19th Century Figurative Sculptures

Female figural bronze by Etienne Henry Dumaige (1830-1888) of Psyche with lit Oil Lamp, perched on a stump. Her gaze is incredibly striking, commanding the eye of the viewer. The lam...

Masterfully carved with remarkable detail, a youthful Saint John the Baptist folds his hands in prayer in this stunning marble by the important Italian sculptor Domenico Menconi. The...

CHARLES BRUNIN Belgian, (1841-1887) Le Pecheur Napolitain a L’oiseau Bronze Patinated bronze; Signed ‘Ch. Brunin Roma’ and with Tiffany and Co. foundry mark located on the base 2...

A fine carrara marble figure of Rebecca. Signed P. Romanelli/Florence Title: Rebecca at the well Artist: Pasquale Romanelli (1812-1887) Origin: Ita...

French Bronze high shine Orientalist Bust of Young Turkish Woman in Traditional Dress. Common for Orientalism, the bust is rendered in such high detail it feels as though the young woman sits before you. The gorgeous modeling showcases multiple textures and patterns throughout the piece, from the softness of her skin, the string of tassels across her brow, and the dynamic drapery of her scarves, to the hard chains with flat, disc-like links and two cloak pins...

Rare pair of "Tiger and Lion walking" by Antoine-Louis BARYE (1796-1875) A very fine pair of bronze sculptures with a nuanced brown patina each signed "Barye" on the base cast by "F...

Signed 'E. Picault' inscribed and titled ‘Reveil de la Nature’ on self-base Artist: Emile Louis Picault (1833–1915) Origin: French Date: Late 19th century Dimension: 34 1/2 x 17 inc...

Antoine-Louis BARYE (1796-1875) Pair of Candlesticks Pair of neo-Greek candlesticks Bronze with a dark patina signed on the underside "Barye" Old cast France circa 1890 height 27 c...

Patinated bronze figural statue depicting Zephyrus, god of the west wind, as he embraces his bride Flora. The couple are seen draped in flowers as if they have just married. Flore et...

A cold-painted cast bronze miniature statue depicting a north African woman picking dates from a palm tree. The incredibly crisp and detailed casti...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Two Beauties Patinated bronze; Signed, The base inscribed H.MOREAU, surmounted on a green marble base. ...

LOUIS AUGUSTE MOREAU French, (1834-1917) Children Picking Grapes Patinated Bronze; Signed Aug Moreau 20 1/2 x 12 x 9 inches

This very finely carved statue is of a swimmer just leaning over to dive into an unseen pool. Signed P. Barzanti, Florence for Pietro Barzanti (1825-1895) of Florence, Italy. Barzani was a well known sculptor known for classical works in marble which is reflected in this figure's very delicate facial features and the skill shown in the carving of her hair and the cloth of her bathing costume...

Egyptian King Menthuphis, draped in a lion skin, and dripping in jewels, holds up a statue of two horses. Flanked by two birds and mounted on Rouge Mable and...

Antique Bronze Dog Bulldog Playing with a Mouse on Sheaves of Wheat Henri Émile Adrien Trodoux (1815-1881) 6 1/8 x 3 7/5 inches Signed on the terrace Henri Émile Adrien Trodoux (Fre...

Untitled #10 (female bust), 2016 from Los Infortunios De La Virtud series Antique porcelain bust with the intervention of oil, gold, silver, lea...

FERDINANDO VICHI Italian, (1875-1945) Lovers 22 1/2 inches high Notes: The finely carved Italian white marble sculpture of lovers surmounted ...

Half-blood Horse, head raised by Antoine-Louis BARYE (1796-1875) A bronze sculpture with a dark brown patina Signed on the base " Barye " Cast by " F. Barbedienne fondeur " (with th...

This matched pair of wall sconces consist of one upright candle cup above three graceful flowing arms each fitted with three candle cups above shaped and molded bobeches. Each of the...

Antique Porcelain Dog Portrait: Cavalier King Charles-Edmé Samson According to the model created by Johann Joachim Kaendler (MEISSEN around 1770). By the famous factory of Edmé Sams...

La virgen es de madera y el niño de terracota Comentar que los ojos de la virgen, son de pasta vitrea Las coronas de metal (la corona de la virgen está rota y se tendria que pegar)...

signed 'A. Rivalta' (on the base)

This statue is of Prince Albert Edward, eldest son of Queen Victoria, Prince of Wales, future King Edward VII (1841-1910) dressed in a sailor suit. After a very popular painting of the young prince done in 1846 by Franz Xaver Winterhalter (1805-73) that is in the collection of the British Royal Family.

Italian 19th Century marble bust depicting the young Emperor Octavian. The sculpture, carved in white Carrara marble, is an exquisite example of neoclassical works and shows a fascin...

JEAN-BAPTISTE CLÉSINGER French, (1814-1883) Helen of Troy Signed 'J. CLESINGER / ROME / 1860.' and with foundry inscription 'F. BARBEDIENNE. FONDEUR' 30 3/4 in. x 17 in.

D. BRUCCIANI & CO (19th Century) St Cecilia Polychrome painted plaster bust with mould lines visible (probably later painting) 47 cm., 18 ½ in. high Dom...

CESARE LAPINI Italian, (1848-1893) Segreto Al Cuore Signed Prop ta Fratelli; Lapini; Firenze 29 1/4 x 8 x 11 inches Notes: A fine quality white marble sculpture of a you...

Hope-Pinker was born in Peckham, Surrey, the son of a stonemason and builder employing 5 or 6 men c.1871 in Hove, Sussex, who seems to have taught his son much of his stone-carving skills, although he also attended the Royal Academy Schools (c.1871). Hope-Pinker typically carved without a model from drawings. The bulk of his work was portrait sculpture and John Hunter...

Presenting a magnificent early Art Nouveau bronze by Belgian artist Jef Lambeaux(1852-1908.) “Leda and the Swan”, is an original Art Nouveau Bronze,...

ÉDOUARD DROUOT French, (1859-1945) Le Secret Patinated bronze; Signed E. Drouot. 25 1/2 X 10 X 9 1/2 inches

ANTOINE-LOUIS BARYE French, (1796-1875) Manchu Tartar Patinated Bronze; Signed BARYE on base 21 x 8 1/2 inches

Antoine-Louis Barye (French, 1795-1875)Aigle - Ails Étendues, Bec Ouvert (An Eagle with Wings Extended and Open Beak) A powerfully detailed sculpture of an eagl...

Aristide Petrilli (Italian, 1868-1930) "Violante Beatrice of Bavaria" Alabaster Bust, late 19th century, the bust on an angular plinth, signed and titled. 17" H x 16" W x 7" D.

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in

Albert-Ernest Carrier-Belleuse (1824 Anizy-le-Château - 1887 Sèvres), Reading Woman, around 1880. Polished bronze mounted on a cast base. 33 cm (total height) x 9 cm (length) x 9 cm ...

A very good antique Neo-Classical bronze of a Bacchante or Maenad, by Spanish sculptor Gustave Obiols Delgado (1858-1902). The sculpture circa 1890. This large & very attractive, fin...

JEAN-BAPTISTE CLÉSINGER (French, 1814-1883) SAPPHO AND HÉLÈNE 19th Century A Fine Quality Pair of Patinated Bronze Statues Depicting Sappho and Hélène Inscribed ‘J. CLESINGER.; F...

Richard Klemm, German (1852 - 1916) - Couple Proposing, Medium: Porcelain Clock, maker's mark stamp verso, Size: 39 x 12 x 6.5 in. (99.06 x 30.48 x 16.51 cm)

A bronze hound sculpture on marble based. Signed by French animalier sculptor Antoine-Louis Barye 1795-1875.

ANTONIO PIAZZA Italian, (Late 19th/Early 20th Century) signed 'A. Piazza Carrara' 33 1/2 x 14 in. x 13 in. Notes: A Fine Italian Carrara Marble Figure of a Boy Holding a Hat

Follower of Bacchus is an original bronze sculpture realized by an Italian Sculptor in the end of the XIX century. Bronze casting. Made in Italy. H: 100 cm. Excellent conditions. ...

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed Pinédo with the bronze Garanti au Titre seal, titled Patinated bronze, brown patin...

Inscribed 'A CARRIER Scpteur' Title: A Maenad and Two Cherubs Artist: Auguste-Joseph Carrier (1837-1908) Origin: French Date: 19th century Dimension: 27 in. x 16 in.

A late 19th century bronze figure of a dog playing with a ball on a naturalistic base. Nice dark rich brown patina with slightly lighter rubbed area to lower side of base. Signed 'Wa...

Edwin Willard Deming (American, 1860-1942) Man with Flute and Cougar Cast bronze sculpture with golden brown patina Signed, numbered 9/100, with Fenn F...

Large, Neapolitan, late 19th Century hardwood sculpture of a camel. Artist unknown. A beautifully patinated hardwood sculpture. The sculpture is extremely charming and having been handled for over a century has a lovely warm and tactile patina. It is particularly nice too see the work of the craftsperson in the adze and chisel marks along the body of the sculpture. The Italians and most notably the area around Naples has a long and storied tradition in the creation of sculptures for Nativity Scenes. This camel is both an endearing item and a piece of social history. A wonderful addition in its own right to the traditional Christmas scene, by tradition this sculpture was used as a maquette for the production of papier-maché models used in Christmas Creches which have such a long tradition in Italy and throughout the world. Wonderfully carved this piece was used to create hollow models out of papier-maché which were more affordable for this Christmas tradition. Hundreds of strips of papier-maché would be layered onto the figure in all directions. Then using a sharp tool the papier-maché was pushed into all the crevices of the sculpture to give it crisp detail. Once the layers of paper were dry the papier-maché was cut at certain points and lifted off the sculpture. Then finally the resulting body parts were glued back together, painted and patinated ready to be placed in the crèche scene. In the Christian tradition, a nativity scene (also known as a manger scene...

"Courtly Love" by Théodore Deck (1823-1891) Rare pair of figurines representing two lovers in the Middle Ages Polychrome glazed ceramic Each stamped "Th.Deck" on the underside Fran...

Grand Tour Bronze Italian, (19th Century) Silenus Wrestling a Serpent Bronze, stamped with foundry mark for Sommer of Naples, C1880 Height: 26.25 inches (67cm) Width: 9.75 inches (25...

Susanna by Albert-Ernest Carrier-Belleuse (1824-1887) Bronze sculpture with nuanced brown patina signed to the side " A. Carrier " old period cast France circa 1860 height 62 cm ...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 32" high and 9" wide with movable, was used in Indonesian Wayang puppet shows. Wayang (Kram...

Ernest Rancoulet (1842-1918), Allegory of Progress, around 1890. Bronze-plated metal cast with cast terrain plinth mounted on a wooden base (6 cm high). 64.5 cm (total height) x 28 c...

Fender Guitar Multi Layers Glass Sculpture Artist signed and dated '98. Fabulous mixed media, layers of multi color dichroic glass, ceramic tiles, aluminum on wooden base. William Wertz was born in 1946 dide in (2021 Los Angeles). American artist, teacher and photographer. Known for his unique assemble layers of glass sculpture. His art can be found in Musee des Decoratifs, Paris, the country of Oman (stained glass dome...

Large stucco head with traces of polychromy, Italy, 19th century. It could be a cast of a museum sculpture made during the 19th century or a plaster sketch of a work. In any case,...

Zebu and Python by Henri-Alfred JACQUEMART (1824-1896) Bronze group with nuanced brown patina signed on the base " A. Jacquemart " old cast France circa 1870 height 35,5 cm length...

This artwork "Chevre Allongee (Reclining Goat)" c. 1860, is bronze sculpture after renown French artist Antoine Louis Barye, 1796-1875. Signature is impressed in the bronze. The subject size is 4.25 x 7 x 3.35 inches, including marble base is 5.25 x 4 x 7.75 inches. It is in excellent condition. About the artist: Antoine-Louis Barye lived his entire life in Paris and may never have left France. He was born in 1795 (a date revised in the 1990s from 1796 as a result of Martin Sonnabend's recalculation of the Revolutionary calendar). He is reported to have had minimal formal schooling even in reading, and to have acquired his extensive liberal-arts education on his own. His initial professional training was in metalwork: first with his father, a goldsmith from Lyons, then with a metal engraver in military equipment, and finally with Martin-Guillaume Biennais (active 1800-1832), then master goldsmith to Napoleon. After serving in the army from 1812 to 1814, Barye trained in the fine arts with sculptor François-Joseph Bosio (1768-1845) and painter Baron Gros (1771-1835). He then studied at the Ecole des Beaux-Arts from 1818 to 1823. His miniature medallion, Milo of Crotona Devoured by a Lion, won an honorable mention in metal engraving in 1819, but he failed to win the Prix de Rome. He worked as a craftsman for the goldsmith Jacques-Henri Fauconnier (1779-1839) from 1823 to 1831 and made his Salon debut in 1827 with a selection of busts. Barye made his critical and public mark as a sculptor four years later, in the Salon of 1831, with groups representing predatory violence in the wild. His first government commission came soon after, precisely for such a subject. The Minister of the Interior purchased Barye's monumental plaster Lion (since called Lion Crushing a Serpent), shown in 1833, and had it cast in bronze by Honoré Gonon and shown in 1836, before placing it in the public Tuileries Gardens (now Musée du Louvre, Paris). In 1834 Barye was chosen for a project that was never executed, the colossal eagle as the crowning element of the triumphal arch at the Etoile. Around 1836 the government commissioned him to execute the emblematic animal decoration on the July Column at the place de la Bastille, inaugurated in 1840. He produced a monumental effigy of Saint Clotilde for the Church of the Madeleine, Paris, in the early 1840s. In 1846 the government commissioned a pendant Seated Lion for the Tuileries Lion Crushing a Serpent (1847, bronze, Portal, Pavillon de Flore, Palais du Louvre, Paris). During these same years the royal family began buying and commissioning small-scale works from Barye for their private collections. Around 1834, the duc d'Orléans commissioned a highly publicized surtout de table representing hunts of different regions and historical periods, possibly one of several tabletop projects that he ordered from Barye. The duc's sister Marie d'Orléans allegedly commissioned a lost-wax bronze of Barye's Charles VI Surprised in the Forest of Le Mans (location unknown; later serial variants), a model first shown in the Salon of 1833; his brother, the duc de Montpensier, apparently commissioned a pair of figurative...

Antoine-Louis Barye (French, Paris 1795–1875 Paris) Roman Jester (Petit fou de Rome) modeled probably circa 1874, executed after 1875 Measure: Height 6.25 inches Condition: Very go...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 17 1/2" high with movable arms, was use...

Inuit carvings, created by the Inuit people living in or near the Arctic Circle, are a kind of sculpture (done with bone, ivory, wood or stone) depicting their traditional way of lif...

This delightful cast bronze statue depicts Jean-Baptiste Poquelin (French, 1622-1673), known as Molière; a wonderful historical study that captures the playwright and actor as a carefree youth. Reclined in a worn out chair, and judging by the worn out covering and loose fringe and gimp this is likely the chair he is supposed to be upholstering.The young upholsterer's apprentice is spending his afternoon with a small book opened across his lap instead of his assigned task, and hasn't a care in the world, his tacking hammer held loosely in his hand as he is totally enveloped by the text. It captures Molière working for his father, who had purchased the post of valet de chambre ordinaire et tapissier du Roi, and was responsible for maintaining the carpets and upholstery of the furnishings for the King of France, a post that was often hereditary and that his father hoped to pass on to him one day. The sculpture offers a glimpse at Molière's chosen path, much to the chagrin of his father, leaving the world of upholstery unfinished and following the written word into a world of creativity. The modeling of the statue overall is superb. Gaudez is a true master of the genre scene in sculpture, and this this piece perfectly exemplifies his skilled capability to realistically model the human body in relaxed positions. Moreover, the modeling of the carved wooden chair legs, soft dangling tassels, individual book pages, and bunched fabrics is incredibly crisp, almost leading me to believe that we may be able to learn something about 19th century upholstery...

French School "Mother and Child" Patinated Bronze Sculpture, late 19th century, cast with a standing female figure clutching a child on a circular plinth, illegibly signed. 28.5" H x...