19th Century Figurative Sculptures

Eutrope Bouret (French, 1833-1906) "Sans Famille" [Without Family] Patinated Bronze Sculpture, late 19th century, the standing musician carrying a harp, on a rockwork base, signed, a...

Bronze oriental male figural torchère with bronze base and gilt patina. This figure exhibited at the Salon from 1850-51. In 1855 it appeared in the A.Collas and Barbedienne society c...

ANTOINE-LOUIS BARYE (FRENCH, 1795-1875) Panthère surprenant un zibeth, seconde version (Panther attacking a civet cat, second version) signed BARYE bronze, dark-brown patina with r...

Odoardo Tabacchi (Italian, 1832-1905) "La Taffolina" Patinated Bronze Sculpture, late 19th century, depicting a female diver on an oval base, signed "O. Tabacchi Torino". 15" H x 10"...

After Francois-Joseph Bosio (French, 1768-1845) "Henry IV of France" Patinated Bronze Sculpture, late 19th century, depicted as a child, on a square base, inscribed "Bosio". 46" H x ...

Plaster, raised pins and later coloured to simulate terracotta Height: 32 3⁄4 inches (83.5 cm). Full of elegance and liveliness, it conveys the consummate ability of the artist. Be...

Hunting mare strapped by a lad by Arthur Marie Gabriel comte du Passage (1838-1909) A rare bronze group with nuanced dark brown patina Signed on the base "A. du Passage" Period cast...

Artist: Adrien-Etienne Gaudez (1845-1902) Origin: French Date: 19th century Dimension: 32 in(H) x 21 in(W); 29 1/2 in(H) x 22 in(W) Adrien-Etienne Gaudez entered the Ecole des Beaux...

Pierre Jules Mene (1810-1879). Original cast circa 1850 Chien épagneul-griffon attrapant un canard (Spaniel-Griffon canine capturing a duck). Exceptional and large bronze grouping ...

Great king vulture on tree trunk Porcelain, Model by J.J. Kaendler 1734. This present porcelain sculpture was made after the model by Kaendler, in the 19th or 20th Century. There are no visible marks. Kaendler and Porcelain: Dresden in the 18th century owed its Europe-wide fame as a centre of courtly splendour to the elector Frederick Augustus I (1670-1733). 'August the Strong' had a distinct passion for collecting and was not only a patron and lover of the arts, but also an enthusiastic patron of science. His natural history cabinet was regarded as the most important collection of its kind in Europe and contained a large number of exotic animals. He financed expeditions, from which the researchers were to bring the 'most possible species of their animals alive or in skins and skeletons or even crushed' back to Dresden. Johann Joachim Kaendler had this extensive collection of partly living exhibits at his disposal when he was commissioned to design life-sized animal sculptures for the 'Japanese Palace...

ANTOINE-LOUIS BARYE (FRENCH, 1796-1875): A patinated bronze model of Dromadaire harnaché d'Égypte Signed 'BARYE' and stamped 'BARYE' by the Brame foundry Raised on naturalistic base...

Female figural bronze by Etienne Henry Dumaige (1830-1888) of Psyche with lit Oil Lamp, perched on a stump. Her gaze is incredibly striking, commanding the eye of the viewer. The lam...

After WILLIAM ADOLPHE BOUGUEREAU French, (1825–1905) Cupid With Butterfly H 34 in. x W 16 in. x D 16 in.

EMILE PEYNOT French, (1850-1932) Young Female with Doves Signed 'E. Peynot' on base 33 3/4 in x 12 1/2 in.

Anton Nelson (i.e. Antoine Joseph van den Kerckhoven) (1849 Brussels - after 1910 ibid.), Bust of a young woman, c. 1890. Patinated bronze on cast base, 30 cm (total height) x 20 cm ...

Pair of 19' century Italian Marble imitation painted Terracotta . Bust of Emperor Caracalla and Cicero . Measurements : cm 71 H x 60 Available also a pair marble imitation colum...

Bronze figural grouping of a Génie and Science, a woman guided by an angel with outstretched wings by Mathurin Moreau, a celebrated and decorated French sculptor whose talents most f...

La Rieuse napolitaine (The Laughing Neapolitan Woman) by Jean-Baptiste CARPEAUX (1827-1875) Bust in terra cotta, in "Propriété Carpeaux" Signed on the side " JBte Carpeaux " Marked...

Oriental Chinese bronze statuette measuring 16, 5 x 16 cm depicting a sage riding a horse. Note the accuracy of the details, from the tassels on the harnesses to the under saddle wit...

signed 'A. CARRIER-BELLEUSE' (on base)

Ettore Ximenes (Italian, 1855-1926) "The Pilgrims" Patinated Bronze Sculpture, late 19th century, depicting a male pilgrim holding a staff carrying his female companion down a rocky ...

Eugène Marioton (1857 - 1933) was a French sculptor, medalist, and pupil of Jean-Marie Bonnassieux.

Two 19th century busts. Charles X period, ca. 1820. Material: plaster. It depicts two portraits, modeled by a sculptor in the late Empire era, which depict two aristocrats from Sou...

William Laparra (Bordeaux 1873 - Hecho 1920) Untitled Tinted plaster high-relief 67,7 x 120,1 x 14,8 cm = 26.7 × 47.3 × 5.8 in Signed lower left An elegant high-relief depicting a ...

Burmese School, 19th Century Buddha Head of the Shan (Tai Yai) Style Wood with red lacquered pigment 25 x 13 x 10 inches dry lacquer form with finely sculpted features such as the e...

LOUIS AUGUSTE MOREAU French, (1834-1917) Figural Group of Venus Flanked by Putti Patinated bronze; Signed ‘Ate Moreau’ 28 in. x 11 in x 8 inches Notes: Having a deep brown...

Bust of an Oriental woman by Emile GUILLEMIN (1841-1907) Orientalist bronze sculpture with triple patina, gilded, dark reddish brown and silvered. France circa 1880 total height 63 ...

HIPPOLYTE FRANÇOIS MOREAU French, (1832-1927) Two Beauties Patinated bronze; Signed, The base inscribed H.MOREAU, surmounted on a green marble base. ...

A beautiful large bronze sculpture of a proud standing mare. Old sand cast created during the artist Josuë Dupon's lifetime. Josuë Dupon (also Josué or Josue Dupon) was a Flemish sculptor and engraver. His work also includes painting and graphics. He received his training through evening classes at the academy of Roeselare and Antwerp (1884) and later at the National Institute of Fine Arts (1887). In 1891, he won a gold medal with the monumental sculpture group Samson kills the lion and was runner-up in the Prix de Rome for sculpture. From that year on, his work appeared regularly in exhibitions at home and abroad. His reputation was such, that he became one of a select group of sculptors allowed by King Leopold II to carve statues in Ivory, which was imported from the Congo, the Belgian colony. In 1893 his exceptionally refined ivory statue of Diana was bought by the Antwerp Royal Museum of Fine Arts, which also acquired his spectacular bronze Vulture defending its prey a year later. Working in every genre and mastering every technique and material, Josuë Dupon became best known as a sculptor of exotic animals. He was equally capable of faithfully expressing anatomical detail as of rendering the animals' nature. Josuë Dupon was a technically faultless realist, with a sense of the dramatic, a feeling for decorative complexity and a tendency towards idealizing. The placement of his camel driver and two bronze groups at the entrance to Antwerp Zoo confirmed this reputation as animalier. The career that Dupon subsequently built, brought him numerous important awards and an appointment as professor at the Antwerp Academy, a tenure he held between 1905 and 1934. Besides animals, he sculpted busts, war memorials and public monuments. For one of the largest sculptural monuments and the largest fountain in the city of Buenos Aires, called Monument of the Two Congresses, he collaborated with his good friend, the Belgian sculptor Jules Lagae. Josuë Dupon created several statues of mighty condors for this monument. At the start of his career his conception of art was strongly influenced by traditional 19th century artistic ideals. After the turn of the century his compositions and surface treatment changed and became more modern. He met Rembrandt Bugatti around 1905 or 1906 in the 'Jardin des Plantes' in Paris and invited him to Antwerp. Bugatti began travelling to Antwerp in 1906 to observe and sculpt the inhabitants of its zoo, which was then considered the best in the world, and Dupon allowed Bugatti to stay with him during several of his early visits. As such Dupon became a friend and a bit of a father figure to Rembrandt Bugatti. Dupon did not play a very active part in artistic movements or associations. Dupon remains an important sculptor not only through his body of work but also because of the influence he exercised through interactions and collaboration with other sculptors such as Lagae, Bugatti and Bourdelle but also because he trained leading sculptors such as Albéric Collin (1886-1962), Willy Kreitz...

Akop GURDJAN (après)(1881-1948) Sitting Baboon Bronze Akop Gurdjan (1881-1948) Akop Gurdjan (also Hakob Gyurjyan) was born in Shusha (Nagorno Karabakh)...

GASTON VUVENOT LEROUX French, (1854-1942) Rebecca Signed ‘G. LEROUX’ on base; inscribed "REBECCA". 31 x 10 1/2 inches Notes: A fine quality patinated bronze of...

Terracotta Statue of Emperor Napoleon at St. Helena Circa 1825-1840 This exceptional terracotta statue of Napoleon Bonaparte on St. Helena stands as one of the earliest known depict...

MATHURIN MOREAU French, (1822-1912) Le Rêve du Poète Circa 1860, Patinated bronze; Signed ‘math moreau’ and Inscribed REVE DU POETE par MTH MOREAU, MEDAILL...

ITALIAN MARBLE FIGURE OF A GRIFFIN Italy, early 19th Century marble 87 x 54 x 20 cm 34 1/4 x 21 1/4 x 7 3/4 in

This is an equestrian sculpture of a Race Horse or Polo Pony of exquisite beauty. It is signed Delabrierre and does not appear to have any foundry marks. from my research I think thi...

Antique Porcelain Dog Portrait: Cavalier King Charles-Edmé Samson According to the model created by Johann Joachim Kaendler (MEISSEN around 1770). By the famous factory of Edmé Sams...

LOUIS AUGUSTE MOREAU French, (1834-1917) Children Picking Grapes Patinated Bronze; Signed Aug Moreau 20 1/2 x 12 x 9 inches

Marble-based bronze statuette depicting Cupid, holding an arrow in his hand, walking caressing a lion's mane, lowered in the act of affectionately licking his little foot. The subjec...

Evgeny Alexandrovich Lanceray (Russian, 1848-1886) 19th Century, Possibly post humus Cossack on Horseback Gilt bronze signed in Cyrillic Measures: Height 8 3/4 x width 8 3/4 inches....

Pair of Chinese cloisonné or enamel on copper cats in a familiar stalking pose decorated with symbolic biomorphic designs over an alluring blue background.

Encounter the resonant blend of motion and music in 'The Nomadic Virtuoso,' a captivating painted metal sculpture by Arthur Waagen. This art piece from the late 19th century depicts ...

Egyptian King Menthuphis, draped in a lion skin, and dripping in jewels, holds up a statue of two horses. Flanked by two birds and mounted on Rouge Mable and...

EDMOND LOUIS AUGUSTE LEVÈQUE French, (1814 - 1875) Les Deux Esclaves Gilt bronze, signed Leveque 30 x 14 1/2 inches

Provenance: Private Collection, Spain. This intriguing and enigmatic sculpture depicts the head of a young African man emerging from a circular opening ...

Agathon Leonard (French, 1841 - 1923) Art Nouveau Silvered Bronze A French Art Nouveau gilt bronze sculpture, "Marguerite", by Agathon Léonard of Margeruite, placing a flower in her...

French bronze of Sappho Leaning Against a Column Holding Her tortoise Lyre, Original rich brown patina intact. Artist: Jean Jacques Pradier (Swi...

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt, hastening forward, as if in pursui...

Charles Cumberworth (1811-1852) Indian Huntress Bronze with double patina Vittoz chiseller Old cast France circa 1850 height 52 cm Biography: Charles Cumberworth (1811-1852), son...

Louis Kley (French, 1833-1911) The Lizard, 19th Century Gilt bronze and marble Signed to base 6.25 x 4.5 x 3 inches In Greco-Roman times, the lizard represented good fortune and reg...

French Bronze high shine Orientalist Bust of Young Turkish Woman in Traditional Dress. Common for Orientalism, the bust is rendered in such high detail it feels as though the young woman sits before you. The gorgeous modeling showcases multiple textures and patterns throughout the piece, from the softness of her skin, the string of tassels across her brow, and the dynamic drapery of her scarves, to the hard chains with flat, disc-like links and two cloak pins...

PIETRO BARZANTI Italian, 1825-1895 Allegory Of Spring Signed ‘P. Milanes/Galleria/P.Bazzanti/Florence.’ Carved White Italian marble circa 19TH C...

Attributed to G. GAMBOGI, Italian (FL. LATE 19TH / EARLY 20TH C.) Origin: Italian Date: Late 19th century Dimension: 42 in. x 15 in.

A fine carrara marble figure of Rebecca. Signed P. Romanelli/Florence Title: Rebecca at the well Artist: Pasquale Romanelli (1812-1887) Origin: Ita...

Charles Edouard Richefeu (1868-1945) A stunning dated 1926. A faun and nude woman dancing. Signed RICHEFEU in the bronze. Foundry mark stamp "R. COTTIN & FILS Paris Bronze". Definitely inspired by Diagilev Russian Ballet and Nijinsky dancer on Claude Debussy...

PIERRE JULES MÊNE French, (1810–1877) A Berber and His Falcon Patinated bronze, Signed ’P.J. MENE’ on base. 26 x 9 inches NOTES: A fine patinated bronze figure of ...

Louis Auguste Moreau French, (1855-1919) David Bronze, signed Height: 7.5 inches Width: 3.25 inches Depth: 3 inches Louis Auguste Moreau was born in Dijon, France in 1855 into a fam...

A sensuous and fabulous piece to enjoy in the round as every vantage point is attractive or on a shelf or table. In the 19th century, the Italians and French were in a golden era f...

JEAN-BAPTISTE AUGUSTE CLÉSINGER French, 1814-1883 Dancer Zingara Inscribed F. BARBEDIENNE.FONDEUR with the reduction mecanique A. Collas Brevete seal Patinated bronze, brown ...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 26" high with movable arms, was used in Indonesian Wayang Klitik...

Late 19th Century Chinese Decorated Metal Covered Ginger Jar in the Japanese Style Labeled on bottom Ralph M. Chait Galleries, New York 9 x 7.5 x 7.5 inches Ginger jars were used...