Abstract Art

Acrylic on canvas embedded with glitter and gold leaf Unsigned, as per usual Provenance: Estate of the artist Sheet: 14 x 17" Peter Marks (1935 -2010...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

oil and gold leaf on porcelain tile Neoromantic painter Hiro Yokose fuses multiple layers of wax and oil paint to create mysterious, veiled landscapes illuminated with flashes of li...

"Sundown" by Kevin Barrett Hand Fabricated Bronze Barrett is noted for creating contemporary metal sculpture and sculpture wall pieces for indoor and outdoor display. Wall Art, Wall Relief...

Olympiad. Hand fabricated steel with patina, bronze rod. Unique, one of a kind. 19 x 19 x 14" sculpture. Powder coated steel base, 3"h, 12"w, 9"d. There are two sides to any circle:...

Bronze sculpture

Dramatic and compelling mixed media, collotype by Patricia A. Pearce (American, b. 1948). A mixed media artist test project painting using brown wash, gold leaf, silver leaf, and co...

Carmen Gutierrez painting "Fuerza Marina". Signed by the artist. Acrylic, liquid gold and silver leaf, mixed media on canvas.

Carmen Gutierrez original painting "Meditador". Acrylic, liquid gold leaf and oil on panel. Signed by the artist.

Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...

Munroe, who is formally trained as a printmaker, creates sublime paintings with imagery inspired by archetypal forms of the circle and the square. Employing tools and processes from ...

Sculpture - original lighting numbered 2/8 Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment o...

Abstract bronze sculpture

Kinetic bronze sculpture. Gianfranco Meggiato was born on August 26, 1963 in Venice, where he studied stone, bronze, wood and ceramics sculpture at the Istituto Statale d’Arte. At t...

Fruit Étranger Three by Perrin & Perrin, Galerie Negropontes in Paris, France. Limited Edition Bronze Sculpture Martine and Jacki Perrin have formed an inseparable artistic duo sinc...

"Copernicus' Midnight Sun" from "Worlds in Collision" Large Sculpture Series by Isobel Folb Sokolow Welded steel, welding rod and gold leaf Sokolow welds organic abstract forms fro...

abstract oil painting with gold acrylic on edge

"Rendezvous" by Kevin Barrett Bronze Barrett is noted for creating unique, rhythmic, abstract indoor and outdoor sculpture and wall reliefs. Bronze Metal Outdoor Sculpture...

Udo Haderlein was born in Bamberg, Germany in 1976. He lives and works as an artist in Berlin. This is a very fine example of his abstract art done on board with acrylic paint, gold ...

abstract oil painting on linen with gold acrylic edge

Laden Table Abstract Still Life With Candle Grapes. Jacqueline Crofton born in London of Russian and Romanian extraction. At 13 she gained a sch...

"Viva La France!," 23 Karat Gold Leaf and Oil on Canvas, 32 x 48 Inches, is inspired by the French flag, elegant and whimsical, however it can also be viewed as a pure geometric abs...

A graceful metal sculpture created from altered/ transformed materials, Urban Transformation, industrial steel against a craggy, textured, bark-like bronze elements. ...

This vibrant piece by Petrov brings to the viewer a magical abstract landscape where tridimensional shapes at times come to the surface like opening flowers to get lost again in a lu...

"Cosmos I & II" by Isobel Folb Sokolow Welded, found & automotive metal, gold leaf Metal Wall Relief Sculpture, Abstract, Organic, Abstrac...

Bronze on marble base with gold brown patina, 1967. No 28 of 35 pieces. Numbered and signed on the edge. Dimensions: 8.98 x 8.98 in ( 22,8 x 22,8 cm ), Height: ca. 15.16 in ( 38,5 cm )

Matt Emulsion, Gloss Varnish, 24 carat Gold Leaf on Aluminium

Immendorf's 30 color illustration of the Old/New Testament in connection wit a small sculpture of a monkey with ring are edited in 2006 (one year befor the artist died) by MEDIA VERL...

Also available 50 x 70 in. $9,500, edition of 10. Christine Matthäi was born in Germany. She lives and works between Shelter Island, New York, Germany and the Bahamas. Her LIGHT an...

Fruit Étranger Two by Perrin & Perrin, Galerie Negropontes in Paris, France. Limited Edition Bronze Sculpture Martine and Jacki Perrin have formed an inseparable artistic duo since...

"I throw myself into the water almost every day- it grounds me, the body floats and the mind drifts. The "Swimmer series" has followed me over the years, resurfacing and evolving. Presently I'm working on wood, I'm intrigued by wood grain swirling like water and how that ground moves through the swimmer's form”. Carol graduated from the Art Center College of Design in painting. For some 20 years she split her time between her loft in downtown LA and a beach bungalow in Hawaii- satisfying a passion for culture and the ocean's pull. In LA she painted backdrops...

Classical mythology is fraught with stories of sexual misdeeds by Zeus, King of the Gods. Often Zeus would fall in love with a mortal woman and then transform himself into an animal ...

Umberto Mastroianni (Fontana Liri 1910 – Marino 1998), Composizione n.°2 (1978) Scultura in bronzo di cm 158 x 132 x 27. L’opera risulta archiviata presso il Centro Studi Dell’Oper...

Hand-embellished photograph with gold leaf and diamond dust. Born in Paris, Arno Elias is a French American artist, Photographer, Musician and Activist. He is best known for his ha...

Maqueta Armonía de Volúmenes y Espacios -La Hoyada- BMPC-002, 1980(1982) Edition /25 Bronze 48 x 37 x 26 cm 18.8 x 14.5 x 10.2 in. ABOUT THE ARTIST Narváez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narváez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narváez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narváez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narváez’s public output continued with works such as the statue of Fermín Toro, La Educación, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narváez, Maderas, Piedras y Bronces” (Francisco Narváez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narváez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narváez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narváez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narváez is a path: the path that Venezuelan sculpture...

2021 Bronze 18 x 11 x 18 1/2 inches Unique Signed and dated, base

Set of 12 KAWS Bronze set *Sizes Vary* Alone Time At This Time BFF Clean Slate Good Morning Here Today Passing Through Seeing Shelter Space Still Moment ...

46 x 32 x 32 inch bronze sculpture on 32 x 16 x 16 inch black granite base

This piece is round and 36 inches in diameter. Takefumi Hori was born in 1978 in Tokyo, Japan. Takefumi studied Japanese calligraphy before moving to New York in 2004. Once in New York, he started painting abstract paintings with acrylic on canvas. Since 2009, Takefumi has been creating abstract paintings using gold leaf...

Bronze knot sculpture

Aged bronze and brass, stainless steel. 65"x40"x3" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactur...

Aged bronze and brass, stainless steel. 68"x68"x3" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactur...

Aged bronze and brass, stainless steel. 54"x29"x3" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactur...

Aged bronze, stainless steel. 60"x60"x4" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactured with a ...

Aged bronze and brass, stainless steel. 75"x47"x4" Search "Kue King" to see entire collection of 30+ sculptures. Kue King created this wire sculpture using pure metals manufactur...

Hand-embellished photography with acrylic paint, diamond dust, and gold leaf. Limited and signed edition, number 2 of 9. Born in Paris, Arno Elias is a French American artist, Photographer, Musician and Activist. He is best known for his hand-painted, hand-embellished photographs of endangered species and indigenous peoples, both of whom have been devastated by the impacts of industrialization. In 2016, Arno Elias founded I'm Not A Trophy, an organization dedicated to creating greater awareness for the rapid extinction of endangered species around the world. Featuring Supermodel and Actress Cara Delevingne as the first-ever Brand Ambassador, the organization's awareness initiative achieved world-wide recognition. In September 2019, Elias was invited to the 74th Session of the United Nations General Assembly...

Hand-embellished photograph with gold leaf and diamond dust. Limited and signed edition, number 1 of 9. Born in Paris, Arno Elias is a French American artist, Photographer, Musician and Activist. He is best known for his hand-painted, hand-embellished photographs of endangered species and indigenous peoples, both of whom have been devastated by the impacts of industrialization. In 2016, Arno Elias founded I'm Not A Trophy, an organization dedicated to creating greater awareness for the rapid extinction of endangered species around the world. Featuring Supermodel and Actress Cara Delevingne as the first-ever Brand Ambassador, the organization's awareness initiative achieved world-wide recognition. In September 2019, Elias was invited to the 74th Session of the United Nations General Assembly on the topic of animal welfare and sustainable development. Elias is also a music composer...

Hand-painted with gold leaf and embellished with diamond dust. Limited and signed edition number 1 of 17. Born in Paris, Arno Elias is a French American artist, Photographer, Musician and Activist. He is best known for his hand-painted, hand-embellished photographs of endangered species and indigenous peoples, both of whom have been devastated by the impacts of industrialization. In 2016, Arno Elias founded I'm Not A Trophy, an organization dedicated to creating greater awareness for the rapid extinction of endangered species around the world. Featuring Supermodel and Actress Cara Delevingne as the first-ever Brand Ambassador, the organization's awareness initiative achieved world-wide recognition. In September 2019, Elias was invited to the 74th Session of the United Nations General Assembly...

"Black Tower" by Joel Perlman Unique cast bronze, marble base Joel Perlman has been creating complex sculptures out of steel, bronze, and aluminum since the early 1970's. While minimalism was the predominant style of his genration, Perlman chose to push his forms into ever-more complicated, gravity defying, configurations. Perlman investigates with originality. He expands, rather than appropriates, enriching our experience with industrial materials. Contemporary, Abstract Outdoor Metal...

"Muskateer" by Bill Barrett Abstract metal sculpture, unique bronze Bill Barrett is considered a central figure in the second generation of American metal sculptors and is internati...

1 of 6 limited edition series This sculpture is based on the writings of Franz Kafka, where the feelings, fears and doubts of man are shown. In a world dominated by screens and techn...

This sculpture is based on the writings of Franz Kafka, where the feelings, fears and doubts of man are shown. In a world dominated by screens and technologies, we forget to observe man as a unit. The sculpture represent these characteristics of the human being, from the armor that covers him different states of man are presented: "El Iluso Que Mira las Estrellas" represents innocence, sensitivity,.... Alberto Letamendi...

Ever-turning, life's inevitable cycle of birth and death, reminds us of the rising and falling of all things. Artwork Details: Parinya Tantisuk "Cycle" 1996 Acrylic, Gold and Silv...

Dutch, b. 1938 Renowned for his monumental sculpture created primarily for open-air public locales, Hans Van de Bovenkamp has been described as an artist-mystic whose work -- with i...

Abstract minimalist artist Jason DeMeo creates artworks that work to serve as a meditation for the viewer, drawing them toward the timeless concepts of truth, beauty, and goodness. His original paintings accentuate the ultimate appreciation of medium and form, inspired by everlasting principles of simplicity, balance, symmetry, order, and harmony. DeMeo created this one-of-a-kind 42-inch square painting using acrylic paint and gold leaf on a recycled fiber blanket which creates unique textures throughout the artwork. It is signed on the front and the back. It is stretched, wired, and ready to hang. Framing is not required. Free local Los Angeles delivery. Affordable U.S. and global shipping available. A certificate of authenticity issued by the art gallery is included. Originally from Pittsburgh, Pennsylvania, DeMeo is now based in Central Florida. Through his work, he seeks to express universal themes by bringing his eclectic personal experiences, philosophies, and emotions to the forefront. He has a deep belief in the power of art to bring transformation to both spaces and people. DeMeo’s artworks, packed with positive affirmations, have been collected across the United States. DeMeo focuses on exploring a concept that he has coined Synthesism™. It stems from the definition of the word synthesis: “the combining of often diverse elements into a coherent whole.” This theme of blending, combining, and remixing in many disciplines, especially music, architecture, and even culture leading to the growth of community is captured in his work. Modernism constructs, Post-modernism deconstructs, and Synthesism combines. Each of DeMeo’s artworks includes elements of precision and organic creation. The sharp lines offer a balancing contrast to details of drips, splashes, or scrapings that bring life to his work. DeMeo carefully layers each color while keeping attention to the relationships between them and the weight of each brushstroke. Every artwork offers intrinsic details and textures at a closer glance. Current movement influences include Abstract Expressionism, Bauhaus, Conceptualism, Gestalt, Human Centered Design, Wabi-Sabi, Black Mountain College. Current artistic influences include Helen Frankenthaler, Joan Mitchell, Robert Rauschenberg, Franz Kline, Cy Twombly, Pierre Soulages, Tomie Ohtake, Clyfford Still, Morris Louis, Terrence Conran...

"Mountain High [Silver]'' is an edition bronze sculpture by Paul Braslow. This sculpture is hand-signed. He was an American sculptor and artist that established himself in the medium...