Water Prints and Multiples

Kawase Hasui, 'Rain at Shinagawa, Ryoshimachi' from the series 'Selection of Views of the Tokaido', woodblock print, 1931. A very fine, atmospheric impression, with fresh colors; the...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the fleeting surfaces and monochromatic nature of oceanic water and dramatic cloudscapes ...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

Walasse Ting Grasshoppers - 1981 Print - Lithograph on Arches Archival Paper   22'' x 30'' Edition: Signed in pencil and marked 170/200 Walasse Ting (DING XIONGQUAN) (October 13, 19...

Jean Solombre, French (1948 - ) - Incomparable Chant D'été De L'azur, Year: 1981, Medium: Etching with Aquatint on Arches, signed, titled, numbered and dated in pencil, Edition: 1...

JAMES McNEILL WHISTLER (American 1834–1903 London) THAMES WAREHOUSES, 1859 (K 38 ii/ii; Glascow 46 iv/v; Mansfield 37) Etching and drypoint on fine thin laid paper. Plate: 3 × 8 i...

Serge LASSUS (1933-) Thalasso at Saint Malo, 1983 Original Lithograph Handsigned in pencil Numbered / 250 (the number you can see can be different) On Vellum 76 x 56 cm (c. 30 x 22 ...

Baroque 17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas B...

Artist: Michael Torquato deNicola Title: Moon Beam Surf Board Print Edition Details: Archival pigment print on 100% Agave/Cotton sustainable fine art paper, signed and numbered in the margins by the artist, and released in the following exclusive worldwide edition: 24x18, edition 70, $300. 32x24 sheet, edition 30, $780. Michael Torquato deNicola (know as Torquato) is an award winning professional surfer, visual artist and filmmaker. His work has shown in museums and galleries in the US and Europe, including shows at the Amstel Gallery in Amsterdam and Florida, Chase Edwards Gallery in the Hamptons, Art Project Paia on Maui, The Misfit Gallery in La Jolla, and The Laguna Gallery of Contemporary Art, as well as showcased at The Museum of Architecture and Design,The Surfing Heritage Museum and the California Surf...

David Hockney David Hockney - 60 Years of Work - Tate Britain original poster, 2017 Offset lithograph and digital print 24 × 16 1/2 inches Unframed, unsigned and unnumbered Provenanc...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

The colour offset lithograph on Parsons Diploma Parchment wove paper. Published in 1982 for the LA Olympic Games in 1984, David Hockney was one of the fifteen artists invited to create a poster for the Games. Hand signed by the artist in pencil lower right, un-numbered from the limited edition of 750, although there are said to be less than 200 prints in existence. Not to be confused with the unsigned LA Olympics poster...

ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California. His pictures of California's iconic architecture and beaches carry the same romantic feel of a...

observation of a Mediterranean beach scene in Nice, France, on a hazy summer day Nizza by Frank Schott 48 x 75.5 inches (122 x 192cm) signed edition of 7 44 x 69 inches (122 x 17...

Werner Bronkhorst Walk On Water, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 ...

Werner Bronkhorst Mockney, 2025 Giclée print on heavyweight 395gsm matte Canson Infinity PhotoArt ProCanvas, made with long-lasting Epson archival inks 43 x 33 cm (16.9 x 13 in) ...

Eve Stockton’s woodcut prints are inspired by close observation of nature and her eclectic interest in science. Her woodcuts depict nature at different scales, often simultaneously. ...

Ducks at Play Frank Weston Benson, American (1862–1951) Date: 1940 Etching mounted to board, signed and dated in pencil Image Size: 10 x 8 inches Size: 12 x 10 in. (30.48 x 25.4 cm)

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Damien Hirst Faneel, H13-11, from Where the Land Meets the Sea, 2023 Laminated giclée print on aluminium composite panel Signed, titled, dated and numbered 123/192 on the label on th...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

A beautiful turn-of-the-century lake view of Chicago by an American artist known for his Texas landscapes. Etching with drypoint on watermarked Umbria laid paper with deckle edges, 7 1/4 x 10 7/8 inches (182 x 275 mm), full margins. Signed and numbered 4/25 in pencil, lower margin. In good condition with adhesive residue at the sheet edges on the verso, does not show through to the recto. A lovely Lake Michigan landscape...

MONT SAINT-MICHEL is a hand drawn, limited edition lithograph by the American surrealist artist Fanny Brennan, created using traditional hand lithography techniques printed on archiv...

Kawase Hasui, 'The Beach at Kaiganji in Sanuki Province (Sanuki Kaiganji no hama),' from the series Collected Views of Japan II, Kansai Edition (Nihon fûkei shû II Kansai hen), woodblock print, 1934. A very fine, atmospheric impression, with fresh colors; the full sheet, in excellent condition. Signed 'Hasui' with the artist’s seal 'Kawase', lower left. Published by Watanabe Shozaburo with the Watanabe ‘D’ seal indicating an early impression printed between 1931 - 1941. Stamped faintly 'Made in Japan' in the bottom center margin, verso. Horizontal ôban; image size 9 3/8 x 14 1/4 inches (238 x 362 mm); sheet size approximately 10 5/16 x 15 1/2 inches ( 262 x 394 mm). Collections: Art Institute of Chicago; Austrian Museum of Applied Arts (Vienna); Honolulu Museum of Art; Museum of Fine Arts, Boston; National Museum in Warsaw; University of Wisconsin-Madison. ABOUT THE ARTIST “I do not paint subjective impressions. My work is based on reality...I can not falsify...(but) I can simplify…I make mental impressions of the light and color at the time of sketching. While coloring the sketch, I am already imagining the effects in a woodblock print.” — Kawase Hasui Hasui Kawase...

This exquisite lithograph after Henri Matisse (1869–1954), titled La Piscine II (The Swimming Pool II), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, originates from the 1958 issue published by Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. La Piscine II is one of the most expansive and lyrical compositions from Matisse’s late cut-out period, inspired by his deep fascination with the movement of water, light, and the human form. The work’s sweeping arrangement of floating blue shapes and rhythmic negative space evokes swimmers and sea life in motion, transforming a simple visual theme into a poetic meditation on fluidity, serenity, and the joy of life. Through its monumental simplicity and chromatic brilliance, La Piscine II exemplifies Matisse’s mastery of “painting with scissors” and his ability to translate motion into pure visual harmony. Executed as a lithograph on velin du Marais paper, this work measures 14 x 40.5 inches, with trifold as issued. Unsigned and unnumbered as issued. The edition exemplifies the superb craftsmanship of the Mourlot Freres atelier, faithfully capturing the luminosity, rhythm, and tactile beauty of Matisse’s original gouache cut-outs. Artwork Details: Artist: After Henri Matisse (1869–1954) Title: La Piscine II (The Swimming Pool II), from Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, 1958 Medium: Lithograph on velin du Marais paper Dimensions: 14 x 40.5 inches, with trifold as issued Inscription: Unsigned and unnumbered as issued Date: 1958 Publisher: Editions de la revue Verve, Paris, under the direction of Teriade, Editeur, Paris Printer: Mourlot Freres, Paris Catalogue raisonne reference: Duthuit, Claude. Henri Matisse: Catalogue raisonne des ouvrages illustres. Editions Claude Duthuit, Paris, 1988, illustration 139 Condition: Well preserved, consistent with age and medium Provenance: From Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published by Editions de la revue Verve, Paris, 1958 Notes: Excerpted from the publication, Verve, Revue Artistique et Litteraire, Vol. IX, No. 35–36, published under the direction of Teriade, Editeur, Paris, and printed by Mourlot Freres, Paris, 1958. This double issue of Verve was entirely devoted to the final works of Henri Matisse, composed of his celebrated gouache cut-outs, which the artist called “painting with scissors.” Completed shortly before his death, this issue represents the culmination of Matisse’s lifelong exploration of color, rhythm, and spiritual joy through the simplest means of expression. About the Publication: Verve, Revue Artistique et Litteraire was one of the most influential art periodicals of the 20th century, founded in Paris in 1937 by the visionary Greek-born publisher Teriade (Stratis Eleftheriades). Conceived as a synthesis of art and literature, Verve brought together the greatest modern artists and writers of its time—Henri Matisse, Pablo Picasso, Marc Chagall, Georges Braque, Joan Miro, Fernand Leger, and others—alongside poets and philosophers such as Paul Eluard, Albert Camus, and Jean-Paul Sartre. Each issue was a work of art in itself, luxuriously printed by master lithographers such as Mourlot Freres and produced in collaboration with leading typographers and designers. Verve became a platform for avant-garde creativity, publishing original lithographs and essays that reflected the evolving spirit of modernism. Matisse collaborated closely with Teriade from the magazine’s inception, producing some of its most iconic issues, including those devoted to his paper cut-outs. The final Verve issue of 1958, which featured La Tristesse du Roi, the Nu Bleu series, Poisson Chinois, and Vigne, stands as a testament to Matisse’s enduring genius and to the publication’s legacy as the definitive meeting of art, poetry, and printing craftsmanship in 20th-century France. About the Artist: Henri Matisse (1869–1954) was a French painter, sculptor, draughtsman, and printmaker whose revolutionary vision redefined modern art through his daring use of color, line, and form. Celebrated as one of the greatest artists of the 20th century, Matisse led the Fauvist movement and devoted his life to the pursuit of balance, beauty, and emotional expression in visual art. His early works burst with vibrant hues and liberated brushwork, while his later “cut-out” compositions achieved a poetic simplicity that transformed the relationship between color and space. Deeply influenced by the work of Paul Cezanne, Vincent van Gogh, and Georges Seurat, as well as by the rhythmic patterns of Islamic art, Byzantine mosaics, and Japanese prints, Matisse forged a new visual language that celebrated joy, movement, and serenity. He was part of an extraordinary generation of artists who shaped the evolution of modernism, maintaining lifelong dialogue and friendly rivalry with contemporaries such as Pablo Picasso, Georges Braque, Marc Chagall, Andre Derain, Albert Marquet, and Raoul Dufy—peers who, like him, sought to expand the expressive potential of color and composition. Matisse’s influence extended across generations, inspiring modern and contemporary masters including Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom drew upon his fearless experimentation and refined visual harmony. His paintings, sculptures, and works on paper are held in the most prestigious museums in the world, including the Museum of Modern Art, the Centre Pompidou, the Tate, and the Hermitage Museum, where his art continues to symbolize the essence of creativity and human emotion. The highest price ever paid for a Henri Matisse artwork is approximately $80.8 million USD, achieved in 2018 at Christie’s New York for Odalisque couchee aux magnolias (1923). Henri Matisse La Piscine...

Original Versailles, France vintage lithograph French travel poster. Printed by the French National Railroad, SNCF in the 1938's. Printer: Goossens. A poster fit for a king since he once resided here at Versailles. Transform your living space with the elegance and grandeur of the Versailles Original Poster. This exquisite piece captures the breathtaking beauty of the iconic Palace of Versailles, showcasing its majestic fountains and lush gardens. The vibrant colors and intricate details bring to life the opulence and historical significance of one of the world's most renowned landmarks. The grand fountains had a chariot and horses...

Etching printed in dark brownish black ink on cream laid paper, 6 x 8 7/8 inches (152 x 226 mm); full margins. Extremely minor and unobtrusive band of toning along the top sheet edg...

London: Gebbie & Husson Co., 1879 Héliogravure and engraving on cream wove paper, 10 1/4 x 12 1/4 inches (258 x 310 mm), full margins. In good condition with some very minor margina...

PUBLIC POOL Giclée Print on Hahnemühle_Daguerre Canvas 400g 63 x 81 cm (with frame) Edition of 100 Frame: Solid Pine L-Type - 0.7cm (front) / 4cm (side), white finish Canvas stretche...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Estuary. Medium: Lithograph, signed in pencil, Edition: AP, Image Size: 17 x 20 inches, Size: 21 x 30 in. (53.34 x 76.2 cm)

Artist: Robin Shepherd (English-American, Active: Late 20th Century) Title: "St. Tropez" *Signed by Shepherd in pencil lower right Year: 1991 Medium: Original Screenprint on Stonehenge paper Limited edition: 150 (exact number may differ from photos) Printer: possibly the artist Shepherd himself, Jacksonville, FL Publisher: the artist Shepherd himself and The Collector's Exchange, Jacksonville, FL (present day Graves International Art...

Eduardo Naranjo (Spain, 1944) 'La creación III', 1984 etching, aquatint on paper Guarro Super Alpha 250g. 20.9 x 15 in. (53 x 38 cm.) Edition of 225 I...

Brett Weston (American, 1911-1993), "Lake Patzcuaro, Mexico", Gelatin Silver Print, 1976, signed and dated in pencil lower right, silver-tone metal frame. Image: 10.75" H x 13.5" W;...

This realistic nautical limited edition print by Michel Brosseau captures a view of a small white dinghy boat tied to a dock. Two ores rest inside the small boat, which is surrounded...

Stuart Redler’s black and white images use bold contrast to emphasize both structure and emotion. The tones of his archival prints are beautifully nuanced and rich. Limited Edition...

Laurent Marcel Salinas, Egyptian/French (1913 - 2010) - Annecy - Le Pont Morens. Year: circa 1980, Medium: Lithograph, signed in pencil, Edition: EA, Image Size: 18 x 13.5 inches, S...

Giclee limited edition print by worldwidely established Polish artist Rafal Olbinski. Figurative surrealistic print presentic an intricate scene on a lake with swans, pegasuses, ball...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Photolithograph realized by Jeffrey Isaac in 2008. Hand signed and numbered. Edition of 260 prints, belonging to the Suite " Olympic Games Beijing 2008 ".  Each work of this portfo...

Mesmerizing large scale photograph from artist's Seascape series, a body of works capturing the tactile surfaces and monochromatic nature of oceanic water and cloudscapes Seascape ...

This exquisite lithograph after Andre Derain (1880–1954), titled Route de Village (Village Road), from the folio Les Peintres mes amis (The Painters My Friends), originates from the ...

Artist: Peter Max, German/American (1937 - ) Title: Saturn Messenger Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: HC 11 Image...

This colorful work by Peter Max was created in 1988. The vintage WFUNA lithograph "The Better World" has an Authentication certificate attached on the verso #443/750 There is no ch...

Isca Greenfield-Sanders The Wildwood Etchings (set of 3) Direct to plate photogravure and aquatint. Edition 35

Ella Fort St. Raphael (Provence, seascapes, countryside art, Impressionist) Color lithograph Signed, numbered or inscribed Edition: 390 + 10 E.A. size:...

This artwork titled "Aloha Lahauna (Lahauna Harbor)" c.1990 is an original color lithograph on paper by noted French artist Guy Buffet, 1943-2023. It is hand signed and numbered A/P ...

Etching and drypoint on heavy cream wove paper, 11 5/8 x 18 1/4 inches (295 x 460mm); sheet 16 3/4 x 22 1/2 inches (425 x 570 mm), full margins. A superb proof printed in bistre brow...

This series of cyanotype triptychs showcases the beauty of nature scenes, including stunning beaches and oceans, as well as the intricate textures of water, forests, and skies. These...

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Lake Tarryall, a 1941 lithograph by Adolf Dehn (1895-1968) was made while he was teaching in Colorado. A native of Waterville, Minnesota, Dehn attended the Minneapolis School of Art ...

John McNulty, Irish/American (1949 - ) - Headland II, Year: 1982, Medium: Etching with Aquatint, signed and titled in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm)

ABOUT THIS ARTIST: Jessica Brilli (Sayville, NY 1977) has been drawing and painting since her childhood. Working in a style that encompasses American realism and 20th century graphic...

Frank Weston Benson (American, 1862-1951) Untitled, 20th Century Etching Sight: 10 1/3 x 12 1/8 in. Framed: 16 3/4 x 19 x 1/2 in. Signed lower left Numb...

Large format photograph of a summer beach scene on the Mediterranean island of Lampedusa, from an earlier body of works (2012) by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Lampedusa (2012) 61.25” x 81.7” / 156 cm x 207,5 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) last available edition: AP1 original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2025 94/22 Zander Galerie, Cologne 2024 Photolux Festival - Il bel paese? Palazzo Ducale, Lucca, Italy 2023 La Grande Oasi - The way we live, now OCA, Oasy Contemporary Art, Pistoia 2023 Standing Still Cortona On The Move, Arezzo, Italy 2022 Massimo Vitali PhotoESPANA Biblioteca Central Cantabria, Santander 2022 Endless Summer Edwin Hook Gallery, New York 2022 Massimo Vitali: Leporello 2020 Melbourne 2022 Ti ho visto Mazzoleni Gallery, Turin 2021 PienoVuoto Forte di Belvedere, Florence 2021 No Country For Old Men Visionarea Art Space, Rome 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery...

"Over the River (from below)" is a 1992 limited-edition (Edition 300) offset-lithograph on hand-made cotton paper originally signed by Christo in the lower left hand corner. The work...

FRANCES H. GEARHART (1869 – 1958) FISH MARKET 1930 Color block print, Signed and titled in pencil. Image 11 x 9 inches. Full sheet with deckle edges 14 3/...

This exquisite lithograph by Marc Chagall (1887–1985), titled Abraham et Sarah (Abraham and Sarah), from Marc Chagall, Dessins Pour La Bible (Drawings for the Bible), Verve: Revue Ar...

17th century German fountain design Copper-line engraving, published in 1664 in Nuremberg. From 'Architectura Curiosa Nova' by George Andreas Beckley (...

large format photograph of a summer beach scene along Portugal's Atlantic coast by iconic Italian photographer Massimo Vitali, renowned for his grand scale topographical observations of the rites and rituals of modern leisure Carcavelos Pier Paddle (2016) 61.25” x 81.68” / 155.60 cm x 207.46 cm limited edition of 6 + 2AP (signed, titled and dated on certificate of authenticity) original archival photography print with diasec (acrylic glass) face mount in contemporary white lacquered gallery frame Each limited edition original Massimo Vitali photograph is printed in Italy under artist supervision in strictly limited edition (6 + 2AP) , signed/titled/dated upon final inspection and expertly framed at renowned European art framing facility Disclaimer of authenticity: although it is possible to acquire (small size) single page offset prints from the book "A Portfolio of Landscapes and Figures" (published by Steidl) in the secondary market, the artist studio strongly dissuades collectors from purchasing these single page prints outside of the context and authenticity of the complete portfolio. About the artist: Massimo Vitali was born in Como, Italy, in 1944. He studied photography at the London College of Printing, in the 1970s initially working as a photojournalist, but at the beginning of the 80s a growing mistrust in the belief that photography had an absolute capacity to reproduce the subtleties of reality led to a change in his career path. Vitali worked in cinematography for film and television before beginning a fine art practice in 1995. Over the next two decades, he would gain recognition for his highly detailed, epic-scale panoramas — sociopolitical observations of the natural habitat of humankind at leisure. Vitali’s iconic series of beach panoramas, captured from a distance with an elevated large-format camera platform, began in the light of drastic political changes in Italy. Drawing inspiration from Renaissance and Old Flemish masters, in which the central space is fully exploited and the urban or natural landscape becomes the background, Vitali’s photographs grasp the viewer by capturing highly detailed observances of the recreational habitats of modern civilization. Vitali’s work has been collected in six monographs: Beach and Disco, Natural Habitats, Landscapes With Figures, Swimming Pools, Short Stories and Entering A New World. Additionally, his work is represented in the world’s major museums, including the Centro de Arte Reina Sofia in Madrid, the Guggenheim Museum in New York, the Museum of Contemporary Art in Denver, the Fond National Art Contemporaine in Paris, the Centre Pompidou in Paris, the Musée National d’Art Moderne in Paris, the Fondation Cartier in Paris and the Museo Luigi Pecci in Prato. Massimo Vitali lives and works in Lucca (Italy) and in Berlin (Germany). __________________________ SOLO EXHIBITIONS 2021 'PienoVuoto' Forte di Belvedere, Florence 2020 'Human Constellations' Museo Ettore Fico, Turin 2019 Massimo Vitali: Short Stories' Mazzoleni, London 2018 'Coastal Colonies' Spiral, Tokyo 2017 ‘Disturbed Coastal Systems’ Benrubi Gallery (New York, USA) 2016 ‘Landscapes with Figures’ Guido & Schoen Arte Contemponania (Genoa, Italy) 2016 ‘Massimo Vitali’ Crown Gallery (Knokke-Zoute, Belgium) 2016 ‘Massimo Vitali’ Ronchini Gallery (London, UK) 2015 ‘New Prints’ Hilger Next (Vienna, Austria) 2014 ‘Massimo Vitali’ Studio La Citta (Verona, Italy) 2014 ‘Into The White’ Erich Lindenberg Art Foundation (Porza, Switzerland) 2014 ‘Sempre più pallide. Towards Achrome’ Palazzo Tadea (Spilimbergo, Italy) 2013 ‘Between Normalities’ Bonni Benrubi...

This is an exclusive handprinted limited edition cyanotype. "Pacific Sunset Waves" is an original cyanotype that abstractly shows the sunset reflections on the sea. Details: + Titl...