeed Metlicovitz, through the Ricordi, realized much advertising posters and manifestoes for many emerging companies such as Pirelli, Ettore Moretti, Magazzini Mele in Naples, relied with his talented pencil. The Liberty atmosphere is palpable from the sensuality of the female body appearing flat and emptied and turning into a mere twisted black contouring graphic line. The colors are enameled, the languid glances, the fixed smiles, veined by an almost imperceptible underground decadence that is a prelude to the First World War. This is a wonderful vintage advertising poster, with the inscriptions printed on lower margin, under the image: "L. Metlicovitz / Off. G. Ricordi and C. Milano / 70 x 200. In excellent conditions, except for some minor stains along the margins. This modern artwork shows the vintage Art Nouveau taste and the Metlicovitz's draftsmanship and his full mastery of the artistic medium, has the dignity of an object of art to collect and could be a colorful and fashionable piece for your sophisticated home furniture. Leopoldo Metlicovitz (Trieste, 1868 - Ponte Lambro, 1944) The Italian painter, illustrator, theatrical and advertising scenographer is considered one of the precursors of Futurism and, together with Leonetto Cappiello, Adolf Hohenstein, Giovanni Maria Mataloni and Marcello Dudovich, one of the fathers of modern Italian poster art. He began his artistic career at the age of fourteen working as an apprentice in a typography in Udine, where he learned the technique of lithography. Here he is noticed by Giulio Ricordi, owner of the namesake Officine Grafiche, who invites him to Milan to work as a lithographer. In 1892, after collaborating with Tensi, a photographic product company, he returned to Ricordi as technical director. At the same time, he entered the theatrical environment and began his career as a set designer and costume designer at La Scala. The Mele di Napoli tailoring company entrusted him with the task of advertising his clothes and in 1906, on the occasion of the great Universal Exposition in Milan, he won the competition for the fair poster, establishing himself also as a poster artist and then collaborating with several magazines as an illustrator. For Ricordi he takes care of the illustrations of calendars, opera librettos, postcards. Other famous images created by him are those for the poster of the film Cabiria, a blockbuster of the silent film scripted by Gabriele D'Annunzio, and the trademark that is still used today by the Brothers Branca Distilleries, producers of Fernet Branca...

Image dimensions: 20 x 15.2 cm. After Leonard Tsuguharu Foujita Lithographic reproduction in colors, from the set of sixteen illustrations from Propos d’un intoxiqué, by Jules Boiss...

Margaret Putnam (1913-1989) San Antonio Artist Image Size: 7 1/2 x 9 1/2 Frame Size: 15 1/4 x 17 1/4 Medium: Lithograph "Portrait of a Woman" Biography Margaret Putnam (1913-1987) ...

From Historia de Don Quichotte de la Mancha. Etching and aquatint on Japon paper. Edition AP 23/50. Sheet size 29.875 x 22.125 inches. Image Size 15.75 x 17.5 inches. Frame size ap...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x41. Etching and Watercolor technique. In Good condition. Signed and dated on plate lower margin "Pinelli dis. e ...

Arabic is an original modern artwork realized in 1854 by Lacoste Jean Luis. Original Hand-colored lithograph on paper. Plate signed on the lower, titled lowe...

Hand-watercolored Etching, 1819, Image Dim: cm 28 x 20, Dim: cm 29x40. Etching and Watercolor tecnique. In Good condition, worn paper on the marginal line, left. Signed and dated ...

This charming poster was created by an anonymous artist in the early 1900's for the Champagne Brand Veuve Amiot. The company was named for the widow Amiot who succeeded her husband i...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Home Sweet Home - is an original vintage poster print realized in 1973. Dimension: 83 x 58.5 cm. The artwork represents the poster of the film Slodki Dom (Home Sweet Home). Good c...

Quartier de Boef is an original lithograph on paper realized after Fernand Léger (1881-1955). Very good conditions except for some little foxings. Sheet dimension: 30 x 24 On both...

Area Nightclub Archive 1983-1987: A collection of 40+ items (including approx 30 club invitations) spanning the history of the seminal 1980s New York nightclub known as "Area". Area opened its doors in September 1983 and virtually overnight became the nexus of one of the most vibrant Downtown art and club scenes in New York. Every six weeks, they transformed the enormous space at 157 Hudson with a different art exhibit & performance theme. Area was the place where A-listers such as Andy Warhol, Francesco Clemente, Julian Schnabel, Madonna, JFK Jr. & many others went to see and be seen: A place where Basquiat DJ'd, while Keith Haring and Andy Warhol produced several installations. Area's wildly creative invitations became the hottest tickets in town and instantly collectible art in and of themselves. Further details: Comprised of 40+ items in total: approx 30 club invitations; 3 original darkroom photographs taken by & signed by Fernando Natalici - the art designer of each piece; 6 drink tickets; 2 original mailing envelopes; a Halloween handkerchief invite; plus an original advertisement proof for the 80s fashion publication Details Magazine (image 4). Invitation dimensions ranging from: 9.5 inches on the longest side to 3.5 inches on the shortest side + 1 invite folding out to 11x17 inches (image 8). 3 signed silver gelatin photographs measuring: 8x10 inches (2 works) & 5x7 inches (1 work); Ad proof (image 4): 11x15 inches. Most pieces generally in good overall vintage condition; with a couple or more invites in fair condition. Provenance: Obtained directly from the club's original graphic designer, Fernando Natalici. Rare and not to be passed upon. Literature/References: Area: 1983-1987 by Eric Goode Jennifer Goode (pub. by Abrams 2013). New York Magazine 2013: "It Was the Hottest Club in Town." New York Times November 2013: "Waking Area Nightclub From the Dead". Exhibitions: 'Area: The Exhibition': The Hole Gallery NYC November 2013. Area: Further History (New York Magazine 11/1/13): "Influenced equally by sixties-era happenings and the gonzo childhoods of its proprietors, Area opened its doors in 1983. The club, unlike any that came before it, underwent a painstaking transformation roughly every six weeks, with themes like Confinement, Suburbia, and Science Fiction that incorporated elaborate art installations with taxidermied bears...

The Comedy of the Rhinegold is a beautiful original print on paper realized by Aubrey Vincent Beardsley. Black and white lithograph. The artwork is the plate n. 30 from the portf...

A bright cubist screenprint of a woman seated with a cello. She wears a long red skirt and blue blouse and is posed in front of a background composed of intersecting geometric shapes. This piece is signed and numbered in pencil by the artist and is floating in an ornate burnished gold frame. Woman with Cello...

Available individually ($2500), and as a suite of five ($12,000). Born in Bronx, NY, Ida Applebroog attended NY State Institute of Applied Arts and Sciences (1949). She moved to C...

Auguste Rodin, After, French (1840 - 1917) - Jardin Des Supplices III, Year: 1920, Medium: Lithograph, Image Size: 13 x 8 inches, Size: 17.75 x 12.5 in. (45.09 x 31.75 cm), Descrip...

Nude is an original zincography artwork realized by Mino Maccari. Included a white Passepartout: 49 x 34 The state of preservation is very good. The artwork represents a nude s...

- Plate 118 from the Suite 156 - edition 48/50 - stamp signature - dated in the plate 17.5.71 - cat. raisonné Bloch 1973; cat. raisonné Baer 1982

Very beautiful poster of Dorothea Fischer-Nosbisch in 1966 representing Marilyn Monroe. Fischer-Nosbisch truly embraces the psychedelic vibes of the ‘60s in this design for the Germa...

Francis BACON (1909-1992) Portrait of George Dyer talking Lithograph in colors, 1966 Unsigned as usual Limited to 150 copies On Rives vellum size 38 x 28 cm (c. 15 x 11 in) Very goo...

Hand signed and signed on plate. A copy of this print is in the collection of the Van Gogh Museum in Amsterdam. Includes passepartout : 53 x 37cm Image Dimensions : 23.5 x 15.5 cm H...

Yoshitomo Nara Peace of Mind Offset print on paper Sheet size 72.8 x 51.5 cm

Waking Up Andre Minaux, French (1923–1986) Etching, signed and numbered in pencil Edition of 25/45 Image Size: 15.5 x 15.5 inches Frame Size: 31.75 x 27.7...

Hand signed. Edition of 125 prints, plus 75 prints in Roman numbers. Very good conditions. This artwork is shipped from Italy. Under existing legislation, any artwork in Italy creat...

Walter Schnakenberg’s 1920 poster promoting the decadent (and likely debaucherous) Munich cabaret Bonbonnière & Eremitage. The costume and poster designs of Walter Schnakenberg defined ballet and cabaret during Germany’s Weimar...

This artwork titled "Summer Queen" c.1980 is an original color lithograph on wove paper by American artist Robert Raymond Anderson, 1945-2010. ...

Simulacro Di Diana is an original print realized by Giovanni Folo After Agostino Tofanelli. Original etching on copper. Hand-colored on black ink backgr...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Artist: Armand Joseph Lallemand (French, 1810-1871) Title: "Piquier Allemand (German Pikeman)" Portfolio: Gazette des Beaux-Arts Year: 1866 Medium: Original Etching on cream laid pap...

'Stay On Target!' By BATIK Archival pigment pop art print of a Star Wars TIE fighter chasing actor Cary Grant from the infamous scene in Hitchcock’s North By North West BATIK is a London based fine artist and image maker. Certificate of authenticity supplied Paper size 60x40 inches / 152 x 101 cm unframed signed and numbered on front edition of 3 only this size OTHER Sizes available (in inches): Edition sizes vary with the chosen paper size Classical 12x16 (Edition of 50) Luxe 20x16 (Edition of 35) Longe 30x20 (Edition of 25) Grande XL 40x30 (Edition of 10) Giant 60x40 (Edition of 3) FRAMING: Please note that this piece is unframed – however, we offer a full framing service. If you would like this piece framed, please contact us for a quote. Black and white, running, blur, motion, shadow, texture, grain, Star Wars, TIE fighter, chasing, man, males, photography, pop art andy warhol hitchcock

Leonor Fini (Argentine-French, 1907–1996) A fiercely spirited Surrealist unfettered by social mores, Leonor Fini defied convention with her haunting, dreamlike works that explore the...

Jean Cocteau White Book - Autobiography about Cocteau's discovery of his homosexuality. The book was first published anonymously and created a scandal. Original Handcolored Lithograp...

Marc Chagall (1887-1985) - Eve is Condemned by God Lithograph from 1960. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and s...

CLOSE UP is an original hand drawn lithograph by the NY figurative expressionist painter, Lester Johnson. Printed using hand lithography techniques on archival ARCHES paper 100% acid...

This is one of six cowboy images completed by the artist. Chicano artist Viramontes is known for both political subject matter, as well as more personal s...

Héliogravure on brown-toned paper, no signature. Héliogravure  on bot sheets, recto and verso. Edition of 6500 unsigned copies. Printed by Mourlot and published by Tériade on the A...

L’Ecuyer (The Squire) is an engraving made by the Parisian artist Louis-Marin Bonnet, realized in the second half of 1700 in Paris. Inside the matrix, the title is engraved on the lower center, whilst “L. Bonnet direx” is engraved on the lower right. The state of preservation is somewhat good, except for fungal foxing spread on the sides of the figure and some small stains, one of which is more evident on the lower center of the image. The right margin of the paper is fringed with tiny tears. Louis-Marin Bonnet lived from 1736 to 1793 in Paris. He was a painter and engraver, and as such he invented one of the first color-printing methods with many matrices, with a pastel-like effect. In 1769, he published a treatise titled Le Pastel en gravure inventé, et execute par Louis Bonnet...

after Henri MATISSE (1869-1954) Lithograph Signed in the plate Vélin Paper Dimensions: 32 x 24 cm (12 x 9") This lithograph is one of a rare edition made during the Second World War ...

From the Vargas Portfolio **Portfolio Cover Not Included** Lithograph Only Alberto Vargas (1896-1982) was born in Arequipa, Peru, in 1896, the son of...

Artist: After Pablo Picasso (1881-1973) Title: Flûtiste et Jeune Fille au Tambourin (after Bloch 213) Year: 1992 Medium: Reproduced from the original edition using the grain Autotype...

A delightful Japanese woodblock depicting a Geisha draped in decorative textiles. Inscribed to the top right and lower right. Signature stamped in characters. Presented in a contempo...

It's In The Eyes Gold - Kate Moss Pop Art Print 2023 by BATIK paper size 40x30" inches / 101 x 76 cm signed and numbered by artist on front Limite...

Artist: Dan May (American, 1955-) Title: "Devil at Cocktail Hour" *Signed by May in pencil lower left Year: 2003 Medium: Original Monoprint on unbranded ...

Signed lower center, 'Alan Evan Feltus' (American-Italian, born 1943), dated 1980 and with number and limitation, '44/60'. Blind stamped, lower right, 'E.P.' for Editions Press and embossed, lower left, 'Arches' for Arches artist laid paper. This contemporary classical painter of the human figure first studied at the Tyler School of Art at Temple University in Philadelphia and, subsequently, at Cooper Union in New York City, where he received his BFA in 1966. In 1968, he earned his MFA from Yale University. Over the course of a distinguished career, Alan Feltus has been the recipient of numerous prizes, medals and juried awards including the Prix de Rome...

Héliogravure, collotype vélin paper. Paper Size: 18.23 x 17.32 inches; image size: 12.6 x 5.71 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the fol...

Artist: Robert Longo Title: The Entertainer Year: 1986 Medium: Lithograph, signed and numbered in pencil Edition: 85 Size: 30 x 22 inches (76 x 56 cm)

The circa 1930 original poster by Jacques Majorelle, titled “Marrakech”, is a stunning representation of both the artist’s fascination with Morocco and his remarkable ability to blend vibrant color palettes with the rich, exotic imagery of North Africa. Majorelle, a French painter who settled in Morocco in 1917, is most renowned for his depictions of the country’s landscapes, people, and culture. This poster reflects his passion for Marrakech, the city where he lived and built his famous garden, the Jardin Majorelle, which would later become a world-renowned landmark. Majorelle's poster highlights the intersection of colonial-era exoticism and modernist artistic sensibilities. In this piece, he portrays an African woman sitting amidst lush tropical vegetation, emphasizing her cultural adornments and the natural surroundings. The use of bold colors and strong contrasts, especially with the deep greens and earthy browns of the foliage, are a hallmark of Majorelle’s style, which often borrowed from the Orientalist tradition but infused it with a modernist’s sense of abstraction and emotional intensity. The woman’s posture is relaxed yet commanding, as she seems deeply connected to the land and nature around her. Her intricate jewelry and adornments reflect the artist’s attention to the details of indigenous culture, which Majorelle deeply admired. His works are often celebrated for their respectful and evocative portrayals of local life, avoiding some of the more stereotypical and reductive images often seen in European depictions of North Africa during the colonial period. Majorelle’s connection to Marrakech and Morocco is well-documented. His time in the country deeply influenced his artistic direction, and he became one of the most important European artists to depict the Maghreb. His posters, paintings, and designs not only served to advertise Morocco as a destination during the colonial period but also immortalized the country's allure and its vibrant cultural heritage. Majorelle was known not only for his posters and paintings but also for his deep love for the culture of Morocco, which is evident in this work. His appreciation for the landscape and the people of Marrakech comes through clearly in this depiction, offering viewers a window into the artist’s own experience of the country. Today, Majorelle’s work is widely recognized as a vital contribution to the history of French art and the cultural history of Morocco. His posters, like “Marrakech”, serve as both artworks and historical documents, offering insight into how Morocco was viewed and represented in European art during the early 20th century. Furthermore, they continue to inspire admiration for their beauty, technical skill, and emotional depth. In summary, Jacques Majorelle’s “Marrakech” poster...

Medium: Lithograph on vélin paper, mounted on vélin paper backing sheet, as issued. Year: 1954 Paper Size: 12 x 9.25 inches; image size: 10.24 x 7.87 inches Inscription: Signed in th...

Screenprint in colors on Essex Offset Kid Finish paper. Hand signed and numbered by the artist in pencil. Published by Dr. Frank Braun, Düsseldorf. From the edition of 61/250 (aside...

Artist: (after) Edvard Munch (Norwegian, 1863-1944) Title: "Musée des Arts Décoratifs (The Scream)" Year: 1969 Medium: Original Lithograph, Exhibition ...

Signed, titled and numbered in pencil from the edition of 30. Portrait of a young cowboy. Viramontes was the subject of a 1-hour documentary Xavier Viramontes, A Life in Print which...

Screen print on Lenox museum board. From the Cowboys And Indians Portfolio. Hand signed and numbered lower front by Andy Warhol. Numbered 131/250 (there were also 50 AP's, 15 PP's, 15 HC's and 10 numbered in Roman numerals). Published by Gaultney, Klineman Art, Inc., New York. Printed by Rupert Jasen Smith, New York. The artwork is in excellent condition. Certificate of authenticity issued by Gallery Art included. All reasonable offers will be considered. In Cowboys and Indians, Warhol interspersed recognizable portraits of well-known American heroes with less familiar Native American images and motifs. It demonstrates his ironic commentary on America’s collective mythologizing of the historic West. Rather than portraying Native Americans within their historical landscape, Warhol chose to portray a romanticized version of the American West. The West that he chose to represent is familiar to everyone and can be seen in novels, films, and television series. Warhol’s Cowboys and Indians suite...

A fine 18th Century mezzotint, showing Lord William Newbottle and his sister, Lady Elisabeth Kar, as children, holding a dove. This mezzotint, by Valentine Green (1739-1813) is after the original painting by Catherine Read (1723-1778). The print has been attractively presented in a 19th Century Hogarth...

"Judy Garland" Legendary Film and Recording Star. Gay Icon. 20th Century Litho Judy - All Star Variety - Garland. 15 1/2 x 12 inches Signed and numbered 19/150 in pencil, lower marg...

Signed and numbered linocut of a male nude reclining, from a series of 4 male and female nudes. Reyes attended The School of the Art Institute of Chicago, where he received a Bachel...

Light Struck Etching & Drypoint, 1984 Signed, dated and numbered in red pencil (see photos0 The artist's chop stamp (CS) lower right corner Edition: 25 (18/25), 5 artist's proofs, B....

This is from a series of linocuts made with a single horizontal line. The resulting mesh of black and white creates a shimmering effect that both defines and blurs the image. Objects...

After Gustav Klimt, Max Eisler #12, Aus dem Stoclet-Fries: Erwartung; multi-color collotype after the cartoon for the 1910-1911 mosaic frieze on the west wa...