19th Century Figurative Sculptures

FRANZ BERGMAN (foundry) attrib. French, (1838 - 1894) The Prince and the Mandolin Player Austrian Bronze Marked to verso 21 in. x 10 1/2 in.

Margaret Foley (American, 1827-1877) Marble Bust "Head of Prophet Zephaniah" A rare and important marble bust head relief portrait on The Prophet Ze...

A signed, dated, 1855 terracotta, classical style sculpture of the robed figure of Fate holding the thread of life by listed, Austrian-born artist, Franz Melnitzky (1822-1876) whose ...

signed 'A. CARRIER-BELLEUSE' (on base)

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 20" high and 8" wide with movable, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art found in Indonesia and other parts of Southeast Asia, wherein a dramatic story is told through shadows thrown by puppets and sometimes combined with human characters. The art form celebrates the Indonesian culture and artistic talent; its origins are traced to the spread of Hinduism in the medieval era and the arrival of leather-based puppet arts called Tholu bommalata from southern India. Wayang refers to the entire dramatic show. Sometimes the leather puppet...

A bronze hound sculpture on marble based. Signed by French animalier sculptor Antoine-Louis Barye 1795-1875.

Artist: Adrien-Etienne Gaudez (1845-1902) Origin: French Date: 19th century Dimension: 32 in(H) x 21 in(W); 29 1/2 in(H) x 22 in(W) Adrien-Etienne Gaudez entered the Ecole des Beaux...

Pierre Jules Mene "Chien Braque" (Tom) Bronze approx. 5 x 9 x 4.25 Signed PIERRE JULES MENE (1810-1879) Pierre Jules Mene, (P. J. Mene), was born in Pa...

This paver is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - stamped...

LOUIS AUGUSTE MOREAU (French, 1834-1917) Signed ‘auguste moreau’ 19th Century 24 1/2 in. x 11 in. x 11 in.

This wooden finial figure was carved from wood by an unknown Indonesian artist. This figure stands on a carved decorative base, also created in Indonesia. The sculpture is a red and ...

JULES-ALFRED-ALEXANDRE DERCHEU French, (1864-1912) L'Amour Désarmé A nude girl holding Cupid away with her left arm, her left foot on his quiver, on a circular base, seated on a ro...

A beautiful large bronze sculpture of a proud standing mare. Old sand cast created during the artist Josuë Dupon's lifetime. Josuë Dupon (also Josué or Josue Dupon) was a Flemish sculptor and engraver. His work also includes painting and graphics. He received his training through evening classes at the academy of Roeselare and Antwerp (1884) and later at the National Institute of Fine Arts (1887). In 1891, he won a gold medal with the monumental sculpture group Samson kills the lion and was runner-up in the Prix de Rome for sculpture. From that year on, his work appeared regularly in exhibitions at home and abroad. His reputation was such, that he became one of a select group of sculptors allowed by King Leopold II to carve statues in Ivory, which was imported from the Congo, the Belgian colony. In 1893 his exceptionally refined ivory statue of Diana was bought by the Antwerp Royal Museum of Fine Arts, which also acquired his spectacular bronze Vulture defending its prey a year later. Working in every genre and mastering every technique and material, Josuë Dupon became best known as a sculptor of exotic animals. He was equally capable of faithfully expressing anatomical detail as of rendering the animals' nature. Josuë Dupon was a technically faultless realist, with a sense of the dramatic, a feeling for decorative complexity and a tendency towards idealizing. The placement of his camel driver and two bronze groups at the entrance to Antwerp Zoo confirmed this reputation as animalier. The career that Dupon subsequently built, brought him numerous important awards and an appointment as professor at the Antwerp Academy, a tenure he held between 1905 and 1934. Besides animals, he sculpted busts, war memorials and public monuments. For one of the largest sculptural monuments and the largest fountain in the city of Buenos Aires, called Monument of the Two Congresses, he collaborated with his good friend, the Belgian sculptor Jules Lagae. Josuë Dupon created several statues of mighty condors for this monument. At the start of his career his conception of art was strongly influenced by traditional 19th century artistic ideals. After the turn of the century his compositions and surface treatment changed and became more modern. He met Rembrandt Bugatti around 1905 or 1906 in the 'Jardin des Plantes' in Paris and invited him to Antwerp. Bugatti began travelling to Antwerp in 1906 to observe and sculpt the inhabitants of its zoo, which was then considered the best in the world, and Dupon allowed Bugatti to stay with him during several of his early visits. As such Dupon became a friend and a bit of a father figure to Rembrandt Bugatti. Dupon did not play a very active part in artistic movements or associations. Dupon remains an important sculptor not only through his body of work but also because of the influence he exercised through interactions and collaboration with other sculptors such as Lagae, Bugatti and Bourdelle but also because he trained leading sculptors such as Albéric Collin (1886-1962), Willy Kreitz...

This sculpture was created out of cothe stone to represent the king of the N'Tadi tribe in Zaire. This tribe is now called Pende. The sculpture stands 15 1/2" x 6" x 5 1/2". The Pe...

Surmounted on a circular base, the odalisque portraying a half nude young female wearing a loose skirt, and is inscribed with the artist's name ‘A BOURGEOIS’. Maker: Charles Arthur Bourgeois...

Inscribed 'A CARRIER Scpteur' Title: A Maenad and Two Cherubs Artist: Auguste-Joseph Carrier (1837-1908) Origin: French Date: 19th century Dimension: 27 in. x 16 in.

Buddhist High Priest in sitting position on lotus flower, Polychrome Wood Sculpture Rare early 19th-Century Balinese wood sculpture of the ...

EMILE PEYNOT French, (1850-1932) Young Female with Doves Signed 'E. Peynot' on base 33 3/4 in x 12 1/2 in.

Woman taking off her shirt by James PRADIER (1790-1852) Bronze with a nuanced brown patina cast by SOYER and INGE France circa 1850 height 28,5 cm Biography : Jean-Jacques Pradier...

Giulio Tadolini ( Rome 1849 - 1918 ) ( attr. to ), Bust of veiled woman Bronze 61 x 37 x 22 cm.

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 16" high and 5" wide with movable, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

After Pietro da Barga (Italian, Rome, active c. 1574-1588) "Farnese Bull" Patinated Bronze Sculpture, late 19th century, depicting Antiope directing her sons Amphion and Zethus attac...

RARE PAIR OF ITALIAN PIETRA PAESINA COLUMNS, Italy, 19th Century Pietra Paesina H 70 x Diam 9.5 cm H 27 1/2 x Diam 3 3/4 in

A fine classical form marble sculpture of a young boy with robe by Irish / American artist Martin Milmore (1844-1883). Milmore was born in Sligo, Ireland and was brought to Boston, Massachusetts in 1851, where his training began with his brother, Joseph, a stonecutter, who later became his assistant. Milmore was apprenticed to Thomas Ball from 1858 to 1862 working mainly on his equestrian "George Washington" (1858-61, Boston Public Gardens). After Ball departed for Italy, Milmore became Boston's leading sculptor. Realistic in his style, he is best known for his Civil War monuments and sculptures of prominent Bostonians including Wendell Phillips...

Alabaster temple with Corinthian capitals, palmette decoration runs along the rim. On the front, two swans are carved on the base, while there are five rosettes at the top. In the ce...

Tiger surprising an antelope (terrace without profile) Bronze with a shaded green patina, circa 1880 Signed 'BARYE', stamped 'H' by the founder Brame Antoine-Louis Barye (1796-187...

This mask, created by an unknown Indonesian artist, features dark sin, gold and red eyes, teeth, and hair. It is approximately 7" tall by 5 1/2" wide.

LOUIS AUGUSTE MOREAU French, (1834-1917) Grecian Mother and Two Children Patinated bronze; Signed “MOREAU”. 22 x 25 inches

“Torse d’une Femme” by Paul Gauguin (1848-1903).  Bronze sculpture on marble plinth.  Edition 9/10, unsigned, numbered and with foundry mark “C. Valsuani/Cire Perdue”. Sculpture: ...

Bronzetto firmato alla base F. de Luca, artista meridionale attivo fra XIX e XX secolo, raffigurante un'allegoria delle Arti. In secondo piano, la "Scultura", identificata da un put...

Hans Schork (Austrian, b.1849) "The Sower" Patinated Bronze Sculpture, late 19th century, after the model by Louis-Oscar Roty (French, 1846-1911), the stan...

Pair of Bronze Busts of Queen Mary when Duchess of York William Henry Tyler Dated 1893 These rare and highly important bronze busts of the future Queen Mary, created in 1893 by the ...

MATHURIN MOREAU French, (1822-1912) ‘La Libellule’ signed ‘Moreau Mathurin’ 27 1/2 in. 11 1/2 in. x 15 in. Notes: A fine quality Art Nouveau alleg...

MATHURIN MOREAU (French, 1822-1914) Signed: ‘Moreau’ 19th Century 31 1/2 in. x 20 in.

ARTHUR STRASSER Austrian, (1854-1927) A Musician Smoking Patinated and gilt bronze, Signed ‘A Strasser’ on base. 25 x 15 inches

An elegant, dynamic, fully finished, 19th century terracotta sculpture of richly attired figures in the Chinoiserie style. The idealized, rural imagery features two women in flowing ...

Masterfully carved with remarkable detail, a youthful Saint John the Baptist folds his hands in prayer in this stunning marble by the important Italian sculptor Domenico Menconi. The...

Pierre Jules Mene (1810-1879). Original cast circa 1850 Chien épagneul-griffon attrapant un canard (Spaniel-Griffon canine capturing a duck). Exceptional and large bronze grouping ...

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in

The love story of Cupid and the beautiful princess Psyche. Godet’s mastery is evident in this figural group, especially Cupid’s pointed wings, the gaze, the drapery, curved body, and...

Fine pair of left and right, hand-carved, gessoed and 22-karat gold gilded, Italian presentational angels singing in adoration while in flight. Both have been mounted on custom, Luci...

This is a fine Italian white marble statue from the 19th century, depicting a young boy holding a bird's nest. The sculpture is hand crafted, capturing the innocence and natural char...

signed 'A. Rivalta' (on the base)

This Peasant resting is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with nuanced dark brown patina cast by Susse Frères - stamped with the founder's seal France created around 1890 and cast after his death height 12,5 cm A similar model reproduced inJules Dalou, le sculpteur de la République, Exhibition held at the Musée du Petit Palais, Paris, 2013, page 288, n°220. Biography : Aimé-Jules Dalou, said Jules Dalou (1838-1902) was a French sculptor, born from Protestants glovers craftsmen who raised in secularism and love of the Republic. Jules Dalou was very young talented for modeling and drawing, which earned him the attention of Jean-Baptiste Carpeaux, who made him entered in 1852 in the Little School, the future National School of Decorative Arts in Paris. In 1854, he was admitted to the School of Fine Arts in Paris, where he studied painting in the workshop of Abel de Pujol and sculpture in the workshop of Francisque Duret...

Presumed portrait of Elodie Blanchet by Paul LANDOWSKI (1875-1961) Sculpture in bronze with a dark greenish brown patina A rare Landowski's early work Signed on the lower side "P. L...

Costantino Barbella (Chieti 1852 - Rome 1925), Love Song Bronze sculpture 41 x 35 x 21 cm signed at bottom, on black marble base. Provenance: Private Collection, Rome.

ADRIEN-ETIENNE GAUDEZ French, (1845-1902) Gypsy Woman Signed 'A. GAUDEZ' on base. 33 x 15 inches NOTES: Cast in patterned, polychrome dress, wearing a bracelet, stan...

Franz Xavier Bergman Austrian, (1861-1936) Whirling Dervish Bronze, cold painted, signed 'B' in a vase Height: 6¾ inches Width: 2 inches Depth: 2 inch...

This darling bronze of a group of Bacchic Putti playing with a Goat by Denière (1815-1901), takes inspiration from a figural statue by Claude Michel Clodion. The playful Allegory of ...

Antoine-Louis Barye (FR. 1795-1875) FRENCH “TIGRE DEVORANT UNE GAZELLE” (TIGER DEVOURING A GAZELLE); (SECOND VERSION) At this point; the only thing you can hear is the gazelle gaspi...

EMILE PINÉDO French, 1840-1916 Guerrier Arabe Sur un Dromadaire - Warrior On a Camel Signed Pinédo with the bronze Garanti au Titre seal, titled Patinated bronze, brown patin...

Hindu Birdcatcher A fine quality, a nineteenth-century bronze cast of the Hindu bird-catcher standing on an elephant skull and holding two birds in the air which are sitting on a bambu stick by Auguste De Wever (Belgian 1836-1910). Old cast probably by the Compagnie des Bronzes foundry signed...

Questa piccola terracotta raffigura una scena mitologica, probabilmente una scena da un baccanale o un "ratto". Si vede infatti un centauro al centro sollevare una ninfa nuda, i due ...

ÉDOUARD DROUOT French, (1859-1945) Le Secret Patinated bronze; Signed E. Drouot. 25 1/2 X 10 X 9 1/2 inches

AUGUSTE MOREAU French, (1834-1917) Alerte Patinated bronze; Signed ‘Aug Moreau’ and title ‘Alerte’ on base 22 x 14 1/2 inches Notes: Cupid's figure is standing with a bow on hi...

JEAN-LÉON GRÉGOIRE French, (1840-1890) Perseus Freeing Andromeda Patinated bronze; Signed 'L. GREGOIRE’ 25 1/2 x 13 x 11 inches Notes: Jean-Léon Grégoire started to exhibit at...

MATHURIN MOREAU French, (1822-1912) Signed ‘Math.Moreau’ 36 in. x 14 1/2 in. Notes: Fine Quality Patinated Bronze Group of a Mother and Child

Self-portrait "Fratin by himself" by Christophe FRATIN (1801-1864) Bronze with nuanced dark brown patina Signed on the base "Fratin" Raised on a wooden base, with an old collector s...

Great king vulture on tree trunk Porcelain, Model by J.J. Kaendler 1734. This present porcelain sculpture was made after the model by Kaendler, in the 19th or 20th Century. There are no visible marks. Kaendler and Porcelain: Dresden in the 18th century owed its Europe-wide fame as a centre of courtly splendour to the elector Frederick Augustus I (1670-1733). 'August the Strong' had a distinct passion for collecting and was not only a patron and lover of the arts, but also an enthusiastic patron of science. His natural history cabinet was regarded as the most important collection of its kind in Europe and contained a large number of exotic animals. He financed expeditions, from which the researchers were to bring the 'most possible species of their animals alive or in skins and skeletons or even crushed' back to Dresden. Johann Joachim Kaendler had this extensive collection of partly living exhibits at his disposal when he was commissioned to design life-sized animal sculptures for the 'Japanese Palace...

ÉTIENNE HENRY DUMAIGE French, 1830-1888 Egyptian Princess Signed 'H. DUMAIGE' on the cloak. 23 1/2 x 13 1/2 x 9 inches A Fine Patinated Bronze Group D...