Abstract Abstract Sculptures

This aqua resin and acrylic sculpture is an abstract female for created by Kevin Kelly. The dimensions are noted include a 3 1/2 inch high base. Kelly works out of his Brooklyn studi...

Part of The Crystalline Light Collection, this piece features Agate resting on a Plexi base. With its translucent qualities and layered texture, the Agate radiates a quiet luminosity...

At Escat Gallery we are committed to maintaining the highest standards of trust and professionalism for our collectors. Every artwork in our collection comes with a Certificate of Authenticity, guaranteeing its originality and provenance. We offer secure worldwide delivery to any address you specify, ensuring that your purchase arrives in pristine condition. If you require additional shipping options or a bespoke quote from our trusted network of carriers, please do not hesitate to contact us. Our team is here to help you find the best solutions for a smooth and secure delivery experience. Elisabet Urpí Ràfols and Nacho Umpiérrez Fripp, collectively known as ELIURPI, are the creative duo behind our brand. Based in Barcelona, we specialize in shaping unique pieces through a fusion of culture, architecture, and contemporary art. Founded 14 years ago, ELIURPI originally gained recognition for our sculptural hats. Over time, our artistic scope has broadened to encompass sculptures and art-design pieces. Recently, we showcased our latest creations at the Milan Fair, including an individual exhibition at Palazzo Litta titled "Shadows and Poems," inspired by Junichiro Tanizaki’s "In Praise of Shadows," which extols chiaroscuro as the pinnacle of beauty. Raffia served as the central material uniting all exhibited pieces, creating a harmonious narrative throughout the exhibition space. Our professional and personal lives intertwine, enriching our distinctive artistic language that blends cultural traditions with contemporary aesthetics. We draw inspiration from the interplay of light and shadow, while craftsmanship, creativity, and integrity guide our use of natural materials such as wood, straw, raffia, linen, and silk. Notable milestones include our ongoing exhibitions during ARCO week in Madrid, as well as appearances in international art galleries and craft biennials. In 2023, our work "Sculptural Head Object...

This is an engaging multiple artwork by the Italian artist Robert Nanut, a talented artist of 1980’. This is a multiple of numbered edition of 1.000 pieces. This artwork was made in 1980 but it can be considered new cause remained since now stored and packed in the Editor warehouse. The bronze sculpture is completed by the certificate of authenticity, there is the number assigned to the piece and the original signature of the author. Roberto Nanut...

Henry Moore, Three Piece Reclining Figure Bronze Conceived 1963, cast 1977 Stamped with signature and edition to base Edition 5/9 Dominion Gallery placard to underside Henry Moore F...

This contemporary abstract outdoor steel sculpture represents a male figure. Ferhat Özgür Görel’s dynamic sculptural work has been showcased in thirteen different countries. The Geo...

The mirrored surfaces of the stainless steel Maldonado work of art, reflect the world around. Maldonado's artistic research has an ethological matrix: a sign as a kind of pre-Incan g...

"Guided Spirit" by Kevin Barrett Painted steel on a stainless steel base This sculpture measures 76"h and rests on a 28" steel pedestal for a total heigh...

German sculptor Nando Kallweit produces figurative bronze sculptures and reliefs with aquiline and a graceful modern appeal. Kallweit is inspired by seemingly disparate cultures; the strength of ancient Egyptian sculptures...

“Bodies at Rest” #22 is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart (in bronze metallic glaze) is a small scale sculpture that add class and personality t...

Rare purple coral specimen with its ocean inspired form, textures and alluring violet color. Presented on a Lucite base to enhance the sculptural elements. Available only in the Uni...

Andy Warhol Jean-Michel Basquiat Bearbrick 1000%: A nicely sized (27 inch) & highly decorative Warhol Basquiat statue figure that makes for a standout home display. Trademark & lice...

William King (1925-2015). Reclining figure, ca. 1965. Cast and welded bronze, 7 x 9.5 x 5 inches. Unsigned. William King, a sculptor in a variety of materials whose human figures traced social attitudes through the last half of the 20th century, often poking sly and poignant fun at human follies and foibles, died on March 4 at his home in East Hampton, N.Y. He was 90. His death was confirmed by Scott Chaskey, who is married to Mr. King's stepdaughter, Megan Chaskey. Mr. King worked in clay, wood, bronze, vinyl, burlap and aluminum. He worked both big and small, from busts and toylike figures to large public art pieces depicting familiar human poses -- a seated, cross-legged man reading; a Western couple (he in a cowboy hat, she in a long dress) holding hands; a tall man reaching down to tug along a recalcitrant little boy; a crowd of robotic-looking men walking in lock step. But for all its variation, what unified his work was a wry observer's arched eyebrow, the pointed humor and witty rue of a fatalist. His figurative sculptures, often with long, spidery legs and an outlandishly skewed ratio of torso to appendages, use gestures and posture to suggest attitude and illustrate his own amusement with the unwieldiness of human physical equipment. His subjects included tennis players and gymnasts, dancers and musicians, and he managed to show appreciation of their physical gifts and comic delight at their contortions and costumery. His suit-wearing businessmen often appeared haughty or pompous; his other men could seem timid or perplexed or awkward. Oddly, or perhaps tellingly, he tended to depict women more reverentially, though in his portrayals of couples the fragility and tender comedy inherent in couplehood settled equally on both partners. Mr. King's work is in the collections of the Metropolitan Museum of Art and the Museum of Modern Art in New York and the Smithsonian American Art Museum in Washington, among other places, and he had dozens of solo gallery shows in New York and elsewhere. But the comic element of his work probably caused his reputation to suffer. Reviews of his exhibitions frequently began with the caveat that even though the work was funny, it was also serious, displaying superior technical skills, imaginative vision and the bolstering weight of a range of influences, from the ancient Etruscans to American folk art to 20th-century artists including Giacometti, Calder. and Elie Nadelman. The critic Hilton Kramer, one of Mr. King's most ardent advocates, wrote in a 1970 essay accompanying a New York gallery exhibit that he was, "among other things, an amusing artist, and nowadays this can, at times, be almost as much a liability as an asset." A "preoccupation with gesture is the focus of King's sculptural imagination," Mr. Kramer wrote. "Everything that one admires in his work - the virtuoso carving, the deft handling of a wide variety of materials, the shrewd observation and resourceful invention - all this is secondary to the concentration on gesture. The physical stance of the human animal as it negotiates the social arena, the unconscious gait that the body assumes in making its way in the social medium, the emotion traced by the course of a limb, a torso, a head, the features of a face, a coiffure or a costume - from a keen observation of these materials King has garnered a large stock of sculptural images notable for their wit, empathy, simplicity and psychological precision." William Dickey King...

"Magic Circle Constellation" by Rogan Brown Laser and hand cut paper, framed Rogan Brown creates abstract and sculptural wall reliefs. The large, hand cut pieces are dissected from ...

"Hip, Hip, Hooray!", hand-carved wooden wall sculpture by Hudson Valley artist, Stephen Walling, made in 2019 24 x 24 x 2.5 inches Carved wood and acrylic paint on panel Signed, ver...

Frank Arnold is thought by many to be one of the foremost abstract figurative painters and sculptors of our time. He is a living master whose work is considered to be both personal a...

The Ragisména series, which in Greek means cracked, has its materiality manifested through the desire to recreate and make feelings, memories and mythology tangible in the physical w...

White flat cloud & White curved cloud is a set of two ceramic sculptures by contemporary artist Tien Wen from the series “Closed vases”. These sculptures are iconic of Tien Wen’s wor...

A multitude of polished mirrors shine as light bounces off them, reflecting the landscape and you. This is Ryan Van Der Hout’s elegant contemporary sculpture called Mirror Mirror. In...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

'Maina' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. It features painterly brushstroke formations in glass called trails. Trails are created through rolling molten glass into various forms and shapes. They are then placed within clear glass and fused into one large piece through kiln casting. This technique creates a layered, suspended, and vibrant three-dimensional space within. About the Internal Space Series: David’s experiments with sheet glass and fusing led him to try to make the glass thicker to see more interior space. It was during this time a professor pointed out that he was working with a metaphor, for which the internal space of the glass was the equivalent to the internal life of the mind. This became his operating mantra but also forced him to come to terms with the casting of thick sections. “Creating those internal spaces came with some problems. Other than telescope mirrors, I did not know that anyone annealed glass in a kiln for more than a day or two. When pieces cracked after five...

"Lemon" is a radiant sculptural piece from Elizabeth Art Candy’s Fake Marshmallow series, where tactile forms and vibrant hues evoke a playful yet sophisticated visual language. Crea...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Forged from stainless steel, this contemporary outdoor sculpture is by Alexander Caldwell. The Alberta artist favors sculpting with metal and creating clean lines that are rendered in a vivid palette. The form of this playful piece–a tower of stacked logs is inspired by nature. The industrial material is coated in a brilliant shiny yellow automotive or oilfield paint. It stands an impressive 76 inches (193 cm.) high. “Alexander Caldwell’s sculptures are immaculate in execution and finish” Paul Kuhn...

Abstract geometric three-dimensional wood wall sculpture in shades of blue, green, teal, with contrasts of white "Peekin", made by Hudson Valley artist, Stephen Walling, in 2020 35 x...

Bodies at Rest #30, is a one-of-a-kind, ceramic abstract figurative sculpture by Paige Stewart (in metallic gold glaze) is a small scale sculpture that add class and personality to h...

Delightful and fabulous to live with - great to put on tables, shelves, mantles, desks and even better if they can be near natural light coming in. Amazing to turn and see the diffe...

A large & impressive abstract figurative bronze sculpture, by the Pacific Northwest sculptor Frederic F. Littman (1907–1979), circa 1960. This large bronze by Hungarian-American scul...

This silk ikat textile wall hanging is by Japanese fiber artist, Jun Tomita.

Very large Contemporary powder coated aluminum sculpture for inside or garden outdoor spaces. Beautiful spiral dancing and intertwining. This is a large scale outdoor or indoor scul...

cold rolled steel, sparkle orange metallic powder coated wall sculpture

Ben McLeod (b. 1948, Aberdeen, Scotland) is a preeminent Canadian sculptor whose over five-decade practice is characterized by a profoundly self-propelled trajectory and the cultivat...

Barricada #15 aip L200 is a stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 200 × 276 × 177 cm (78.7 × 108.7 × 69.7 in). The sculpture is sig...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Untitled IV is a unique sculpture by contemporary artist Mattia Bosco. This sculpture is made of Palissandro marble and stainless steel, dimensions are 173 × 43 × 22 cm (68.1 × 16.9 ...

In this intriguing sculpture by Ryan Van Der Hout, a multitude of mirrors reflect the images of sky and land that surround it. Forged from powder-coated steel, each lens is mounted o...

"Cell Colony " by Rogan Brown Laser and hand cut paper, framed Rogan Brown creates abstract and sculptural wall reliefs. The large, hand cut pieces are dissected from sheet after sh...

Genesis I is a unique ceramic sculpture by contemporary artist Tien Wen, dimensions are 57 × 13 × 13 cm (22,4 × 5,1 × 5,1 in). The sculpture is signed and comes with a certificate o...

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Jean Arp Château des Oiseaux Bronze Signed "Arp" Edition 5/5 Provenance: Sidney Janis Gallery, New York Conceived in 1963, cast in bronze in an edition of 5 between 1967 and 1969. J...

Inspired by dance and weightlessness, Granville Beals' industrial metal sculptures are primarily about relationships. Concerned with form and abstraction, he does not merely manipula...

This Estuardo Maldonado sculpture in engraved stainless steel, it's a unique artist's one-of-a-kind piece. The support is in satinated steel.

Cuerpos Magnéticos was born searching for the relationship between nature and our bodies: we see rocks, bones, structures, flexibility, attractions, spaces, movement, stillness. Cuer...

Klaus Ihlenfeld (b.1934). Untitled, ca. 1960. Welded bronze. 8" h.; 5.5 " w; 3.25" d (base). Signed with initial under base. Provenance: Directly from estate of Harry Bertoia. The piece was a gift from Ihlenfeld and is a very early example created during Bertoia apprenticeship era. Excellent condition. Klaus Karl Otto IhlenfeldHe was born in Berlin, Germany in 1934. He studied art at the Hochschule für Bildende Künste and completed graduate work with the metal sculptor Hans Uhlmann. He visited the US in 1957 for the first time living in Durham, NC, where he befriended Dr. W. R. Valentiner, the Rembrandt authority and Director of the Museum of Art, Raleigh, NC. Through this friendship in 1960 he met and worked with the metal sculptor Harry Bertoia in Barto, PA. He joined the Staempfli Gallery in NYC and entered in many group and one-man shows. He has been an Artist-in-Residence in Ogden, Utah; Huntington Museum of Art in West Virginia, Penn State University at University Park; the Colorado State University in Denver; and Shippensburg University. He has large commissions at Kutztown University, Pottstown Hospital, and a monumental relief sculpture at the Emigrant Savings Bank in NYC. He has traveled extensively in Spain, Greece, and Mexico. He is living and working on a farm in Barto, PA welding bronze and forged iron metal sculptures and painting watercolors. Group Shows: North Carolina Museum of Art in Raleigh, NC - 1957 Solomon R. Guggenheim Museum in New York City - 1962 Staempfli Gallery in New York City - 1962, 1964 and 1965 Gallery Ludwig Lange in West Berlin, Germany - 1977 Gallery Herbert Remmert and Dr. Barth in Dusseldorf in West Germany - 1981 Jack Savitt Gallery in Macungie, PA - 1981 and 1984 Heinz Ortleb Gallery, West Berlin, Germany - 1992 Central Bucks Chamber of Commerce Show at the James A. Michener Art Museum in Doylestown, PA - 1997 Berks Art Alliance Show at the Reading Art Museum in Reading, PA - 1997 Mayfair Festival of the Arts at the Allentown Art Museum - 1998 Baum School of Art in Allentown, PA - 1997 Schwenkfelder Library and Heritage Center Art Show in Pennsburg, PA - 2001 Reading Public Museum in Reading PA, 2014 Solo Shows: Kutztown University in Kutztown, PA - 1960 and 1965 Allentown Art Museum in Allentown, PA - 1960 and 1961 Staempfli Gallery in New York City - 1962 Penn State University in University Park, PA - 1964 and 1972 Berks Art Alliance in Wyomissing, PA - 1966 Bertha Eccles Art Center in Ogden, Utah - 1967 Mansfield University in Mansfield, PA - 1967 Huntington Museum of Art in Huntington, WV - 1971 Shippensburg University in Shippensburg, PA - 1972 Albright College in Reading, PA - 1973 Ianuzzi Gallery in Scottsdale, AZ - 1974 Gallery Heimat 85 in West Berlin, Germany - 1977 Jack Savitt Gallery in Macungie, PA - 1981 College Misericordia in Dallas, PA - 1983 Schwenkfelder Library and Heritage Center in Pennsburg, PA, 2013 Periodical Reference: Kaye, Ellen "The Obsessive Collector," Philadelphia Inquirer Sunday Magazine Sptember 21, 1986 pp. 32-33. Chronology: 1-30-1934 Born in Berlin, Germany. Father, Kurt Ihlenfeld, Lutheran pastor, novelist, critic and publisher was born in 1901 in Colmar, Alsace Lorain. Mother, Annie Stuhlmann, was born in 1905 in Breslau, Lower Silesia. 1940 - 1950 Public schools in Berlin; Löwen, Lower Silesia; Coswig, Radebeul, Glaubitz, Saxony. Königin Luise-Gymnasium in Dahlem, Berlin. First artworks, drawings and paintings; few sculptures. 1950 - 1956 Studied at the Hochschule für Bildende Künste in West Berlin, Germany. Graduate work with metal sculptor Hans Uhlmann. For 2 years maintained own studio at the Academy. Friendship with writer Günter Grass, and painter F. S. Sonnenstern. Met painters: Max Pechstein, Karl Schmidt-Rottluff, Carl Hofer, Max Kaus, and sculptors: Bernhard Heiliger, Renee Sintenis, and Richard Scheibe...

Concrete, paint, oil pastel and polyurethane Hand-signed by artist Frame: Not included This work includes a certificate of authenticity.

Margaret Koscielny (b.1940). Floating Images, 1974. Plexiglass sculpture. !0 x 10 x 10 images. Light base is new. Margaret Koscielny's work has been recognized in Who's Who in American Art; International Who's Who; Contemporary American Sculptors: An Illustrated Bio-Bibliographical Dictionary; Dictionary of American Women Sculptors; with articles in Kalliope (interview, photographs), The Florida Times-Union, Jacksonville Journal, Jacksonville Magazine; St. Petersburg Times; Atlanta Constitution and Journal; essays, by Joseph Jeffers Dodge, Drawings in Light and Space ; and Elihu Edelson, Arts Assembler; and reviewed in various newspapers, including a general review by John Canady, for The New York Times, of the American Drawing Competition, Moore College of Art, Philadelphia, (in which Koscielny was a participant). Influences and Early Background A native of Florida, Margaret Koscielny grew up in a family of classical musicians. Her mother, a violinist, was a descendent of an American Revolutionary war hero who, according to family legend, was related to William Pitt, the Elder, Prime Minister of Great Britain. Her father, a violist, was a graduate of the Leipzig Conservatory, emigrating to the US in 1929, where he became a music pioneer in Florida, teaching, directing bands and orchestras, and developing music education for string ensembles in the public schools. Her sister, Anne Koscielny, a concert pianist, was also a professor of piano for over 4 decades. Her step-brother, Gordon Epperson, was a prominent cellist, writer and college professor. Her niece, Cécile Audette, is a singer and choral conductor, and her grandniece, Renée, a violinist. Both sets of grandparents were musical, as well. This has influenced Koscielny's work the most, as it has provided inspiration and a sense of layers and the element of time in the construction and architecture of her work. Early Education and Career, 1960's Margaret Koscielny began her art studies at Texas Woman's University with Toni La Salle, (a student of Hans Hoffman). La Salle was the first, and most important influence on Koscielny's approach to drawing and art. Ms. La Salle's paintings reflected the ideas she developed under Hoffman's instruction, and she was Koscielny's first encounter with an Abstract Expressionist painter. Koscielny then attended the University of Georgia, where she earned the degrees of Bachelor of Arts in Art History and Master of Fine Arts in Art. Printmaking and drawing were the primary interests of her graduate work while studying with Charles Morgan, (a student of Jimmy Ernst, son of Max Ernst, the Surrealist). German Expressionism, surrealism and Abstract Expressionism were important influences during this time. The painters, Howard Thomas, James Herbert, and a fellow student, Jim Sitton were important mentors. She began, independently, the exploration of a technique evolved from printmaking combined with transparent media, and created her first "three-dimensional drawing-sculpture" in 1966. During the next two decades, Plexiglas was to be her primary format for drawings engraved, lighted and formed into assemblages. Teacher, Museum Curator, Artist, 1970's After a brief career teaching in public and private schools as well as Jacksonville University, she became Assistant to the Director of the Cummer Museum of Art and Gardens, (then called Ninah M. H. Cummer Gallery of Art). Margaret Koscielny was responsible for the organization and installation of exhibitions, publications, the training of Docents, and lectures on art history. During that time she also appeared regularly on television to discuss works of art in the museum's permanent collection. In December of 1973, Koscielny made a solo month-long tour of 9 major artistic capitals of Russia and the Ukraine in the former Soviet Union. This journey became the subject of nine lectures to capacity audiences at the Cummer Museum. She left the museum in 1974 to focus her activities primarily on her artwork. The 1970's were a time of numerous commissions, private and corporate for Koscielny, and she won the first National Endowment for the Arts grant in conjunction with the Florida Arts Council in 1975. This allowed her to execute three large sculptures in plexiglas which were exhibited at the Cummer Museum in 1976. Numerous other exhibitions throughout the Southeast followed. She also founded an independent group of 10 artists, Art Celebration! in 1973, because of the lack of galleries in Jacksonville.The success of the group's exhibition over a 5 year period precipitated new galleries to be established. Koscielny finished the decade with an invitation for a One Person Show at Vanderbilt University, also winning an international competition for the new Atlanta Hartsfield International Airport in 1979-80. She was one of only 3 women out of 13 artists, chosen from 500 competitors.The resulting three-dimensional assemblage, "Whole Sight," was in four parts, each 9 x 13 feet. They were installed on four walls over a descending 40 foot escalator. In late 1979, she was invited to produce and design an original ballet...

Barricada #20 aip L300 is a stainless steel sculpture by contemporary artist Alejandro Vega Beuvrin, dimensions are 300 × 134 × 79 cm (118.1 × 52.8 × 31.1 in). The sculpture is sign...

"Transmission #1 2-2" is an original hand-cut wood collage by Matt R. Phillips measuring 20"h x 13"w. The piece ships in the pictured, artist-made, wood floater frame. The artist us...

"Magic Mushroom" contains those repetitive features of mantras or mandalas patiently made by hand. It projects a psychedelic image thanks to the chaotic...

Artwork made by ipe, cherry, mahogany, walnut, boat nails, acrylic & reclaimed suede Scott Troxel has exhibited his work at numerous fairs and exhibitions ...

He has been called the ‘Light Sculptor.’ Quebec artist Jean-Pierre Morin is inspired by the light and shapes found in nature. The pleasing organic shape ...

This contemporary bronze sculpture inspired by music is shaped like a heart and was made by David Chamberlain. The lyrical lush lines of this heart-shaped bronze sculpture were crea...

Artist: Kuno Vollet Title: Schwerelos Gold Materials: Bronze sculpture with a dark patina on black granite base Size: 65cm height of upper sculpture, base: 18 x 18 cm x 8 cm Lim...

The panel paintings "Expanded Metal Tile Paintings" are the closest to the classic art of painting. Firstly glaze is applied by roller brush and a piece of expanded metal onto a bloc...

Impressive branch and cauliflower coral assemblage hand crafted in specimens with mother nature's sea inspired colors and forms. Presented on a lucite base to enhance its sculptural ...

15 feet X 8 feet X 5 feet Machined aluminum John Raymond Henry (1943-2022) is an internationally renowned sculptor. Since 1971, Henry produced many...

Bruch Hilding White (American 1933-2025) Hand signed at base. Not dated estimated to the 1980's by the artist. Painted with metallic automotive paint. Suitable for outdoors or indo...

Lofty one of a kind group of sculptures or assemblages handcrafted with organic branch coral in a dramatic ocean inspired composition and presented on lucite bases to enhance the scu...

This minimalist metal outdoor sculpture in bright yellow was created by Canadian sculptor Alexander Caldwell. The Calgary-based artist is known for ...

'Mahitu' is a contemporary abstract cast glass sculpture by David Ruth from his Internal Space series. David fused various colored glass to create a layered, suspended, and vibrant ...