19th Century Figurative Sculptures

Émile Pinedo 1840-1916 French Bronze Reliefs of Minerva and Mars Bronze These exceptional bronze reliefs depicting the Roman deities Minerva and Mars represent the pinnacle of 19...

Encounter the resonant blend of motion and music in 'The Nomadic Virtuoso,' a captivating painted metal sculpture by Arthur Waagen. This art piece from the late 19th century depicts ...

A. BATACCHI Italian, (XIX-XX) Nymph Italian Carrara marble. H 10.50 in. x W 17 in. x D 31.50 in. Signed A. Battachi, Florence in verso. Note: Batacchi was active in Flore...

An amazing bronze cast of a little 19th-century boy. The quality of the piece is outstanding, as is the color and patination. There is little known about the painter other than he wo...

Antique Bronze Miniature Barnyard Scene (Cow, Sheep & Goat) Christophe Fratin (France, 1801-1864) Sand cast bronze 5 3/4 x 4 1/4 x 2 1/4 inches Highly refined and sensitively modeled miniature bronze representing a small herd of cattle, sheep and cattle on the terrace. Despite its small size, this bronze offers a complete view of a small herd of livestock: a bull is lying in a landscape near a sheep and a goat climbing a tree above a rocky mound. Here we find the skillful hand of the animalier sculptor Christophe Fratin (French, 1801-1864), immensely famous in the 19th century for his thoughtfully crafted animal...

Louis Guy Bronze Sleeping Basset Signed and dated 1876 L14 x d8,5 x h4 cms

Wonderful historic boultos by New Mexico artist Jose Aragon (1796-1850) Titled: “Jesus de Nazarino.” Painted wood, gesso and polychrome. Measures: 20 3/4"h x 9 ½”w x 5"d. In wonde...

GASTON VUVENOT LEROUX French, (1854-1942) Rebecca Signed ‘G. LEROUX’ on base; inscribed "REBECCA". 31 x 10 1/2 inches Notes: A fine quality patinated bronze of...

Elk surprised by a Lynx by Antoine-Louis BARYE (1796-1875) A bronze group with a nuanced dark green patina Signed on the base " A.L. Barye " Old cast Standing on a wooden base Fra...

This Portrait go Giuseppe Garibaldi is an original decorative marble sculpture realized in Italy by Italian manufacture during the end of the XIX century. The alabaster marble sta...

Grand Tour Fine Group of Sculpture in Bronze after a Louvre Diana of Versailles or Artemis, Goddess of the Hunt. Diana is represented at the hunt, hastening forward, as if in pursui...

Pair of Fragments Of Late 1800s Romantic Sculptures, Pair of Terracotta Busts of Children probably part of a fountain, of a larger sculptural group. These are busts of a child with ...

Jean Garnier (1853-1910) Art Nouveau Bronze Sculpture circa 1890s A Fine bronze sculpture by listed French artist Jean Garnier. A young nude woman with long flowing hair and a tamb...

Centaur abducting a woman by Aimé-Jules DALOU (1838-1902) A bronze group sculpture with a dark brown patina Signed on the base "Dalou" Cast by "A.A. Hébrard" (with the foundry sta...

Carved wooden sculpture set on an included black stand. The Monk In Prayer was created by an unknown Cambodian artist in the Early 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the wood. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

Carved profile bust of Leonardo Da Vinci. Mounted on velvet covered wood plaque. 19th century.

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 14" high with movable arms, was used in Indonesian Wayang puppet shows. This puppet is an archer. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

JEAN-BAPTISTE CLÉSINGER French, (1814-1883) Sappho Patinated bronze; Signed CLESINGER, inscribed: F. BARBEDIENNE. FONDEUR and stamped: A. COLLAS. BREVETE. REDUCTION MECANIQUE...

Karl Bitter Reclining Woman, 1897 Signed: Bitter 97 Stamped: GORHAM M F G CO. Bronze 10.25 x 10.25 x 4 inches Initially from Vienna, Karl Bitter first studied art at the city’s Kunstgewerbeschule and the Kunstakademie before being drafted into the Austrian army. He deserted his position in the military while on leave, and departed for New York City where he would discover considerable success. Early on, he won a competition for the Astor memorial bronze gates at Trinity Church, which awarded him enough capital to open his own studio. He went on to execute sculptures of Alexander Hamilton and Thomas Jefferson at the Cuyahoga Courthouse in Cleveland; he also created portraits of Jefferson for the state of Missouri and the University of Virginia. These commissions caught the attention of sculptor Richard Morris Hunt (who famously designed the façade of the Metropolitan Museum), earning Bitter the duty of producing the portrait medallions that now appear near the top of the museum’s grand face. Notably, he presented at Chicago’s 1893 World’s Columbian Exposition and directed the Pan-American Exposition in Buffalo in 1901. Over his career, his artwork became more flexible – his early academy training is easily identifiable within his work, but after moving to America, conventions of Modernism became more prevalent within his sculpture. In addition to many awards, Bitter presided over the National Sculpture Society in 1906-1907, and was a member of the National Institute of Arts and Sciences, the National Academy of Design, the American Academy of Arts and Letters, the Architectural League, and the Art Commission, New York. His public work can be found at the Biltmore Estate, Asheville, NC; Gettysburg National Military Park, Gettysburg, PA; Wisconsin State Capitol, Madison, WI; United States Naval Academy...

Hans Schork (Austrian, b.1849) "The Sower" Patinated Bronze Sculpture, late 19th century, after the model by Louis-Oscar Roty (French, 1846-1911), the stan...

This sculpture was created out of cothe stone to represent the king of the N'Tadi tribe in Zaire. This tribe is now called Pende. The sculpture stands 15 1/2" x 6" x 5 1/2". The Pe...

Rudolf And Stephanie Pair of Miniature Terracotta Sculptues Rare Late 19th Century European terra-cotta sculptures, one signed illegibly in pencil, realistic details. Princess Stéphanie...

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 26" high with movable arms, was used in Indonesian Wayang Klitik...

Antoine-Louis Barye 1795-1875 French Tigre saissant un paon (Tiger seizing a peacock) Bronze Signed “BARYE” Modeled by famed French Romantic sculptor Antoine-Louis Barye, this r...

Jules Moigniez (1835 Senlis - 1894 St-Martin-du-Tertre), Hunting dog on the prowl, around 1880. Dark patinated bronze with naturalistic terrain plinth, 16 cm (height) x 30 cm (length...

“Torse d’une Femme” by Paul Gauguin (1848-1903).  Bronze sculpture on marble plinth.  Edition 9/10, unsigned, numbered and with foundry mark “C. Valsuani/Cire Perdue”. Sculpture: ...

This exceptionally rare bronze sculpture was done by the artist Elizabeth Nourse's painting "The Fisher Girl of Picardy," which is part of the Smithso...

Roman verdigris bronze oil lamp. Flying cranes with running Mercury. After the original found in Pompeii. This lamp base would originally have had small oil lamps...

Emile Guillemin: 1841-1907. Very important and well listed French sculptor. He has auction results over 1.2 million dollars. This little bronze gem of a possible cook or some other c...

Carved stone sculpture with incredible detail. Father and Son was created by an unknown artist in the Late 19th Century. This sculpture boasts incredible craftsmanship and attention to detail carved throughout the stone. The statue comes with a certificate of authenticity and a letter of appraisal. Shown in the American Art Gallery...

Louis Auguste Moreau French, (1855-1919) David Bronze, signed Height: 7.5 inches Width: 3.25 inches Depth: 3 inches Louis Auguste Moreau was born in Dijon, France in 1855 into a fam...

Antoine-Louis Barye (FR. 1795-1875) FRENCH “TIGRE DEVORANT UNE GAZELLE” (TIGER DEVOURING A GAZELLE); (SECOND VERSION) At this point; the only thing you can hear is the gazelle gaspi...

"Charity" also known as "Motherhood" by Aimé-Jules DALOU (1838-1902) A beautiful bronze group sculpture with a nuanced dark brown patina Signed on the base "Dalou" A very fine cas...

"The Bacchante," an imposing terracotta group bearing the signature of Domien van den Bossche. Late 19th century. Probably inspired by Carrier Belleuse's "The Bacchante" group of ...

After Pietro da Barga (Italian, Rome, active c. 1574-1588) "Farnese Bull" Patinated Bronze Sculpture, late 19th century, depicting Antiope directing her sons Amphion and Zethus attac...

Eagle and chamois by Antoine-Louis BARYE (1796-1875) Electroplating bronze plaque with a brown patina Signed "Barye" Period cast from the "Barye's workshop" (made during the artist'...

Alabaster temple with Corinthian capitals, palmette decoration runs along the rim. On the front, two swans are carved on the base, while there are five rosettes at the top. In the ce...

ALFRED DRURY, RA (1856-1944) The Age of Innocence Signed: A DRURY Bronze on green marble base Height including base 45.5 cm., 18 in. Born in Islington...

Franz Xavier Bergman Austrian, (1861-1936) Whirling Dervish Bronze, cold painted, signed 'B' in a vase Height: 6¾ inches Width: 2 inches Depth: 2 inch...

A beautiful large bronze sculpture of a proud standing mare. Old sand cast created during the artist Josuë Dupon's lifetime. Josuë Dupon (also Josué or Josue Dupon) was a Flemish sculptor and engraver. His work also includes painting and graphics. He received his training through evening classes at the academy of Roeselare and Antwerp (1884) and later at the National Institute of Fine Arts (1887). In 1891, he won a gold medal with the monumental sculpture group Samson kills the lion and was runner-up in the Prix de Rome for sculpture. From that year on, his work appeared regularly in exhibitions at home and abroad. His reputation was such, that he became one of a select group of sculptors allowed by King Leopold II to carve statues in Ivory, which was imported from the Congo, the Belgian colony. In 1893 his exceptionally refined ivory statue of Diana was bought by the Antwerp Royal Museum of Fine Arts, which also acquired his spectacular bronze Vulture defending its prey a year later. Working in every genre and mastering every technique and material, Josuë Dupon became best known as a sculptor of exotic animals. He was equally capable of faithfully expressing anatomical detail as of rendering the animals' nature. Josuë Dupon was a technically faultless realist, with a sense of the dramatic, a feeling for decorative complexity and a tendency towards idealizing. The placement of his camel driver and two bronze groups at the entrance to Antwerp Zoo confirmed this reputation as animalier. The career that Dupon subsequently built, brought him numerous important awards and an appointment as professor at the Antwerp Academy, a tenure he held between 1905 and 1934. Besides animals, he sculpted busts, war memorials and public monuments. For one of the largest sculptural monuments and the largest fountain in the city of Buenos Aires, called Monument of the Two Congresses, he collaborated with his good friend, the Belgian sculptor Jules Lagae. Josuë Dupon created several statues of mighty condors for this monument. At the start of his career his conception of art was strongly influenced by traditional 19th century artistic ideals. After the turn of the century his compositions and surface treatment changed and became more modern. He met Rembrandt Bugatti around 1905 or 1906 in the 'Jardin des Plantes' in Paris and invited him to Antwerp. Bugatti began travelling to Antwerp in 1906 to observe and sculpt the inhabitants of its zoo, which was then considered the best in the world, and Dupon allowed Bugatti to stay with him during several of his early visits. As such Dupon became a friend and a bit of a father figure to Rembrandt Bugatti. Dupon did not play a very active part in artistic movements or associations. Dupon remains an important sculptor not only through his body of work but also because of the influence he exercised through interactions and collaboration with other sculptors such as Lagae, Bugatti and Bourdelle but also because he trained leading sculptors such as Albéric Collin (1886-1962), Willy Kreitz...

LUCA MANDRASSI French-Italian, (1848-1919) Playing the Mandolin Patinated bronze; Signed L. Mandrassi; stamped Tiffany & Co., Cast from a model by L...

Fritz Heinemann (1864 Altena - 1932 Berlin), Young Roman, 1892. Brownish patinated bronze on a cast round plinth, mounted on a red marble base (8.5 cm high), total height 36 cm, dime...

AUGUSTE MOREAU French, (1834-1917) Alerte Patinated bronze; Signed ‘Aug Moreau’ and title ‘Alerte’ on base 22 x 14 1/2 inches Notes: Cupid's figure is standing with a bow on hi...

Tiger surprising an antelope (terrace without profile) Bronze with a shaded green patina, circa 1880 Signed 'BARYE', stamped 'H' by the founder Brame Antoine-Louis Barye (1796-187...

A large late 19th century bronze figure of a recumbent greyhound after French animalier sculptor Christophe Fratin (1801-1864), with a warm brown patina on a rouge griotte marble base. Signed 'FRATIN' on collar. Bronze length: 37cm Base length: 41cm Bronze height: 18cm Total height: 22cm Christophe Fratin was born in Metz in France in 1801. He first studied sculpture under Pioche in Metz under whom he honed his technical skills. He then became a pupil of the painter Theodore Gericault in Paris where he pursued his career as a sculptor. Fratin first exhibited at the Paris Salon as early as 1831, where he showed ‘Fermer – An English Thoroughbred’. The popularity of Fratin’s sculpture in England had a significant impact on his career. His modelling style reflected his imaginative mind and sense of humour, particularly in his humorous modelling of bears. Fratin was asked to sculpt life-size monuments for French cities, including his home town of Metz. At the Great Exhibition of 1851 in London he was considered the greatest animalier sculptor of the day. Fratin’s bronzes...

African. Baule Colonial Figure Ivory Coast, c. 1910 Wood, 24 1/2" x 5 1/2 inches.

This flat shadow puppet was created by an unknown Indonesian artist. This shadow puppet, 20" high and 8" wide with movable, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art found in Indonesia and other parts of Southeast Asia, wherein a dramatic story is told through shadows thrown by puppets and sometimes combined with human characters. The art form celebrates the Indonesian culture and artistic talent; its origins are traced to the spread of Hinduism in the medieval era and the arrival of leather-based puppet arts called Tholu bommalata from southern India. Wayang refers to the entire dramatic show. Sometimes the leather puppet...

MATHURIN MOREAU (French, 1822-1914) Signed: ‘Moreau’ 19th Century 31 1/2 in. x 20 in.

Hunting mare strapped by a lad by Arthur Marie Gabriel comte du Passage (1838-1909) A rare bronze group with nuanced dark brown patina Signed on the base "A. du Passage" Period cast...

19th Century Shiva Standing On The Bull Nandi Wood Carving with polychrome paint. 27"hight, 12"width, 18"depth. A rare figure of Shiva or Shiva standing on the bull Nandi. Bali, 1...

Great king vulture on tree trunk Porcelain, Model by J.J. Kaendler 1734. This present porcelain sculpture was made after the model by Kaendler, in the 19th or 20th Century. There are no visible marks. Kaendler and Porcelain: Dresden in the 18th century owed its Europe-wide fame as a centre of courtly splendour to the elector Frederick Augustus I (1670-1733). 'August the Strong' had a distinct passion for collecting and was not only a patron and lover of the arts, but also an enthusiastic patron of science. His natural history cabinet was regarded as the most important collection of its kind in Europe and contained a large number of exotic animals. He financed expeditions, from which the researchers were to bring the 'most possible species of their animals alive or in skins and skeletons or even crushed' back to Dresden. Johann Joachim Kaendler had this extensive collection of partly living exhibits at his disposal when he was commissioned to design life-sized animal sculptures for the 'Japanese Palace...

Akop GURDJAN (après)(1881-1948) Sitting Baboon Bronze Akop Gurdjan (1881-1948) Akop Gurdjan (also Hakob Gyurjyan) was born in Shusha (Nagorno Karabakh)...

This wooden finial figure was carved from wood by an unknown Indonesian artist. This figure stands on a carved decorative base, also created in Indonesia. The sculpture is a red and ...

Important pocket-tray with sea gods by Gustave MICHEL (1851-1924) A very fine bronze group with a gilded patina signed on the side of the base "G. Michel" cast by "Siot-Decauville ...

This Hay binder is a subject that is included in the famous suite commonly called "little workers" by Jules Dalou (1838-1902) Bronze with dark brown patina cast by Susse Frères - st...

Sculptor active in Italy Marble sculpture depicting study of female beauty Second half of the 19th century Measurements: 46x26 cm - height 74 cm Great state of conservation We ship ...

These two figures were created by an unknown Indonesian artist using carved, painted wood. The bride and groom figures were to be used at a traditional wedding in Indonesia. The Loro Blonyo...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 18" high with movable arms, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art...

This flat shadow puppet was created by an unknown Indonesian artist using water buffalo hide. This shadow puppet, 17" high with movable arms, was used in Indonesian Wayang puppet shows. Wayang (Krama Javanese: Ringgit ꦫꦶꦁꦒꦶꦠ꧀, "Shadow"), also known as Wajang, is a form of puppet theatre art found in Indonesia and other parts of Southeast Asia, wherein a dramatic story is told through shadows thrown by puppets and sometimes combined with human characters. The art form celebrates the Indonesian culture and artistic talent; its origins are traced to the spread of Hinduism in the medieval era and the arrival of leather-based puppet arts called Tholu bommalata from southern India. Wayang refers to the entire dramatic show. Sometimes the leather puppet...

Bronze by Eugene Marioton (1857-1933) French Artist. “Fascinator” (Snake Charmer), created late 19th century Sculpture measures 20 1/2" H x 9" L x 9 1/2" W. Siot Decauville Foundry -...