Abstract Art

Vase inspired by depths of the sea, through its precious corals and fossil limestone. A witness to the passing of time Ceramic D 30 x 30 cm Design and produced in Italy

Thea Schrack is a photographer and painter with a penchant for the past. Her photographic forays have taken her to English country estates, Czech castles, vineyards and to the shores...

Purple Vase with two Poppies by Jenny Balmer. Still-life, mixed media paper collage. Unframed. Size: H:40 cm x W:30 cm

Considered a leading figure in the second generation of Bay Area Figuration, Michelle Gregor is a multifaceted artist who works in clay, bronze, paint ...

Depiction of a male nude in diffuse architectural scenery. Signed lower right (Paul) Anton Kaulbach (1864 Hannover - 1930 Berlin). Oil on canvas, in gold-patinated frame. Image size:...

Artist : Svetlana Shalygina, "The Elegance of Simplicity" Original black & white textured diptych. Large scale, uniquely textured Contemporary paintings, with 2.5" gallery wrap edg...

"DAY OFF" Abstract Oil Painting 36" x 30" inch by Carlos Delgado ABOUT: Carlos Delgado is a Colombian artist with international recognition living be...

Composition is an original contemporary artwork realized by Luigi Spacal (Trieste, 1907 - Trieste, 2000) in the 1970s. Original Colored woodcut on cardboard. Image Dimensions: 18 x 14 cm Good conditions. Lojze Spacal, also known as Luigi Spacal, was born on the Trieste Karst, at the time of the Austro-Hungarian Empire, from a family of Slovenian nationality.In 1930 he was arrested on charges of anti-fascism and confined for some time to Accettura, in Basilicata. Here he discovered his artistic vocation. In 1934 he graduated in Venice. He began to exhibit his first works in 1937. In 1942 he was again sent to confinement, this time in Abruzzo and, later, assigned to a special working battalion in Forte dei Marmi. Nevertheless, he managed to continue to exhibit his works so much that, in 1944, he set up his first solo show. In 1948 he participated for the first time in the Venice biennial. In 1958 he won the International Grand Prix "for a draftsman and engraver" at the Venice Biennale. In 1959 he received the 2nd prize at the International Biennial of Graphic Art in Ljubljana. In 1974 he was awarded the Prešeren prize, the highest Slovenian artistic recognition, and the “San Giusto d'Oro” in 1977. In 1998 a museum was dedicated to him in the castle of San Daniele...

"Urban Scene" is a painted steel sculpture by Ralph Wickstrom created in 1997. Deceivingly thin the sculpture is made up of straight lines and right angles...

Hannah Wilkinson is a New Zealand football player, musician, and visual artist. She had a notable collegiate career at the University of Tennessee in the United States and went on to play professionally in Sweden, Portugal, Germany, and Australia. Additionally, she represents the New Zealand Women's National Team, the Football Ferns, participated in three Olympic Games, and three FIFA Women’s World Cup. Art has always been a significant part of Wilkinson's life, even before she began her soccer journey. She explains: “Born and raised in Whangārei, New Zealand, I began drawing and creating before kicking a ball. My artistic pursuits offer a healthy balance off the pitch, allowing space to mentally offload pressures associated with being an elite athlete, while also enhancing the focus-flow state needed to perform both artistically and athletically.” Wilkinson's work spans various mediums, including drawing, digital illustrations, painting, and murals. Although sports is a dominant theme in her art, she frequently incorporates symbols related to philosophy, music, and New Zealand's cultural identity, landscapes, and wildlife. She is a proud member of the International Olympic Committee's Olympian Artists program and made significant contributions to the Olympic Agora exhibition held at Tokyo's Mitsokoshimae metro station before, during, and after the 2020 Games (held in 2021). Recently, she was also commissioned to create a mural at Auckland's Eden Park national stadium, celebrating the staging of the three women's World Cups (cricket, football, and rugby) in New Zealand in 2022 and 2023. This stadium will be the venue for the 2023 Women's World Cup, where Wilkinson will be competing. Hannah Wilkinson created two limited edition prints for the special occasion of the “In the Beginning, there was Football, " exhibition, coinciding with the 2023 Women's World Cup. Through powerful imagery and poetic language, Wilkinson explores the philosophy and emotion surrounding football in two limited edition prints. Her work reveals her deep emotional connection and proximity to the game. In Heart in the...

Joan Miro Surrealist Birds (Sculptures), 1974 Original lithograph Printed signature in the plate On heavy paper 28 x 57 cm (c. 11 x 23 inch) REFERENCE : catalog raisonne Mourlot / ...

Heavily textured abstract with heavy black wood frame.

Mass Transit Oil, Spray Paint, Oil Stick On Canvas 16" x 20" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting empl...

"Still Life and Round Lace Table" is an original acrylic and pastel on paper by Edward Marecak (1919-1993) circa 1960s. Signed by the artist in the lower right corner. Abstracted sti...

Memories of a jazz trip around New Orleans, transferred into a work of art in the technique of oil pastels. Expressive abstraction. Framed in Passe-Partout and a beautiful wooden fra...

Title: Stargazer Powerful Striking Galaxy Contemporary Abstract Blue White Investment Stars Tree of life Stargazing. To let yourself be transported to the expanse of the universe. ...

Wild Silence Oil, Bitumen, Crayon, Collage On Canvas 48" x 36 1/4" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of paintin...

Title: Interconnected Dream Bold Abstract Contemporary Colorful Masculine Investment Red Yellow Grey Blue Orange Texture Detail This series expresses our unity and our interconnecte...

The title of this painting is Isis. Dark tones combined with accents of blue present a confident female portrait.

Eroded Rock, Point Lobos Gelatin silver print, 1929 Unsigned Signed with the estate stamp verso (see photo) A lifetime printing by Brett Weston, supervised by his father Edward Edition: 5 or 6 prints (see ttext below) Weston negative Numbered verso: "1357" photographer's estate stamp, verso LITERATURE: A. Conger, Edward Weston: Photographs from the Collection of the Center for Creative Photography, The Center for Creative Photography, 1992, fig. 576. Label: The Photographs of Edward Weston/Arizona Board of Regents label affixed to paper folder. Edward Weston description of printing in 1953-54 In 1945 Edward Weston began to experience the first symptoms of Parkinson's disease, which slowly progressed until by 1948, he took his last photograph. By the second half of 1952, Weston decided he should select a master set of his best work. Out of his approximately 3000 negatives, he would pick 1000 and have Brett Weston print...

Human relationship is always complex. What we see, hear and feel is always limited. Behind every action, there may be thoughts or feelings that we are completely unaware of. There is...

Monkey Puzzle II Oil On Canvas 12" x 9" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of indu...

UNTITLED 37, is an abstract painting, mixed technique on canvas, measuring 145x242 cm. Created by Chilean artist Jorge Reyes Zepeda. Jorge works wit...

Marcello Panza for Arcade Vase (this is for 1 of a pair I have, I am selling them separately). This has an African or Aboriginal tribal pattern to it. ...

Songs From Soil Oil, Bitumen, Crayon, Collage On Canvas 72" x 60" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting...

Untitled Color lithograph, 1972 Unsigned Edition: From: Fresh Air School, Exhibition of Paintings Large Edition (2000?) Published by the Carnegie Institute Museum of Art, 1973 Printe...

Cantando Graffiti (frame 08) is an original acrylic painting on recycled record cover featured in Dax Norman's "Cinema Graffiti" NFT collection. Hand-signed. The works in this colle...

Acrylic/Spray Paint on stretched canvas, coated 2 layers of resin. 48"x48” Signed and Dated on Reverse. "The idea behind my art is to create self awareness. Being aware of who you ...

This abstract painting from new Series “Geoforms" is inspired by minimalism, modern art and hard edge. This work is signed, dated and tilted by Artist on the back. This work will be ...

Mixed Media (oil color, pigments, gold leaf, sand, lava) on canvas and wood Triyptichon 140 x 258 cm Signature at the bottom right Murielle Argoud i...

The image of a man who is taking a step back and reflecting on his life to gain a deeper learning and understanding.

Goddess Form. Fired to cone 01. Glaze fired to cone 07. Low fire glaze applications. Dimensions: 13"h x 10"w x 8"d ARTIST STATEMENT My work passionately reflects my Mexican cultural roots. The art forms appear and are created as stories in the round as I transform and mutate a magic fusion of colors, shapes and a way of life into them. I often use faces joined by zigzag or curved lines. Flower petals characteristically fashion the idea of dealing with one’s aura. Some of the vessel forms I use (the goddess series) are used to symbolically connect earth to women… a container used for nutrients of survival. My work also speaks of healing. Pieces are created to capture great depth of emotion, celebration, suffering, and cultural bonding. Slip cast...

Model X (frame 02) is an acrylic painting on recycled record cover featured in Dax Norman's "Cinema Graffiti" NFT collection. Hand-signed. The works in this collection of paintings ...

Opening Houses on Black 2, 2022. Coloured pencil on black paper, 20 x 20cm Nicky Marais (b. 1962) is a Namibian artist, educator and activist. Marais is well-known for her abstract artworks created using a personal vocabulary of abstract forms and colour relationships derived from everyday life as well as the socio-political history of Namibia and icons from around the continent. These forms are often layered using a mixture of stencils and traditional painting techniques. Marais describes her practice as a “constant hunt for significant shapes”, which are subjected to a process of near-obsessive repetition, appearing multiple times in different combinations. Much of her work explores the relationship between physical and spiritual worlds, which extends into an investigation of the relationship between the tangible and the intangible, the signifier and the signified. Speaking about Marais’ work, Rosa Namises said “Sometimes we are trapped between the gates and the snakes. We have to choose to go through the path of knowledge, to learn what the snakes have to teach us, and not allow ourselves to be trapped by the gates” (2017). Marais is recently retired from an eleven year posting as the Head of Department of Visual Arts at the College of the Arts in Windhoek. As an artist, she has exhibited extensively in Namibia and abroad. In 2017, The National Art Gallery of Namibia hosted a solo exhibition by Marais, titled ‘Presence in Absence’. Her next solo ‘Connections‘ was held at Guns & Rain Gallery in Johannesburg in 2020. Most recently in 2022, the artist participated in the Baker’s Bay...

original Black ink on paper Image size: H:39 cm x W:30 cm Complete Size of Unframed Work: H:39 cm x W:30 cm x D:0.1cm Sold Unframed Please note that insitu images are purely an ...

"Portrait 1" Drawing 23" x 17" inch by Oleksandr Miroshnychenko Unique work ball pen, spray paint, paper 300g ARTIST BIO: Oleksandr Miroshnychenko lives and works at his studio in...

Somewhere In The City Oil, Bitumen, Crayon, Collage On Canvas 30" x 24" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of pa...

Law of Love, Deep Psych (Abstract painting) Acrylic paint on canvas - Unframed. This work is exclusive to IdeelArt. This work is part of the series Asphalt Abstracted Ad Astra. Exi...

Baton Rouge Mixed Media On Paper 16" x 12" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of i...

SALE ONE WEEK ONLY The "Untitled" abstract sculpture by Robert Sestok has a very deliberate aura of strength in its columnar shape. It does become more ...

Figurative abstract style black and white drawing of "Winged Victory of Samothrace" Greek Goddess Nike in an oval antique wood frame with gold inlay detail "Nike Descending XVI" by H...

Embryo Oil, String On Canvas 8" x 10" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of indust...

Loop the Loop Mixed Media On Paper 30" x 22" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the use of...

Rust Double Oil, Bitumen, Sand, Mica, Collage On Canvas 20" x 16" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting...

Lithograph Handsigned by the artist in pencil and annotated EA Artist proof 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (paper) 76.00 cm. x 56.00 cm. 29.92 in. x 22.05 in. (image) ...

Chaco Canvas, fabric, pigment and collage elements, 1985-1995 Signed lower left corner in red paint Title and signed in pencil on the verso on the top of the stretcher Condition: Excellent Canvas size: 18 x 18 inches Provenance: Estate of the Artist By descent Chaco is a Native American culture of Ancestral Puebloan peoples, thriving in New Mexico between 850 CE and 1250 CE. Some of the motifs in this work was inspired by Chaco Canyon wall art. This mixed media work was created after the artist moved from New York to Santa Fe in 1985. It combines many Southwestern and Native American motifs. This is one of a small group of similar works combing collage and mixed media. (See photo of native pictographs) that inspired this work. Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Big scale abstract oil painting by Polish artist Klaudia Lata. Painting can be paired as a dyptich with 'Flash 1'. Composition consists mostly of black colour with greenish shapes th...

Dream Offering II Mixed Media On Paper 22" x 30" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting employing the us...

"Abstract Script" Ink on Fabric Painting 85" x 12" inch by Mohamed Monaiseer Trinity series (2015) In this work, I am a developing personal philosophy of the trinity—the uniting of...

Ghost Wood Oil,Bitumen, Crayon, Sand, Collage On Canvas 16" x 20" I am a visual artist whose work investigates small and large -scale abstraction primarily in the medium of painting...

Lambda digital c print on Ilford Ilfoflex Archival Super Gloss, 2003. Signed, dated, titled, and numbered 2/2 on verso. Artist Andrew George is based in Los Angeles. He recently pr...

Blohm studied painting at the Academy of Fine Arts in Munich, Germany and moved to New York in 1984, later establishing a second studio in Berlin. She is in numerous international co...

Title: Portrait of a Painter Etching and soft-ground etching, in colors, 2017. Edtion of 30 printed on 100% cotton paper. Signed, titled and numbered in pencil. In excellent condit...

Oil on canvas Ralitsa Stoitseva is a Bulgarian artist born in 1963 who lives and works in Sofia, Bulgaria. She studied at the National Academy of Art in Sofia and has been graduated...

Big scale abstract oil painting by Polish artist Klaudia Lata. Painting can be paired as a dyptich with 'Flash 2'. Composition consists mostly of black colour with greenish shapes th...

Considered one of Canada’s finest landscape artists, Pat Service’s work has evolved from classic form to minimalism. This is one of a series of paintings she created to celebrate her...

Heavily textured abstract print in a serigraph and terragraph technique. It has a raised texture to the surface, A beautiful piece. This listing is for the one print, the cover justification sheet and the photograph are just included for provenance. This is from the limited edition of 100. Hand signed and numbered on colophon page. (They are not signed and numbered on each print) Arches paper. Dimensions: 15.75 X 15.25 These have a texture that feels like a painting. Done in Jaffa Israel based on the Hebrew Bible. Jewish, Judaica interest. Emil Schumacher is among the best-known exponents of Art Informel in Germany. His painting style, which he initially developed in the 1950s under the influence of Wols, is marked by dark, brownish black or brilliant thick red colours and a graffiti like sign language that endow the pictures the expressive character of old cracked masonry. Emil Schumacher (29 August 1912 in Hagen, Westfalen – 4 October 1999 in San José, Ibiza) was a German artist and painter. He was an important representative of abstract expressionism in post-war Germany. As an 18-year-old, Emil Schumacher undertakes a four-week-long bicycle tour to Paris, France. 1932–1935: Studies graphic design at the School of Applied Arts in Dortmund intending to become a graphic designer in advertising. 1935–1939: Independent artist without participating in exhibits. He undertakes study trips by bicycle to the Netherlands and Belgium. 1939–1945: Service obligation as draftsman in an arms factory, the Akkumulatoren–Werke of Hagen. Since 1945: Immediately after end of war, new start as independent artist. 1947: First solo exhibit in the Studio für neue Kunst. Co-founder of the artist group Junger Westen. 1954: Participates in the Willem Sandberg...