Marble Sculptures

A Finely Carved Neoclassical Marble of a Standing Female Figure carrying a cup and pitcher. Crystalline white marble creates brilliant light affects...

This limited edition, bronze sculpture is made using the lost wax method of casting, and is hand finished. The polished bronze finish is a "jeweler's finish." This sculpture rests on...

This limited edition bronze sculpture is made using the lost wax method of casting, and is hand finished. The polished bronze surface is a very laborious surface to produce, with the...

Artist: Jack Graves III (American, 1988-) Title: "Venus de Milo Sculpture (Alexandros of Antioch)" Series: Sculpture *Signed, titled, and dated by Graves on bottom Year: 2022 Medium: Original Acrylic Painted Cast Marble Sculpture Dimensions: 15.75" tall x 4.38" wide x 4.38" deep Weight: 5.4 pounds Condition: In mint condition Notes: This is a unique work, not from an edition. The raw white cast marble sculpture itself was not created by the artist; it is a found object which Graves has hand-painted and transformed with his own design. The sculpture is cast marble: over 90% natural crushed Greek Marble stone with a small amount of resin poured into a mold, made in Heraklion, Greece. The Venus de Milo is an ancient Greek sculpture that was created during the Hellenistic period, sometime between 150 and 125 BC. It is one of the most famous works of ancient Greek sculpture, having been prominently displayed at the Louvre Museum since shortly after the statue was rediscovered on the island of Milos...

This original sculpture by Sy Rosenwasser features a loving and embracing mother and her three children. The artwork sits on a black swivel marble square. It is signed and dated 1997. I took many close-up pictures of the sculpture that show the patina of the bronze with the different tones. The marble as well has been chosen for its unusual and interesting structure: black with little white spots Rosenwasser was born in 1925. Her primary theme was the relationship of basic structure to life forms. She passed away in 2012. Her work may be viewed in many public and private collections including the Hyatt Regency in Hawaii, the Bonaventure Hotel in Los Angeles, the Rolex Company...

Polished bronze on marble base. Incised with the artist's signature and numbered 6/8 on the verso.

Margaret Foley (American, 1827-1877) Marble Bust "Head of Prophet Zephaniah" A rare and important marble bust head relief portrait on The Prophet Ze...

The self-taught artist Roberto Perez Crespo, born in 1969 in Cuba and based in Miami, has been working on sculptures for nearly three decades, following his artistic call after abandoning a completed technical education in auto mechanical service. Pérez Crespo's practice moves between modernity and contemporaneity, pursuing his creative impulse from an emotional starting point. His religious approach partly directs these dynamic positions to classic Judeo-Christian sculptural themes such as maternity, the female body, and romantic love. Over the years, his interests have shifted from academic figurative representation toward a stylized abstraction of the human body. Formally he has explored the creation of less defined anthropomorphic forms while displaying a deft ability to work in various marble types. Perez Crespo's talent working in marble is evidenced by his ability to sculpt the stone into endlessly fluid shapes and contours. He is able, instinctively and organically, to materialize and bring to life an anthropological world that blossoms out of his manual skills. Perez Crespo's sculptures can be approached sensuously as tactile provocations that draw viewers into an intense, supple universe. Perez Crespo creates an imaginary ethos with metaphysical forms while taking significant steps toward an organic abstraction. He uses this type of abstraction that retains a solid figurative reference while outsourcing modernist elements from artists such as Henry Moore, Maria Martins...

Beautiful La Belle Epoque marble in nive vintage condition. Mathurin Moreau (1822-1912) was a French sculptor in the academic style. He was born in Dijon, first exhibited in the 1848 Salon, and finally received a medal of honor...

Wonderful miniature bronze cast figurative sculpture of a young barefoot shepherd girl holding a staff by R. Hobold (German, 19th c). The girl is dressed in a flowing peasant dress a...

Beautiful female bust wearing embroidered square neckline top and flower crown. A bouquet of lilies adorn the front of the bust which sits on top of a tapered square marble base in a...

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Artist: Jack Graves III (American, 1988-) Title: "The Three Graces Sculpture (Antonio Canova)" Series: Sculpture *Signed, titled, and dated by ...

Transmutation 2020 White Carrara Marble 19 x 22 x 42 in COA by the artist The self-taught artist Roberto Perez Crespo, born in 1969 in Cuba and based in Miami, has been continuously working on sculptures for nearly three decades, following his artistic call after abandoning a completed technical education in auto mechanical service. Pérez Crespo's practice moves between modernity and contemporaneity, pursuing his creative impulse from an emotional starting point. His religious approach partly directs these dynamic positions to classic Judeo-Christian sculptural themes such as maternity, the female body, and romantic love. Over the years, his interests have shifted from academic figurative representation toward a stylized abstraction of the human body. Formally he has explored the creation of less defined anthropomorphic forms while displaying a deft ability to work in various marble types. Perez Crespo's talent working in marble is evidenced by his ability to sculpt the stone into endlessly fluid shapes and contours. He is able, instinctively and organically, to materialize and bring to life an anthropological world that blossoms out of his manual skills. Perez Crespo's sculptures can be approached sensuously as tactile provocations that draw viewers into an intense, supple universe. Perez Crespo creates an imaginary ethos with metaphysical forms while taking significant steps toward an organic abstraction. He uses this type of abstraction that still retains a solid figurative reference while outsourcing modernist elements from artists such as Henry Moore, Maria Martins...

This is a gorgeous hand-carved black marble object. The marble is polished and with an amazing tactile feeling. The weight and the feeling of the s...

Tauno Kangro bronze sculpture from the animals section. Bronze penguins and marble base.

Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex Katz, Howard Hodgkins, Hilma af Klint, Georgia O'Keeffe, Barbara Hepworth and Constantin Brâncuși. With humor and a bit of mischief, Susan Hable’s “Don't Pick The Flowers!” is a body of work that is at once a refuge and a playground. Inspired by her sumptuous garden just outside of her Athens studio, Susan flows from one medium to the next from painting to collage to sculpture. Susan sees her garden as a place for adventure and daydreaming, challenging her perceptions of what her Art can be. Even a weedy ground cover has caught Susan’s eye, an overlooked invasive is seen in a new light becoming a dreamlike fairytale path. Her work asks us to engage in life, go for a walk and play. Susan Hable Smith is the artist and designer behind the boldly colored and hand drawn patterns of Hable Construction...

Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex Katz, Howard Hodgkins, Hilma af Klint, Georgia O'Keeffe, Barbara Hepworth and Constantin Brâncuși. With humor and a bit of mischief, Susan Hable’s “Don't Pick The Flowers!” is a body of work that is at once a refuge and a playground. Inspired by her sumptuous garden just outside of her Athens studio, Susan flows from one medium to the next from painting to collage to sculpture. Susan sees her garden as a place for adventure and daydreaming, challenging her perceptions of what her Art can be. Even a weedy ground cover has caught Susan’s eye, an overlooked invasive is seen in a new light becoming a dreamlike fairytale path. Her work asks us to engage in life, go for a walk and play. Susan Hable Smith is the artist and designer behind the boldly colored and hand drawn patterns of Hable Construction...

Antique bust of Apollo of Belvedere. Finely carved carrara marble. Mid 19th century. Italian. Please, contact us for shipping options. Presented by Joseph Dasta Antiques # nude male greek roman mercury statue...

Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex Katz, Howard Hodgkins, Hilma af Klint, Georgia O'Keeffe, Barbara Hepworth and Constantin Brâncuși. With humor and a bit of mischief, Susan Hable’s “Don't Pick The Flowers!” is a body of work that is at once a refuge and a playground. Inspired by her sumptuous garden just outside of her Athens studio, Susan flows from one medium to the next from painting to collage to sculpture. Susan sees her garden as a place for adventure and daydreaming, challenging her perceptions of what her Art can be. Even a weedy ground cover has caught Susan’s eye, an overlooked invasive is seen in a new light becoming a dreamlike fairytale path. Her work asks us to engage in life, go for a walk and play. Susan Hable Smith is the artist and designer behind the boldly colored and hand drawn patterns of Hable Construction...

Jean-Baptiste Carpeaux (French, 1827–1875) White Marble Bust of "Genie De La Danse" (Spirit of the Dance), Late 19th century. Carpeaux was a French sculptor and painter during the...

This is a one of a kind Italian white Carerra marble sculpture by San Diego artist Tony Gangitano. Its dimensions are 10" x 25" x 10". It is on a black granite base. A certificate of authenticity will follow delivery. This sculpture is a representation of Mary and Christ...

Thomas Ridgeway Gould (1818-1881) an extremely rare American White Marble Bust of A Woman, circa 1870. Depicting a beautiful woman with her hair double row, braided in a bun. Very...

Artist: G. GAMBOGI, Italian (FL. LATE 19TH / EARLY 20TH C.) Origin: Italian Date: 19th century Dimension: 42 1/4 in. x 13 1/2 in. x 11 in.

An original assemblage sculpture by Austin, TX based artist Steve Brudniak. STEVE BRUDNIAK Study for the Esoteric Dharma, 2014 Assemblage of glass, brass, marble and ritual oils of frankincense, galbanum, myrrh, coconut, jojoba and kalonji in nitrogen. 5 x 8.5 x 3.5 in Steve Brudniak is an American contemporary artist, actor and filmmaker, known for highly crafted, surreal assemblages invested with science elements and unusual characteristics. Brudniak pioneered use of many unconventional mediums including Tesla coil lightning, magnetic fluid, gyro mechanics, and biological preservations. Pieces generate ideas and themes of spirituality and psychological function.  His work is in the collections of the Houston Museum of Fine Arts, the San Antonio Museum of Art, The El Paso Museum of Art and The Art Museum of South Texas, many private collections and hundreds of books and publications. His “Astrogeneris Mementos” became the first assemblage sculptures exhibited in outer space. The monograph, “The Science of Surrealism - Assemblage Sculpture of Steve Brudniak”, (2013) documents thirty years of the artist’s career, with a foreword by Guillermo Del Toro.

Susan Hable is inspired by the work of David Hockney, Milton Avery, Henri Matisse, Alex Katz, Howard Hodgkins, Hilma af Klint, Georgia O'Keeffe, Barbara Hepworth and Constantin Brâncuși. With humor and a bit of mischief, Susan Hable’s “Don't Pick The Flowers!” is a body of work that is at once a refuge and a playground. Inspired by her sumptuous garden just outside of her Athens studio, Susan flows from one medium to the next from painting to collage to sculpture. Susan sees her garden as a place for adventure and daydreaming, challenging her perceptions of what her Art can be. Even a weedy ground cover has caught Susan’s eye, an overlooked invasive is seen in a new light becoming a dreamlike fairytale path. Her work asks us to engage in life, go for a walk and play. Susan Hable Smith is the artist and designer behind the boldly colored and hand drawn patterns of Hable Construction...

Abstract Geometric, small abstract bronze, dark brown patina, life cast, marble limited edition Allan Houser (Haozous), Chiricahua Apache (1914-1994) Selec...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Raffaello Romanelli 1856 - 1928 Raffaello e Fornarina signed Raffaello Romanelli Firenze and inscribed Raffaello et Fornarina marble height 38 in.; 96.5cm. diameter 16 in.; ...

Beautiful La Belle Epoque marble in nive vintage condition. Mathurin Moreau (1822-1912) was a French sculptor in the academic style. He was born in Dijon, first exhibited in the 1848 Salon, and finally received a medal of honor...

Born March 15, 1943 in Szekelyudvarhely, Transylvania, Hungary (now Romania), Marton Varo studied sculpture at Ion Andreescu Institute of Arts in Cluj, Romania from 1960 to 1966. In...

Max Kalish (American, 1891-1945) Harmony, c. 1930 Bronze with green marble base Incised signature on right upper side of base 14 x 9 x 5 inches, excluding base 17 x 10 x 8 inches, including base Born in Poland March 1, 1891, figurative sculptor Max Kalish came to the United States in 1894, his family settling in Ohio. A talented youth, Kalish enrolled at the Cleveland Institute of Art as a fifteen-year-old, receiving a first-place award for modeling the figure during studies with Herman Matzen. Kalish went to New York City following graduation, studying with Isidore Konti...

Sydney Kumalo. Features a bronze stylized female figural form sculpture fixed to a marble plinth and wood base. Bears signature on base. Measures 9 1/2...

A sculpture by Felipe Castaneda. ""Mujer Desnuda"" is a figurative sculpture, white and gray marble by Mexican contemporary artist Felipe Castaneda. The ar...

Affortunato (Fortunato) Gory (Italian, 1895-1925) A North African Huntsman Bronze and marble Signed on base 20 x 20 x 8 inches Affortunato Gory (Gori) was a French-Italian artist who specialized in Art Deco figurative sculpture...

These cherry-red marble flip flops are so realistic looking that people have actually tried to put their feet in them! With summer coming to an end, what better way to celebrate your favorite season than to display these lovely sculptural pieces where you can enjoy them year round. Whether you place them in a sandbox or just lay them casually on your coffee table, this piece will be a great conversation starter. When there is a foot of snow outside and the winter chill gets in your bones, you will smile and think of your sunny days at the beach. American sculptor Robin Antar has been called “Brooklyn’s answer to Andy Warhol.” Her mission is to create a visual record of modern American culture through commonplace objects as she explores the question, “What is America?” Meticulously carved in stone, a hamburger with fries, an American-made work boot, denim jeans and a giant "Ballpark Frank...

A unique carved marble sculpture by well-known Italian/Venezuelan Kinetic Artist, Domenico Casasanta (1935 - ). It is signed and dated 1972. Artist: Domenico Casasanta, Italian (1...

Beautiful Art Nouveau marble. Campagne, Pierre Étienne Daniel French , 19th century , male. Active in Paris. Born 1851 , in Gontaud (Lot-et-Garonne). S...

Untitled (Man, Woman and Child Dancing) bronze on marble plinth base. signed and numbered Gerard Koch was a French Post War & Contemporary sculptor who was born in 1926. Gérard K...

Provenance: James Byrnes, Los Angeles (1917-2011) Giusto Le Court was born Josse or Justus de Corte in the Flemish city of Ypres. His father Jean was a sculptor and presumably his earliest training was with him before he entered the studio of Cornelis van Mildert. The young artist was clearly influenced by the dominant Flemish sculptor of the time, Artus Quellinus the Elder, with whom he may have worked on the decoration of the Amsterdam City Hall. Following the lead of many northern artists he travelled to Rome, perhaps more than once, before settling in Venice around 1655. It was there, as one of a colony of expatriate artists, that he made his name as a sculptor. One of his first Venetian commissions was for the monument to Alvise Mocenigo in the Church of San Lazzaro dei Mendicanti, where Le Court sculpted the marble figures of Strength and Justice. He also collaborated with the celebrated architect Baldassare Longhena, most famously for the high altar of Santa Maria della Salute, where he carved the multi-figured altarpiece depicting the Queen of Heaven Expelling the Plague. The present marble sculpture depicts the infant Saint John the Baptist, reclining, wearing his traditional hair-shirt, embracing a lamb, and holding the bottom of his attribute, a reed cross. Attached to his shirt is a baptismal cup, with which he would become associated later in his life. Veneration of the infant Saint John the Baptist was prevalent throughout Italy and images of the saint in childhood—often called “Giovannino,” or little John...

Italian 19th Century marble bust depicting the young Emperor Octavian. The sculpture, carved in white Carrara marble, is an exquisite example of neoclassical works and shows a fascin...

Amour De Paris 12 x 9 x 4 inches Edition of 25 Black marble sculpture of women's chanel bag Authenticity Certificate, acquired from artist's studio Frank Hollywood...

ALBERT-ERNEST CARRIER BELLEUSE French, (1824-1887) Danseur Napolitain au Luth et Danseur Napolitain au Tambourin Patinated bronze; Signed "A. Carrier" on base . 41 3/4 x 17 inche...

His Airness 11.5 x 4.5 x 6 inches Edition of 25 White marble sculpture of Nike shoes Authenticity Certificate, acquired from artist's studio Frank Holl...

His Airness 11.5 x 4.5 x 6 inches Edition of 25 White marble sculpture of Nike shoes Authenticity Certificate, acquired from artist's studio Frank Holl...

Untitled, 2000 – 2012 is a unique and special composition by the sculptor. Instead of letting myriad folds be the focal point, it is the verticality and beauty of the stone and its ...

PASQUALE ROMANELLI (1812-1887) Amore E Psiche Signed Prof. P. Romanelli/Firenze 19th century 30½ in. x 12½ in. 10 in.

Chaim Gross (American, 1904-1991) Patinated cast bronze sculpture, Three Acrobats, signed mounted on black marble plinth 24.5"h x 14"w x 7"d (bronze alone) Chaim Gross (March 17, 1904 – May 5, 1991) was an American modernist sculptor and educator. Gross was born to a Jewish family in Austrian Galicia, in the village of Wolowa (now known as Mezhgorye, Ukraine), in the Carpathian Mountains. In 1911, his family moved to Kolomyia (which was annexed into the Ukrainian USSR in 1939 and became part of newly independent Ukraine in 1991). When World War I ended, Gross and brother Avrom-Leib went to Budapest to join their older siblings Sarah and Pinkas. Gross applied to and was accepted by the art academy in Budapest and studied under the painter Béla Uitz, though within a year a new regime under Miklos Horthy took over and attempted to expel all Jews and foreigners from the country. After being deported from Hungary, Gross began art studies at the Kunstgewerbeschule in Vienna, Austria shortly before immigrating to the United States in 1921. Gross's studies continued in the United States at the Beaux-Arts Institute of Design, where he studied with Elie Nadelman and others, and at the Art Students League of New York, with Robert Laurent. He also attended the Educational Alliance Art School, studying under Abbo Ostrowsky, at the same time as Moses Soyer and Peter Blume. In 1926 Gross began teaching at The Educational Alliance, and continued teaching there for the next 50 years. Louise Nevelson was among his students at the Alliance (in 1934), during the time she was transitioning from painting to sculpture. In the late 1920s and early 1930s he exhibited at the Salons of America exhibitions at the Anderson Galleries and, beginning in 1928, at the Whitney Studio Club. In 1929, Gross experimented with printmaking, and created an important group of 15 linocuts and lithographs of landscapes, New York City streets and parks, women in interiors, the circus, and vaudeville. The entire suite is now in the collection of the Philadelphia Museum of Art. Gross returned to the medium of printmaking in the 1960s, and produced approximately 200 works in the medium over the next two decades. For more than sixty years Chaim Gross's art has expressed optimistic, affirming themes, Judaica, balancing acrobats, cyclists, trapeze artists and mothers and children convey joyfulness, modernism, exuberance, love, and intimacy. This aspect of his work remained consistent with his Jewish Hasidic heritage, which teaches that only in his childlike happiness is man nearest to God. In March 1932 Gross had his first solo exhibition at Gallery 144 in New York City. For a short time they represented Gross, as well as his friends Milton Avery, Moses Soyer, Ahron Ben-Shmuel and others. Gross was primarily a practitioner of the direct carving method, with the majority of his work being carved from wood. Other direct carvers in early 20th-century American art include William Zorach, Jose de Creeft, and Robert Laurent. Works by Chaim Gross can be found in major museums and private collections throughout the United States, with substantial holdings (27 sculptures) at the Hirshhorn Museum and Sculpture Garden. A key work from this era, now at the Smithsonian American Art Museum, is the 1932 birds-eye maple Acrobatic Performers, which is also only one and one quarter inch thick. In 1933 Gross joined the government's PWAP (Public Works of Art Project), which transitioned into the WPA (Works Progress Administration), which Gross worked for later in the 1930s. Under these programs Gross taught and demonstrated art, made sculptures that were placed in schools and public colleges, made work for Federal buildings including the Federal Trade Commission Building, and for the France Overseas and Finnish Buildings at the 1939 New York World's Fair. Gross was also recognized during these years with a silver medal at the Exposition universelle de 1937 in Paris, and in 1942, with a purchase prize at the Metropolitan Museum of Art's "Artists for Victory" exhibition for his wood sculpture of famed circus performer Lillian Leitzel. In 1949 Gross sketched Chaim Weizmann, President of Israel, at several functions in New York City where Weizmann was speaking, Gross completed the bust in bronze later that year. Gross returned to Israel for three months in 1951 (the second of many trips there in the postwar years) to paint a series of 40 watercolors of life in various cities. This series was exhibited at the Jewish Museum (Manhattan) in 1953. In the 1950s Gross began to make more bronze sculptures alongside his wood and stone pieces, and in 1957 and 1959 he traveled to Rome to work with famed bronze foundries including the Nicci foundry. At the end of the decade Gross was working primarily in bronze which allowed him to create open forms, large-scale works and of course, multiple casts. Gross's large-scale bronze The Family, donated to New York City in 1991 in honor of Mayor Ed Koch, and installed at the Bleecker Street Park at 11th street, is now a fixture of Greenwich Village. In 1959, a survey of Gross's sculpture in wood, stone, and bronze was featured in the exhibit Four American Expressionists curated by Lloyd Goodrich at the Whitney Museum of American Art, with work by Abraham Rattner, Doris Caesar, and Karl Knaths. In 1976, a selection from Gross's important collection of historic African sculpture, formed since the late 1930s, was exhibited at the Worcester Art Museum in the show The Sculptor's Eye: The African Art Collection of Mr. and Mrs. Chaim Gross. Gross was elected into the National Academy of Design as an Associate member, and became a full Academician in 1981. In 1984, he was inducted into the American Academy of Arts and Letters, with Jacob Lawrence and Lukas Foss. In the fall of 1991, Allen Ginsberg gave an important tribute to Gross at the American Academy of Arts and Letters, which is published in their Proceedings. In 1994, Forum Gallery, which now represents the Chaim Gross estate, held a memorial exhibition featuring a sixty-year survey of Gross's work. Gross was a professor of printmaking and sculpture at both the Educational Alliance and the New School for Social Research in New York City, as well as at the Brooklyn Museum Art School, the MoMA art school, the Art Student's League and the New Art School (which Gross ran briefly with Alexander Dobkin...

Attributed to G. GAMBOGI, Italian (FL. LATE 19TH / EARLY 20TH C.) Origin: Italian Date: Late 19th century Dimension: 42 in. x 15 in.

Infused with a crisp modernity and subtle sensuality, this bronze sculpture by Cuban-born artist Agustin Cárdenas is an exceptional example of late-2...

Mid Century carved marble flute player by Rodney Marshall Winfield (American, b. 1925). Presented in a rustic wooden frame. Unsigned. Image size: 14"H x 10"W. Framed: 20"H x 16"W. Wear to frame and age wear to marble. A painter in acrylic, designer in stain glass and silver, sculptor and long-time teacher, Rodney Winfield has had a diverse career. He was born in New York City. As a young man, he was artistically inclined and composed music, drew and painted, danced, wrote poetry and created sculpture. Choosing to focus on art, he enrolled in Cooper Union School in New York City. From 1953 to 1970, he was a stain-glass designer for Emil Frei...

Large and heavy with magnificent patina. This is the large version of this piece. we cannot find any markings on it and it might be unique. Nicky Imber (Vienna, Austria, 1920 -1996) was a multidisciplinary Jewish artist best known for his sculptures on Jewish themes. Grand nephew of Naftali Herz Imber, author of the Israeli national anthem 'Hatikva'. After escaping the Nazi concentration camp in Dachau, he pledged to dedicate his art to perpetuating the memory of the Holocaust. Among his more famous works are "The Hope" and "The Love of Torah". His work can be seen around the world, in Northern Israel, the United States, and the Venezuelan Museum of Natural History in Caracas. Nicky Imber was born in Vienna, Austria. During his studies at the Academy of Arts in Vienna, he drew anti-Nazi caricatures for Jewish student publications. After several thwarted attempts by the family to leave Vienna, in 1938, in the wake of the 'Anschluss', Imber was deported to Dachau. Witnessing the murders of family and friends, he plotted his escape. Using skills he had learned in art school, he made a face mask out of bread and sand, stole a Nazi soldier's uniform and walked out the front gate unnoticed. In 1940, he boarded a ship...

A fine quality carrara marble sculpture of lovers. The young maiden holding a daisy while the gentleman embraces her pationately. Artist: Attributed to Pasquale Romanelli...

A sculpture by Felipe Castaneda. "Pensando" is a contemporary figurative white marble sculpture by Mexican artist Felipe Castaneda. The artwork is signed in the lower right, " F. Cas...

Biomorphic abstract sculpture by Canadian artist John McKinnon. The work features a mother figure holding her child in a loving embrace. Inspired by other modern artists such as Henr...

Emmanuel Villanis was well known primarily for his bronzes of beautiful young women. With Phryne, the sculptor is working in marble. Since stone is not in the least forgiving, it's...

Here for your consideration is a original sculpted marble elongated figure by the artist Joseph L. Rotella. Signed on the bottom back of the sculpture as well as the underside of the...

signed "Signori" on base rose marble from Paonazzo weighs 160 pounds