Women Prints and Multiples

Leonor Fini - Pregnant - Original Handsigned Lithograph Circa 1982 On colored paper Handsigned and Numbered Edition: 275 Dimensions: 69 x 52.5 cm Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

Plate XII, Le Cocu Magnifique Etching & aquatyint, 1968 From the unsigned edition of 200 impressions printed on Rives BFK paper There is also a signed edition of 30 impressions The s...

Self Portrait in a Ski Hat (in color) first state 1974 Etching from one 29.8 x 32.4 cm (11¾ x 12¾ inch) copper plate Printed in black on sheet of 66.0 x 50.8 cm (26 x 20 inch) Apta 5...

Pablo Picasso (1881-1973) "Portrait de Jacqueline" 1959 (Baer 1245; Bloch 923) ...

Original Iolanthe vintage theatre poster: Gilbert and Sullivan Iolante stone lithograph vintage poster. Museum linen backed. Clear, clean, bright. Grade A condition. The poster features a central image of a character dressed in a traditional British Grenadier Guard uniform, complete with a bearskin hat. The character is depicted in a whimsical pose, which aligns with the comedic and satirical nature of the operetta. Above the main figure, there are smaller illustrations of various characters from the operetta, hinting at the fantastical and fairy-tale elements of the story. The title "Iolanthe" is prominently displayed in bold, stylized lettering at the bottom. "Iolanthe, or The Peer and the Peri," is a comic opera by the famous duo W.S. Gilbert and Arthur Sullivan. The opera premiered on November 25, 1882, at the Savoy Theatre in London and is one of their most beloved works. "Iolanthe" tells the story of fairy Iolanthe, who was banished from the fairy kingdom...

Pablo Picasso (1881-1973) - Woman with Monkey Lithograph from 1954. Dimensions of work: 35.5 x 26.5 cm Publisher: Tériade, Paris. The work is in Excellent condition. Fast and se...

Lithograph on grand vélin d'Arches spécial paper. Unsigned and unnumbered, as issued. Good condition. Notes: From the folio, Les Côtes Normandes 1961. Published by Pierre de Tartas, ...

Georges LEPAPE Art Deco, Woman with a Rose Original etching and stencil Printed signature in the plate On vellum 16 x 22 cm (c. 6.5 x 9 in) Excellent condition

Composition is a Lithograph realized by Mino Trafeli in 1980s. Edition 16/50. Hand signed. Good conditions. Mino Trafeli (Volterra, December 29, 1...

A poignant and highly affecting 19th century image of an African American church congregation in Washington DC after the emancipation of slaves, published in London. London: The Ill...

The Dance is a vintage lithograph realized after Raoul Dufy in 1920. Good conditions. Edition of 110. The artwork is depicted through confident strokes in a well-balanced composit...

'I'll Be What I Choose: Vanity of Ambition', color lithograph, 1949, edition 40, Fine and Looney 281. Signed, titled, and numbered '23/40' in pencil. Initialed in the stone, lower ri...

The European Macabre Dance N.1 is an hand-colored lithograph, from the Series "La Danza Macabra Europea" illustrated by Alberto Martini (Oderzo, 1876 – Milan, 1954) in 1915. Signed...

The Pianist is a lithograph realized by Raoul Dufy in 1920. Good conditions. Edition of 110. Unsigned and unnumbered as issued. The artwork is depicted through confident strokes i...

Silkscreen on vélin d’Arches paper. Paper Size: 17.75 x 13.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Letter from Birmingham City Jail, 2007. ...

This is an assortment of 4 Posters by Andy Warhol, each piece described as follows: Andy Warhol - Queen Ntombi Twala Of Swaziland - 1986 Offset Lithograph 32.5" x 23.5" Unsigned Of...

Suma is an original modern artwork realized by Utagawa Kunisada II and Hiroshige II in 1864. Woodcut Print Oban Format. From the series "Omokage Genji go...

Groupe avec vieillard à la torche sur un âne amoureux, femme et arlequin (Ref: Bloch 1484 ) etching on Rives wove paper, Edited in 1968 Limited edition of 50 copies Current copy num...

Vol. In-Folio 45,2x34,2 cm., 205 pp. Edition of 220 copies including a xylographic vignette, 14 xylographic illustrations (on heads and footers of chapters) and 22 original lithograp...

Printer's Proof /5 Her appeal was classless and she rapidly became Britain’s most popular artist. She was a ‘heart and soul’ painter, compelled to paint with a passion. Her paintin...

Salvador Dali New Jerusalem The Harbinger, 1981 Hand Signed lower right Numbered G66/125 Image Size: 53 x 42 cm Sheet Size: 65 x 50 cm Reference: F80-1 B

Original collotype lithograph of a woman undressing from Gustav Kilmt’s handzeichnungen (sketch) in 1922 by Thyrsos Verlag, Leipzig and Vienna, in an edition of 375. Klimt’s mastery of depth is most evident in the gentleness of his linework. Without the aid of shadow or the subtlety of values, the gestures of line allow the viewer a sense of a three-dimensional person or object. The meticulous lithographic process used to create Klimt’s Handzeichnungen portfolio ensures exceptionally crisp markings bearing a strong resemblance to the original sketches. This series showcases the quintessence behind Klimt’s signature visual style. This artwork arrives accompanied by a certificate of authenticity. Century Guild has curated collections of Gustav Klimt’s printed...

William Nicholson (1872-1949) Fishing 1897 Original Colour Lithograph Image: 21.0 x 21.0 cm Mount: 39.0 x 36.0 cm William Nicholson was born at Newark in 1872. He left to study in Paris in his late teens for six months at the Academie Julian before returning to England. In 1893 Nicholson married the painter Mabel Pryde and their first son Ben went on to become the famous painter and sculptor. Nicholson concentrated on printmaking with his brother-in-law James Pryde...

Tu que no puedes from "Los Caprichos" is an original artwork realized by the Spanish artist Francisco Goya and published for the first time in 1799. The work is an etching and aquat...

Artist: Itzchak Tarkay (1935-2012) Title: Gossip Year: Circa 2000 Medium: Silkscreen on wove paper Size: 13.5 x 11.5 inches Edition: 493/750, plus 100 Remarques Condition: Excellent ...

"The two Armies being engaged by break of day, Jupiter sends Iris to bid Hector retire from the Fight, and not return till Agamemnon's wounds had obliged him, to withdraw from the Fi...

Pablo PICASSO (1881-1973) Tribute to Toulouse Lautrec : Lovers, the Kiss Lithograph enhanced with stencil (Jacomet process) after a pastel by the artist Printed signature in the pla...

Limited edition lithograph on Arches paper from edition of 2,000 of "La Revue Blanche" by Henri de Toulouse-Lautrec. Reproduction reissued in 1974. Th...

Salon des Cent was an art exhibition in Paris that sold color posters, prints and reproductions of artwork to the general public at reasonable prices. It was established in 1894 by ...

Signed lower right, 'Georges Lambert' (French, 1919-1998), titled lower center 'Landscape' and inscribed lower left, number and limitation, 'XV/LX' (15/60). Georges Lambert first st...

Persian, Man of the People is a lithograph made by Auguste Wahlen in 1844. Hand colored. Good condition. At the center of the artwork is the original title "Perse. Homme du Peuple...

Limited Edition Print Hand-signed by the artist on recto and verso Includes photographer's stamp on verso Includes certificate of authenticity

"Cabaret" Liza Minnelli Joel Grey Broadway Film Academy Tony Award Musical Signed and numbered 12/150 in pencil, lower margin. Etching with aquatint, 15” x 10 1/2”. Framed 22” x 1...

An original 1930 Art Deco lithograph poster by French artist Maurice Dufrene. Rayon des Soieries Maurice Dufrene, (1876–1955) Date: 1930 Lithograph Size: 46 x 30 in. (116.84 x 76.2 c...

Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - Faust (B270), Year: 1878 (of original 1652), Medium: Heliogravure on Laid Paper, Size: 8.5 x 6.5 in. (21.59 x 16.5...

Chicago-born Golinkin studied at the Artist Students League with George Luks. After working as an illustrator for New York papers he joined the Navy in 1939 and retired as a Rear Adm...

Surgical Instruments is part of the suite realized by Lorenz Heister in the series of Institutiones Chirurgicae, Amsterdam, Janssonius-Waesberg, 1750. Etching on paper. The work be...

Artist: (Romain De Tirtoff) Erte (Russian, 1892-1990) Title: Melisande Year: 1983 Medium: Color serigraph Paper: Arches Edition: Numbered 175/300 in pencil Image size: 22.5 ...

In the post-World War ll era, Air France was rapidly expanding its routes for commercial air travel. This expansion was heavily promoted by the effective use of original posters crea...

La pointe sèche etching on vélin de Rives filigrané à notre nom paper. Paper size: 9.5 x 7.5 inches; image size: 6.5 x 4.5 inches. Inscription: unsigned and unnumbered, as issued. No...

Artist: Salvador Dali Title: Divine Comedy Hell Canto 27 Decomposition (2 pieces) Medium: Woodcut Measurements: 10.5" x 13" each piece Note: Piece is sold unframed Condition: Ex...

Mr. Brainwash Einstein Love is the Answer 2023, is a vibrant and stimulating work featuring Albert Einstein, a pillar of history and modern...

Branko Bahunek, Croatian (1935 - ) - Barbara (Offset). Year: circa 1980, Medium: Offset Lithograph, signed l.r., Edition: EA, Size: 23 x 19 in. (58.42 x 48.26 cm)

Signed and numbered linocut, from the Sensual Line series of 4 male and female nudes. Reyes attended The School of the Art Institute of Chicago, where he received a Bachelor of Fine...

Frank Herrmann is widely regarded as one of the outstanding photojournalists of the latter part of the twentieth century, with an illustrious thirty year career at The Sunday Times. Covering stories as diverse as the UDI in Rhodesia in 1966, the Paris riots in ’68, the Yom Kippur War of '73, the U.S Presidential elections of ’75 and the birth of Zimbabwe in 1980, he has travelled to Africa with Bob Geldof to record the famine relief work of Band Aid, has been to the South Pole to photograph the trans-Arctic expedition and has worked with Hunter Davies on several books including The Glory Game and Great Britain – a Celebration as well as his text book book on portraiture titled Portrait photography. His many portrait sittings include,  amongst others, Orson Welles, Maggie Smith, Sean Connery, William Burroughs, Winston Churchill, Duke Ellington, Harold Macmillan, Ronald Reagan, Arthur Miller, Samuel Beckett, Henry Moore, Judi...

The 1918 original poster by Adolphe Willette, created for the Banque de l'Union Parisienne, is a compelling piece of wartime propaganda, urging citizens to contribute to the fourth national loan (4e Emprunt National). This poster, titled Pour que la France soit victorieuse comme à Valmy! (So that France may be victorious like at Valmy!), is a poignant call to action, blending historical reference with patriotic fervor to inspire public support during the final year of World War I. Adolphe Willette, a prominent French painter, illustrator, and political cartoonist, was known for his evocative and often satirical works. During the war, artists like Willette played a crucial role in shaping public sentiment and encouraging national unity through their art. This particular poster exemplifies his ability to harness the power of visual storytelling to evoke a sense of duty and pride in the French populace. The poster references the Battle of Valmy...

Lithograph and stencil on vélin pur fil paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the folio, La Varende, Rodin, 1944. Published by Éditions ...

Original title: Il Ciclista Cyclist is an original etching realized by Giuseppe Viviani in 1955. Hand signed and dated in pencil on lower right margin "G. Viviani 955", edition of 200 prints. It represents a cyclist who is riding along a tree-lined road. Very good conditions except for foxings and faded paper. - Published on “Giuseppe Viviani Catalogo Generale” cured by Silvio Guarasci Pisa, Editore Saletta d’Arte Viviani s.a.s. Pisa, p.216. Giuseppe Viviani (1898-1965) is a popular Italian artist and engraver. His figures are characterized by stylized silhouettes, big and sad eyes...

free shipping standard parcel available to be confirmed while submitting the order artist: Anastasia Aureum paper print limited edition hand signed About the artwork: This portra...

Artist: Arman, French (1929 - 2005) Title: Crossfire Year: 1979 Medium: Serigraph, signed and numbered in pencil Edition: 150 Size: 30 in. x 22 in. (76.2 cm x 55.88 cm)

Medium: original woodcut. Printed in 1947 in an edition of 950 on Rives wove paper for "Pierre a feu / Les miroirs profonds" and published in Paris by Maeght. Image size: 8 1/4 x 6 1...

Paper Size: 13.5 x 23.75 inches ( 34.29 x 60.325 cm ) Image Size: 11.25 x 22.75 inches ( 28.575 x 57.785 cm ) Framed: Yes Frame Size: Condition: A: Mint Additional Details: Framed ...

Marcel Marceau, French (1923 - 2007) - Nude Man with Marcel, Portfolio: Le Troisieme Oeil (The Third Eye), Year: 1981, Medium: Lithograph on Arches Paper, signed and numbered in p...

Lithograph on vélin Lafuma paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the volume, Dessins de Henri-Matisse, 1925. Published by Édi...

Chris Levine Lightness of Being [Freedom Edition], 2021 Diasec-mounted giclée print mounted on aluminium composite panel Artist's digital signature, lower right on recto 90 x 70 cm E...

Le Fer a Cheval is an etching realized in 1771 by Juste Chevillet (1729–1802) Signed in plate. The piece belongs to the suite "Histoire naturelle, géné...

An enchanting Southern landscape by the mother of the Charleston Renaissance. A native of Charleston, South Carolina, and educated under the tutelage of Thomas Anshutz at The Pennsylvania Academy of Fine Arts, O'Neill Verner was a teacher, a mother, an artist, an ardent preservationist, and a skilled autodidact. Having previously focused on painting, in the early 1920s she found herself deeply moved by printmaking as a media, and especially so by the simple, peaceful themes and tableaus she discovered in Japanese art. She embarked on a effort to teach herself Japanese printmaking techniques, and in the process, produced the charming images of every day life in Charleston and its environs that earned her recognition as a cultural icon in her day, and in more modern times, as the mother of the Charleston Renaissance, which flourished well into the 1930s. In 1923 she opened a studio in Charleston where she focused on documenting the local color and the architecture and landscape that distinguishes Charleston as one of the South's most beautiful cities, all the while applying the gentle and poetic thematic sensibilities of Japanese printmaking. O'Neill Verner soon found herself in high demand when municipalities and institutions throughout the country sought commissions from her to document the beauty of their grounds and historic buildings. She worked as far north as the campuses of Harvard and Princeton, and extensively across the South, including in Savannah, Georgia, where through sweeping commissions she was able to marry her love of southern preservation and art. O'Neill Verner was a lifelong learner, and continued a path of edification that led her to study etching at the Central School of Art in London, to travel extensively through Europe, and to visit Japan in 1937, where she studied sumi (brush and ink) painting. She was a founding member of the Charleston Etchers Club, and the Southern States Art League. Her works are represented in the permanent collections of leading museums across the American south, and in major national institutions including the Metropolitan Museum of Art, Boston's Museum of Fine Art, and the Smithsonian American Art Museum. O'Neil Verner...

A drypoint and aquatint by artist Sylvia Plimack Mangold.

SALVADOR DALÍ Bullfight #4., 1965 Color lithograph Hand signed and numbered 190/300 in pencil, lower margin Sheet size: 64 x 52.5 cm Published by Sydney Z. Lucas, Paris, with the ink...

after Henri MATISSE Edition of 200 with the printed signature, as issued 76 x 56 cm With stamp of the Succession Matisse References : Artvalue - Succession Matisse