Photography Prints and Multiples

Hand signed and numbered by the artist. Signed and authenticated by Frank Hunter on verso. Artwork is in excellent condition. Certificate of authenticity included. Edition: F EA on L...

J.J. Tissot Le Portique de la Galerie Nationale a Londres (The Portico of the National Gallery, London) Wentworth 40 Etching and Drypoint on imitation Japanese paper, C. 1878 Only st...

Chignon is an expertly crafted, embossed serigraph on paper with foil stamping and an image size of 13.5 x 13.5 inches. From the edition of 650, the art is numbered XXVI/CCC and estate-stamped 'Erté' lower right (there were also 300 Arabic and 50 AP). Framed in a classic 'reed and ribbon' gold-tone moulding. Chignon is one of four serigraphs in Erté’s ‘Fashion...

Venise Linocut From an edition of 10 21 x 19 cm This striking linocut print of Venice captures the movement and rhythm of the city's canals and architecture through a bold interplay...

The Judgement of Paris ( Three Graces ) is an original limited edition Epreuve d'Artiste ( EA ) etching on Rives BFK by Salvador Dali from the Mythology Suite. ( ref: Field 63-3.I / Michler & Lopsinger 123 ). Salvador Dalí’s mythology...

Nicolas Party (b. 1980) is a critically acclaimed Swiss artist best known for his distinct brand of stylized fantasy figuration. One of the most successful and youngest artists in th...

Lithographie by Pierre Alechinsky. The piece is called "Le complexe du Sphinx" from 1950. It is hand signed in pencil and numbered 89/99. Dimensions of the paper : 45x63 cm Dimensio...

John Stockton de Martelly (American, 1903 - 1979) Signed: John S. de Martelly (Lower, Right) " Old Moon ", 1930 Edition of 250 Site Size: 10 3/4" x 14" Housed in a 1" Silver and...

These works were printed in November 1967 by Fernand Mourlot, master lithographer in Paris.

Will Barnet Ariadne - 1980 Print - Silkscreen on Heavy Paper 31 ¼'' x 23 ½' inches Edition: Signed, Titled, and Marked  in Roman numeral XXX ( from the edition to 50 - L) unframed ex...

This 21" x 18" etching was produced by William Hogarth in the mid-18th century. The work has been newly matted and framed with archival materials. The subject, identified as James Caulfield, 4th Viscount, 1st Earl of Charlemont (1728-1799), became commander in chief of the Irish Volunteers...

René Genis (French 1922-2004) Untitled Still Life on thick woven paper. Signed in pencil lower right and numbered 37/80 lower left. Image size 11"x8 1/2" frame 22" x 18." Genis was...

“Permafrost” Photography 24" x 24" inch Edition of 24 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag From "Rite of Spring" series In this melancholy series...

Offered at an exceptional price, this piece is in excellent condition and will ship rolled. Edition number 49 / 200. There are 200 pieces in the edition all signed and numbered by...

Drypoint on gewöhnlichem aber holzfreiem vélin paper. Unsigned and unnumbered, as issued. Good Condition. Notes: From the album, Verzeichnis Des graphischen Werks Edvard Munchs Bis 1...

This archival illustrative photography pigment print on cotton rag by Andrew Pinkham measures 20in x 16in and is signed and numbered. This piece is part of a small edition of 10. ...

Hand signed and numbered by the artist. Image size approx 17.25 x 13.25 inches. Frame size approx 30 x 26 inches. From the edition of 200. Artwork is in excellent condition. Cert...

Artist: Sachi Hayward-Tsutsumi (Japanese/American, 1926-2023) Title: Morning Light b Year: circa 1980 Medium: Color etching Image size: 11.75 x 10.75 inches Framed size: 20.75 x 19 i...

Classic "Spy" aka Sir Leslie Ward 1880 colour-portrait of Keith from Vanity Fair's Men of The Day folio this gent being No. 219. Print Sz: 13 3/8"H x 8 1/8"W Frame Sz: 20"H x 14"W ...

Michel Delacroix Roofs in Paris in the Snow, 1991 Original lithograph Hand signed in pencil lower right Numbered 134/200 lower left Published by Axelle Fine Arts classic paris str...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig;...

William Kentridge (b. 1955) is an internationally acclaimed South African artist renowned for his dynamic prints, drawings, large-scale installations, and animated films. Through his...

Billie Coyne "Farmers Market" Signed / Numbered Lithograph c.1993 32" wide x 22" high The lightly distressed frame measures 44.5" wide x 34.5" high Sig...

Georges BRUYER (1883-1962) Market: the Orange Seller, 1925 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the ...

Nicholson, Ben. San Gimignano. Lafranca 38. Etching, 1966. Edition of 50, signed in pencil and dated "66," and numbered "1/50." With the chop of the printer Lafranca embiossed lowe...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, Verve: Revue Artistique et ...

'The Lamentation', lithograph, 1941, edition 35, Fine and Looney 198. Signed, titled, and annotated 'Ed 35' in pencil. Initialed in the stone, lower ri...

Artist: Sir Peter Thomas Blake Title: Pretty Boy Michael Angelo, Year: 1972 Print: Lithograph on Heavy Paper Dimensions: Paper: 18’’ x 11 3/4’’ Image: 8 1/4’’ x 4 1/4’’ Edition: Si...

Untitled (Nr. 0937) Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six...

Circa 1960. Etching and engraving on cream laid paper, 5 3/4 x 4 inches (141 x 102 mm), margins. Scattered light areas of spotty discoloration in the margins, minor mat tone. Four mi...

Hank Willis Thomas (b. 1976) is an American conceptual artist renowned for his thought-provoking works that examine the intersection of race, identity, and commodity in pop culture. ...

Artist: Dali, Salvador Title: The Fiancee of King of Garbe Series: Le Decameron Date: 1972 Medium: drypoint printed in color Unframed Dimensions: 17.72" x 12.2" Framed Dimension...

Jim Dine has expertly sketched the accomplished French poet and coffee trader Arthur Rimbaud. A vignette of dark brown surrounds his thin, fine features, which are defined with a flu...

From David Hockney’s celebrated Six Fairy Tales from the Brothers Grimm portfolio, an image of the story ‘The boy who left home to learn fear’. Hockney chose this story for its obscu...

Compared with his peers, the original Abstract Expressionist posse (Arshile Gorky, Hans Hoffmann, Jackson Pollock, and Mark Rothko) Adolph Gottlieb arguably created the most easily r...

Joseph Hirsch, American (1901 - 1981) - Painted Man, Year: 1963, Medium: Lithograph, signed in pencil, Edition: 250, Image Size: 9.25 x 9 inches, Size: 14 x 13 in. (35.56 x 33.0...

Jim’s of Lambertville Fine Art Gallery is proud to present this piece by Daniel Garber (1880 - 1958). One of the two most important and, so far, the most valuable of the New Hope Sc...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

The work comes directly from the artist, is numbered, signed and made on sealed paper. Limited edition of 20. RAFAŁ OLBIŃSKI (born in 1943) He graduated from the Faculty of Archite...

The Mexican artist Francisco Mora (1922-2002) studied in Mexico City at La Esmeraida, with Diego Rivera. He joined the Taller de Gráfica Popular, a grap...

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Le Roi Marc from Tristan et Iseult Year: 1970 Medium: Color Etching on Arches, Initialed in Penci...

This textural lithograph called "The Milestones of Atlantis" portrays a group of stone pillars creating a harmonious whole that may represent some kind of checkpoint. The soft palet...

'Asclepiade' (Asclepiades) Copper-line engraving by Silvestro Pomarede after Giovanni Domenico Campiglia. Plate number top right corner of image. Giovanni Domenico Campiglia (1692–...

Image Sz: 6 3/8"H x 8 1/2"W Frame Sz: 10 1/4"H x 12 1/4"W w/ envelope laid-in on verso St. Valentine's Day greetings telegram, issued by the GPO 12 February 1937. Colour half-tone and letterpress, designed by Rex Whistler...

72" x 58" 8/20 Limited Edition Silkscreen of 20 with Diamond Dust on Coventry Paper with Hand-Deckled edges Hand Signed by Russell Young

The lithograph features a large soft red armchair. In the background, the artist sketches the shadow of the woman who used to sit in this chair. The overall impression leans towards ...

Artist: Marc Chagall (Russian, 1887-1985) Title: From the suite "Les Fables De La Fontaine" Year: 1927 Medium: Original etching Edition: fom...

Andre Derain, After, French (1880 - 1954) - L'Enfant, Year: Printed circa 1968, Medium: Linocut, stamp signed, Image Size: 11 x 9 inches, Size: 19 in. x 15 in. (48.26 cm x 38.1 c...

Erotic scene is an original Héliogravure artwork on ivory-colored paper, realized by Micheal Von Zichy in 1911. Printed in only 300 copies, Leipzig; Privatdruck, from the Catalogue ...

Rc Gorman " Khisani's Belt " signed and numbered . The number is ctp meaning color trail proof. Measures 46x39

Screen print on black plike paper. Hand signed on front by Snik. Unnumbered edition (outside the main edition of 12). Artwork is in excellent condition. Certificate of Authenticit...

Lon Megargee 1883-1960 "The Bronc" Wood block print Signed in plate, lower right Image size: 9 x 10 inches Frame size 21 x 21.5 inches Creator of Stetson's hat logo "Last Drop from his Hat" Lon Megargee 1883 - 1960 At age 13, Lon Megargee came to Phoenix in 1896 following the death of his father in Philadelphia. For several years he resided with relatives while working at an uncle’s dairy farm and at odd jobs. He returned to Philadelphia in 1898 – 1899 in order to attend drawing classes at the Pennsylvania Academy of the Fine Arts. Back in Phoenix in 1899, he decided at the age of 16 to try to make his living as a cowboy. Lon moved to the cow country of Wickenburg, Arizona where he was hired by Tex Singleton’s Bull Ranch. He later joined the Three Bar R. . . and after a few years, was offered a job by Billy Cook of the T.T. Ranch near New River. By 1906, Megargee had learned his trade well enough to be made foreman of Cook’s outfit. Never shy about taking risks, Lon soon left Cook to try his own hand at ranching. He partnered with a cowpuncher buddy, Tom Cavness, to start the El Rancho Cinco Uno at New River. Unfortunately, the young partners could not foresee a three-year drought that would parch Arizona, costing them their stock and then their hard-earned ranch. Breaking with his romantic vision of cowboy life, Megargee finally turned to art full time. He again enrolled at the Pennsylvania Academy of Art and then the Los Angeles School of Art and Design during 1909 – 1910. The now well-trained student took his first trip to paint “en plein air” (outdoors) to the land of Hopi and Navajo peoples in northern Arizona. After entering paintings from this trip in the annual Territorial Fair at Phoenix, in 1911, he surprisingly sold his first oil painting to a major enterprise – the Santa Fe Railroad . . . Lon received $50 for “Navajos Watching the Santa Fe Train.” He soon sold the SFRR ten paintings over the next two years. For forty years the railroad was his most important client, purchasing its last painting from him in 1953. In a major stroke of good fortune during his early plein-air period, Megargee had the opportunity to paint with premier artist, William R. Leigh (1866 – 1955). Leigh furnished needed tutoring and counseling, and his bright, impressionistic palette served to enhance the junior artist’s sense of color and paint application. In a remarkable display of unabashed confidence and personable salesmanship, Lon Megargee, at age 30, forever linked his name with Arizona art history. Despite the possibility of competition from better known and more senior artists, he persuaded Governor George Hunt and the Legislature in 1913 to approve 15 large, historic and iconic murals for the State Capitol Building in Phoenix. After completing the murals in 1914, he was paid the then princely sum of roughly $4000. His Arizona statehood commission would launch Lon to considerable prominence at a very early point in his art career. Following a few years of art schooling in Los Angeles, and several stints as an art director with movie studios, including Paramount, Megargee turned in part to cover illustrations for popular Western story magazines in the 1920s. In the 1920s, as well, Lon began making black and white prints of Western types and of genre scenes from woodblocks. These prints he generally signed and sold singly. In 1933, he published a limited edition, signed and hard-cover book (about 250 copies and today rare)containing a group of 28 woodblock images. Titled “The Cowboy Builds a Loop,” the prints are noteworthy for strong design, excellent draftsmanship, humanistic and narrative content, and quality. Subjects include Southwest Indians and cowboys, Hispanic men and women, cattle, horses, burros, pioneers, trappers, sheepherders, horse traders, squaw men and ranch polo players. Megargee had a very advanced design sense for simplicity and boldness which he demonstrated in how he used line and form. His strengths included outstanding gestural (action) art and strong figurative work. He was superb in design, originality and drawing, as a study of his prints in the Hays collection reveals. In 1944, he published a second group of Western prints under the same title as the first. Reduced to 16 images from the original 28 subjects, and slightly smaller, Lon produced these prints in brown ink on a heavy, cream-colored stock. He designed a sturdy cardboard folio to hold each set. For the remainder of his life, Lon had success selling these portfolios to museum stores, art fairs and shows, and to the few galleries then selling Western art. Drawing on real working and life experiences, Lon Megargee had a comprehensive knowledge, understanding and sensitivity for Southwestern subject matter. Noted American modernist, Lew Davis...

Art Sz: 13"H x 10"W Frame Sz: 14 3/8"H x 11 1/8"W In custom gilt bamboo frame Original color page from Slim Aarons' iconic book "A Wonderful Time" published 1974

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

This is an original framed 19th century hand-colored folio-sized lithograph entitled "Diphogena Aurora" (Bolivian Rainbow Hummingbirds) by John Gould, from his "Monograph of the Trochilidae, or Family of Hummingbirds", published in London in 1853. The print depicts two Bolivian Rainbow hummingbirds feeding on the nectar of small flowers on a branch. This striking framed Gould hand-colored lithograph is presented in a antiqued gold frame, a gold-colored fillet, and a light tan French mat, embellished with a mint-colored broad band. The frame measures 32" high, 25.5" wide and 1.25" thick. The hand-coloring is enhanced by the use of gum-arabic paint on the hummingbirds heads and necks, giving them an iridescent appearance. The descriptive text page from Gould's original publication is included. It is affixed to the back of the frame in a clear sleeve. The piece is in excellent condition. There are several other unframed Gould bird lithographs available on our 1stdibs and InCollect storefronts. Two or more of these striking lithographs would make an attractive display grouping. A discount is available for purchase of a set depending on the number. These additional Gould hummingbirds may be viewed by typing Timeless Intaglio in the 1stdibs or InCollect search field to be taken to our storefront. John Gould (1804-1881]) was an English ornithologist and artist. He, like his American contemporary John James Audubon, published a number of books on birds in the mid 19th century, illustrated by hand-colored lithographs. His wife and fellow artist, Elizabeth Gould, and several other artists including Edward Lear and Henry Constantine Richter produced lithographs for his various publications. He has been considered the father of bird study in Australia and the Gould League in Australia is named after him. Charles Darwin referenced Gould’s work in his book, "On the Origin of Species" and Gould named a bird after Darwin; "Darwin's finches". Gould began his career in London as a taxidermist, but in 1827 became the first curator and conservator at the museum of the Zoological Society of London. In this position naturalists brought him collections of birds from all over the world. He began creating drawings and eventually hand-colored lithographs with his wife and Edward Lear, which were the basis for his first publications. Darwin brought him specimens from the Galapagos Islands, including 12 species of finches which had never been described. In 1838, Gould and his wife travelled to Australia and their work led to the seven volume publication of “The Birds of Australia”. Gould had a fascination for hummingbirds and collected specimens of 320 varieties before ever seeing a live hummingbird on a trip to the United States in 1857. He eventually published “A Monograph of the Trochilidae, or Family of Humming-birds". Other large publications include: "The Birds of Europe"," A Monograph of the Ramphastidae, or Family of Toucans”, “A Synopsis of the Birds of Australia, and the Adjacent Islands”, “A Monograph of the Odontophorinae, or Partridges of America”, “The Birds of Asia”, “The Birds of Great Britain” and "The Birds of New Guinea and the Adjacent Papuan Islands, including many new species recently discovered in Australia". John Gould (1804-1881) was a British ornithologist and illustrator who is best known for his monumental work, "The Birds of Europe," published between 1832 and 1837. Gould was born in Lyme Regis, Dorset, England, and began working as a taxidermist and natural history dealer in London in the 1820s. In 1827, Gould was appointed the first curator and preserver of birds at the Zoological Society of London, where he began to build his collection of specimens and began to study the birds of the world. He published his first monograph, "A Century of Birds from the Himalaya Mountains," in 1831, which included 80 plates of Himalayan birds. Gould continued to publish numerous volumes on the birds of the world throughout his life, including "The Birds of Australia" (1840-1848) and "The Birds of Great Britain" (1862-1873). His works were highly regarded for their accuracy and detail, and he was one of the most prominent ornithologists of his time. In addition to his work as an ornithologist, Gould was also a successful businessman, and he used his profits to fund expeditions and to support the scientific community. He was elected a Fellow of the Royal Society in 1843, and he was awarded the Royal Medal...

Photography Stamped, verso In great condition

Hier is de ganze nee Beschriefung is an artwork, realized by Christoph Suhr in 1808. Etching hand colored. Titled on the lower margin. The artwork belongs to the Series "Der Ausruf...

Classic armorial coat-of-arms depicting the Fairchild crest. Signed: Cal Yeaton (LL) c1960s Art Sz: 7 1/2"H x 6 1/2"W Frame Sz: 13"H x 12"W

Early realist etching of the architecture around Rice University campus in Houston, Tx by an unnamed student. The work features an arcade of arches as viewed through an arched window...

Kollwitz, Kathe. SCHWANGERE FRAU. Etching and soft ground, 1910. Klipstein 108(V) 14 7/8 x 9 3/8 inches (377 x 236 mm.). Signed in pencil, and with the names of the publisher Richter...